{"version":"1.0","provider_name":"narteks.net","provider_url":"https:\/\/narteks.net","author_name":"Tar\u0131k","author_url":"https:\/\/narteks.net\/index.php\/author\/narbak\/","title":"Postmodern Nedir Sorusuna Cevap | J.-F. Lyotard","type":"rich","width":600,"height":338,"html":"<blockquote class=\"wp-embedded-content\" data-secret=\"lYnyRIK3Jg\"><a href=\"https:\/\/narteks.net\/index.php\/2009\/04\/26\/postmodern-nedir-sorusuna-cevap-j-f-lyotard\/\">Postmodern Nedir Sorusuna Cevap | J.-F. Lyotard<\/a><\/blockquote><iframe sandbox=\"allow-scripts\" security=\"restricted\" src=\"https:\/\/narteks.net\/index.php\/2009\/04\/26\/postmodern-nedir-sorusuna-cevap-j-f-lyotard\/embed\/#?secret=lYnyRIK3Jg\" width=\"600\" height=\"338\" title=\"&#8220;Postmodern Nedir Sorusuna Cevap | J.-F. Lyotard&#8221; &#8212; narteks.net\" data-secret=\"lYnyRIK3Jg\" frameborder=\"0\" marginwidth=\"0\" marginheight=\"0\" scrolling=\"no\" class=\"wp-embedded-content\"><\/iframe><script type=\"text\/javascript\">\n\/* <![CDATA[ *\/\n\/*! This file is auto-generated *\/\n!function(d,l){\"use strict\";l.querySelector&&d.addEventListener&&\"undefined\"!=typeof URL&&(d.wp=d.wp||{},d.wp.receiveEmbedMessage||(d.wp.receiveEmbedMessage=function(e){var t=e.data;if((t||t.secret||t.message||t.value)&&!\/[^a-zA-Z0-9]\/.test(t.secret)){for(var s,r,n,a=l.querySelectorAll('iframe[data-secret=\"'+t.secret+'\"]'),o=l.querySelectorAll('blockquote[data-secret=\"'+t.secret+'\"]'),c=new RegExp(\"^https?:$\",\"i\"),i=0;i<o.length;i++)o[i].style.display=\"none\";for(i=0;i<a.length;i++)s=a[i],e.source===s.contentWindow&&(s.removeAttribute(\"style\"),\"height\"===t.message?(1e3<(r=parseInt(t.value,10))?r=1e3:~~r<200&&(r=200),s.height=r):\"link\"===t.message&&(r=new URL(s.getAttribute(\"src\")),n=new URL(t.value),c.test(n.protocol))&&n.host===r.host&&l.activeElement===s&&(d.top.location.href=t.value))}},d.addEventListener(\"message\",d.wp.receiveEmbedMessage,!1),l.addEventListener(\"DOMContentLoaded\",function(){for(var e,t,s=l.querySelectorAll(\"iframe.wp-embedded-content\"),r=0;r<s.length;r++)(t=(e=s[r]).getAttribute(\"data-secret\"))||(t=Math.random().toString(36).substring(2,12),e.src+=\"#?secret=\"+t,e.setAttribute(\"data-secret\",t)),e.contentWindow.postMessage({message:\"ready\",secret:t},\"*\")},!1)))}(window,document);\n\/\/# sourceURL=https:\/\/narteks.net\/wp-includes\/js\/wp-embed.min.js\n\/* ]]> *\/\n<\/script>\n","description":"Bir gev\u015feme, vazge\u00e7me d\u00f6nemindeyiz. Zaman\u0131n renginden s\u00f6z ediyorum. Sanatlarda ve di\u011fer alanlarda denemeleri, deneyleri durdurmak i\u00e7in, d\u00f6rt bir taraftan s\u0131k\u0131\u015ft\u0131r\u0131l\u0131yoruz. Ger\u00e7ek\u00e7ilik ak\u0131mlar\u0131n\u0131 y\u00fccelten ve yeni bir \u00f6zelli\u011fin ortaya \u00e7\u0131kmas\u0131ndan yana olan bir sanat tarih\u00e7isini okudum. Resim piyasas\u0131nda Transavangardizm&#8217;i yay\u0131p, satan bir sanat ele\u015ftirmenini okudum. Mimarlar\u0131n, postmodernizm ad\u0131 alt\u0131nda, Bauhaus projesinden yakay\u0131 s\u0131y\u0131rmakta olduklar\u0131n\u0131 okudum: \u0130\u015flevcilik [&hellip;]","thumbnail_url":"https:\/\/encrypted-tbn0.gstatic.com\/images?q=tbn:ANd9GcTlVOopuSxBnbAbfqAl59VmfoHQJLNkRc7KaVPOCOEMH-X29rYT"}