{"version":"1.0","provider_name":"narteks.net","provider_url":"https:\/\/narteks.net","author_name":"Tar\u0131k","author_url":"https:\/\/narteks.net\/index.php\/author\/narbak\/","title":"Bertolt Brecht\u2019in sanat ve edebiyat anlay\u0131\u015f\u0131 (2)","type":"rich","width":600,"height":338,"html":"<blockquote class=\"wp-embedded-content\" data-secret=\"3u3VEn5zNm\"><a href=\"https:\/\/narteks.net\/index.php\/2010\/02\/08\/bertolt-brechtin-sanat-ve-edebiyat-anlayisi-2\/\">Bertolt Brecht\u2019in sanat ve edebiyat anlay\u0131\u015f\u0131 (2)<\/a><\/blockquote><iframe sandbox=\"allow-scripts\" security=\"restricted\" src=\"https:\/\/narteks.net\/index.php\/2010\/02\/08\/bertolt-brechtin-sanat-ve-edebiyat-anlayisi-2\/embed\/#?secret=3u3VEn5zNm\" width=\"600\" height=\"338\" title=\"&#8220;Bertolt Brecht\u2019in sanat ve edebiyat anlay\u0131\u015f\u0131 (2)&#8221; &#8212; narteks.net\" data-secret=\"3u3VEn5zNm\" frameborder=\"0\" marginwidth=\"0\" marginheight=\"0\" scrolling=\"no\" class=\"wp-embedded-content\"><\/iframe><script type=\"text\/javascript\">\n\/* <![CDATA[ *\/\n\/*! This file is auto-generated *\/\n!function(d,l){\"use strict\";l.querySelector&&d.addEventListener&&\"undefined\"!=typeof URL&&(d.wp=d.wp||{},d.wp.receiveEmbedMessage||(d.wp.receiveEmbedMessage=function(e){var t=e.data;if((t||t.secret||t.message||t.value)&&!\/[^a-zA-Z0-9]\/.test(t.secret)){for(var s,r,n,a=l.querySelectorAll('iframe[data-secret=\"'+t.secret+'\"]'),o=l.querySelectorAll('blockquote[data-secret=\"'+t.secret+'\"]'),c=new RegExp(\"^https?:$\",\"i\"),i=0;i<o.length;i++)o[i].style.display=\"none\";for(i=0;i<a.length;i++)s=a[i],e.source===s.contentWindow&&(s.removeAttribute(\"style\"),\"height\"===t.message?(1e3<(r=parseInt(t.value,10))?r=1e3:~~r<200&&(r=200),s.height=r):\"link\"===t.message&&(r=new URL(s.getAttribute(\"src\")),n=new URL(t.value),c.test(n.protocol))&&n.host===r.host&&l.activeElement===s&&(d.top.location.href=t.value))}},d.addEventListener(\"message\",d.wp.receiveEmbedMessage,!1),l.addEventListener(\"DOMContentLoaded\",function(){for(var e,t,s=l.querySelectorAll(\"iframe.wp-embedded-content\"),r=0;r<s.length;r++)(t=(e=s[r]).getAttribute(\"data-secret\"))||(t=Math.random().toString(36).substring(2,12),e.src+=\"#?secret=\"+t,e.setAttribute(\"data-secret\",t)),e.contentWindow.postMessage({message:\"ready\",secret:t},\"*\")},!1)))}(window,document);\n\/\/# sourceURL=https:\/\/narteks.net\/wp-includes\/js\/wp-embed.min.js\n\/* ]]> *\/\n<\/script>\n","description":"k\u00fclt\u00fcr-sanatBi\u00e7imcilik ve ger\u00e7ek\u00e7ilik tart\u0131\u015fmas\u0131 Sovyet Yazarlar\u0131 Birli\u011fi Kongre\u2019sinde -1934 y\u0131l\u0131nda-, Gorki, yolg\u00f6sterici \u015fiar olarak \u201cSosyalist Ger\u00e7ek\u00e7ilik\u201d \u015fiar\u0131n\u0131 ileri s\u00fcrer. Ayn\u0131 y\u0131l Moskova\u2019da \u00e7\u0131kan \u201cUluslararas\u0131 Edebiyat\u201d dergisinde, G. Luk\u00e1cs\u2019\u0131n \u201cEkspresyonizmin B\u00fcy\u00fckl\u00fc\u011f\u00fc ve \u00c7\u00f6k\u00fc\u015f\u00fc\u201d ba\u015fl\u0131kl\u0131 yaz\u0131s\u0131 yay\u0131nlan\u0131r. Bunu izleyen y\u0131llarda, \u00f6zellikle de 1936-1938 y\u0131llar\u0131 aras\u0131nda, kom\u00fcnist saflarda, ilk b\u00fcy\u00fck \u201cger\u00e7ek\u00e7ilik\u201d tart\u0131\u015fmas\u0131 ba\u015flar. Tart\u0131\u015fman\u0131n \u00e7\u0131k\u0131\u015f noktas\u0131, sanat ve [&hellip;]","thumbnail_url":"https:\/\/narteks.net\/wp-content\/uploads\/narteks.png","thumbnail_width":300,"thumbnail_height":90}