{"id":1367,"date":"2010-01-10T01:00:00","date_gmt":"2010-01-09T22:00:00","guid":{"rendered":"http:\/\/localhost\/wordpress\/2010\/01\/10\/tarih-kavrami-uzerineden-son-bakista-ask-walter-benjaminden-secme-yazilar\/"},"modified":"2010-01-10T01:00:00","modified_gmt":"2010-01-09T22:00:00","slug":"tarih-kavrami-uzerineden-son-bakista-ask-walter-benjaminden-secme-yazilar","status":"publish","type":"post","link":"https:\/\/narteks.net\/index.php\/2010\/01\/10\/tarih-kavrami-uzerineden-son-bakista-ask-walter-benjaminden-secme-yazilar\/","title":{"rendered":"Tarih Kavram\u0131 \u00dczerine’den | Son bak\u0131\u015fta a\u015fk – Walter Benjamin’den se\u00e7me yaz\u0131lar"},"content":{"rendered":"

<\/strong><\/strong>I<\/p>\n

Satran\u00e7 oynayan bir otomattan \u00e7ok s\u00f6z edilmi\u015ftir Rakibinin her hamlesine en do\u011fru cevab\u0131 vererek oyunu mutlaka kazanan bir otomat A\u011fz\u0131nda nargilesi, geleneksel T\u00fcrk giysileri i\u00e7inde bir kukla, geni\u015f bir masan\u0131n \u00fcst\u00fcndeki satran\u00e7 tahtas\u0131n\u0131n ba\u015f\u0131nda otururdu Yanlardaki aynalar, nereden bak\u0131l\u0131rsa bak\u0131ls\u0131n masan\u0131n alt\u0131n\u0131 bo\u015fmu\u015f gibi g\u00f6steriyordu Asl\u0131nda a\u015fa\u011f\u0131da satran\u00e7 ustas\u0131 kambur bir c\u00fcce vard\u0131; iplerle kuklan\u0131n kollar\u0131n\u0131 oynat\u0131yordu Bu ayg\u0131t\u0131n bir de felsefi kar\u015f\u0131l\u0131\u011f\u0131 d\u00fc\u015f\u00fcn\u00fclebilir: “Tarihsel maddecilik” adl\u0131 kukla daima kazanacakt\u0131r Her oyuncuyla \u00e7ekinmeden kar\u015f\u0131la\u015fabilir, yeter ki, bug\u00fcn besbelli \u015fekilsiz bir c\u00fcceye d\u00f6nm\u00fc\u015f, zaten g\u00f6zden uzak durmas\u0131 gereken teolojiyi hizmetine als\u0131n<\/p>\n

II<\/p>\n

“\u0130nsan\u0131n en dikkate de\u011fer \u00f6zelliklerinden biri,” diyor Lotze(1), “tek tek bunca bencilli\u011fin yan\u0131 s\u0131ra, ya\u015fad\u0131\u011f\u0131 \u00e2n\u0131n yar\u0131na hepten kay\u0131ts\u0131z kalmas\u0131d\u0131r” “D\u00fc\u015f\u00fcn\u00fcnce g\u00f6r\u00fcr\u00fcz ki, mutluluk imgemiz ba\u015ftan ba\u015fa, kendi varolu\u015fumuzun bizi bir kere i\u00e7ine s\u00fcr\u00fckledi\u011fi zaman\u0131n renklerini alm\u0131\u015ft\u0131r Bizde imrenme duygusu uyand\u0131racak mutluluk, sadece solumu\u015f oldu\u011fumuz havada vard\u0131r; baz\u0131 insanlarla konu\u015fabilirdik, baz\u0131 kad\u0131nlar kendilerini bize verebilirlerdi, orada Ba\u015fka bir deyi\u015fle, mutluluk imgemiz ayr\u0131lmaz bi\u00e7imde kurtarma ve kurtar\u0131lma imgemizle birliktedir Tarihin konusu olan ge\u00e7mi\u015f imgemiz i\u00e7in de b\u00f6yledir bu Ge\u00e7mi\u015f, gizli bir zaman dizini ta\u015f\u0131r; ona kurtulma kap\u0131s\u0131n\u0131 a\u00e7an budur Eskileri ku\u015fatm\u0131\u015f olan havan\u0131n solu\u011fu bize de\u011fip ge\u00e7mez mi? Kulak verdi\u011fimiz seslerde, art\u0131k susmu\u015f olanlar\u0131n yank\u0131s\u0131 yok mudur? Kur yapt\u0131\u011f\u0131m\u0131z kad\u0131nlar\u0131n tan\u0131mad\u0131klar\u0131 k\u0131zkarde\u015fleri olmam\u0131\u015f m\u0131d\u0131r? B\u00f6yleyse e\u011fer, bizimle ge\u00e7mi\u015f ku\u015faklar aras\u0131nda gizli bir anla\u015fma var demektir: Bu d\u00fcnyada bekleniyorduk biz Daha \u00f6nceki her ku\u015fak gibi biz de zay\u0131f bir Mesiyanik g\u00fc\u00e7le donat\u0131lm\u0131\u015f\u0131z, ge\u00e7mi\u015fin \u00fcst\u00fcnde hak iddia etti\u011fi bir g\u00fc\u00e7 Bu iddian\u0131n kar\u015f\u0131l\u0131\u011f\u0131n\u0131 vermek kolay de\u011fildir Tarihsel maddeci bunun fark\u0131ndad\u0131r<\/p>\n

III<\/p>\n

Olaylar\u0131 \u00f6nemlerine g\u00f6re ay\u0131rt etmeden say\u0131p d\u00f6ken vakan\u00fcvis, \u015fu do\u011frudan yola \u00e7\u0131kar: Hi\u00e7bir olay tarih i\u00e7in kaybolmu\u015f say\u0131lamaz Oysa, ancak kurtulmu\u015f bir insanl\u0131k ge\u00e7mi\u015fine t\u00fcm\u00fcyle sahip \u00e7\u0131kabilir Bu demektir ki, ancak kurtulmu\u015f bir insanl\u0131k ge\u00e7mi\u015fini b\u00fct\u00fcn anlar\u0131yla zikredebilir Ya\u015fanm\u0131\u015f her an art\u0131k bir citation \u00e0 l’ordre du jour’a(2) d\u00f6n\u00fc\u015f\u00fcr Bu, H\u00fck\u00fcm G\u00fcn\u00fc’d\u00fcr<\/p>\n

IV<\/p>\n

\u00d6nce karn\u0131n\u0131z\u0131 tok, s\u0131rt\u0131n\u0131z\u0131 pek tutmaya bak\u0131n; Tanr\u0131’n\u0131n \u00dclkesinin kap\u0131lar\u0131 \u00f6n\u00fcn\u00fczde kendili\u011finden a\u00e7\u0131lacakt\u0131r \u2013 Hegel, 1807<\/p>\n

Marx’dan feyz alm\u0131\u015f tarih\u00e7inin her zaman g\u00f6z \u00f6n\u00fcnde tuttu\u011fu s\u0131n\u0131f m\u00fccadelesi, kaba ve maddi \u015feyler i\u00e7in yap\u0131lan bir m\u00fccadeledir Bunlar olmadan incelmi\u015f ve manevi \u015feyler de olamaz Yine de s\u0131n\u0131f m\u00fccadelesinde bu de\u011ferler, galibin pay\u0131na d\u00fc\u015fen bir ganimet gibi \u00e7\u0131kmaz ortaya Umut, cesaret, mizah, kurnazl\u0131k ve azimk\u00e2rl\u0131kta hayat bulurlar Ge\u00e7mi\u015fin derinliklerine uzan\u0131r etkileri: H\u00e2kim olan\u0131n her zaferini yeni ba\u015ftan sorgularlar \u00c7i\u00e7eklerin y\u00fczlerini g\u00fcne\u015fe d\u00f6nmesi gibi, ge\u00e7mi\u015f de gizemli bir g\u00fcne\u015f tutkusunun verdi\u011fi \u015fevkle, tarihin ufkunda y\u00fckselen g\u00fcne\u015fe uzanmak i\u00e7in \u00e7abalar Tarihsel maddeci, bu g\u00f6ze g\u00f6r\u00fcnmez d\u00f6n\u00fc\u015f\u00fcm\u00fcn fark\u0131nda olmal\u0131d\u0131r<\/p>\n

V<\/p>\n

Ge\u00e7mi\u015fin ger\u00e7ek imgesi u\u00e7ucudur Ge\u00e7mi\u015f ancak, bir daha g\u00f6r\u00fcnmemek \u00fczere kendini g\u00f6sterdi\u011fi an, birden parlay\u0131p ayd\u0131nlan\u0131veren bir resim olarak yakalanabilir “Hakikat bizden ka\u00e7amaz”: Gottfried Keller’in(3) bu s\u00f6zleri, historisizmin tarih anlay\u0131\u015f\u0131nda, tarihsel maddecili\u011fin tam da darbe indirece\u011fi noktaya i\u015faret ediyor \u00c7\u00fcnk\u00fc ge\u00e7mi\u015f imgesi, onda kendini ama\u00e7lanm\u0131\u015f olarak bulmayan her bug\u00fcnle birlikte, yitip gitme tehdidi ta\u015f\u0131r; bu imge bir daha geri getirilemez (Tarih\u00e7i ge\u00e7mi\u015fe bak\u0131p hararetle m\u00fcjdeler verirken, belki de a\u011fz\u0131n\u0131 a\u00e7t\u0131\u011f\u0131 anda art\u0131k bo\u015fa konu\u015fmaktad\u0131r)(4)<\/p>\n

VI<\/p>\n

Ge\u00e7mi\u015fi tarihsel olarak kurmak “onu ger\u00e7ekten olmu\u015f oldu\u011fu gibi” tan\u0131mak de\u011fil, tehlike \u00e2n\u0131nda birden parlay\u0131veren an\u0131y\u0131 ele ge\u00e7irmektir Tarihsel maddecili\u011fin meselesi, tehlike \u00e2n\u0131nda tarihsel \u00f6znenin kar\u015f\u0131s\u0131nda beklenmedik bir \u015fekilde beliriveren ge\u00e7mi\u015f imgesini al\u0131koymakt\u0131r Gelene\u011fin hem kendi varl\u0131\u011f\u0131, hem de onu devralanlar tehlikededir Her ikisi de ayn\u0131 tehdit alt\u0131ndad\u0131r: H\u00e2kim s\u0131n\u0131f\u0131n aleti durumuna d\u00fc\u015fmek Gelene\u011fi, onu h\u00fckm\u00fc alt\u0131na almak \u00fczere olan konformizmin elinden \u00e7ekip almak, her d\u00f6nemde yeni ba\u015ftan giri\u015filmesi gereken bir \u00e7abad\u0131r Mesih sadece kurtar\u0131c\u0131 olarak de\u011fil, ayn\u0131 zamanda Deccal’e boyun e\u011fdirmek \u00fczere gelir D\u00fc\u015fman kazanacak olursa, \u00f6l\u00fcler bile pay\u0131n\u0131 alacak bundan Ancak bu endi\u015feyi i\u00e7inde duyan tarih\u00e7i, ge\u00e7mi\u015fteki umut k\u0131v\u0131lc\u0131mlar\u0131n\u0131 alevlendirme yetisine sahiptir Ve d\u00fc\u015fman kazanmaya devam ediyor h\u00e2l\u00e2
VII<\/p>\n

D\u00fc\u015f\u00fcn\u00fcn karanl\u0131\u011f\u0131 ve ac\u0131 so\u011fu\u011fu Feryatlar\u0131n yank\u0131land\u0131\u011f\u0131 bu vadide \u2013 Brecht, \u00dc\u00e7 Kuru\u015fluk Opera<\/p>\n

Bir \u00e7a\u011f\u0131 yeniden ya\u015famak isteyen tarih\u00e7iye Fustel de Coulanges’\u0131n(5) \u00f6\u011f\u00fcd\u00fc, tarihin sonraki ak\u0131\u015f\u0131 hakk\u0131nda bildiklerini t\u00fcm\u00fcyle bir kenara b\u0131rakmas\u0131d\u0131r Tarihsel maddecili\u011fin kar\u015f\u0131s\u0131na ald\u0131\u011f\u0131 y\u00f6ntemin bundan iyi tan\u0131m\u0131 olamaz Bu bir duyguda\u015fl\u0131k, bir empati y\u00f6ntemidir Kayna\u011f\u0131n\u0131 acedia’da, atalette bulur; tarihin bir an parlay\u0131p s\u00f6nen ger\u00e7ek imgesini yakalay\u0131p sahiplenme umudunu ta\u015f\u0131maz Orta\u00e7a\u011f teologlar\u0131 bunu h\u00fczn\u00fcn ilk nedeni sayarlard\u0131 Bu duyguyu tan\u0131m\u0131\u015f olan Flaubert \u015f\u00f6yle yaz\u0131yor: “Peu de gens devineront combien il a fallu \u00eatre triste pour ressusciter Carthage”(6) Historisist tarih\u00e7inin asl\u0131nda kiminle duyguda\u015f oldu\u011fu sorusu ortaya at\u0131ld\u0131\u011f\u0131nda, bu h\u00fczn\u00fcn niteli\u011fi daha da a\u00e7\u0131\u011fa \u00e7\u0131kar Cevap belli: Galip gelenle! H\u00fckmedenlerin hepsi de, kendilerinden \u00f6nce galip gelmi\u015f olanlar\u0131n miras\u00e7\u0131s\u0131d\u0131r O halde galiple duyguda\u015fl\u0131k, daima h\u00fckmedenlerin i\u015fine yarar Tarihsel maddeci i\u00e7in bunun anlam\u0131 yeterince a\u00e7\u0131kt\u0131r Bu \u00e2na kadar hep galip gelenler, bug\u00fcn h\u00fckmedenlerin altta kalanlar\u0131 \u00e7i\u011fneyerek ilerledi\u011fi zafer alay\u0131nda yerlerini al\u0131rlar Her zamanki gibi ganimetler de alayla birlikte ta\u015f\u0131n\u0131r K\u00fclt\u00fcrel zenginlik denir bunlara Ama tarihsel maddeci zafer alay\u0131n\u0131 temkinli bak\u0131\u015flarla uzaktan izler \u00c7\u00fcnk\u00fc bu k\u00fclt\u00fcrel zenginlikler, hi\u00e7 istisnas\u0131z, deh\u015fet duygusuna kap\u0131lmadan d\u00fc\u015f\u00fcn\u00fclemeyecek bir k\u00f6kene sahiptir Varl\u0131klar\u0131n\u0131 sadece onlar\u0131 yaratan b\u00fcy\u00fck dehalar\u0131n \u00e7abalar\u0131na de\u011fil, ayn\u0131 zamanda o \u00e7a\u011fda ya\u015fam\u0131\u015f ad\u0131 san\u0131 bilinmeyen insanlar\u0131n katland\u0131\u011f\u0131 k\u00fclfetlere de bor\u00e7ludurlar Hi\u00e7bir k\u00fclt\u00fcr \u00fcr\u00fcn\u00fc yoktur ki, ayn\u0131 zamanda bir barbarl\u0131k belgesi olmas\u0131n Ve k\u00fclt\u00fcr \u00fcr\u00fcn\u00fcn\u00fcn kendisi gibi, elden ele aktar\u0131lma s\u00fcreci de nasibini al\u0131r bu barbarl\u0131ktan Bu y\u00fczden tarihsel maddeci, kendini bundan olabildi\u011fince uzak tutar Kendine bi\u00e7ti\u011fi g\u00f6rev, tarihin hav\u0131n\u0131 tersine taramakt\u0131r<\/p>\n

VIII<\/p>\n

Ezilenlerin gelene\u011fi g\u00f6steriyor ki, i\u00e7inde ya\u015fad\u0131\u011f\u0131m\u0131z “ola\u011fan\u00fcst\u00fc hal” istisna de\u011fil kurald\u0131r Buna denk d\u00fc\u015fen bir tarih anlay\u0131\u015f\u0131na ula\u015fmak zorunday\u0131z O zaman a\u00e7\u0131k\u00e7a g\u00f6rece\u011fiz ki, ger\u00e7ek ola\u011fan\u00fcst\u00fc hali yaratmak bize d\u00fc\u015fen bir g\u00f6revdir B\u00f6ylece, fa\u015fizme kar\u015f\u0131 m\u00fccadelede daha iyi bir konuma ula\u015faca\u011f\u0131z Fa\u015fizm, talihini biraz da, has\u0131mlar\u0131n\u0131n ilerleme ad\u0131na onu tarihsel bir norm gibi g\u00f6rmelerine bor\u00e7ludur Yirminci y\u00fczy\u0131lda bu ya\u015fad\u0131klar\u0131m\u0131z\u0131n “h\u00e2l\u00e2” nas\u0131l m\u00fcmk\u00fcn oldu\u011funa \u015fa\u015fmak, felsefi bir bak\u0131\u015f de\u011fildir Bu \u015fa\u015fk\u0131nl\u0131k bizi, herhangi bir bilgiye de g\u00f6t\u00fcrmez, tek bir bilgi hari\u00e7 tabii: Kayna\u011f\u0131ndaki tarih anlay\u0131\u015f\u0131n\u0131n iler tutar taraf\u0131 olmad\u0131\u011f\u0131<\/p>\n

IX<\/p>\n

Haz\u0131r\u0131m kanat \u00e7\u0131rpmaya
“D\u00f6nsem,” derim, “d\u00f6nsem geriye”
Bir an daha kal\u0131rsam burada
Korkar\u0131m hi\u00e7 d\u00f6nemem diye
\u2013 Gerhard Scholem, “Mele\u011fin Selam\u0131”<\/p>\n

Klee’nin “Angelus Novus” adl\u0131 bir tablosu var Bak\u0131\u015flar\u0131n\u0131 ay\u0131ramad\u0131\u011f\u0131 bir \u015feyden sanki uzakla\u015f\u0131p gitmek \u00fczere olan bir mele\u011fi tasvir ediyor: G\u00f6zleri falta\u015f\u0131 gibi, a\u011fz\u0131 a\u00e7\u0131k, kanatlar\u0131 gerilmi\u015f Tarih mele\u011finin g\u00f6r\u00fcn\u00fc\u015f\u00fc de ancak b\u00f6yle olabilir, y\u00fcz\u00fc ge\u00e7mi\u015fe \u00e7evrilmi\u015f Bize bir olaylar zinciri gibi g\u00f6r\u00fcnenleri, o tek bir felaket olarak g\u00f6r\u00fcr, y\u0131k\u0131nt\u0131lar\u0131 durmadan \u00fcst \u00fcste y\u0131\u011f\u0131p ayaklar\u0131n\u0131n \u00f6n\u00fcne f\u0131rlatan bir felaket Biraz daha kalmak isterdi melek, \u00f6l\u00fcleri hayata d\u00f6nd\u00fcrmek, k\u0131r\u0131k par\u00e7alar\u0131 yeniden birle\u015ftirmek Ama Cennet’ten kopup gelen bir f\u0131rt\u0131na kanatlar\u0131n\u0131 \u00f6yle \u015fiddetle yakalam\u0131\u015ft\u0131r ki, bir daha kapayamaz onlar\u0131 Y\u0131k\u0131nt\u0131lar g\u00f6zlerinin \u00f6n\u00fcnde g\u00f6\u011fe do\u011fru y\u00fckselirken, f\u0131rt\u0131nayla birlikte \u00e7aresiz, s\u0131rt\u0131n\u0131 d\u00f6nd\u00fc\u011f\u00fc gelece\u011fe s\u00fcr\u00fcklenir \u0130\u015fte ilerleme dedi\u011fimiz \u015fey, bu f\u0131rt\u0131nad\u0131r\u2026<\/p>\n

Benjamin<\/em><\/p>\n","protected":false},"excerpt":{"rendered":"

I Satran\u00e7 oynayan bir otomattan \u00e7ok s\u00f6z edilmi\u015ftir Rakibinin her hamlesine en do\u011fru cevab\u0131 vererek oyunu mutlaka kazanan bir otomat A\u011fz\u0131nda nargilesi, geleneksel T\u00fcrk giysileri i\u00e7inde bir kukla, geni\u015f bir masan\u0131n \u00fcst\u00fcndeki satran\u00e7 tahtas\u0131n\u0131n ba\u015f\u0131nda otururdu Yanlardaki aynalar, nereden bak\u0131l\u0131rsa bak\u0131ls\u0131n masan\u0131n alt\u0131n\u0131 bo\u015fmu\u015f gibi g\u00f6steriyordu Asl\u0131nda a\u015fa\u011f\u0131da satran\u00e7 ustas\u0131 kambur bir c\u00fcce vard\u0131; iplerle […]<\/p>\n","protected":false},"author":1,"featured_media":0,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[74],"tags":[],"class_list":["post-1367","post","type-post","status-publish","format-standard","category-walter-benjamin"],"yoast_head":"\nTarih Kavram\u0131 \u00dczerine'den | Son bak\u0131\u015fta a\u015fk - Walter Benjamin'den se\u00e7me yaz\u0131lar - narteks.net<\/title>\n<meta name=\"robots\" content=\"index, follow, max-snippet:-1, max-image-preview:large, max-video-preview:-1\" \/>\n<link rel=\"canonical\" href=\"https:\/\/narteks.net\/index.php\/2010\/01\/10\/tarih-kavrami-uzerineden-son-bakista-ask-walter-benjaminden-secme-yazilar\/\" \/>\n<meta property=\"og:locale\" content=\"tr_TR\" \/>\n<meta property=\"og:type\" content=\"article\" \/>\n<meta property=\"og:title\" content=\"Tarih Kavram\u0131 \u00dczerine'den | Son bak\u0131\u015fta a\u015fk - Walter Benjamin'den se\u00e7me yaz\u0131lar\" \/>\n<meta property=\"og:description\" content=\"I Satran\u00e7 oynayan bir otomattan \u00e7ok s\u00f6z edilmi\u015ftir Rakibinin her hamlesine en do\u011fru cevab\u0131 vererek oyunu mutlaka kazanan bir otomat A\u011fz\u0131nda nargilesi, geleneksel T\u00fcrk giysileri i\u00e7inde bir kukla, geni\u015f bir masan\u0131n \u00fcst\u00fcndeki satran\u00e7 tahtas\u0131n\u0131n ba\u015f\u0131nda otururdu Yanlardaki aynalar, nereden bak\u0131l\u0131rsa bak\u0131ls\u0131n masan\u0131n alt\u0131n\u0131 bo\u015fmu\u015f gibi g\u00f6steriyordu Asl\u0131nda a\u015fa\u011f\u0131da satran\u00e7 ustas\u0131 kambur bir c\u00fcce vard\u0131; iplerle […]\" \/>\n<meta property=\"og:url\" content=\"https:\/\/narteks.net\/index.php\/2010\/01\/10\/tarih-kavrami-uzerineden-son-bakista-ask-walter-benjaminden-secme-yazilar\/\" \/>\n<meta property=\"og:site_name\" content=\"narteks.net\" \/>\n<meta property=\"article:published_time\" content=\"2010-01-09T22:00:00+00:00\" \/>\n<meta property=\"og:image\" content=\"https:\/\/narteks.net\/wp-content\/uploads\/narteks.png\" \/>\n\t<meta property=\"og:image:width\" content=\"300\" \/>\n\t<meta property=\"og:image:height\" content=\"90\" \/>\n\t<meta property=\"og:image:type\" content=\"image\/png\" \/>\n<meta name=\"author\" content=\"Tar\u0131k\" \/>\n<meta name=\"twitter:card\" content=\"summary_large_image\" \/>\n<meta name=\"twitter:creator\" content=\"@narteks\" \/>\n<meta name=\"twitter:site\" content=\"@narteks\" \/>\n<meta name=\"twitter:label1\" content=\"Yazan:\" \/>\n\t<meta name=\"twitter:data1\" content=\"Tar\u0131k\" \/>\n\t<meta name=\"twitter:label2\" content=\"Tahmini okuma s\u00fcresi\" \/>\n\t<meta name=\"twitter:data2\" content=\"8 dakika\" \/>\n<script type=\"application\/ld+json\" class=\"yoast-schema-graph\">{\"@context\":\"https:\/\/schema.org\",\"@graph\":[{\"@type\":\"Article\",\"@id\":\"https:\/\/narteks.net\/index.php\/2010\/01\/10\/tarih-kavrami-uzerineden-son-bakista-ask-walter-benjaminden-secme-yazilar\/#article\",\"isPartOf\":{\"@id\":\"https:\/\/narteks.net\/index.php\/2010\/01\/10\/tarih-kavrami-uzerineden-son-bakista-ask-walter-benjaminden-secme-yazilar\/\"},\"author\":{\"name\":\"Tar\u0131k\",\"@id\":\"https:\/\/narteks.net\/#\/schema\/person\/61f37d9834294b72d31d274e7ed79bca\"},\"headline\":\"Tarih Kavram\u0131 \u00dczerine’den | Son bak\u0131\u015fta a\u015fk – Walter Benjamin’den se\u00e7me yaz\u0131lar\",\"datePublished\":\"2010-01-09T22:00:00+00:00\",\"mainEntityOfPage\":{\"@id\":\"https:\/\/narteks.net\/index.php\/2010\/01\/10\/tarih-kavrami-uzerineden-son-bakista-ask-walter-benjaminden-secme-yazilar\/\"},\"wordCount\":1596,\"commentCount\":0,\"publisher\":{\"@id\":\"https:\/\/narteks.net\/#organization\"},\"articleSection\":[\"Walter BENJAM\u0130N\"],\"inLanguage\":\"tr\",\"potentialAction\":[{\"@type\":\"CommentAction\",\"name\":\"Comment\",\"target\":[\"https:\/\/narteks.net\/index.php\/2010\/01\/10\/tarih-kavrami-uzerineden-son-bakista-ask-walter-benjaminden-secme-yazilar\/#respond\"]}]},{\"@type\":\"WebPage\",\"@id\":\"https:\/\/narteks.net\/index.php\/2010\/01\/10\/tarih-kavrami-uzerineden-son-bakista-ask-walter-benjaminden-secme-yazilar\/\",\"url\":\"https:\/\/narteks.net\/index.php\/2010\/01\/10\/tarih-kavrami-uzerineden-son-bakista-ask-walter-benjaminden-secme-yazilar\/\",\"name\":\"Tarih Kavram\u0131 \u00dczerine'den | Son bak\u0131\u015fta a\u015fk - Walter Benjamin'den se\u00e7me yaz\u0131lar - narteks.net\",\"isPartOf\":{\"@id\":\"https:\/\/narteks.net\/#website\"},\"datePublished\":\"2010-01-09T22:00:00+00:00\",\"breadcrumb\":{\"@id\":\"https:\/\/narteks.net\/index.php\/2010\/01\/10\/tarih-kavrami-uzerineden-son-bakista-ask-walter-benjaminden-secme-yazilar\/#breadcrumb\"},\"inLanguage\":\"tr\",\"potentialAction\":[{\"@type\":\"ReadAction\",\"target\":[\"https:\/\/narteks.net\/index.php\/2010\/01\/10\/tarih-kavrami-uzerineden-son-bakista-ask-walter-benjaminden-secme-yazilar\/\"]}]},{\"@type\":\"BreadcrumbList\",\"@id\":\"https:\/\/narteks.net\/index.php\/2010\/01\/10\/tarih-kavrami-uzerineden-son-bakista-ask-walter-benjaminden-secme-yazilar\/#breadcrumb\",\"itemListElement\":[{\"@type\":\"ListItem\",\"position\":1,\"name\":\"Anasayfa\",\"item\":\"https:\/\/narteks.net\/\"},{\"@type\":\"ListItem\",\"position\":2,\"name\":\"Tarih Kavram\u0131 \u00dczerine’den | Son bak\u0131\u015fta a\u015fk – Walter Benjamin’den se\u00e7me yaz\u0131lar\"}]},{\"@type\":\"WebSite\",\"@id\":\"https:\/\/narteks.net\/#website\",\"url\":\"https:\/\/narteks.net\/\",\"name\":\"narteks.net\",\"description\":\"K\u00fclt\u00fcr Sanat Edebiyat Felsefe\",\"publisher\":{\"@id\":\"https:\/\/narteks.net\/#organization\"},\"alternateName\":\"K\u00fclt\u00fcr Sanat Edebiyat Felsefe\",\"potentialAction\":[{\"@type\":\"SearchAction\",\"target\":{\"@type\":\"EntryPoint\",\"urlTemplate\":\"https:\/\/narteks.net\/?s={search_term_string}\"},\"query-input\":{\"@type\":\"PropertyValueSpecification\",\"valueRequired\":true,\"valueName\":\"search_term_string\"}}],\"inLanguage\":\"tr\"},{\"@type\":\"Organization\",\"@id\":\"https:\/\/narteks.net\/#organization\",\"name\":\"narteks.net\",\"url\":\"https:\/\/narteks.net\/\",\"logo\":{\"@type\":\"ImageObject\",\"inLanguage\":\"tr\",\"@id\":\"https:\/\/narteks.net\/#\/schema\/logo\/image\/\",\"url\":\"https:\/\/narteks.net\/wp-content\/uploads\/narteks.png\",\"contentUrl\":\"https:\/\/narteks.net\/wp-content\/uploads\/narteks.png\",\"width\":300,\"height\":90,\"caption\":\"narteks.net\"},\"image\":{\"@id\":\"https:\/\/narteks.net\/#\/schema\/logo\/image\/\"},\"sameAs\":[\"https:\/\/x.com\/narteks\",\"https:\/\/instagram.com\/narteksnet\"]},{\"@type\":\"Person\",\"@id\":\"https:\/\/narteks.net\/#\/schema\/person\/61f37d9834294b72d31d274e7ed79bca\",\"name\":\"Tar\u0131k\",\"image\":{\"@type\":\"ImageObject\",\"inLanguage\":\"tr\",\"@id\":\"https:\/\/narteks.net\/#\/schema\/person\/image\/\",\"url\":\"https:\/\/secure.gravatar.com\/avatar\/50865afb55632c4ae467e0af0930f6510aa2297d8014be502a55b14f3b7550cf?s=96&d=mm&r=g\",\"contentUrl\":\"https:\/\/secure.gravatar.com\/avatar\/50865afb55632c4ae467e0af0930f6510aa2297d8014be502a55b14f3b7550cf?s=96&d=mm&r=g\",\"caption\":\"Tar\u0131k\"},\"sameAs\":[\"http:\/\/narteks.net\"],\"url\":\"https:\/\/narteks.net\/index.php\/author\/narbak\/\"}]}<\/script>\n<!-- \/ Yoast SEO Premium plugin. -->","yoast_head_json":{"title":"Tarih Kavram\u0131 \u00dczerine'den | Son bak\u0131\u015fta a\u015fk - Walter Benjamin'den se\u00e7me yaz\u0131lar - narteks.net","robots":{"index":"index","follow":"follow","max-snippet":"max-snippet:-1","max-image-preview":"max-image-preview:large","max-video-preview":"max-video-preview:-1"},"canonical":"https:\/\/narteks.net\/index.php\/2010\/01\/10\/tarih-kavrami-uzerineden-son-bakista-ask-walter-benjaminden-secme-yazilar\/","og_locale":"tr_TR","og_type":"article","og_title":"Tarih Kavram\u0131 \u00dczerine'den | Son bak\u0131\u015fta a\u015fk - Walter Benjamin'den se\u00e7me yaz\u0131lar","og_description":"I Satran\u00e7 oynayan bir otomattan \u00e7ok s\u00f6z edilmi\u015ftir Rakibinin her hamlesine en do\u011fru cevab\u0131 vererek oyunu mutlaka kazanan bir otomat A\u011fz\u0131nda nargilesi, geleneksel T\u00fcrk giysileri i\u00e7inde bir kukla, geni\u015f bir masan\u0131n \u00fcst\u00fcndeki satran\u00e7 tahtas\u0131n\u0131n ba\u015f\u0131nda otururdu Yanlardaki aynalar, nereden bak\u0131l\u0131rsa bak\u0131ls\u0131n masan\u0131n alt\u0131n\u0131 bo\u015fmu\u015f gibi g\u00f6steriyordu Asl\u0131nda a\u015fa\u011f\u0131da satran\u00e7 ustas\u0131 kambur bir c\u00fcce vard\u0131; iplerle […]","og_url":"https:\/\/narteks.net\/index.php\/2010\/01\/10\/tarih-kavrami-uzerineden-son-bakista-ask-walter-benjaminden-secme-yazilar\/","og_site_name":"narteks.net","article_published_time":"2010-01-09T22:00:00+00:00","og_image":[{"width":300,"height":90,"url":"https:\/\/narteks.net\/wp-content\/uploads\/narteks.png","type":"image\/png"}],"author":"Tar\u0131k","twitter_card":"summary_large_image","twitter_creator":"@narteks","twitter_site":"@narteks","twitter_misc":{"Yazan:":"Tar\u0131k","Tahmini okuma s\u00fcresi":"8 dakika"},"schema":{"@context":"https:\/\/schema.org","@graph":[{"@type":"Article","@id":"https:\/\/narteks.net\/index.php\/2010\/01\/10\/tarih-kavrami-uzerineden-son-bakista-ask-walter-benjaminden-secme-yazilar\/#article","isPartOf":{"@id":"https:\/\/narteks.net\/index.php\/2010\/01\/10\/tarih-kavrami-uzerineden-son-bakista-ask-walter-benjaminden-secme-yazilar\/"},"author":{"name":"Tar\u0131k","@id":"https:\/\/narteks.net\/#\/schema\/person\/61f37d9834294b72d31d274e7ed79bca"},"headline":"Tarih Kavram\u0131 \u00dczerine’den | Son bak\u0131\u015fta a\u015fk – Walter Benjamin’den se\u00e7me yaz\u0131lar","datePublished":"2010-01-09T22:00:00+00:00","mainEntityOfPage":{"@id":"https:\/\/narteks.net\/index.php\/2010\/01\/10\/tarih-kavrami-uzerineden-son-bakista-ask-walter-benjaminden-secme-yazilar\/"},"wordCount":1596,"commentCount":0,"publisher":{"@id":"https:\/\/narteks.net\/#organization"},"articleSection":["Walter BENJAM\u0130N"],"inLanguage":"tr","potentialAction":[{"@type":"CommentAction","name":"Comment","target":["https:\/\/narteks.net\/index.php\/2010\/01\/10\/tarih-kavrami-uzerineden-son-bakista-ask-walter-benjaminden-secme-yazilar\/#respond"]}]},{"@type":"WebPage","@id":"https:\/\/narteks.net\/index.php\/2010\/01\/10\/tarih-kavrami-uzerineden-son-bakista-ask-walter-benjaminden-secme-yazilar\/","url":"https:\/\/narteks.net\/index.php\/2010\/01\/10\/tarih-kavrami-uzerineden-son-bakista-ask-walter-benjaminden-secme-yazilar\/","name":"Tarih Kavram\u0131 \u00dczerine'den | Son bak\u0131\u015fta a\u015fk - Walter Benjamin'den se\u00e7me yaz\u0131lar - narteks.net","isPartOf":{"@id":"https:\/\/narteks.net\/#website"},"datePublished":"2010-01-09T22:00:00+00:00","breadcrumb":{"@id":"https:\/\/narteks.net\/index.php\/2010\/01\/10\/tarih-kavrami-uzerineden-son-bakista-ask-walter-benjaminden-secme-yazilar\/#breadcrumb"},"inLanguage":"tr","potentialAction":[{"@type":"ReadAction","target":["https:\/\/narteks.net\/index.php\/2010\/01\/10\/tarih-kavrami-uzerineden-son-bakista-ask-walter-benjaminden-secme-yazilar\/"]}]},{"@type":"BreadcrumbList","@id":"https:\/\/narteks.net\/index.php\/2010\/01\/10\/tarih-kavrami-uzerineden-son-bakista-ask-walter-benjaminden-secme-yazilar\/#breadcrumb","itemListElement":[{"@type":"ListItem","position":1,"name":"Anasayfa","item":"https:\/\/narteks.net\/"},{"@type":"ListItem","position":2,"name":"Tarih Kavram\u0131 \u00dczerine’den | Son bak\u0131\u015fta a\u015fk – Walter Benjamin’den se\u00e7me yaz\u0131lar"}]},{"@type":"WebSite","@id":"https:\/\/narteks.net\/#website","url":"https:\/\/narteks.net\/","name":"narteks.net","description":"K\u00fclt\u00fcr Sanat Edebiyat Felsefe","publisher":{"@id":"https:\/\/narteks.net\/#organization"},"alternateName":"K\u00fclt\u00fcr Sanat Edebiyat Felsefe","potentialAction":[{"@type":"SearchAction","target":{"@type":"EntryPoint","urlTemplate":"https:\/\/narteks.net\/?s={search_term_string}"},"query-input":{"@type":"PropertyValueSpecification","valueRequired":true,"valueName":"search_term_string"}}],"inLanguage":"tr"},{"@type":"Organization","@id":"https:\/\/narteks.net\/#organization","name":"narteks.net","url":"https:\/\/narteks.net\/","logo":{"@type":"ImageObject","inLanguage":"tr","@id":"https:\/\/narteks.net\/#\/schema\/logo\/image\/","url":"https:\/\/narteks.net\/wp-content\/uploads\/narteks.png","contentUrl":"https:\/\/narteks.net\/wp-content\/uploads\/narteks.png","width":300,"height":90,"caption":"narteks.net"},"image":{"@id":"https:\/\/narteks.net\/#\/schema\/logo\/image\/"},"sameAs":["https:\/\/x.com\/narteks","https:\/\/instagram.com\/narteksnet"]},{"@type":"Person","@id":"https:\/\/narteks.net\/#\/schema\/person\/61f37d9834294b72d31d274e7ed79bca","name":"Tar\u0131k","image":{"@type":"ImageObject","inLanguage":"tr","@id":"https:\/\/narteks.net\/#\/schema\/person\/image\/","url":"https:\/\/secure.gravatar.com\/avatar\/50865afb55632c4ae467e0af0930f6510aa2297d8014be502a55b14f3b7550cf?s=96&d=mm&r=g","contentUrl":"https:\/\/secure.gravatar.com\/avatar\/50865afb55632c4ae467e0af0930f6510aa2297d8014be502a55b14f3b7550cf?s=96&d=mm&r=g","caption":"Tar\u0131k"},"sameAs":["http:\/\/narteks.net"],"url":"https:\/\/narteks.net\/index.php\/author\/narbak\/"}]}},"_links":{"self":[{"href":"https:\/\/narteks.net\/index.php\/wp-json\/wp\/v2\/posts\/1367","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/narteks.net\/index.php\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/narteks.net\/index.php\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/narteks.net\/index.php\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/narteks.net\/index.php\/wp-json\/wp\/v2\/comments?post=1367"}],"version-history":[{"count":0,"href":"https:\/\/narteks.net\/index.php\/wp-json\/wp\/v2\/posts\/1367\/revisions"}],"wp:attachment":[{"href":"https:\/\/narteks.net\/index.php\/wp-json\/wp\/v2\/media?parent=1367"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/narteks.net\/index.php\/wp-json\/wp\/v2\/categories?post=1367"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/narteks.net\/index.php\/wp-json\/wp\/v2\/tags?post=1367"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}