{"id":1500,"date":"2009-11-19T10:03:48","date_gmt":"2009-11-19T07:03:48","guid":{"rendered":"http:\/\/localhost\/wordpress\/2009\/11\/19\/da-vinci-biyografisi-ve-eserleri\/"},"modified":"2009-11-19T10:03:48","modified_gmt":"2009-11-19T07:03:48","slug":"da-vinci-biyografisi-ve-eserleri","status":"publish","type":"post","link":"https:\/\/narteks.net\/index.php\/2009\/11\/19\/da-vinci-biyografisi-ve-eserleri\/","title":{"rendered":"Da V\u0130NC\u0130 Biyografisi ve eserleri"},"content":{"rendered":"

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Leonardo di ser Piero da Vinci<\/strong>(d. 15 Nisan 1452 – \u00f6. 2 May\u0131s 1519) R\u00f6nesans d\u00f6nemi \u0130talyan<\/span> mimar\u0131<\/span>, m\u00fchendisi<\/span>, mucidi, matematik\u00e7isi, anatomisti, m\u00fczisyeni<\/span>, heykelt\u0131ra\u015f\u0131<\/span> ve ressam\u0131d\u0131r<\/span>. En tan\u0131nm\u0131\u015f yap\u0131tlar\u0131 Mona Lisa (1503 – 1507) ve Son Ak\u015fam Yeme\u011fi’dir (1495 – 1497). R\u00f6nesans sanat\u0131n\u0131 doru\u011funa ula\u015ft\u0131rm\u0131\u015f, yaln\u0131z sanat yap\u0131s\u0131na de\u011fil, \u00e7e\u015fitli alanlardaki ara\u015ft\u0131rmalar\u0131 ve bulu\u015flar\u0131yla da tan\u0131nan, d\u00fcnyan\u0131n gelmi\u015f ge\u00e7mi\u015f en b\u00fcy\u00fck sanat\u00e7\u0131lar\u0131ndan ve dehalar\u0131ndan biridir. 2. milenyumun adam\u0131 se\u00e7ilmi\u015ftir.<\/p>\n

Ya\u015fam\u0131<\/span><\/strong> <\/span><\/p>\n

Leonardo, gen\u00e7 bir noter olan Ser Piero da Vinci’nin ve muhtemelen bir \u00e7ift\u00e7i k\u0131z\u0131 olan Caterina’<\/strong>n\u0131n evlilik d\u0131\u015f\u0131 \u00e7ocu\u011fu olarak Vinci kasabas\u0131 yak\u0131nlar\u0131ndaki Anchiano’da d\u00fcnyaya geldi. Avrupa’daki modern isimlendirme kurallar\u0131n\u0131n yerle\u015fmesinden \u00f6nce d\u00fcnyaya tam ismi, “Vincili Piero’nun o\u011flu Leonardo” manas\u0131na gelen “Leonardo di Ser Piero da Vinci”dir. Eserlerini “Leonardo” ya da “Io, Leonardo (Ben, Leonardo)” olarak imzalam\u0131\u015ft\u0131r.<\/p>\n

Somut kan\u0131tlar bulunmasa da, Leonardo’nun annesi Caterina’n\u0131n, babas\u0131 Piero’ya ait Ortado\u011fulu bir k\u00f6le oldu\u011fu tahmin ediliyor. Babas\u0131, Leonardo\u2019nun do\u011fdu\u011fu y\u0131l, Albiera ad\u0131ndaki ilk e\u015fi ile evlendi<\/p>\n

Leonardo\u2019ya bebekli\u011finde annesi bakt\u0131, annesi ba\u015fka biriyle evlendirilerek kom\u015fu kasabaya yerle\u015fince, babas\u0131n\u0131n nadiren u\u011frad\u0131\u011f\u0131 b\u00fcy\u00fckbabas\u0131n\u0131n evinde ya\u015famaya ba\u015flad\u0131; arada s\u0131rada Floransa\u2019ya babas\u0131n\u0131n evine giderdi. Babas\u0131n\u0131n ilk e\u015finden \u00e7ocu\u011fu olmad\u0131\u011f\u0131 i\u00e7in aileye kabul edilmi\u015fti ama hi\u00e7bir zaman me\u015fru bir \u00e7ocuk olarak g\u00f6r\u00fclmedi ve amcas\u0131 Francesco d\u0131\u015f\u0131nda ailedeki kimseden sevgi g\u00f6rmedi.<\/p>\n

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Leondardo’nun anatomi ve insan v\u00fccudu \u00fczerine e\u011fitimi \u00e7\u0131rakl\u0131k d\u00f6neminde ba\u015flad\u0131. \u00d6\u011fretmeni Andrea del Verrocchio<\/strong> \u00f6\u011frencilerinin anatomiyi kavramas\u0131nda \u0131srarl\u0131yd\u0131.<\/div>\n<\/div>\n<\/div>\n

14 ya\u015f\u0131na kadar Vinci\u2019de ya\u015fayan Leonardo, b\u00fcy\u00fckanne ve b\u00fcy\u00fckbabas\u0131n\u0131n ard\u0131 ard\u0131na \u00f6lmesi \u00fczerine 1466\u2019da babas\u0131 ile birlikte Floransa\u2019ya gitti. Evlilik d\u0131\u015f\u0131 \u00e7ocuklar\u0131n \u00fcniversiteye gitmesi yasak oldu\u011fundan \u00fcniversite \u00f6\u011frenimi g\u00f6rme \u015fans\u0131 yoktu. K\u00fc\u00e7\u00fck ya\u015ftan itibaren \u00e7ok g\u00fczel \u00e7izimler yapan Leonardo\u2019nun resimlerini babas\u0131, d\u00f6nemin \u00fcnl\u00fc ressam ve heykelt\u0131ra\u015f\u0131 Andrea del Verrocchio’ya g\u00f6sterince, Verrochio onu \u00e7\u0131rak olarak yan\u0131na ald\u0131. Leonardo Verrocchio’nun yan\u0131nda Lorenzo di Credi ve Pietro Perugino gibi \u00fcnl\u00fc sanat\u00e7\u0131larla \u00e7al\u0131\u015fma f\u0131rsat\u0131 buldu. At\u00f6lyede sadece resim yapmay\u0131 de\u011fil, lir \u00e7almay\u0131 da \u00f6\u011frendi. Ger\u00e7ekten de iyi \u00e7al\u0131yordu.<\/p>\n

Floransa\u2019y\u0131 1482\u2019de terkederek Milano D\u00fck\u00fc Sforza<\/strong>\u2019n\u0131n hizmetine girdi. D\u00fck\u00fcn hizmetine girebilmek i\u00e7in k\u00f6pr\u00fcler, silahlar, gemiler, bronz, mermer ve kilden heykeller yapabilece\u011fini anlatt\u0131\u011f\u0131 ancak g\u00f6ndermedi\u011fi mektubu b\u00fct\u00fcn zamanlar\u0131n en ola\u011fan\u00fcst\u00fc i\u015f ba\u015fvurusu olarak kabul edilmi\u015ftir.<\/p>\n

Leonardo, 1499\u2019da \u015fehir Frans\u0131zlar taraf\u0131ndan al\u0131n\u0131ncaya kadar 17 y\u0131l boyunca Milano D\u00fck\u00fc i\u00e7in \u00e7al\u0131\u015ft\u0131. D\u00fck i\u00e7in sadece resim ve heykeller yapmak, festivaller organize etmekle u\u011fra\u015fmad\u0131, ayn\u0131 zamanda bina, makine ve silah tasar\u0131mlar\u0131 yapt\u0131. 1485 – 1490 y\u0131llar\u0131nda do\u011fa, mekanik, geometri, u\u00e7an makinelerin yan\u0131s\u0131ra, kilise<\/span>, kale ve kanal yap\u0131m\u0131 gibi mimari yap\u0131lar ile ilgilendi, anatomi \u00e7al\u0131\u015fmalar\u0131 yapt\u0131, \u00f6\u011frenciler yeti\u015ftirdi. \u0130lgi alan\u0131 o kadar geni\u015fti ki, ba\u015flad\u0131\u011f\u0131 \u00e7o\u011fu i\u015fi bitiremiyordu. 1490 – 1495 y\u0131llar\u0131nda \u00e7al\u0131\u015fmalar\u0131n\u0131 ve \u00e7izimlerini deftere kaydetme al\u0131\u015fkanl\u0131\u011f\u0131 geli\u015ftirdi. Bu \u00e7izimler ve defter sayfalar\u0131, m\u00fczeler ve ki\u015fisel koleksiyonlarda toplanm\u0131\u015ft\u0131r. Bu koleksiyonculardan birisi de Leonardo\u2019nun hidrolik alan\u0131ndaki \u00e7al\u0131\u015fmalar\u0131n\u0131n el yazmalar\u0131n\u0131 toplayan Bill Gates\u2019dir.<\/p>\n

1499\u2019da Milano’yu terkeden ve yeni bir koruyucu (hami<\/em>) aramaya ba\u015flayan Leonardo, 16 y\u0131l boyunca \u0130talya\u2019da seyahat etti. Pek \u00e7ok ki\u015fi i\u00e7in \u00e7al\u0131\u015ft\u0131, \u00e7o\u011fu eserini yar\u0131m b\u0131rakt\u0131.<\/p>\n

\u0130nsanl\u0131k tarihinin en iyi resimlerinden birisi kabul edilen Mona Lisa<\/strong> i\u00e7in 1503\u2019te \u00e7al\u0131\u015fmaya ba\u015flad\u0131\u011f\u0131 s\u00f6ylenir. Bu resmi tamamlad\u0131ktan sonra hi\u00e7 yan\u0131ndan ay\u0131rmam\u0131\u015f, t\u00fcm seyahatlerinde yan\u0131nda ta\u015f\u0131m\u0131\u015ft\u0131. 1504\u2019te babas\u0131n\u0131n \u00f6l\u00fcm haberi \u00fczerine Floransa\u2019ya d\u00f6nd\u00fc. Miras hakk\u0131 i\u00e7in karde\u015fleri ile m\u00fccadele etti ancak \u00e7abas\u0131 sonu\u00e7suz kald\u0131. Ancak \u00e7ok sevdi\u011fi amcas\u0131 t\u00fcm varl\u0131\u011f\u0131n\u0131 ona b\u0131rakt\u0131.<\/p>\n

1506 y\u0131l\u0131nda Leonardo, bir Lombardiya aristokrat\u0131n\u0131n 15 ya\u015f\u0131ndaki o\u011flu olan Kont Francesco Melzi’<\/strong>yle tan\u0131\u015ft\u0131. Melzi, hayat\u0131n\u0131n geri kalan\u0131nda onun en iyi \u00f6\u011frencisi ve en yak\u0131n\u0131 oldu. 1490\u2019da 10 ya\u015f\u0131nda iken korumas\u0131na ald\u0131\u011f\u0131 ve Salai<\/strong> ad\u0131n\u0131 verdi\u011fi gen\u00e7 de 30 y\u0131l boyunca onunla beraber olmu\u015f, ancak \u00f6\u011frencisi olarak bilinen bu gen\u00e7 hi\u00e7bir sanatsal \u00fcr\u00fcn \u00fcretmemi\u015fti.<\/p>\n

1513 – 1516 aras\u0131nda Roma\u2019da ya\u015fad\u0131 ve Papa i\u00e7in geli\u015ftirilen \u00e7e\u015fitli projelerde yer ald\u0131. Anatomi ve fizyoloji alan\u0131nda \u00e7al\u0131\u015fmaya devam etti ancak Papa, kadavralar<\/span> \u00fczerinde \u00e7al\u0131\u015fmas\u0131n\u0131 yasaklad\u0131.<\/p>\n

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Leonardo da Vinci’nin \u00f6l\u00fcm\u00fc (Jean Auguste Dominique Ingres, 1818)<\/p><\/div>\n<\/div>\n<\/div>\n

1516\u2019da koruyucusu Giuliano de’ Medici<\/span>\u2019nin \u00f6l\u00fcm\u00fc \u00fczerine Kral 1. Francis\u2019ten Fransa\u2019n\u0131n ba\u015f ressam, m\u00fchendis ve mimar\u0131 olmak \u00fczere davet ald\u0131. Paris\u2019in g\u00fcneybat\u0131s\u0131nda, Amboise yak\u0131nlar\u0131ndaki Kraliyet Saray\u0131\u2019n\u0131n hemen yan\u0131nda kendisi i\u00e7in haz\u0131rlanan kona\u011fa yerle\u015fti. Leonardo’ya b\u00fcy\u00fck hayranl\u0131k duyan kral, s\u0131k s\u0131k ziyarete gelir ve sohbet ederdi.<\/p>\n

Sa\u011f koluna fel\u00e7 inen Leonardo da Vinci, resimden \u00e7ok bilimsel \u00e7al\u0131\u015fmalara a\u011f\u0131rl\u0131k verdi. Kendisine dostu Melzi yard\u0131mc\u0131 olmaktayd\u0131. Salai ise Fransa\u2019ya geldikten sonra onu terketmi\u015fti.<\/p>\n

\u00d6l\u00fcm\u00fc<\/span><\/strong> <\/span><\/p>\n

Leonardo 2 May\u0131s 1519\u2019da Amboise\u2019daki evinde 67 ya\u015f\u0131nda \u00f6ld\u00fc. Kral\u0131n kollar\u0131nda can verdi\u011fi rivayet edilir, ancak, 1 May\u0131s g\u00fcn\u00fc kral\u0131n bir ba\u015fka \u015fehirde oldu\u011fu ve bir g\u00fcn i\u00e7inde oraya gelemeyece\u011fi bilinmektedir. Vasiyetinde miras\u0131n\u0131n esas b\u00f6l\u00fcm\u00fcn\u00fc Melzi\u2019ye b\u0131rakt\u0131. Amboise<\/span>‘daki Saint Florentin Kilisesi<\/strong>\u2019nde topra\u011fa verildi.<\/p>\n

\u00d6zel hayat\u0131<\/span><\/strong> <\/span><\/p>\n

Fiziksel temastan ho\u015flanmad\u0131\u011f\u0131 iddia edilir: \u201c\u00dcreme faaliyeti ve bununla ba\u011flant\u0131l\u0131 olan her \u015fey o kadar i\u011fren\u00e7tir ki insanlar ho\u015f y\u00fczler ve duygusal e\u011filimler de olmasa k\u0131sa s\u00fcrede yok olacakt\u0131r\u201d s\u00f6z\u00fc daha sonra Sigmund Freud taraf\u0131ndan analiz edilmi\u015f ve Freud, Leonardo\u2019nun frijit oldu\u011funa h\u00fckmetmi\u015ftir.<\/p>\n

1476 y\u0131l\u0131nda, sevgilisi Verrocchio ile birlikte ya\u015farken 17 ya\u015f\u0131ndaki model Jacopo Saltarelli ile sodomist<\/span> ili\u015fki kurdu\u011fu gerek\u00e7esiyle ad\u0131 bilinmeyen bir ki\u015fi taraf\u0131ndan su\u00e7lanm\u0131\u015ft\u0131r. \u0130ki ay s\u00fcren soru\u015fturma sonucu, Leonardo\u2019nun babas\u0131n\u0131n sayg\u0131n konumuna da ba\u011fl\u0131 olarak hi\u00e7 \u015fahit bulunamamas\u0131 nedeniyle dava d\u00fc\u015fm\u00fc\u015ft\u00fcr.\u00a0 Bu olay\u0131n ard\u0131ndan Leonardo ve arkada\u015flar\u0131 Floransa\u2019daki \u201cGecenin Bek\u00e7ileri<\/span>\u201d isimli \u00f6rg\u00fct taraf\u0131ndan bir s\u00fcre takip edilmi\u015ftir. (Gecenin Bek\u00e7ileri’nin \u0130talya\u2019da R\u00f6nesans d\u00f6neminde kurulan ve sodomizmin bast\u0131r\u0131lmas\u0131na y\u00f6nelik faaliyet g\u00f6steren bir \u00f6rg\u00fct oldu\u011fu Podesta\u2019n\u0131n yasal kay\u0131tlar\u0131nda da yer almaktad\u0131r)<\/p>\n

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Leonardo’nun hizmet\u00e7isi ve asistan\u0131 Gian Giacomo Caprotti da Oreno<\/strong>‘nun anonim bir ressam taraf\u0131ndan \u00e7izilmi\u015f portresi (1505 dolaylar\u0131nda)<\/div>\n<\/div>\n<\/div>\n

\u201cSalai\u201d veya \u201cil Salaino\u201d takma adlar\u0131yla da bilinen Gian Giacomo Caprotti da Oreno<\/span> Giorgio Vasari taraf\u0131ndan \u201cLeonardo\u2019nun b\u00fcy\u00fck keyif ald\u0131\u011f\u0131 harika k\u0131v\u0131rc\u0131k sa\u00e7lar\u0131 olan \u0131\u015f\u0131lt\u0131l\u0131 ve g\u00fczel gen\u00e7\u201d olarak tan\u0131mlanm\u0131\u015ft\u0131r. Il Salaino, 1490 y\u0131l\u0131nda hen\u00fcz 10 ya\u015f\u0131ndayken Leonardo\u2019nun evinde hizmet\u00e7ili\u011fe ba\u015flam\u0131\u015ft\u0131r. Leonardo ve il Saliano aras\u0131ndaki ili\u015fki \u201ckolay\u201d olarak de\u011ferlendirilmez. 1491 y\u0131l\u0131nda Leonardo il Salaino\u2019yu \u201ch\u0131rs\u0131z, yalanc\u0131, inat\u00e7\u0131 ve pisbo\u011faz\u201d olarak nitelendirmi\u015f ve onun i\u00e7in \u201cK\u00fc\u00e7\u00fck \u015eeytan\u201d benzetmesini yapm\u0131\u015ft\u0131r. Yine de, il Salaino 30 y\u0131l boyunca yolda\u015f\u0131, hizmet\u00e7isi ve asistan\u0131 olarak Leonardo\u2019nun hizmetinde kalm\u0131\u015ft\u0131r. Leonardo, il Salaino’yu “K\u00fc\u00e7\u00fck \u015eeytan” olarak \u00e7a\u011f\u0131rmaya devam etmi\u015ftir. Leonardo\u2019nun sanat\u00e7\u0131 defterlerinde \u00e7\u0131plak olarak \u00e7izilen il Salaino yak\u0131\u015f\u0131kl\u0131 ve k\u0131v\u0131rc\u0131k sa\u00e7l\u0131 bir ergen olarak tasvir edilir. Baz\u0131 arait\u0131rmac\u0131lar, il Salaino’nun Vitruvius Adam\u0131 oldu\u011funu ileri s\u00fcrer.<\/p>\n

1506 y\u0131l\u0131nda Leonardo, 15 ya\u015f\u0131ndaki Kont Francesco Melzi ile tan\u0131\u015fm\u0131\u015ft\u0131r. Melzi, Leonardo\u2019nun kendisine kar\u015f\u0131 hislerini bir mektubunda \u201ca sviscerato et ardentissimo amore\u201d (\u00e7ok ihtirasl\u0131 ve fazlas\u0131yla yak\u0131c\u0131 a\u015fk) olarak nitelendirmi\u015ftir. il Salaino bu y\u0131llarda Melzi\u2019nin s\u00fcrekli olarak Leonardo\u2019nun yan\u0131nda olmas\u0131n\u0131 kabullenmek zorunda kalm\u0131\u015ft\u0131r. Melzi, Leonardo\u2019nun \u00f6nce \u00f6\u011frencisi sonra da hayat arkada\u015f\u0131 olmu\u015ftur. Ayr\u0131ca, Leonardo Da Vinci’nin; Fransa’n\u0131n, kurulu\u015fu \u00e7ok eskilere dayanan (1099 M.S.) Sion Tarikat\u0131’na 1510-1519 y\u0131llar\u0131 aras\u0131nda \u00fcstatl\u0131k (Ba\u015fkanl\u0131k) yapt\u0131\u011f\u0131 bilinmektedir.<\/p>\n

Her iki ili\u015fki de Leonardo\u2019nun zaman\u0131nda Floransa\u2019da yayg\u0131n olan erotik usta-\u00e7\u0131rak ili\u015fkisine bir \u00f6rnektir. Bu iki ili\u015fkisinin yan\u0131s\u0131ra Leonardo\u2019nun Cesare Borgia ve Niccol\u00f2 Machiavelli ile de \u201cdostluktan \u00f6te\u201d bir ili\u015fki ya\u015fad\u0131\u011f\u0131 iddia edilmektedir.<\/p>\n

Leonardo\u2019nun gen\u00e7 erkeklere olan ilgisi 16. y\u00fczy\u0131lda da tart\u0131\u015fma konusu olmu\u015ftur. 1563\u2019te Gian Paolo Lomazzo<\/span> taraf\u0131ndan yaz\u0131lan \u201cIl Libro dei Sogni\u201dde (D\u00fc\u015fler Kitab\u0131) yer alan \u201cl\u2019amore masculino\u201ddaki (erkek a\u015fk\u0131) kurmaca bir diyalogda, Leonardo ba\u015fkahramanlardan biri olarak yer alm\u0131\u015f ve \u201cBiliniz ki erkekler aras\u0131ndaki a\u015fk \u00e7e\u015fitli arkada\u015fl\u0131k duygular\u0131yla erkekleri biraraya getiren bir erdemdir. Bu durum onlar\u0131 daha erkeksi ve y\u00fcrekli h\u00e2le getirir\u201d s\u00f6z\u00fc Leonardo\u2019nun a\u011fz\u0131ndan verilmi\u015ftir.<\/p>\n

Leonardo\u2019nun \u00e7al\u0131\u015fmalar\u0131ndan ve biyografisini yazan erken d\u00f6nem yazarlardan anla\u015f\u0131ld\u0131\u011f\u0131 \u00fczere Leonardo d\u00fcr\u00fcst ve ahlaki konularda duyarl\u0131 bir ki\u015fiydi. Hayata duydu\u011fu sayg\u0131 onun en az\u0131ndan ya\u015fam\u0131n\u0131n bir evresinde vejeteryan oldu\u011funu g\u00f6stermektedir<\/p>\n

\u0130lk \u00f6\u011frenim Y\u0131llar\u0131<\/span> <\/span><\/p>\n

Leonardo Da Vinci,ilk \u00f6\u011frenim y\u0131llar\u0131nda aritmetik ve geometride \u00f6\u011fretmenlerinin sordu\u011fu sorularla \u015fa\u015f\u0131rtacak kadar \u00e7abuk ilerledi.Keskin zekas\u0131 ve yetenekleriyle k\u00fc\u00e7\u00fck ya\u015flarda bile dikkat \u00e7ekiyordu.M\u00fczikle de ilgileniyor ve olduk\u00e7a iyi bir \u015fekilde Lut \u00e7al\u0131yordu.Fakat \u00e7ocukluk y\u0131llar\u0131nda en g\u00f6zde u\u011fra\u015f\u0131 resimdi.Babas\u0131da bunu farkedince,onu Flosan \u0131n en \u00f6nemli atolyelerinden birine verdi.<\/p>\n

\u0130nsan v\u00fccudu i\u00e7in yapt\u0131\u011f\u0131 yenilikler<\/span><\/strong> <\/span><\/p>\n

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Koldaki kaslar\u0131n hareketini g\u00f6steren anatomik \u00e7al\u0131\u015fmas\u0131 (1510 dolaylar\u0131nda)<\/p><\/div>\n<\/div>\n<\/div>\n

Leonardo’nun insan v\u00fccuduna ilgisinin temelini, fig\u00fcr eskizleri i\u00e7in incelemeler olu\u015fturur. \u0130nsan\u0131 olabildi\u011fince canl\u0131 ve t\u00fcm hareketleri ger\u00e7e\u011fe en yak\u0131n \u015fekilde \u00e7izmek i\u00e7in d\u0131\u015f g\u00f6zlemleri yeterli g\u00f6rmemi\u015f, v\u00fccudun i\u00e7ini de g\u00f6rmek, kemiklerin<\/span>, kaslar\u0131n ve eklemlerin birbirleriyle ili\u015fkilerini kavramak istemi\u015ftir. Anatomi ara\u015ft\u0131rmalar\u0131, giderek daha, \u00e7ok zaman ay\u0131rd\u0131\u011f\u0131 ba\u015fl\u0131 ba\u015f\u0131na bir ilgi alan\u0131 haline gelmi\u015ftir. \u0130nsan organizmas\u0131na, \u00e7al\u0131\u015fma prensiplerini merak etti\u011fi m\u00fckemmel bir makine olarak yakla\u015fm\u0131\u015ft\u0131r. O d\u00f6nemin t\u0131p bilimine temel olu\u015fturan antik \u00e7a\u011f hekimi Galen\u2019in metinleri, merak\u0131n\u0131 ancak k\u0131smen giderebilmi\u015fti. Akl\u0131na gelen her soruyu sormaya ba\u015flam\u0131\u015ft\u0131.<\/p>\n

Leonardo, g\u00f6rd\u00fcklerini \u00e7izerek a\u00e7\u0131kl\u0131\u011fa kavu\u015fturuyordu. Kesitlerle, ayr\u0131nt\u0131l\u0131 g\u00f6r\u00fcn\u00fc\u015flerle ve farkl\u0131 a\u00e7\u0131lardan yapt\u0131\u011f\u0131 \u00e7izimlerle anatominin detaylar\u0131n\u0131 ortaya \u00e7\u0131kar\u0131yordu. \u00c7izimleri, baz\u0131 detaylardaki yanl\u0131\u015fl\u0131klara kar\u015f\u0131n son derece nettir. Anne karn\u0131ndaki bebek \u00e7izimi i\u00e7in bir insan kadavras\u0131na disseksiyon yapmam\u0131\u015f, inekleri inceleyip, oradan elde etti\u011fi sonu\u00e7lar\u0131 insan anatomisine uyarlam\u0131\u015ft\u0131. Papa, Leonardo\u2019nun insan kadavralar\u0131 \u00fczerinde disseksiyon yapmas\u0131n\u0131 yasaklad\u0131\u011f\u0131nda, dola\u015f\u0131m sistemi \u00fczerine yapt\u0131\u011f\u0131 ara\u015ft\u0131rmay\u0131 devam ettirebilmek i\u00e7in s\u0131\u011f\u0131r kalpleri kullanm\u0131\u015ft\u0131.<\/p>\n

Resim galerisi<\/span><\/strong> <\/span><\/p>\n\n\n\n\n\n
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Mona Lisa<\/em><\/p>\n<\/div>\n<\/div>\n<\/td>\n

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Mona Lisa<\/em> yak\u0131ndan<\/p>\n<\/div>\n<\/div>\n<\/td>\n

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The Virgin and Child with St. Anne<\/em><\/p>\n<\/div>\n<\/div>\n<\/td>\n

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Vaftizci Yahya<\/em><\/p>\n<\/div>\n<\/div>\n<\/td>\n

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Be\u015faret<\/em><\/p>\n<\/div>\n<\/div>\n<\/td>\n

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M\u00fcneccimlerin Tap\u0131n\u0131\u015f\u0131<\/em><\/p>\n<\/div>\n<\/div>\n<\/td>\n<\/tr>\n

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The Lady with an Ermine<\/em><\/p>\n<\/div>\n<\/div>\n<\/td>\n

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Bacchus<\/span><\/em><\/p>\n<\/div>\n<\/div>\n<\/td>\n

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Son Ak\u015fam Yeme\u011fi<\/span><\/em><\/p>\n<\/div>\n<\/div>\n<\/td>\n

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Son Ak\u015fam Yeme\u011fi<\/span><\/em>‘ndeki \u0130sa’n\u0131n ba\u015f\u0131 \u00e7al\u0131\u015fmas\u0131<\/p>\n<\/div>\n<\/div>\n<\/td>\n

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Vitruvius Adam\u0131<\/em><\/p>\n<\/div>\n<\/div>\n<\/td>\n

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Embriyo \u00e7al\u0131\u015fmas\u0131<\/p>\n<\/div>\n<\/div>\n<\/td>\n<\/tr>\n

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Kafatas\u0131 \u00e7al\u0131\u015fmas\u0131<\/p>\n<\/div>\n<\/div>\n<\/td>\n

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Kad\u0131n anatomisi<\/p>\n<\/div>\n<\/div>\n<\/td>\n

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Helikopter tasar\u0131s\u0131<\/p>\n<\/div>\n<\/div>\n<\/td>\n

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U\u00e7an makine tasar\u0131s\u0131<\/p>\n<\/div>\n<\/div>\n<\/td>\n

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Tank tasar\u0131s\u0131<\/p>\n<\/div>\n<\/div>\n<\/td>\n

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Tatar yay\u0131 tasar\u0131s\u0131<\/p>\n<\/div>\n<\/div>\n<\/td>\n<\/tr>\n<\/tbody>\n<\/table>\n","protected":false},"excerpt":{"rendered":"

Leonardo di ser Piero da Vinci(d. 15 Nisan 1452 – \u00f6. 2 May\u0131s 1519) R\u00f6nesans d\u00f6nemi \u0130talyan mimar\u0131, m\u00fchendisi, mucidi, matematik\u00e7isi, anatomisti, m\u00fczisyeni, heykelt\u0131ra\u015f\u0131 ve ressam\u0131d\u0131r. En tan\u0131nm\u0131\u015f yap\u0131tlar\u0131 Mona Lisa (1503 – 1507) ve Son Ak\u015fam Yeme\u011fi’dir (1495 – 1497). R\u00f6nesans sanat\u0131n\u0131 doru\u011funa ula\u015ft\u0131rm\u0131\u015f, yaln\u0131z sanat yap\u0131s\u0131na de\u011fil, \u00e7e\u015fitli alanlardaki ara\u015ft\u0131rmalar\u0131 ve bulu\u015flar\u0131yla da […]<\/p>\n","protected":false},"author":1,"featured_media":0,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[116],"tags":[],"class_list":{"0":"post-1500","1":"post","2":"type-post","3":"status-publish","4":"format-standard","6":"category-ressam-biyografileri-ve-eserleri"},"yoast_head":"\nDa V\u0130NC\u0130 Biyografisi ve eserleri - narteks.net<\/title>\n<meta name=\"robots\" content=\"index, follow, max-snippet:-1, max-image-preview:large, max-video-preview:-1\" \/>\n<link rel=\"canonical\" href=\"https:\/\/narteks.net\/index.php\/2009\/11\/19\/da-vinci-biyografisi-ve-eserleri\/\" \/>\n<meta property=\"og:locale\" content=\"tr_TR\" \/>\n<meta property=\"og:type\" content=\"article\" \/>\n<meta property=\"og:title\" content=\"Da V\u0130NC\u0130 Biyografisi ve eserleri\" \/>\n<meta property=\"og:description\" content=\"Leonardo di ser Piero da Vinci(d. 15 Nisan 1452 – \u00f6. 2 May\u0131s 1519) R\u00f6nesans d\u00f6nemi \u0130talyan mimar\u0131, m\u00fchendisi, mucidi, matematik\u00e7isi, anatomisti, m\u00fczisyeni, heykelt\u0131ra\u015f\u0131 ve ressam\u0131d\u0131r. 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