{"id":1598,"date":"2009-11-26T13:25:13","date_gmt":"2009-11-26T10:25:13","guid":{"rendered":"http:\/\/localhost\/wordpress\/2009\/11\/26\/sair-duyarliligi-afsar-timucin\/"},"modified":"2009-11-26T13:25:13","modified_gmt":"2009-11-26T10:25:13","slug":"sair-duyarliligi-afsar-timucin","status":"publish","type":"post","link":"https:\/\/narteks.net\/index.php\/2009\/11\/26\/sair-duyarliligi-afsar-timucin\/","title":{"rendered":"\u015eair Duyarl\u0131l\u0131\u011f\u0131 | Af\u015far Timu\u00e7in"},"content":{"rendered":"

Hi\u00e7bir sanat yoktur ki sanat\u00e7\u0131 i\u00e7in \u00f6zel bir duyarl\u0131l\u0131k, \u00f6zel bir sezi\u015f, \u00f6zel bir bak\u0131\u015f bi\u00e7imi gerektirmesin. Bunun bir ba\u015fka anlam\u0131 \u015fiir yazabilmek i\u00e7in \u015fair olman\u0131n, resim yapabilmek i\u00e7in ressam olman\u0131n, tiyatro yapabilmek i\u00e7in tiyatrocu olman\u0131n bir zorunluluk oldu\u011fudur, insanlar genelde sanat\u00e7\u0131y\u0131 sanat yapmakta \u00fcst yetenekleri geli\u015fmi\u015f olan insan diye d\u00fc\u015f\u00fcnmezler, do\u011fu\u015ftan ya da ba\u015fka bir yerden \u00f6zel yetenekleri olan (\u00f6zel yetenekleri zaten varolan) insan diye d\u00fc\u015f\u00fcn\u00fcrler. Sanat\u00e7\u0131 d\u00fcnyaya haz\u0131r gelmi\u015f bir ki\u015fi de\u011fildir, sanat\u00e7\u0131 olarak d\u00fcnyaya d\u00fc\u015fm\u00fc\u015f ya da g\u00f6nderilmi\u015f biri de\u011fildir. Bilincimiz e\u011filimlerimize g\u00f6re geli\u015fir, d\u00fcnyayla ili\u015fkilerimizin niteli\u011fine g\u00f6re geli\u015fir. \u015eair olmak da b\u00f6ylesi bir geli\u015fimin sonucudur. \u0130nsan\u0131n \u00f6nce kendini \u015fair k\u0131lmas\u0131 gerekir. \u015eiir yazabilmek i\u00e7in \u015fair olmak bir zorunluluktur. \u015eiir yazmak da \u015fair olmak i\u00e7in zorunluluktur. \u00d6yleyse \u015fiir yaza yaza \u015fair oluruz ve \u015fair oldu\u011fumuz zaman ya da \u015fair oldu\u011fumuz i\u00e7in \u015fiir yazar\u0131z. <\/p>\n

Bu bize ustal\u0131\u011f\u0131n \u00f6zel bir duyarl\u0131l\u0131\u011fa ula\u015fma oldu\u011funu g\u00f6sterir. \u015eair elinde \u015fiir yazmak i\u00e7in olanaklar bulunduran insan de\u011fildir, t\u00fcm bilincini \u015fiir y\u00f6n\u00fcnde olu\u015fturmu\u015f insand\u0131r. Bilincimiz bir \u015fair bilinci oldu\u011fu zaman \u015fiirimiz ger\u00e7ek \u015fiir olacakt\u0131r. Bunun bir ba\u015fka anlam\u0131 \u015fairli\u011fin bir ya\u015fam bi\u00e7imi oldu\u011fudur. \u015eairli\u011fin bir ya\u015fam bi\u00e7imi olmas\u0131 ki\u015finin \u015fairli\u011fini ona buna kan\u0131tlamak i\u00e7in \u00e7e\u015fitli acaiplikler yapmas\u0131, boynuna k\u0131rm\u0131z\u0131 fularlar tak\u0131p kendini kasa kasa y\u00fcr\u00fcmesi gibi i\u015flemleri gerektirmez. Tersine, t\u00fcm ger\u00e7ek sanat\u00e7\u0131lar gibi ger\u00e7ek \u015fairler de s\u0131ra insanlar\u0131d\u0131rlar. \u015eair olmak her\u015feyden \u00f6nce \u015fairce alg\u0131layan olmak demektir, daha sonra \u015fairce bile\u015fimler yapan olmak demektir. Genelde san\u0131l\u0131r ki \u015fair bir anlam yakalad\u0131\u011f\u0131 zaman onu ustal\u0131\u011f\u0131yla \u015fiire d\u00f6n\u00fc\u015ft\u00fcr\u00fcr. Hay\u0131r, hi\u00e7 de \u00f6yle olmaz, \u015fair bir anlam\u0131 \u015fairce yakalar. Evet, \u00f6nce fikir vard\u0131r, sonra bu fikirden \u00e7e\u015fitli yaratma s\u00fcre\u00e7leri boyunca g\u00f6sterilen \u00e7abayla yap\u0131t olu\u015fur. Ancak bu \u015fiir d\u0131\u015f\u0131 bir fikrin \u015fiire \u00e7evrilmesi, \u015fiire d\u00f6n\u00fc\u015ft\u00fcr\u00fclmesi anlam\u0131na gelmez. \u015eimdi fikri bulduk, tamam, eh bunu biz a\u011f\u0131r a\u011f\u0131r \u015fiire d\u00f6n\u00fc\u015ft\u00fcrelim, \u015fairce s\u00f6ylemeye ba\u015flay\u0131m, ona \u015fiir giydirelim, onu \u015fiire uyarl\u0131 k\u0131lal\u0131m. \u015eairin, ger\u00e7ek \u015fairin ya\u015fam\u0131nda b\u00f6yle bir deneyle kar\u015f\u0131la\u015famazs\u0131n\u0131z.<\/p>\n

\u015eairin t\u00fcm sezgileri, t\u00fcm alg\u0131lay\u0131\u015flar\u0131, t\u00fcm bak\u0131\u015f\u0131 \u015faircedir. Esin gelip \u015fiir bir taslak olarak kendini ortaya koydu\u011funda \u015fiirsellik zaten belli bir \u00f6l\u00e7\u00fcde ger\u00e7ekle\u015fmi\u015ftir. \u015eair esinini \u015fairce ya\u015fam\u0131\u015ft\u0131r, bu esin ona s\u00f6z\u00fc \u015fairce s\u00f6yletmi\u015ftir. Ancak \u015fair bundan sonra \u015fiirini daha da \u015fiir k\u0131labilmek i\u00e7in \u00e7aba g\u00f6sterecektir. \u00c7\u00fcnk\u00fc \u015fair her ne kadar bir tak\u0131m yetkinliklere, ustal\u0131k diyebilece\u011fimiz kazan\u0131mlara ula\u015fm\u0131\u015f ki\u015fi de olsa her \u015fiirinde yeni bir yaratma \u00e7abas\u0131n\u0131n i\u00e7inde duyacakt\u0131r kendini. \u015eair olamam\u0131\u015f bir ki\u015finin u\u011fra\u015fa didine bir fikri biraz ya da biraz daha \u015fiirsel k\u0131labilmesi elbette olas\u0131d\u0131r. Ancak \u015fair nitelikleri kazanamam\u0131\u015f bir ki\u015finin ha deyince can\u0131n\u0131 di\u015fine tak\u0131p \u00fcst d\u00fczeyde bir \u015fiirsel yarat\u0131y\u0131 ger\u00e7ekle\u015ftirebilmesi olas\u0131 de\u011fildir. Ancak, b\u00f6yle b\u00f6yle \u015fair olundu\u011fu da do\u011frudur. Bunun i\u00e7in de en az\u0131ndan ki\u015finin neyin \u015fiir olup neyin \u015fiir olmad\u0131\u011f\u0131n\u0131 bilecek kadar g\u00f6rg\u00fcl\u00fc olmas\u0131 gerekir. \u015eiir olmayandan \u015fiir olana do\u011fru ge\u00e7i\u015f bir t\u00fcr khaos’dan bir t\u00fcr kosmos’a ge\u00e7i\u015f oldu\u011funa g\u00f6re ki\u015finin en az\u0131ndan khaos’un nerede bitip tosmos’un nerede ba\u015flad\u0131\u011f\u0131n\u0131 bilecek kadar bir duyarl\u0131l\u0131\u011f\u0131 olmas\u0131 gerekir. Bu duyarl\u0131l\u0131k olmad\u0131\u011f\u0131 zaman ki\u015finin kendini \u00e7ok yetkin \u015fiirler yazan ger\u00e7ek bir \u015fiir ustas\u0131 saymamas\u0131 i\u00e7in hi\u00e7bir neden yoktur. B\u00f6yle bir ki\u015fi neyin \u015fiir oldu\u011funu neyin \u015fiir olmad\u0131\u011f\u0131n\u0131 bilemedi\u011fi i\u00e7in alt alta s\u0131ralad\u0131\u011f\u0131 s\u00f6zc\u00fcklerin bir \u015fiir g\u00fcc\u00fc ortaya koydu\u011funu sanabilir. Bu d\u00fc\u015f\u00fcnmeyi bilmeyen ki\u015finin bir iki kavram\u0131 yalap\u015fap bir araya getirdi\u011finde b\u00fcy\u00fck bir d\u00fc\u015f\u00fcnce \u00fcretimini ger\u00e7ekle\u015ftirdi\u011fi duygusuna kap\u0131lmas\u0131na benzer. Pek \u00e7ok ki\u015fi \u00fc\u00e7 kuru\u015fluk bilgiyle bilgelikler \u00fcretmeye kalkt\u0131\u011f\u0131nda \u00fcr\u00fcn\u00fcn\u00fcn niteli\u011fini kavrayamaman\u0131n verdi\u011fi da\u011f\u0131n\u0131kl\u0131kla kendine hayran d\u00fc\u015f\u00fcn\u00fcr tipi \u00e7izebilmektedir. \u015eair olmad\u0131\u011f\u0131n\u0131 bilemeyen \u015fair belki de d\u00fcnyan\u0131n en zavall\u0131 insan\u0131d\u0131r. \u015eiir piyasas\u0131nda \u015fair olmadan av yapmaya \u00e7\u0131km\u0131\u015f insan bir ahlaks\u0131zd\u0131r, bir i\u015fbilirden ba\u015fka bir \u015fey de\u011fildir. Pek\u00e7ok ki\u015fi para g\u00fcc\u00fcne \u015fair olur. \u015eair olmad\u0131\u011f\u0131n\u0131 bilmeyen \u015fair ne kadar ac\u0131nas\u0131ysa \u015fair olmad\u0131\u011f\u0131n\u0131 bile bile \u015fiir piyasas\u0131nda av yapmaya \u00e7\u0131km\u0131\u015f \u015fair o \u00f6l\u00e7\u00fcde dayakl\u0131kt\u0131r. Ancak bu dayakl\u0131k adam \u015fiirsiz \u015fiirini para kuvvetine ya da ba\u015fka bir \u015fey kuvvetine pazarlamakta direndi\u011fi zaman tekkeyi bekleyen \u00e7orbay\u0131 i\u00e7er yasas\u0131na g\u00f6re hatta birinci s\u0131n\u0131f \u015fairler aras\u0131nda yerini alacakt\u0131r. Bu y\u00fczden ad\u0131 \u015faire \u00e7\u0131km\u0131\u015f, antolojilere ge\u00e7mi\u015f pek\u00e7ok \u015fair’in \u015fair olmad\u0131\u011f\u0131 ortadad\u0131r.<\/p>\n

\u0130nsanlar zor bir i\u015fi ger\u00e7ekle\u015ftirmektense onun sahtesini aceleyle yap\u0131p ortaya koymay\u0131 ye\u011fliyorlar. Ger\u00e7ekten \u015fair olmak zor i\u015ftir. Bir \u015fair duyarl\u0131l\u0131\u011f\u0131 kazanmak i\u00e7in can\u0131n\u0131z\u0131 di\u015finize takacaks\u0131n\u0131z, bu duyarl\u0131l\u0131\u011f\u0131 kazanmaya ba\u015flad\u0131\u011f\u0131n\u0131zda da \u015fair olmayan \u015fairlerin \u00f6ld\u00fcr\u00fcc\u00fc oklar\u0131ndan korunmaya \u00e7al\u0131\u015facaks\u0131n\u0131z. Ger\u00e7ek sanat\u00e7\u0131 (ki \u00e7ok az say\u0131dad\u0131r) ger\u00e7ek olmayan sanat\u00e7\u0131lar y\u0131\u011f\u0131n\u0131n\u0131n \u00f6fkesini \u00e7ekecektir. Sorun bir yetenek ya da deha sorunu olmaktan \u00f6nce bir \u00e7aba sorunudur. Gelgelelim, hi\u00e7 de tembellik kald\u0131rmayacak bir alan olan sanat alan\u0131nda daha \u00e7ok tembeller i\u015f tutarlar. \u00d6rne\u011fin tiyatro hem kuramsal bilgiyi hem uygulama etkinli\u011fini gerektiren bir sanat alan\u0131 olmakla tiyatrocuyu geni\u015f \u00e7apta y\u00fck\u00fcml\u00fc k\u0131lar, \u00f6yle ki tiyatrocunun tiyatro d\u00fc\u015f\u00fcnmekten ba\u015fka bir i\u015fi olmamas\u0131 gerekir. Zaten ger\u00e7ek sanat\u00e7\u0131 tam anlam\u0131nda adanm\u0131\u015f ki\u015fidir. Tiyatro alan\u0131na bakt\u0131\u011f\u0131n\u0131zda orada tiyatronun ne oldu\u011funu bilmeyen insanlarla kar\u015f\u0131la\u015f\u0131rs\u0131n\u0131z. Bu insanlar tiyatroyu rol kesmek olarak ald\u0131klar\u0131ndan her \u00e7abalan ac\u0131l\u0131 bir g\u00fcl\u00fcn\u00e7l\u00fc\u011f\u00fc ortaya koyar. Bereket tiyatronun al\u0131c\u0131lar\u0131 da ayn\u0131 d\u00fczeydedir de tiyatro yarat\u0131c\u0131s\u0131yla tiyatro izleyicisi aras\u0131ndaki ili\u015fkilerde pek sorun \u00e7\u0131kmaz. Hatta d\u00fczey d\u00fc\u015f\u00fckl\u00fc\u011f\u00fc bir avantaj olarak i\u015f g\u00f6rebilir. Bu b\u00fct\u00fcn sanatlar i\u00e7in ge\u00e7erli bir durumdur. \u015eiir i\u00e7in de ge\u00e7erlidir. \u015eairi tiyatrocuyla kafa kafaya vermi\u015f olarak bir meyhane k\u00f6\u015fesinde ho\u015fafa d\u00f6nm\u00fc\u015f bir bi\u00e7imde bulabilirsiniz.<\/p>\n

\u015eair de \u00f6b\u00fcr sanat\u00e7\u0131lar da g\u00fc\u00e7lerini yaln\u0131zca ve yaln\u0131zca sanatlar\u0131na uyarl\u0131 k\u0131ld\u0131klar\u0131, sanat\u0131n ko\u015fullan \u00e7er\u00e7evesinde geli\u015ftirdikleri bilin\u00e7lerinden alabilirler. Alkol\u00fcn ya da entrikan\u0131n sa\u011flayaca\u011f\u0131 g\u00fc\u00e7 ki\u015fiyi sanat\u00e7\u0131 yapmaya yetmeyecektir. Sanat alan\u0131nda her zaman k\u00f6t\u00fc sat\u0131c\u0131lar ve k\u00f6t\u00fc al\u0131c\u0131lar vard\u0131r. Bunlar yarat\u0131c\u0131 d\u00fczeyinde de izleyici d\u00fczeyinde de bilincini estetik hazza ula\u015fma y\u00f6n\u00fcnde geli\u015ftirememi\u015f ki\u015filerdir. S\u00f6zde sanat\u00e7\u0131lar\u0131n \u00fcr\u00fcnlerini s\u00f6zde izleyiciler t\u00fcketirler. Ger\u00e7ek sanat\u00e7\u0131 da ger\u00e7ek izleyici de az say\u0131dad\u0131r. Ger\u00e7ek sanat\u00e7\u0131 k\u00f6t\u00fc izleyiciye ters gelir. Ger\u00e7ek izleyici de k\u00f6t\u00fc sanat\u00e7\u0131ya ters gelir. Sanat alan\u0131nda her yarat\u0131c\u0131 kendi izleyicisini bulacakt\u0131r, kendine uygun izleyiciye kavu\u015facakt\u0131r. Sanat\u00e7\u0131ya g\u00f6ster izleyicini s\u00f6yleyeyim ne oldu\u011funu diyebiliriz. \u0130yi sanat ger\u00e7ek bir yetkin bilin\u00e7le ger\u00e7ekle\u015ftirilmi\u015f sanatt\u0131r. Onu \u00fcretmek de t\u00fcketmek de zordur. Demek ki \u015fairin ilk i\u015fi \u015fair olmaya \u00e7al\u0131\u015fmak olacakt\u0131r. \u015eiir yazmakla \u015fair olmay\u0131 birbirine kar\u0131\u015ft\u0131rmayal\u0131m.<\/p>\n","protected":false},"excerpt":{"rendered":"

Hi\u00e7bir sanat yoktur ki sanat\u00e7\u0131 i\u00e7in \u00f6zel bir duyarl\u0131l\u0131k, \u00f6zel bir sezi\u015f, \u00f6zel bir bak\u0131\u015f bi\u00e7imi gerektirmesin. Bunun bir ba\u015fka anlam\u0131 \u015fiir yazabilmek i\u00e7in \u015fair olman\u0131n, resim yapabilmek i\u00e7in ressam olman\u0131n, tiyatro yapabilmek i\u00e7in tiyatrocu olman\u0131n bir zorunluluk oldu\u011fudur, insanlar genelde sanat\u00e7\u0131y\u0131 sanat yapmakta \u00fcst yetenekleri geli\u015fmi\u015f olan insan diye d\u00fc\u015f\u00fcnmezler, do\u011fu\u015ftan ya da ba\u015fka […]<\/p>\n","protected":false},"author":1,"featured_media":0,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[79],"tags":[],"class_list":{"0":"post-1598","1":"post","2":"type-post","3":"status-publish","4":"format-standard","6":"category-afsar-timucin"},"yoast_head":"\n\u015eair Duyarl\u0131l\u0131\u011f\u0131 | Af\u015far Timu\u00e7in - narteks.net<\/title>\n<meta name=\"robots\" content=\"index, follow, max-snippet:-1, max-image-preview:large, max-video-preview:-1\" \/>\n<link rel=\"canonical\" href=\"https:\/\/narteks.net\/index.php\/2009\/11\/26\/sair-duyarliligi-afsar-timucin\/\" \/>\n<meta property=\"og:locale\" content=\"tr_TR\" \/>\n<meta property=\"og:type\" content=\"article\" \/>\n<meta property=\"og:title\" content=\"\u015eair Duyarl\u0131l\u0131\u011f\u0131 | Af\u015far Timu\u00e7in\" \/>\n<meta property=\"og:description\" content=\"Hi\u00e7bir sanat yoktur ki sanat\u00e7\u0131 i\u00e7in \u00f6zel bir duyarl\u0131l\u0131k, \u00f6zel bir sezi\u015f, \u00f6zel bir bak\u0131\u015f bi\u00e7imi gerektirmesin. 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