{"id":1599,"date":"2009-11-26T13:36:12","date_gmt":"2009-11-26T10:36:12","guid":{"rendered":"http:\/\/localhost\/wordpress\/2009\/11\/26\/nazim-hikmetin-siiri-afsar-timucin\/"},"modified":"2009-11-26T13:36:12","modified_gmt":"2009-11-26T10:36:12","slug":"nazim-hikmetin-siiri-afsar-timucin","status":"publish","type":"post","link":"https:\/\/narteks.net\/index.php\/2009\/11\/26\/nazim-hikmetin-siiri-afsar-timucin\/","title":{"rendered":"N\u00c2ZIM H\u0130KMET’\u0130N \u015e\u0130\u0130R\u0130 | Af\u015far Timu\u00e7in"},"content":{"rendered":"

N\u00e2z\u0131m Hikmet\u2019in \u015fiiri ger\u00e7ek anlamda bir aray\u0131\u015f\u0131n \u015fiiridir. Her sanat aray\u0131\u015ft\u0131r, her yap\u0131t bir insan ara\u015ft\u0131rmas\u0131yla ilgilidir. Ancak baz\u0131 yap\u0131tlar insan\u0131 daha genel a\u00e7\u0131dan, daha bildik, daha al\u0131\u015f\u0131lm\u0131\u015f g\u00f6r\u00fcn\u00fcmleriyle ele al\u0131rken, baz\u0131 yap\u0131tlar insana daha k\u00f6kl\u00fc, daha k\u00f6ktenci bir tutumla y\u00f6nelirler. Dehan\u0131n \u00f6zelli\u011fi insan\u0131 ortaya \u00e7\u0131karmak ad\u0131na k\u0131l\u0131 k\u0131rk yarmas\u0131d\u0131r. \u015eiir dehas\u0131 N\u00e2z\u0131m Hikmet insana kabataslak bakmakla yetinmez, insan\u0131 bilgece ele al\u0131r, filozof\u00e7a tart\u0131\u015f\u0131r. Bunun bir bilgi i\u015fi oldu\u011fu kesindir. Sanat\u00e7\u0131n\u0131n g\u00fcndelik bilgiyle yetinemeyece\u011fi de kesindir.<\/p>\n

N\u00e2z\u0131m Hikmet\u2019in b\u00fcy\u00fckl\u00fc\u011f\u00fc, b\u00fct\u00fcn bir insanl\u0131k kal\u0131t\u0131ndan en y\u00fcksek d\u00fczeyde yararlanabilecek bir bilin\u00e7 y\u00fcksekli\u011fine ula\u015fm\u0131\u015f olmas\u0131ndan gelir. Anlamak i\u00e7in bilmek, bilmek i\u00e7in anlamak gerekir. Sanat\u00e7\u0131 da bu zorunluluktan ka\u00e7amaz. N\u00e2z\u0131m Hikmet bu zorunlulu\u011fu erkenden sezmi\u015f, kendini her \u015feyden \u00f6nce bir bilgi insan\u0131 olarak yeti\u015ftirmenin yollar\u0131n\u0131 aram\u0131\u015ft\u0131r.<\/p>\n

N\u00e2z\u0131m Hikmet son derece bilgi tutkunu bir sanat\u00e7\u0131 oldu\u011fu gibi, etkilenmelere de son derece a\u00e7\u0131k bir sanat\u00e7\u0131d\u0131r. Onun sanat\u0131ndaki etkilerden s\u00f6z ederken domuzuna b\u0131y\u0131k alt\u0131ndan g\u00fclmeye \u00e7al\u0131\u015fan insanlar, sanat\u00e7\u0131n\u0131n en y\u00fcksek d\u00fczeyde etkiler alabilen bir ki\u015fi olmas\u0131 gerekti\u011fini bile bilmeyecek kadar bo\u015f insanlard\u0131r. Herkes etki alamaz, herkes ald\u0131\u011f\u0131 etkiyi sa\u011fl\u0131kl\u0131 bir bi\u00e7imde \u00f6z\u00fcmleyemez. Bir Mayakovski\u2019den, bir Baudelaire\u2019den, bir Aragon’dan etkilenebilmek i\u00e7in onlar\u0131n bilin\u00e7 d\u00fczeyine ula\u015fm\u0131\u015f olmak gerekir. Sanatta ger\u00e7ek etkilenme, y\u00fcksek d\u00fczeyde etkilenme alt d\u00fczeyde bir bilin\u00e7le, g\u00fcndelik bilgilerden olu\u015fmu\u015f bir bilin\u00e7le sa\u011flanamaz. Rahat\u00e7a, \u00e7ekinmeden, hi\u00e7bir sinsi e\u011filim icinde olmadan \u015funu s\u00f6yleyebiliriz: N\u00e2z\u0131m Hikmet\u2019in \u015fiiri b\u00fcy\u00fck etkilerle kurulmu\u015f bir \u015fiirdir.<\/p>\n

Onda her \u015fey bilgece ya da bilgince d\u00fc\u015f\u00fcn\u00fclm\u00fc\u015ft\u00fcr, hi\u00e7bir \u015fey raslant\u0131ya b\u0131rak\u0131lmam\u0131\u015ft\u0131r. Kimi sanat\u00e7\u0131 denize olta sark\u0131t\u0131r gibi kendi i\u00e7ine bir taray\u0131c\u0131 salar ve oradan sezgiler, duygular, d\u00fc\u015f\u00fcnceler derleyerek yap\u0131t\u0131n\u0131 olu\u015fturmaya giri\u015fir. N\u00e2z\u0131m Hikmet’in \u015fiiri b\u00f6ylesi bir geli\u015fig\u00fczellikten uzakt\u0131r. N\u00e2z\u0131m Hikmet\u2019in \u015fiirinde her \u015fey \u00fcst d\u00fczeyde bir kavray\u0131\u015f ve \u00fcst d\u00fczeyde bir a\u00e7\u0131klama ad\u0131na uzun uzun tart\u0131\u015f\u0131lm\u0131\u015ft\u0131r.
Her sanat\u00e7\u0131 sanat\u0131n\u0131, bu arada esteti\u011fini kendi ya\u015fam ko\u015fullar\u0131 i\u00e7inde, kendi ya\u015fam ko\u015fullar\u0131na g\u00f6re geli\u015ftirir. Sanat\u00e7\u0131n\u0131n sanat deneyleri, ba\u015fka sanat\u00e7\u0131lar\u0131n sanat deneyleriyle g\u00fc\u00e7lendi\u011fi ve b\u00fct\u00fcnle\u015fti\u011fi \u00f6l\u00e7\u00fcde \u00f6nem kazan\u0131r. Bu, ba\u015fka sanat \u00e7abalar\u0131n\u0131n bize yol g\u00f6stermesidir. \u0130\u015fte etkilenme bu noktada \u00f6nemli olur, bu noktada kurucu bir anlam kazan\u0131r. Sanat\u00e7\u0131 yaln\u0131zca sevip sayd\u0131\u011f\u0131 \u00fc\u00e7 be\u015f sanat\u00e7\u0131n\u0131n de\u011fil, b\u00fct\u00fcn bir insanl\u0131k tarihinin etkilerine a\u00e7\u0131k olmay\u0131 bilen ki\u015fidir. Bir sanat\u00e7\u0131n\u0131n b\u00fcy\u00fckl\u00fc\u011f\u00fc, alm\u0131\u015f oldu\u011fu etkilerin b\u00fcy\u00fckl\u00fc\u011f\u00fcnden gelir. \u0130nsanl\u0131\u011f\u0131n g\u00fc\u00e7l\u00fc kal\u0131t\u0131ndan yararlanabilmek, bunu ne kadar s\u00f6ylesek azd\u0131r, ancak y\u00fcksek bir bilgi d\u00fczeyinde olmakla olas\u0131d\u0131r.<\/p>\n

Bu y\u00fcksek bilgi d\u00fczeyi, N\u00e2z\u0131m Hikmet\u2019te de g\u00f6rd\u00fc\u011f\u00fcm\u00fcz gibi, aral\u0131ks\u0131z tart\u0131\u015fmalar d\u00fczeyidir. Her \u015feyin ya\u015famsal zorunluluklar gere\u011fi enine boyuna tart\u0131\u015fmalarla kuruldu\u011fu bir d\u00fcnyada sanat da tart\u0131\u015fmalar i\u00e7inde varolacakt\u0131r. Bu tart\u0131\u015fma yap\u0131t\u0131n do\u011fas\u0131na kat\u0131l\u0131r, varl\u0131\u011f\u0131na siner, her \u015feyinde yans\u0131r. Her yap\u0131t bize daha ilk ad\u0131mda tart\u0131\u015fmas\u0131z bir insan ya\u015fam\u0131 olmayaca\u011f\u0131 ger\u00e7e\u011fini duyurur. Bu y\u00fczden sanat\u00e7\u0131 bak\u0131\u015f\u0131yla tek\u00e7i bak\u0131\u015f, sanat\u00e7\u0131 g\u00f6z\u00fcyle b\u00fct\u00fcnc\u00fc insan g\u00f6z\u00fc ba\u011fda\u015fmalardan uzak iki ayr\u0131 kutup olu\u015fturur. Bir ba\u015fka deyi\u015fle, her \u015feyi bir bi\u00e7im g\u00f6rmek isteyen insan sanatla uzak yak\u0131n ili\u015fkisi olmayan, olamayacak olan insand\u0131r.
N\u00e2z\u0131m Hikmet bilen, bildi\u011fi i\u00e7in de iyi g\u00f6ren bir sanat\u00e7\u0131d\u0131r. Bak\u0131\u015f\u0131 kaygan de\u011fildir, tersine kesinliklidir. Ancak bu kesinliklilik bir tekyanl\u0131l\u0131ktan kaynaklanmaz. Kimi sanat\u00e7\u0131 bak\u0131\u015f\u0131n\u0131 nerdeyse her \u015feye olur demeye haz\u0131r \u00e7ok geni\u015f bir a\u00e7\u0131dan d\u00fcnyaya salar. Bu t\u00fcr sanat\u00e7\u0131lar bize kesinliklerden \u00e7ok kayganl\u0131klar\u0131 duyururlar. N\u00e2z\u0131m Hikmet gibi sanat\u00e7\u0131lar, daha belirgin bir d\u00fcnya g\u00f6r\u00fc\u015f\u00fc i\u00e7inde yer alan sanat\u00e7\u0131lar bu t\u00fcr kayganl\u0131klardan uzak kal\u0131rlar.<\/p>\n

O hem bir sanat\u00e7\u0131, hem ger\u00e7ek anlamda bir d\u00fc\u015f\u00fcn\u00fcr olarak bize her \u015feyden \u00f6nce insan\u0131n b\u00fcy\u00fckl\u00fc\u011f\u00fcn\u00fc, insan olman\u0131n de\u011ferini \u00f6\u011fretir. \u015eiiri tepeden t\u0131rna\u011fa insand\u0131r. Ondan \u00f6\u011frendi\u011fimiz bir ba\u015fka \u015fey, sanat\u00e7\u0131n\u0131n bilgili olma zorunlulu\u011fudur.<\/p>\n

Salt duyarl\u0131l\u0131k, salt sezgi, salt \u00f6ng\u00f6r\u00fc yetkin sanat yap\u0131tlar\u0131n\u0131 olu\u015fturmaya yetmeyecektir. Duyarl\u0131l\u0131k da, sezgi de, \u00f6ng\u00f6r\u00fc de ancak bilgiyle geli\u015febilen \u015feylerdir. N\u00e2z\u0131m Hikmet bize ayr\u0131ca \u015funu \u00f6\u011fretmi\u015ftir: Ger\u00e7ek bilgi toplumun ve tarihin bilgisidir, insan ya\u015fam\u0131 zorunlu olarak toplumsald\u0131r ve tarihseldir, buna g\u00f6re ger\u00e7ek insan kendisini toplumsal bir varl\u0131k olarak duyan insand\u0131r. \u0130nsan ancak ba\u015fkalar\u0131yla insand\u0131r.
Bu bak\u0131\u015f a\u00e7\u0131s\u0131 do\u011fal olarak N\u00e2z\u0131m Hikmet\u2019in esteti\u011fine temel anlam\u0131n\u0131 verir, ana \u00f6zelliklerini kazand\u0131r\u0131r. Onun \u015fiiri tekbi\u00e7im, tekyanl\u0131, tekd\u00fcze, \u00f6\u011fretici, bildirici, kafa a\u00e7\u0131c\u0131, adam edici, kand\u0131r\u0131c\u0131, insanlar\u0131 do\u011fru yola y\u00f6neltici bir \u015fiir de\u011fildir; onun \u015fiiri toplumda oldu\u011fu gibi, insan ya\u015fam\u0131nda oldu\u011fu gibi, de\u011fi\u015fik \u00f6\u011felerin, tam bir uyum i\u00e7inde, hatta tam bir \u00e7at\u0131\u015fk\u0131l\u0131 uyum i\u00e7inde bir araya geldi\u011fi bir \u015fiirdir. Onun bir yerinden bakt\u0131n\u0131z m\u0131 koskoca bir d\u00fcnyay\u0131 g\u00f6r\u00fcrs\u00fcn\u00fcz.<\/p>\n

N\u00e2z\u0131m Hikmet ger\u00e7ek anlamda \u00e7ok yap\u0131l\u0131 bir b\u00fct\u00fcnselli\u011fin yarat\u0131c\u0131s\u0131d\u0131r. “Bana g\u00f6re b\u00fcy\u00fck adam odur ki, sanattan politikaya kadar kendi i\u015finde, en \u00f6nde y\u00fcr\u00fcr, d\u00f6neme\u00e7leri \u00f6nde ge\u00e7er, olan\u0131 kavrar, olaca\u011f\u0131 sezer ve bu kavray\u0131\u015fla sezi\u015fe dayanarak yarat\u0131r.” N\u00e2z\u0131m Hikmet bu tan\u0131m\u0131na uyan ki\u015fili\u011fiyle \u015fiirimizin en b\u00fcy\u00fck an\u0131t\u0131 ve doruk noktas\u0131d\u0131r. Onda her zaman koskoca bir tarihin insani \u00f6z\u00fcn\u00fc, \u015fimdinin b\u00fct\u00fcn boyutlar\u0131yla ve b\u00fct\u00fcn sanc\u0131lar\u0131yla kurulu\u015funu ve tam anlam\u0131nda bir gelecek inanc\u0131n\u0131 buluruz.<\/p>\n","protected":false},"excerpt":{"rendered":"

N\u00e2z\u0131m Hikmet\u2019in \u015fiiri ger\u00e7ek anlamda bir aray\u0131\u015f\u0131n \u015fiiridir. Her sanat aray\u0131\u015ft\u0131r, her yap\u0131t bir insan ara\u015ft\u0131rmas\u0131yla ilgilidir. Ancak baz\u0131 yap\u0131tlar insan\u0131 daha genel a\u00e7\u0131dan, daha bildik, daha al\u0131\u015f\u0131lm\u0131\u015f g\u00f6r\u00fcn\u00fcmleriyle ele al\u0131rken, baz\u0131 yap\u0131tlar insana daha k\u00f6kl\u00fc, daha k\u00f6ktenci bir tutumla y\u00f6nelirler. Dehan\u0131n \u00f6zelli\u011fi insan\u0131 ortaya \u00e7\u0131karmak ad\u0131na k\u0131l\u0131 k\u0131rk yarmas\u0131d\u0131r. \u015eiir dehas\u0131 N\u00e2z\u0131m Hikmet insana […]<\/p>\n","protected":false},"author":1,"featured_media":0,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[79],"tags":[],"class_list":{"0":"post-1599","1":"post","2":"type-post","3":"status-publish","4":"format-standard","6":"category-afsar-timucin"},"yoast_head":"\nN\u00c2ZIM H\u0130KMET'\u0130N \u015e\u0130\u0130R\u0130 | Af\u015far Timu\u00e7in - narteks.net<\/title>\n<meta name=\"robots\" content=\"index, follow, max-snippet:-1, max-image-preview:large, max-video-preview:-1\" \/>\n<link rel=\"canonical\" href=\"https:\/\/narteks.net\/index.php\/2009\/11\/26\/nazim-hikmetin-siiri-afsar-timucin\/\" \/>\n<meta property=\"og:locale\" content=\"tr_TR\" \/>\n<meta property=\"og:type\" content=\"article\" \/>\n<meta property=\"og:title\" content=\"N\u00c2ZIM H\u0130KMET'\u0130N \u015e\u0130\u0130R\u0130 | Af\u015far Timu\u00e7in\" \/>\n<meta property=\"og:description\" content=\"N\u00e2z\u0131m Hikmet\u2019in \u015fiiri ger\u00e7ek anlamda bir aray\u0131\u015f\u0131n \u015fiiridir. Her sanat aray\u0131\u015ft\u0131r, her yap\u0131t bir insan ara\u015ft\u0131rmas\u0131yla ilgilidir. Ancak baz\u0131 yap\u0131tlar insan\u0131 daha genel a\u00e7\u0131dan, daha bildik, daha al\u0131\u015f\u0131lm\u0131\u015f g\u00f6r\u00fcn\u00fcmleriyle ele al\u0131rken, baz\u0131 yap\u0131tlar insana daha k\u00f6kl\u00fc, daha k\u00f6ktenci bir tutumla y\u00f6nelirler. 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