{"id":1754,"date":"2009-12-02T20:16:03","date_gmt":"2009-12-02T17:16:03","guid":{"rendered":"http:\/\/localhost\/wordpress\/2009\/12\/02\/romantizm\/"},"modified":"2009-12-02T20:16:03","modified_gmt":"2009-12-02T17:16:03","slug":"romantizm","status":"publish","type":"post","link":"https:\/\/narteks.net\/index.php\/2009\/12\/02\/romantizm\/","title":{"rendered":"ROMANT\u0130ZM"},"content":{"rendered":"

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1790’dan yakla\u015f\u0131k 1850’ye kadar Avrupa’da geli\u015fim g\u00f6stermi\u015f b\u00fcy\u00fck bir ak\u0131m olan, edebiyat\u0131n, m\u00fczi\u011fin felsefenin g\u00f6r\u00fcn\u00fcm\u00fcn\u00fc k\u00f6kl\u00fc bir \u015fekilde de\u011fi\u015ftiren ve resimde bir yenilenmeye yol a\u00e7an romantizm (fr. romantisme), belli bir tan\u0131ma girmeyen niteli\u011fini korumakla beraber, var olman\u0131n \u00f6zg\u00fcr bir ruh h\u00e2lini i\u015faret etmektedir.<\/p>\n

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J. M. W. Turner, 1838, Sulu boya tablo<\/p><\/div>\n<\/div>\n<\/div>\n

Edebiyatta romantizm<\/span><\/strong> <\/span><\/p>\n

Romantizm<\/strong> bir edebiyat ak\u0131m\u0131 olman\u0131n \u00f6tesinde, 18.yy.sonu ile 19. y\u00fczy\u0131l ba\u015flar\u0131nda Avrupa’da yer etmi\u015f belli bir duyarl\u0131l\u0131\u011f\u0131 belirtir. \u0130ngiltere ve Almanya’da do\u011fan bu hareket Fransa ve G\u00fcney Avrupa \u00fclkelerine (\u0130talya ve \u0130spanya)<\/em> biraz daha ge\u00e7 girmi\u015ftir. Klasik edebiyat ak\u0131m\u0131na tepki olarak 18. y\u00fczy\u0131l\u0131n sonlar\u0131nda do\u011fan ve Victor Hugo’yla birlikte b\u00fcy\u00fck \u00fcn kazanan Romantizm, insan\u0131n yaratma \u00f6zg\u00fcrl\u00fc\u011f\u00fc \u00f6n\u00fcndeki her \u015feye kar\u015f\u0131 durur. “En iyi kural, kurals\u0131zl\u0131kt\u0131r” diyen romantikler, insan\u0131n duygular\u0131n\u0131, d\u00fc\u015f g\u00fcc\u00fcn\u00fc hayata ge\u00e7irmesini ve insan\u0131 d\u00fczeltmenin toplumu d\u00fczeltmekle olabilece\u011fini savunurlar.<\/p>\n

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\u0130ngiliz romantiklerinden Percy Bysshe Shelley.<\/p><\/div>\n<\/div>\n<\/div>\n

\u0130ngiltere<\/span><\/strong> <\/span><\/p>\n

\u0130ngiliz romantikleri yaln\u0131zca uygarl\u0131\u011f\u0131n yapmac\u0131l\u0131\u011f\u0131na, tarihin ac\u0131mas\u0131zl\u0131\u011f\u0131na de\u011fil, ayn\u0131 zamanda |Frans\u0131z devrimcilerinin] yan\u0131nda yer alm\u0131\u015flard\u0131r. \u0130lk \u0130ngiliz romantizmi do\u011fuya, kad\u0131nl\u0131k, \u00e7ocukluk d\u00fcnyas\u0131na y\u00f6neliktir.<\/p>\n

\u0130kinci romantik ku\u015fak Lord Byron<\/span> ya\u015famda duyulan ac\u0131y\u0131 dile getirmekte ya da asi kahramanlar\u0131n \u015fark\u0131s\u0131n\u0131 s\u00f6ylemektedir. 1824’te ba\u015fkald\u0131ran Yunanl\u0131lar’\u0131n aras\u0131nda \u00f6l\u00fcm\u00fcyle romantik umutsuzlu\u011fun simgesi olmu\u015ftur. Percy Bysshe Shelley do\u011fada insan i\u00e7in bir avunma getirmi\u015ftir (Ode to a Nightingale)<\/em>. \u0130rlanda melodilerin yazar\u0131 Moore ve onu izleyen ve yap\u0131t\u0131yla uluslararas\u0131 ba\u015far\u0131 yakalayan Byron \u00f6nemli romantiklerdir. Walter Scott “G\u00f6ldeki Kad\u0131n-The Lady of the Lake, 1810”<\/em> adl\u0131 tarihi roman\u0131yla kendini kabul ettirmi\u015ftir.<\/p>\n

Almanya<\/span><\/strong> <\/span><\/p>\n

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Friedrich Schiller, Alman romantiklerindendir.<\/p><\/div>\n<\/div>\n<\/div>\n

Alman romantizmin kaynaklar\u0131 18. y\u00fczy\u0131la kadar uzan\u0131r. Klapstock<\/span> ve Lessing yenilenmenin \u00f6nc\u00fcleridirler. “Sturm und Drang” hareketinin k\u00f6kennde de onlar\u0131n etkisi hissedirlir. Herder’in yan\u0131 s\u0131ra Goethe<\/span> ve Schiller<\/span> de bu hareketin i\u00e7indedirler. Romantizm, H\u00f6dlerlin<\/span> ve Jean-Paul<\/span> gibi sonraki ku\u015fa\u011f\u0131n temsilcilerinde daha belirgindir. Son romantikler aras\u0131nda Eichendorff, Ludwig Uhland<\/span>, M\u00f6rike ile romantizmden etkilenmekle kalmay\u0131p bu hareketin t\u00fcm \u00f6zlemlerini payla\u015fmayan Heine say\u0131labilir.<\/p>\n

Fransa<\/span><\/strong> <\/span><\/p>\n

Ge\u00e7mi\u015ften devral\u0131nan her \u015feyin s\u00f6z konusu edilmesine dayanan ve anla\u015f\u0131lmas\u0131 g\u00fc\u00e7 bir modernlik verilerine g\u00f6re bi\u00e7imlenen bu yeni duyarl\u0131l\u0131\u011f\u0131n ortaya \u00e7\u0131k\u0131\u015f bi\u00e7imleri Frans\u0131z Devrimi’nin hemen \u00f6ncesinden ba\u015flayarak Fransa’da her d\u00f6nemde varl\u0131\u011f\u0131n\u0131 s\u00fcrd\u00fcrd\u00fc. Fransa’da romantizm Rousseau ve Mme de Stael<\/span>‘i okuyan ve Chateaubriand<\/span>‘\u0131 ustalar\u0131 sayan ku\u015fa\u011f\u0131 temsil eder. Romantizm Lamartin<\/span>, sanatta \u00f6zg\u00fcrl\u00fc\u011f\u00fc savunan Hugo<\/span>, Vigny, Musset kendini kabul ettirdi ve Nerval, Gauter, P. Borel gibi sanat\u00e7\u0131lar\u0131 etkiledi. Stendhal, Dumas<\/span> gibi ge\u00e7mi\u015fe y\u00f6nelmek yerine i\u00e7inde ya\u015fad\u0131\u011f\u0131 toplumu betimlemeyi ye\u011fledi.<\/p>\n

\u0130talya ve \u0130spanya<\/span><\/strong> <\/span><\/p>\n

\u0130talya ve \u0130spanya’dan \u00e7\u0131kan romantikler beklendi\u011fi kadar geni\u015f bir \u00e7evreye yay\u0131lamad\u0131lar. Tarihsel ko\u015fullar\u0131n etkisiyle, edebi hareket bu iki \u00fclkede s\u0131k\u0131 s\u0131k\u0131ya siyasete ba\u011fl\u0131 kald\u0131. \u0130talya’da liberaller ve yurtseverler \u00f6ncelikle, romantiklerdi. G. Brechet ve S. Pellico (Conciliatore’nin kurucular\u0131)<\/em> ile Manzoni (Ni\u015fanl\u0131lar)<\/em> \u00f6nemli temsilciler aras\u0131ndad\u0131r. B\u00fcy\u00fck bir \u015fair olan Leopardi<\/span> d\u00f6neme damgas\u0131n\u0131 vururken Carducci de Risorgimento’nun ba\u011f\u0131ml\u0131 edebiyat\u0131na kar\u015f\u0131 \u00e7\u0131kar. \u0130spanyol romantizmi Rivas<\/span> d\u00fck\u00fc ve Jos\u00e9 Zorrilla<\/span>‘n\u0131n oyunlar\u0131yla tiyatroda etkili oldu. Ayr\u0131ca Espronceda’n\u0131n daha sonralar\u0131yla Becaver<\/span>‘in \u015firleri \u00f6nemli \u00fcr\u00fcnlerdir.<\/p>\n

T\u00fcrkiye<\/span><\/strong> <\/span><\/p>\n

Tanzimat Ferman\u0131’n\u0131n ilan\u0131ndan sonra ba\u015flayan ve Bat\u0131 edebiyat\u0131 \u00f6rnek tutularak meydana getirilen Tanzimat edebiyat\u0131n\u0131n (1859-1895) ilk y\u0131llar\u0131nda romantizm ak\u0131m\u0131n\u0131n ba\u015fl\u0131ca ki\u015filerinin ba\u015fl\u0131ca yap\u0131tlar\u0131 verildi. Hugo<\/span>, Chateaubriand<\/span>, Dumas<\/span>; tiyatro alan\u0131nda \u00f6zellike Gothe<\/span> ve Schiller<\/span> an\u0131labilir. Tanzimat edebiyat\u0131n\u0131n pek \u00e7ok yazar ve \u015fairi (Ahmet Mithat<\/span>, Nam\u0131k Kemal, \u015eemsettin Sami<\/span>, Abdulhak Hamit<\/span>, Recaizade Mahmut Ekrem<\/span>)<\/em> romantizm ak\u0131m\u0131n\u0131n etkisindedirler. Nam\u0131k Kemal’in \u0130ntibah roman\u0131 Kamelyal\u0131 Kad\u0131n’\u0131n; Vatan yahut Silistre<\/span> oyunu da Romeo ve Juliet’in etkisindedir. Edebiyat-\u0131 Cedide d\u00f6neminde Halit Ziya U\u015fakl\u0131gil<\/span>‘n\u0131n Mai ve Siyah adl\u0131 roman\u0131ndaki Ahmet Celal karakteri romantik yazarlar\u0131 okumak i\u00e7in \u00f6zlem duyar. II.Me\u015frutiyet d\u00f6neminden sonra Milli Edebiyat d\u00f6neminde Yusuf Ziya Orta\u00e7’\u0131n Binnaz adl\u0131 oyununda Hugo’nun etkisi vard\u0131r.<\/p>\n

Sanatta romantizm<\/span><\/strong> <\/span><\/p>\n

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Goya’n\u0131n Reading<\/strong> adl\u0131 tablosu. 1820-1821. Museo del Prado, Madrid<\/div>\n<\/div>\n<\/div>\n

Romantizm, resimde de kendini g\u00f6sterdi ancak ifadesini bi\u00e7imden \u00e7ok d\u00fc\u015f\u00fcncede buldu\u011fundan belirli bir \u00fcslup benimsemedi. Goya, Turner<\/span>, Delacroix<\/span>‘in co\u015fkunlu\u011fu kadar Blake’in yeni klasik\u00e7ili\u011fi<\/em> ya da Delaruche<\/span>‘nin kurallara ba\u011fl\u0131 tarz\u0131, F\u00fcssli’nin d\u00fc\u015fselli\u011fi, Biedermeier’in burjuva d\u00fcnyas\u0131 romantizm hareketinden kaynaklan\u0131r. Romantizm, klasik\u00e7ilik kuram\u0131n\u0131n \u00f6nderi Ingrer<\/span>‘i de etkilemi\u015ftir. Do\u011fa duygusuna metafizik bir anlam katt\u0131, kimilerine bir renk zevki a\u015f\u0131lad\u0131, \u00f6zneli\u011fi, melankoliyi, kayg\u0131y\u0131 doruk noktas\u0131na \u00e7\u0131kard\u0131; ak\u0131ld\u0131\u015f\u0131 olan\u0131 savundu, gotik hayranl\u0131\u011f\u0131n\u0131 kam\u00e7\u0131lad\u0131; do\u011fuculu\u011fu y\u00fcceltti; \u015f\u00f6valye romanlar\u0131, \u0130skandinav sagalar\u0131 ve Ossian’\u0131n d\u00fczmece \u015fark\u0131lar\u0131nda kendine konular arad\u0131. Plutarkhos’un ki\u015filerinin yerini, Shakspeare’in, W. Scott, Bryon, Goethe, Hugo’nunkiler ald\u0131. F\u0131rt\u0131nalar, g\u00fcn bat\u0131mlar\u0131, u\u00e7urumlar, bayku\u015flar, kurukafalar, \u00fcrkm\u00fc\u015f atlar, ikonografide \u00f6nemli bir yer tutmaya ba\u015flad\u0131. \u0130ngiltere’de Edmund Burke’\u00fcn “A Philosophical Enquiry into the origine of our ideas of the sublime and Beautiful”<\/em> adl\u0131 kitab\u0131yla ba\u015flayan romantizm, Gainsbrarough’u son yap\u0131tlar\u0131nda ve bir \u00f6l\u00e7\u00fcde Reynolds, Reaburn, Lawrence’<\/strong>in b\u00fcy\u00fck portrelerinde kendini g\u00f6sterdi. F\u00fcssli (Kabus, 1782, Goethe museum, Frankfurt)<\/em>, Blake, J.Martin, S.Palmer’in yap\u0131tlar\u0131nda da hayal g\u00fcc\u00fc \u00f6nemli bir yer tuttu. Cozens, Cotman, Constabla gibi manzarac\u0131lar\u0131n \u015fiirsel anlat\u0131m\u0131, Turner’da bi\u00e7imlenip par\u00e7alanmas\u0131yla kendini g\u00f6steren bir yo\u011funluk kazand\u0131. \u0130spanya’da romantizm Goya taraf\u0131ndan y\u00fcceltildi. Fransa’da Oors (Nas\u0131ra Sava\u015f\u0131, 1801, Nantes M\u00fczesi)<\/em> ile ba\u015flayan romantizm Gericalt (Madusa’n\u0131n sal\u0131, 1819, Louvre)<\/em> ve \u0130ngiliz Bonington ile devam etti. Amerika’da da A. B. Durand ve \u015fair Coleridge’in dostu W.Allston’un adlar\u0131 say\u0131labilir.<\/p>\n

Romantik m\u00fczik<\/span><\/strong><\/p>\n

M\u00fczi\u011fin \u00f6ncelikle insan\u0131n duyum ve duygular\u0131na seslenmesi \u00f6l\u00e7\u00fcs\u00fcnde, akl\u0131n \u00f6nceli\u011fini tart\u0131\u015fma konusu yapan romantizmle m\u00fczik aras\u0131nda do\u011fal bir yak\u0131n\u0131l\u0131k ortaya \u00e7\u0131kar. Romantizmle birlikte i\u00e7 d\u00fcnyay\u0131 yans\u0131tan yap\u0131tlar, yo\u011fun bir duygusal i\u00e7erik kazand\u0131 (lied); b\u00fcy\u00fck \u00e7apl\u0131 yap\u0131tlar, yeni bir gerilim ve dokunakl\u0131l\u0131\u011fa ula\u015ft\u0131 (programl\u0131 m\u00fczik). Orkestra zenginle\u015fti, \u00e7e\u015fitlendi ve \u00e7alg\u0131lar\u0131n t\u0131n\u0131s\u0131 ve rengi \u00fczernde titizlikle duruldu. Bu hareket kayna\u011f\u0131n\u0131 Almanya!daki “Sturm und Drang”<\/em> ve Frans\u0131z Devrimi’nin ideolojisinde buldu. \u00d6zellikle Almanya ve Avusturya’da benimsenen romantizmin ba\u015fl\u0131ca \u00f6rneklerini Beethoven’\u0131n b\u00fcy\u00fck partisyonlar\u0131d\u0131r.<\/p>\n

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Beethoven, bir\u00e7ok romantik m\u00fczisyenleri etkiledi<\/p><\/div>\n<\/div>\n<\/div>\n

Felsefe ve romantizm<\/span><\/strong><\/p>\n

18. y\u00fczy\u0131lda Alman d\u00fc\u015f\u00fcn\u00fcrler felsefeyi bir do\u011fa felsefesi ve sanat felsefesi olarak tan\u0131mlar. Romantizm, ak\u0131lc\u0131 ele\u015ftiriden \u00e7ok, canl\u0131 hatta bilin\u00e7d\u0131\u015f\u0131 yaratma ad\u0131 verilen \u00f6ncelikle dikkat \u00e7eken felsefi bir uyral\u0131l\u0131\u011f\u0131 dile getirir. \u00d6nemli ya da \u00f6nemsiz bir\u00e7ok d\u00fc\u015f\u00fcn\u00fcr romantik olarak kabul edilebilir; ama felsefede romantik olguyu en yetkin bi\u00e7imde Novalis ve Schelling dile getirmi\u015ftir; \u015fair yan\u0131 daha a\u011f\u0131r basan Novalis, eserlerini tamamlayamadan gen\u00e7 ya\u015fta \u00f6lm\u00fc\u015ft\u00fcr; Schelling ise metafizik\u00e7i ve sistematiktir.<\/p>\n","protected":false},"excerpt":{"rendered":"

1790’dan yakla\u015f\u0131k 1850’ye kadar Avrupa’da geli\u015fim g\u00f6stermi\u015f b\u00fcy\u00fck bir ak\u0131m olan, edebiyat\u0131n, m\u00fczi\u011fin felsefenin g\u00f6r\u00fcn\u00fcm\u00fcn\u00fc k\u00f6kl\u00fc bir \u015fekilde de\u011fi\u015ftiren ve resimde bir yenilenmeye yol a\u00e7an romantizm (fr. romantisme), belli bir tan\u0131ma girmeyen niteli\u011fini korumakla beraber, var olman\u0131n \u00f6zg\u00fcr bir ruh h\u00e2lini i\u015faret etmektedir. J. M. W. Turner, 1838, Sulu boya tablo Edebiyatta romantizm Romantizm bir […]<\/p>\n","protected":false},"author":1,"featured_media":0,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[85],"tags":[],"class_list":{"0":"post-1754","1":"post","2":"type-post","3":"status-publish","4":"format-standard","6":"category-resim-sanati-akimlari"},"yoast_head":"\nROMANT\u0130ZM - narteks.net<\/title>\n<meta name=\"robots\" content=\"index, follow, max-snippet:-1, max-image-preview:large, max-video-preview:-1\" \/>\n<link rel=\"canonical\" href=\"https:\/\/narteks.net\/index.php\/2009\/12\/02\/romantizm\/\" \/>\n<meta property=\"og:locale\" content=\"tr_TR\" \/>\n<meta property=\"og:type\" content=\"article\" \/>\n<meta property=\"og:title\" content=\"ROMANT\u0130ZM\" \/>\n<meta property=\"og:description\" content=\"1790’dan yakla\u015f\u0131k 1850’ye kadar Avrupa’da geli\u015fim g\u00f6stermi\u015f b\u00fcy\u00fck bir ak\u0131m olan, edebiyat\u0131n, m\u00fczi\u011fin felsefenin g\u00f6r\u00fcn\u00fcm\u00fcn\u00fc k\u00f6kl\u00fc bir \u015fekilde de\u011fi\u015ftiren ve resimde bir yenilenmeye yol a\u00e7an romantizm (fr. romantisme), belli bir tan\u0131ma girmeyen niteli\u011fini korumakla beraber, var olman\u0131n \u00f6zg\u00fcr bir ruh h\u00e2lini i\u015faret etmektedir. J. M. W. Turner, 1838, Sulu boya tablo Edebiyatta romantizm Romantizm bir […]\" \/>\n<meta property=\"og:url\" content=\"https:\/\/narteks.net\/index.php\/2009\/12\/02\/romantizm\/\" \/>\n<meta property=\"og:site_name\" content=\"narteks.net\" \/>\n<meta property=\"article:published_time\" content=\"2009-12-02T17:16:03+00:00\" \/>\n<meta property=\"og:image\" content=\"http:\/\/upload.wikimedia.org\/wikipedia\/commons\/thumb\/9\/94\/Turner%2C_J._M._W._-_The_Fighting_T%C3%A9m%C3%A9raire_tugged_to_her_last_Berth_to_be_broken.jpg\/300px-Turner%2C_J._M._W._-_The_Fighting_T%C3%A9m%C3%A9raire_tugged_to_her_last_Berth_to_be_broken.jpg\" \/>\n<meta name=\"author\" content=\"Tar\u0131k\" \/>\n<meta name=\"twitter:card\" content=\"summary_large_image\" \/>\n<meta name=\"twitter:creator\" content=\"@narteks\" \/>\n<meta name=\"twitter:site\" content=\"@narteks\" \/>\n<meta name=\"twitter:label1\" content=\"Yazan:\" \/>\n\t<meta name=\"twitter:data1\" content=\"Tar\u0131k\" \/>\n\t<meta name=\"twitter:label2\" content=\"Tahmini okuma s\u00fcresi\" \/>\n\t<meta name=\"twitter:data2\" content=\"6 dakika\" \/>\n<script type=\"application\/ld+json\" class=\"yoast-schema-graph\">{\"@context\":\"https:\/\/schema.org\",\"@graph\":[{\"@type\":\"Article\",\"@id\":\"https:\/\/narteks.net\/index.php\/2009\/12\/02\/romantizm\/#article\",\"isPartOf\":{\"@id\":\"https:\/\/narteks.net\/index.php\/2009\/12\/02\/romantizm\/\"},\"author\":{\"name\":\"Tar\u0131k\",\"@id\":\"https:\/\/narteks.net\/#\/schema\/person\/61f37d9834294b72d31d274e7ed79bca\"},\"headline\":\"ROMANT\u0130ZM\",\"datePublished\":\"2009-12-02T17:16:03+00:00\",\"mainEntityOfPage\":{\"@id\":\"https:\/\/narteks.net\/index.php\/2009\/12\/02\/romantizm\/\"},\"wordCount\":1277,\"commentCount\":0,\"publisher\":{\"@id\":\"https:\/\/narteks.net\/#organization\"},\"image\":{\"@id\":\"https:\/\/narteks.net\/index.php\/2009\/12\/02\/romantizm\/#primaryimage\"},\"thumbnailUrl\":\"http:\/\/upload.wikimedia.org\/wikipedia\/commons\/thumb\/9\/94\/Turner%2C_J._M._W._-_The_Fighting_T%C3%A9m%C3%A9raire_tugged_to_her_last_Berth_to_be_broken.jpg\/300px-Turner%2C_J._M._W._-_The_Fighting_T%C3%A9m%C3%A9raire_tugged_to_her_last_Berth_to_be_broken.jpg\",\"articleSection\":[\"Resim Sanat Ak\u0131mlar\u0131\"],\"inLanguage\":\"tr\",\"potentialAction\":[{\"@type\":\"CommentAction\",\"name\":\"Comment\",\"target\":[\"https:\/\/narteks.net\/index.php\/2009\/12\/02\/romantizm\/#respond\"]}]},{\"@type\":\"WebPage\",\"@id\":\"https:\/\/narteks.net\/index.php\/2009\/12\/02\/romantizm\/\",\"url\":\"https:\/\/narteks.net\/index.php\/2009\/12\/02\/romantizm\/\",\"name\":\"ROMANT\u0130ZM - 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J. M. W. Turner, 1838, Sulu boya tablo Edebiyatta romantizm Romantizm bir […]","og_url":"https:\/\/narteks.net\/index.php\/2009\/12\/02\/romantizm\/","og_site_name":"narteks.net","article_published_time":"2009-12-02T17:16:03+00:00","og_image":[{"url":"http:\/\/upload.wikimedia.org\/wikipedia\/commons\/thumb\/9\/94\/Turner%2C_J._M._W._-_The_Fighting_T%C3%A9m%C3%A9raire_tugged_to_her_last_Berth_to_be_broken.jpg\/300px-Turner%2C_J._M._W._-_The_Fighting_T%C3%A9m%C3%A9raire_tugged_to_her_last_Berth_to_be_broken.jpg","type":"","width":"","height":""}],"author":"Tar\u0131k","twitter_card":"summary_large_image","twitter_creator":"@narteks","twitter_site":"@narteks","twitter_misc":{"Yazan:":"Tar\u0131k","Tahmini okuma s\u00fcresi":"6 dakika"},"schema":{"@context":"https:\/\/schema.org","@graph":[{"@type":"Article","@id":"https:\/\/narteks.net\/index.php\/2009\/12\/02\/romantizm\/#article","isPartOf":{"@id":"https:\/\/narteks.net\/index.php\/2009\/12\/02\/romantizm\/"},"author":{"name":"Tar\u0131k","@id":"https:\/\/narteks.net\/#\/schema\/person\/61f37d9834294b72d31d274e7ed79bca"},"headline":"ROMANT\u0130ZM","datePublished":"2009-12-02T17:16:03+00:00","mainEntityOfPage":{"@id":"https:\/\/narteks.net\/index.php\/2009\/12\/02\/romantizm\/"},"wordCount":1277,"commentCount":0,"publisher":{"@id":"https:\/\/narteks.net\/#organization"},"image":{"@id":"https:\/\/narteks.net\/index.php\/2009\/12\/02\/romantizm\/#primaryimage"},"thumbnailUrl":"http:\/\/upload.wikimedia.org\/wikipedia\/commons\/thumb\/9\/94\/Turner%2C_J._M._W._-_The_Fighting_T%C3%A9m%C3%A9raire_tugged_to_her_last_Berth_to_be_broken.jpg\/300px-Turner%2C_J._M._W._-_The_Fighting_T%C3%A9m%C3%A9raire_tugged_to_her_last_Berth_to_be_broken.jpg","articleSection":["Resim Sanat Ak\u0131mlar\u0131"],"inLanguage":"tr","potentialAction":[{"@type":"CommentAction","name":"Comment","target":["https:\/\/narteks.net\/index.php\/2009\/12\/02\/romantizm\/#respond"]}]},{"@type":"WebPage","@id":"https:\/\/narteks.net\/index.php\/2009\/12\/02\/romantizm\/","url":"https:\/\/narteks.net\/index.php\/2009\/12\/02\/romantizm\/","name":"ROMANT\u0130ZM - 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