{"id":249,"date":"2009-02-27T21:32:51","date_gmt":"2009-02-27T18:32:51","guid":{"rendered":"http:\/\/localhost\/wordpress\/2009\/02\/27\/salvador-dali-biyografisi\/"},"modified":"2009-02-27T21:32:51","modified_gmt":"2009-02-27T18:32:51","slug":"salvador-dali-biyografisi","status":"publish","type":"post","link":"https:\/\/narteks.net\/index.php\/2009\/02\/27\/salvador-dali-biyografisi\/","title":{"rendered":"Salvador DAL\u0130 Biyografisi"},"content":{"rendered":"

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Salvador Domingo Felipe Jacinto Dal\u00ed y Dom\u00e8nech, k\u0131saca Salvador Dal\u00ed (11 May\u0131s 1904 \u2013 23 Ocak 1989), \u0130spanyol<\/span> s\u00fcrrealist<\/span> ressam<\/span>. Ger\u00e7ek\u00fcst\u00fc eserlerindeki tuhaf ve \u00e7arp\u0131c\u0131 imgelerle \u00fcnlenmi\u015ftir. En iyi bilinen eseri olan Belle\u011fin Azmi<\/em>,<\/sup>ni 1931’de bitirmi\u015ftir.<\/p>\n

Dal\u00ed, ressaml\u0131\u011f\u0131n yan\u0131 s\u0131ra heykelcilik, foto\u011fraf\u00e7\u0131l\u0131k ve filmcilikle de ilgilenmi\u015f, Amerikal\u0131<\/span> animasyoncu Walt Disney ile beraber yapt\u0131\u011f\u0131 Destino<\/em> adl\u0131 k\u0131sa \u00e7izgi film, 2003’te “en iyi k\u0131sa animasyon filmi” dal\u0131nda Oscar aday\u0131 olmu\u015ftur.<\/p>\n

Katalonya do\u011fumlu olan Dal\u00ed, 711 y\u0131l\u0131nda \u0130spanya’y\u0131 fethetmi\u015f olan Ma\u011fribiler’in soyundan geldi\u011fini iddia etmi\u015f, “s\u00fcsl\u00fc ve cafcafl\u0131 olan her \u015feye, l\u00fcks hayata ve do\u011fu k\u0131yafetlerine olan d\u00fc\u015fk\u00fcnl\u00fc\u011f\u00fcn\u00fc” de “Arap k\u00f6keni”ne ba\u011flam\u0131\u015ft\u0131r.<\/p>\n

Dal\u00ed hayat\u0131 boyunca, sanat\u0131yla oldu\u011fu kadar eksantrik giyimi, davran\u0131\u015flar\u0131 ve s\u00f6zleriyle de dikkat \u00e7ekmi\u015f, bu durum kimi zaman, onun sanat\u0131n\u0131 takdir edenleri de etmeyenler kadar usand\u0131rm\u0131\u015ft\u0131r. Bu davran\u0131\u015flar\u0131n getirdi\u011fi k\u00f6t\u00fc \u015f\u00f6hret, Dal\u00ed’nin geni\u015f kesimlerce tan\u0131nmas\u0131n\u0131 sa\u011flam\u0131\u015f ve eserlerine duyulan ilgiyi art\u0131rm\u0131\u015ft\u0131r.<\/p>\n

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<\/strong>Kendi portresi, 1921<\/div>\n<\/div>\n<\/div>\n

Dal\u00ed 11 May\u0131s 1904’te, \u0130spanya’n\u0131n Katalonya b\u00f6lgesinde bulunan Figueres kentinde, Salvador Dal\u00ed i Cus\u00ed ve Felipa Domenech Ferres \u00e7iftinin ikinci \u00e7ocu\u011fu olarak d\u00fcnyaya geldi. \u00c7iftin 1901 do\u011fumlu ilk \u00e7ocu\u011fu, Dal\u00ed’nin do\u011fumundan tam dokuz ay on g\u00fcn \u00f6nce (1 A\u011fustos 1903’te) sindirim yolu iltihab\u0131ndan \u00f6lm\u00fc\u015f, onun ismi olan Salvador da ikinci \u00e7ocu\u011fa ge\u00e7mi\u015fti. \u0130lk \u00e7ocuklar\u0131n\u0131n k\u00fc\u00e7\u00fck ya\u015fta \u00f6lmesini bir t\u00fcrl\u00fc kabullenemeyen Dal\u00ed \u00e7ifti, k\u00fc\u00e7\u00fck Dal\u00ed’nin yan\u0131nda s\u0131k s\u0131k \u00f6lm\u00fc\u015f a\u011fabeyinden bahsediyor, ilk Salvador’un bir resmini yatak odalar\u0131n\u0131n duvar\u0131nda tutuyor, ve Dal\u00ed’yle beraber d\u00fczenli olarak ilk Salvador’un mezar\u0131n\u0131 ziyaret ediyorlard\u0131. Bu durum, Dal\u00ed’nin k\u00fc\u00e7\u00fck ya\u015fta kendi kimli\u011fi konusunda kar\u0131\u015f\u0131kl\u0131k ya\u015famas\u0131na sebep oldu. Sonradan, hi\u00e7 tan\u0131mad\u0131\u011f\u0131 a\u011fabeyi hakk\u0131nda “iki su damlas\u0131 gibi birbirimize benziyorduk, fakat yans\u0131malar\u0131m\u0131z farkl\u0131yd\u0131 […] O, herhalde benim fazla mutlak olarak tasarlanm\u0131\u015f ilk versiyonumdu.” diye yazacakt\u0131.<\/p>\n

Dal\u00ed’nin babas\u0131, sert ve otoriter karakterli bir noterdi. Annesi ise tam tersine sevecen ve anlay\u0131\u015fl\u0131yd\u0131 ve o\u011flunun resim konusundaki \u00e7abalar\u0131na destek veriyordu. Dal\u00ed \u00fc\u00e7 ya\u015f\u0131ndayken k\u0131zkarde\u015fi Ana Mar\u00eda do\u011fdu. Evin tek erkek \u00e7ocu\u011fu olarak, annesi, k\u0131zkarde\u015fi, teyzesi, anneannesi ve bak\u0131c\u0131s\u0131ndan s\u00fcrekli ilgi g\u00f6ren Dal\u00ed, k\u00fc\u00e7\u00fck ya\u015flar\u0131ndan itibaren \u015f\u0131mar\u0131k ve kaprisli bir karakter sergilemeye ba\u015flad\u0131.<\/p>\n

1914’te annesinin deste\u011fiyle \u00f6zel bir resim okuluna yaz\u0131lan Dal\u00ed, 1919’da Figueres Belediye Tiyatrosu’nda ilk sergisini a\u00e7t\u0131. \u015eubat 1921’de ise \u00e7ok sevdi\u011fi annesini meme kanserinden kaybetti. Annesinin \u00f6l\u00fcm\u00fc hakk\u0131nda “hayat\u0131mda ald\u0131\u011f\u0131m en b\u00fcy\u00fck darbeydi. Ona tapard\u0131m […] Ruhumun ka\u00e7\u0131n\u0131lmaz kusurlar\u0131n\u0131 g\u00f6r\u00fcnmez k\u0131labilmesine hep g\u00fcvendi\u011fim bir varl\u0131\u011f\u0131n kayb\u0131n\u0131 kabullenemiyordum.” diye yazacakt\u0131. Dal\u00ed’nin babas\u0131, kar\u0131s\u0131n\u0131n \u00f6l\u00fcm\u00fcnden k\u0131sa s\u00fcre sonra bald\u0131z\u0131yla evlendi.<\/p>\n

Madrid, Paris ve ABD<\/strong><\/p>\n

1922’de Madrid’e ta\u015f\u0131nan ve buradaki San Fernando G\u00fczel Sanatlar Okulu’na yaz\u0131lan Dal\u00ed, ilk eserlerinde k\u00fcbizm ve dadaizm etkileri g\u00f6sterdi. Fransa ve \u0130svi\u00e7re k\u00f6kenli olan bu yeni ak\u0131mlar, o s\u0131ralar Madrid’de pek yayg\u0131n de\u011fildi, ve Dal\u00ed’nin eserleri k\u0131sa s\u00fcrede ilgi \u00e7ekmeye ba\u015flad\u0131. Dal\u00ed, Madrid’de ge\u00e7irdi\u011fi y\u0131llarda, kendisi gibi avangart sanata merakl\u0131 olan film yap\u0131mc\u0131s\u0131 Luis Bu\u00f1uel ve \u015fair Federico Garc\u00eda Lorca ile yak\u0131n arkada\u015f oldu. 1923’te disiplinsizlik y\u00fcz\u00fcnden ge\u00e7ici olarak okuldan uzakla\u015ft\u0131r\u0131lan Dal\u00ed, ayn\u0131 y\u0131l Girona’da anar\u015fist g\u00f6sterilere kat\u0131ld\u0131\u011f\u0131 i\u00e7in tutukland\u0131 ve bir s\u00fcre g\u00f6zalt\u0131nda tutuldu. 1925’te okula geri d\u00f6nd\u00fc, ve Barcelona<\/span>‘da ilk ki\u015fisel sergisini a\u00e7t\u0131. Resimleri ele\u015ftirmenler taraf\u0131ndan ilgi ve \u015fa\u015fk\u0131nl\u0131kla kar\u015f\u0131land\u0131.<\/p>\n

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Belle\u011fin Azmi<\/em>, 1931<\/strong><\/div>\n<\/div>\n<\/div>\n

Dal\u00ed 1926’da Paris’e gitti ve b\u00fcy\u00fck sayg\u0131 duydu\u011fu Pablo Picasso ile tan\u0131\u015ft\u0131. Sonraki birka\u00e7 y\u0131l boyunca, Dal\u00ed’nin eserlerinde Picasso etkisi a\u011f\u0131r basacakt\u0131. Paris gezisinden d\u00f6nd\u00fckten k\u0131sa s\u00fcre sonra okulundan temelli kovulan Dal\u00ed, \u00e7ok ge\u00e7meden askere al\u0131nd\u0131. Ekim 1927’de askerlik hizmetini bitirdi ve Mart 1928’de sanat ele\u015ftirmenleri Llu\u00eds Montany\u00e0 ve Sebasti\u00e0 Gasch ile beraber, sanatta modernizmi ve f\u00fct\u00fcrizmi savunan “Sanat Kar\u015f\u0131t\u0131 Katalan Manifesto”yu yazd\u0131.<\/p>\n

1929’da arkada\u015f\u0131 Luis Bu\u00f1uel ile beraber \u00e7ektikleri Bir End\u00fcl\u00fcs K\u00f6pe\u011fi<\/em> adl\u0131 avangart k\u0131sa film, s\u00fcrrealist sanat \u00e7evrelerinde ikiliye b\u00fcy\u00fck \u015f\u00f6hret kazand\u0131rd\u0131. Ayn\u0131 y\u0131l ikinci kez Paris’e giden Dal\u00ed, burada ressam Joan Mir\u00f3<\/span> arac\u0131l\u0131\u011f\u0131yla s\u00fcrrealist ak\u0131m\u0131n \u00f6nc\u00fcleri Andr\u00e9 Breton ve Paul \u00c9luard ile tan\u0131\u015ft\u0131. \u00c9luard’\u0131n kar\u0131s\u0131 Gala (as\u0131l ismi Helena \u0130vanovna Diakonova), tan\u0131\u015ft\u0131klar\u0131 andan itibaren Dal\u00ed’nin ilgisini \u00e7ekti, ve 1929 yaz\u0131nda Dal\u00ed ile Gala aras\u0131nda, sonradan evlili\u011fe d\u00f6n\u00fc\u015fecek olan tutkulu bir ili\u015fki ba\u015flad\u0131.<\/p>\n

1931 y\u0131l\u0131nda Dal\u00ed, en me\u015fhur eseri olan Belle\u011fin Azmi<\/em>,<\/sup>ni yapt\u0131. Yumu\u015fak Saatler<\/em> ya da Eriyen Saatler<\/em> olarak da bilinen eserde, geni\u015f bir kumsal manzaras\u0131 \u00f6n\u00fcnde eriyen cep saatleri resmedilmi\u015ftir. Eser genel olarak, kat\u0131 ve de\u011fi\u015fmez zaman kavram\u0131na kar\u015f\u0131 bir protesto olarak yorumlan\u0131r. Dal\u00ed sonradan bu resmin ilham\u0131n\u0131, s\u0131cak A\u011fustos g\u00fcne\u015fi alt\u0131nda erimekte olan bir Camembert peynirinden ald\u0131\u011f\u0131n\u0131 yazacakt\u0131.<\/p>\n

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Ha\u015flanm\u0131\u015f Fasulyeli Yumu\u015fak Yap\u0131 (\u0130\u00e7 Sava\u015f \u00d6ng\u00f6r\u00fcs\u00fc)<\/em>, 1936<\/strong><\/div>\n<\/div>\n<\/div>\n

1929’dan beri beraber ya\u015fayan Dal\u00ed ve Gala, 1934’te bir devlet nik\u00e2h\u0131yla evlendiler. (1958’de bir Katolik d\u00fc\u011f\u00fcn\u00fcyle nik\u00e2h tazeleyeceklerdi.) Ayn\u0131 y\u0131l New York<\/span>‘ta bir sergi a\u00e7an Dal\u00ed, ABD’de b\u00fcy\u00fck sansasyon yaratt\u0131 ve b\u00fcy\u00fck \u00fcne kavu\u015ftu. 1936’da Londra Uluslararas\u0131 S\u00fcrrealist Sergisi’nde bir konu\u015fma yapmas\u0131 istenince, sahneye eski tip hantal bir dalg\u0131\u00e7 tulumu i\u00e7inde \u00e7\u0131kt\u0131. Tulumun beline m\u00fccevher i\u015flemeli bir kama takm\u0131\u015ft\u0131; bir elinde bir bilardo \u0131stakas\u0131 tutuyor, di\u011fer eliyle de bir \u00e7ift kurtk\u00f6pe\u011fini \u00e7eki\u015ftiriyordu.Konu\u015fma s\u0131ras\u0131nda nefes almakta zorluk \u00e7ekince, dalg\u0131\u00e7 k\u0131yafetinin ba\u015fl\u0131\u011f\u0131 \u00e7\u0131kar\u0131ld\u0131.<\/p>\n

Dal\u00ed 1937’de Hollywood’a giderek zaman\u0131n me\u015fhur komedyenleri Marx karde\u015fler<\/span> ile tan\u0131\u015ft\u0131, ve onlar i\u00e7in bir film senaryosu<\/span> yazd\u0131.1938 yaz\u0131nda ise Londra’da, hayran\u0131 oldu\u011fu Sigmund Freud ile tan\u0131\u015ft\u0131 ve \u00fcnl\u00fc psikolo\u011fun birka\u00e7 portresini yapt\u0131. T\u00fcm s\u00fcrrealistler gibi Dal\u00ed de bilin\u00e7alt\u0131n\u0131n<\/span> d\u0131\u015favurumuyla ilgileniyor, ve Freud’un bilin\u00e7alt\u0131 konusundaki yaz\u0131lar\u0131n\u0131 ilgiyle takip ediyordu.<\/p>\n

1936’da ba\u015flayan ve t\u00fcm \u0130spanya’y\u0131 kaosa s\u00fcr\u00fckleyen \u0130spanya \u0130\u00e7 Sava\u015f\u0131, 1939’da General Francisco Franco’nun galibiyetiyle sona erince, Dal\u00ed yeni kurulan fa\u015fist rejimi destekledi\u011fini a\u00e7\u0131klad\u0131.Bunun \u00fczerine, \u00e7o\u011funlu\u011fu Marksist olan ve Dal\u00ed’nin abart\u0131l\u0131 dikkat \u00e7ekme \u00e7abalar\u0131ndan zaten ho\u015flanmayan s\u00fcrrealistler, Dal\u00ed’ye a\u00e7\u0131k\u00e7a s\u0131rtlar\u0131n\u0131 d\u00f6nd\u00fcler. S\u00fcrrealist grubun \u00f6nderi Breton, Salvador Dal\u00ed’nin isminden i\u011fneleyici bir anagram \u00e7\u0131kard\u0131: Avida Dollars<\/em> (Dolar Heveslisi). Dal\u00ed ise cevap vermekte gecikmedi: “Le surr\u00e9alisme, c’est moi!<\/em>” (S\u00fcrrealizm benim!)S\u00fcrrealistler ve Dal\u00ed aras\u0131ndaki \u00e7eki\u015fme, Dal\u00ed \u00f6lene kadar devam edecekti.<\/p>\n

1940’ta Dal\u00ed ve Gala, t\u00fcm Avrupa’y\u0131 etkisi alt\u0131na almaya ba\u015flayan II. D\u00fcnya Sava\u015f\u0131’ndan ka\u00e7arak ABD’ye yerle\u015ftiler. Burada dokuz y\u0131l kalacaklard\u0131. 1942 y\u0131l\u0131nda Dal\u00ed, Salvador Dal\u00ed’nin Gizli Hayat\u0131<\/em> isimli otobiyografisini yay\u0131mlad\u0131. 1945-46 y\u0131llar\u0131nda, Walt Disney ile beraber Destino<\/em>, Alfred Hitchcock ile beraber Spellbound<\/em> filmlerinin yap\u0131m\u0131nda \u00e7al\u0131\u015ft\u0131. 1947’de s\u00fcrrealist bir Picasso portresi yapt\u0131.<\/p>\n

Katalonya’ya d\u00f6n\u00fc\u015f<\/span><\/span><\/strong><\/p>\n

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\u00c7arm\u0131ha Gerilme (Corpus Hypercubicus)<\/em>, 1954<\/strong><\/div>\n<\/div>\n<\/div>\n

1949’da Dal\u00ed, kar\u0131s\u0131yla beraber Avrupa’ya d\u00f6nd\u00fc ve memleketi Katalonya’ya yerle\u015fti. Hayat\u0131n\u0131n sonuna kadar burada kalacakt\u0131. Fa\u015fist Franco rejimiyle y\u00f6netilen \u0130spanya’ya yerle\u015fmesi, bir kez daha sol g\u00f6r\u00fc\u015fl\u00fc sanat\u00e7\u0131 ve ayd\u0131nlar\u0131n tepkisini \u00e7ekti.<\/p>\n

Dal\u00ed 1951’de Katolisizm’in ve modern bilimin baz\u0131 kavramlar\u0131n\u0131 sentezledi\u011fi Mistik Manifesto<\/em>,<\/sup>yu yay\u0131mlad\u0131. II. D\u00fcnya Sava\u015f\u0131 sonras\u0131 eserlerinde, Katolik temalar ve DNA, hiperk\u00fcp<\/span> (d\u00f6rt boyutlu k\u00fcp) ve atomik \u00e7\u00f6z\u00fcnme gibi modern bilim kavramlar\u0131 \u00f6ne \u00e7\u0131kacakt\u0131. Hiro\u015fima’da patlayan atom bombas\u0131n\u0131n g\u00fcc\u00fcnden \u00e7ok etkilenmi\u015f olan Dal\u00ed, hayat\u0131n\u0131n bu d\u00f6nemine “n\u00fckleer mistisizm” ad\u0131n\u0131 veriyordu. Yine bu d\u00f6nemde Dal\u00ed, tuvale boya s\u0131\u00e7ratma, hologramlar<\/span>, optik yan\u0131lg\u0131lar<\/span> ve stereoskopi<\/span> gibi pek \u00e7ok de\u011fi\u015fik teknikle denemeler yapt\u0131.<\/p>\n

1960’da Figueres belediye ba\u015fkan\u0131, y\u0131llar \u00f6nce Dal\u00ed’nin ilk sergisine ev sahipli\u011fi yapm\u0131\u015f ve i\u00e7 sava\u015fta zarar g\u00f6rm\u00fc\u015f olan Belediye Tiyatrosu’nu “Dal\u00ed Tiyatrosu ve M\u00fczesi” ad\u0131yla restore etmeye karar verdi. Dal\u00ed, 1974’e kadar m\u00fczenin in\u015faat\u0131 ve dekorasyonuyla bizzat ilgilendi ve bu projeye \u00e7ok emek ve zaman harcad\u0131. M\u00fcze 1974’te a\u00e7\u0131ld\u0131ysa da, Dal\u00ed 1980’lerin ortas\u0131na kadar ufak eklemeler ve de\u011fi\u015fiklikler yapmaya devam etti.<\/p>\n

10 Haziran 1982’de Dal\u00ed’nin \u00e7ok sevdi\u011fi kar\u0131s\u0131, menajeri, modeli ve ilham perisi Gala hayat\u0131n\u0131 kaybetti. Gala’n\u0131n \u00f6l\u00fcm\u00fcnden sonra ya\u015fama iste\u011fini kaybeden Dal\u00ed, kar\u0131s\u0131n\u0131n \u00f6ld\u00fc\u011f\u00fc ve g\u00f6m\u00fcld\u00fc\u011f\u00fc P\u00fabol Kalesi’ne yerle\u015fti ve m\u00fcnzevi bir hayat s\u00fcrmeye ba\u015flad\u0131. Temmuz 1982’de \u0130spanya Kral\u0131 Juan Carlos<\/span>, Dal\u00ed’yi P\u00fabol Markisi ilan etti. Dal\u00ed ise bu jeste kar\u015f\u0131l\u0131k olarak, krala Avrupa’n\u0131n Ba\u015f\u0131<\/em> adl\u0131 \u00e7izimini hediye etti. 1983’te P\u00fabol Kalesi’nde yapt\u0131\u011f\u0131 Ser\u00e7enin Kuyru\u011fu<\/em> adl\u0131 tablo, Dal\u00ed’nin son eseri olacakt\u0131. A\u011fustos 1984’te Dal\u00ed, kaledeki yatak odas\u0131nda bilinmeyen bir sebepten \u00e7\u0131kan yang\u0131nda baca\u011f\u0131ndan yaraland\u0131.Bu olaydan k\u0131sa s\u00fcre sonra Figueres’e d\u00f6nd\u00fc ve Salvador Dal\u00ed Tiyatro ve M\u00fczesi’nde ya\u015famaya ba\u015flad\u0131.<\/p>\n

Dal\u00ed, 23 Ocak 1989’da kalp yetmezli\u011finden \u00f6ld\u00fc ve Figueres’te kendi ad\u0131n\u0131 ta\u015f\u0131yan m\u00fczenin mahzenine g\u00f6m\u00fcld\u00fc.<\/p>\n

Eserleri<\/span><\/strong><\/p>\n

Dal\u00ed hayat\u0131 boyunca, 1500’den fazla resim ve onlarca heykelin yan\u0131 s\u0131ra, \u00e7e\u015fitli ta\u015f bask\u0131 eserler, kitap ill\u00fcstrasyonlar\u0131, tiyatro dekorlar\u0131 ve kost\u00fcmleri \u00fcretmi\u015ftir. Ayr\u0131ca, Man Ray, Brassa\u00ef, Cecil Beaton ve Philippe Halsman gibi foto\u011fraf sanat\u00e7\u0131lar\u0131yla ve Elsa Schiaparelli, Christian Dior gibi moda tasar\u0131mc\u0131lar\u0131yla beraber \u00e7al\u0131\u015fm\u0131\u015ft\u0131r.<\/p>\n

Bug\u00fcn Dal\u00ed’nin eserlerinin b\u00fcy\u00fck \u00e7o\u011funlu\u011fu, Figueres’deki Dal\u00ed Tiyatro ve M\u00fczesi’nde bulunur. Florida’n\u0131n St. Petersburg kentindeki Salvador Dal\u00ed M\u00fczesi, Madrid’deki Reina Sofia M\u00fczesi ve Los Angeles’taki Salvador Dal\u00ed Galerisi de sanat\u00e7\u0131n\u0131n y\u00fczlerce eserini bar\u0131nd\u0131r\u0131r.<\/p>\n

Dal\u00ed’nin 1965’te New York’taki Rikers Island Hapishanesi’ne ba\u011f\u0131\u015flad\u0131\u011f\u0131 \u00e7arm\u0131ha gerilmi\u015f \u0130sa resmi, 1981’e kadar hapishanenin yemekhanesinde as\u0131l\u0131 durduktan sonra buradan al\u0131narak hapishanenin lobisine as\u0131lm\u0131\u015f, 2003’te ise kimli\u011fi belirsiz ki\u015filerce lobiden \u00e7al\u0131nm\u0131\u015ft\u0131r. 20. y\u00fczy\u0131l\u0131n en \u00f6nemli sanat\u00e7\u0131lar\u0131ndan, s\u00fcrrealizmin yani ger\u00e7ek\u00fcst\u00fcc\u00fcl\u00fck ak\u0131m\u0131n\u0131n temsilcisi Salvador Dali\u2019nin ba\u015fl\u0131ca esin kayna\u011f\u0131 d\u00fc\u015fler, korkular ve hayaller ile Dali, resim sanat\u0131n\u0131n ak\u0131\u015f\u0131na y\u00f6n veren eserleriyle \u0130stanbul\u2019da da sergilenmi\u015ftir. Dali\u2019nin kapsaml\u0131 bir retrospektifi niteli\u011fini ta\u015f\u0131yan \u201c\u0130stanbul\u2019da Bir S\u00fcrrealist Salvador Dali\u201d adl\u0131 sergisinde, \u0130spanyol sanat\u00e7\u0131n\u0131n 380 par\u00e7a eseri sergilenmi\u015ftir. 20 Ocak\u2019a kadar a\u00e7\u0131k kalacak sergide sanat\u00e7\u0131n\u0131n ya\u011fl\u0131 boya tablolar\u0131, \u00e7izimleri ve grafiklerinin yan\u0131 s\u0131ra el yazmalar\u0131, defterleri, mektuplar\u0131 ve foto\u011fraflar\u0131 gibi pek \u00e7ok belge yer alacak.(Serginin kapan\u0131\u015f tarihi 10 g\u00fcn uzat\u0131larak 01 \u015eubat’a ertelenmi\u015ftir.)<\/p>\n

Politik G\u00f6r\u00fc\u015f\u00fc<\/span><\/strong><\/p>\n

Salvador Dal\u00ed’nin sanat\u00e7\u0131 olarak varolu\u015funda politika \u00e7ok \u00f6nemli bir yer alm\u0131\u015ft\u0131r. S\u00fcrrealizmin kurucusu tro\u00e7kist Andr\u00e9 Breton yanl\u0131s\u0131 olarak ba\u015flad\u0131\u011f\u0131 sanat hayat\u0131na, ilerki d\u00f6nemlerde iktidar\u0131 kanl\u0131 bi\u00e7imde ele alan fa\u015fist Franko yanl\u0131s\u0131 olarak devam etmi\u015ftir.<\/p>\n

Gen\u00e7li\u011finde anar\u015fist- kominist yaz\u0131lar\u0131 keskin \u00e7\u0131k\u0131\u015flar\u0131 olan derin bir kavray\u0131\u015ftan ziyade okuyucuyu \u015fok etmek \u00fczerine odaklanm\u0131\u015ft\u0131r. Bu y\u0131llarda Dadac\u0131 etki g\u00f6r\u00fcl\u00fcr. Dali b\u00fcy\u00fcd\u00fck\u00e7e tro\u00e7kist Andr\u00e9 Breton etkisindeki s\u00fcrrealist hareketin etkinli\u011finin artmas\u0131yla s\u00fcrealist olur.<\/p>\n

\u0130spanya i\u00e7 sava\u015f\u0131 ba\u015flad\u0131\u011f\u0131nda, Dali sava\u015fmaktan ve bir grubun yan\u0131nda yer almaktan uzak durur. Benzer \u015fekilde, \u0130kinci D\u00fcnya Sava\u015f\u0131nda George Orwell, Dali’yi “Fransa tehlikeye d\u00fc\u015ft\u00fc\u011f\u00fcnde fare gibi ka\u00e7makla” ele\u015ftirmi\u015ftir. Y\u0131llar sonra o d\u00f6nemini Dali “Avrupa sava\u015f\u0131 yakla\u015ft\u0131\u011f\u0131nda tek d\u00fc\u015f\u00fcnd\u00fc\u011f\u00fcn\u00fcn: tehlike daha da yakla\u015ft\u0131\u011f\u0131nda t\u0131k\u0131labilece\u011fi f\u0131r\u0131n\u0131 g\u00fczel bir yer bulabilmek” oldu\u011funu belirtmi\u015ftir. II. D\u00fcnya sava\u015f\u0131 sonras\u0131nda Katalonya’ya geri d\u00f6nd\u00fc\u011f\u00fcnde, Franko rejimi ile yak\u0131nla\u015fm\u0131\u015ft\u0131r. Ba\u011fz\u0131 s\u00f6zleri Franko rejimine destek vermi\u015f, Franko’yu \u0130spanyay\u0131 yokedici g\u00fc\u00e7lerden temizledi\u011fi i\u00e7in te\u015fekk\u00fcr etmi\u015ftir. Bu d\u00f6nemde Katolik inanca d\u00f6nm\u00fc\u015ft\u00fcr. Ayr\u0131ca Franko’yu \u00e7\u0131kard\u0131\u011f\u0131 idam h\u00fck\u00fcmleri i\u00e7in tebrik etmi\u015ftir. Ayr\u0131ca ki\u015fisel olarak da Franko ile tan\u0131\u015fm\u0131\u015f ve Frankonun ninesini resmetmi\u015ftir. Franko’ya kar\u015f\u0131 hislerinin samimi mi oldu\u011fu yalanc\u0131 m\u0131 oldu\u011funu belirlemek imkans\u0131zd\u0131r.<\/p>\n","protected":false},"excerpt":{"rendered":"

Salvador Domingo Felipe Jacinto Dal\u00ed y Dom\u00e8nech, k\u0131saca Salvador Dal\u00ed (11 May\u0131s 1904 \u2013 23 Ocak 1989), \u0130spanyol s\u00fcrrealist ressam. Ger\u00e7ek\u00fcst\u00fc eserlerindeki tuhaf ve \u00e7arp\u0131c\u0131 imgelerle \u00fcnlenmi\u015ftir. En iyi bilinen eseri olan Belle\u011fin Azmi,ni 1931’de bitirmi\u015ftir. Dal\u00ed, ressaml\u0131\u011f\u0131n yan\u0131 s\u0131ra heykelcilik, foto\u011fraf\u00e7\u0131l\u0131k ve filmcilikle de ilgilenmi\u015f, Amerikal\u0131 animasyoncu Walt Disney ile beraber yapt\u0131\u011f\u0131 Destino adl\u0131 […]<\/p>\n","protected":false},"author":1,"featured_media":0,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[116],"tags":[],"class_list":["post-249","post","type-post","status-publish","format-standard","category-ressam-biyografileri-ve-eserleri"],"yoast_head":"\nSalvador DAL\u0130 Biyografisi - narteks.net<\/title>\n<meta name=\"robots\" content=\"index, follow, max-snippet:-1, max-image-preview:large, max-video-preview:-1\" \/>\n<link rel=\"canonical\" href=\"https:\/\/narteks.net\/index.php\/2009\/02\/27\/salvador-dali-biyografisi\/\" \/>\n<meta property=\"og:locale\" content=\"tr_TR\" \/>\n<meta property=\"og:type\" content=\"article\" \/>\n<meta property=\"og:title\" content=\"Salvador DAL\u0130 Biyografisi\" \/>\n<meta property=\"og:description\" content=\"Salvador Domingo Felipe Jacinto Dal\u00ed y Dom\u00e8nech, k\u0131saca Salvador Dal\u00ed (11 May\u0131s 1904 \u2013 23 Ocak 1989), \u0130spanyol s\u00fcrrealist ressam. Ger\u00e7ek\u00fcst\u00fc eserlerindeki tuhaf ve \u00e7arp\u0131c\u0131 imgelerle \u00fcnlenmi\u015ftir. En iyi bilinen eseri olan Belle\u011fin Azmi,ni 1931’de bitirmi\u015ftir. 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Ger\u00e7ek\u00fcst\u00fc eserlerindeki tuhaf ve \u00e7arp\u0131c\u0131 imgelerle \u00fcnlenmi\u015ftir. En iyi bilinen eseri olan Belle\u011fin Azmi,ni 1931’de bitirmi\u015ftir. 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