{"id":2893,"date":"2009-12-21T10:08:11","date_gmt":"2009-12-21T07:08:11","guid":{"rendered":"http:\/\/localhost\/wordpress\/2009\/12\/21\/roenesans-muezii\/"},"modified":"2009-12-21T10:08:11","modified_gmt":"2009-12-21T07:08:11","slug":"roenesans-muezii","status":"publish","type":"post","link":"https:\/\/narteks.net\/index.php\/2009\/12\/21\/roenesans-muezii\/","title":{"rendered":"R\u00f6nesans M\u00fczi\u011fi"},"content":{"rendered":"

15.-17. y\u00fczy\u0131l ba\u015flar\u0131 aras\u0131ndaki d\u00f6nem, uzmanlarca m\u00fczi\u011fin R\u00f6nesans’\u0131 olarak nitelendirilir. Sanat ve edebiyatla ilgili olarak kullan\u0131lan bu terim, o d\u00f6nemde m\u00fczik alan\u0131nda ger\u00e7ekle\u015ftirilen bir dizi h\u0131zl\u0131 geli\u015fmeye i\u015faret eder. Bu d\u00f6nemde kontrpuan tekni\u011fi yoluyla, birden \u00e7ok sesin e\u015fzamanl\u0131 olarak duyulmas\u0131na olanak veren yap\u0131tlar bestelendi. Bunlar \u00e7oksesli m\u00fczi\u011fin ilk \u00f6rnekleriydi. Ayn\u0131 d\u00f6nemde ortaya \u00e7\u0131kan \u00f6teki m\u00fczik bi\u00e7imlen Fransa’da halk \u015fiirlerinin bestelenmesiyle olu\u015fan \u015fanson’lar ve rondo’lard\u0131r. <\/p>\n

15. y\u00fczy\u0131lda Avrupa’n\u0131n en \u00f6nemli m\u00fczik merkezi, Fransa’n\u0131n do\u011fusundaki Burgonya Saray\u0131 idi. Buraya d\u00f6nemin bir\u00e7ok \u00fcnl\u00fc bestecisi \u00f6\u011fretmenlik yapmak ve \u00e7al\u0131\u015fmak i\u00e7in gelirdi. 16. y\u00fczy\u0131lda \u0130talyan Giovanni Pierlui-gi da Palestrina, Flaman Orlando di Lasso ve Adriaan Willaert, \u0130ngiliz Thomas Tallis ve William Byrd gibi sanat\u00e7\u0131lar besteledikleri missa, motet ve kantatlarla koral m\u00fczikte \u00f6nemli geli\u015fmelere \u00f6nc\u00fcl\u00fck ettiler. <\/p>\n

R\u00f6nesans d\u00f6neminde yaln\u0131zca \u00e7alg\u0131 i\u00e7in bestelenmi\u015f; org, klavsen, klavikord, epinet ve virginal gibi aletlerle \u00e7alman m\u00fczik \u00f6nemli \u00f6l\u00e7\u00fcde geli\u015fti.<\/p>\n","protected":false},"excerpt":{"rendered":"

15.-17. y\u00fczy\u0131l ba\u015flar\u0131 aras\u0131ndaki d\u00f6nem, uzmanlarca m\u00fczi\u011fin R\u00f6nesans’\u0131 olarak nitelendirilir. Sanat ve edebiyatla ilgili olarak kullan\u0131lan bu terim, o d\u00f6nemde m\u00fczik alan\u0131nda ger\u00e7ekle\u015ftirilen bir dizi h\u0131zl\u0131 geli\u015fmeye i\u015faret eder. Bu d\u00f6nemde kontrpuan tekni\u011fi yoluyla, birden \u00e7ok sesin e\u015fzamanl\u0131 olarak duyulmas\u0131na olanak veren yap\u0131tlar bestelendi. Bunlar \u00e7oksesli m\u00fczi\u011fin ilk \u00f6rnekleriydi. Ayn\u0131 d\u00f6nemde ortaya \u00e7\u0131kan \u00f6teki m\u00fczik […]<\/p>\n","protected":false},"author":1,"featured_media":0,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[93],"tags":[],"class_list":{"0":"post-2893","1":"post","2":"type-post","3":"status-publish","4":"format-standard","6":"category-muzik-genel-kultur"},"yoast_head":"\nR\u00f6nesans M\u00fczi\u011fi - narteks.net<\/title>\n<meta name=\"robots\" content=\"index, follow, max-snippet:-1, max-image-preview:large, max-video-preview:-1\" \/>\n<link rel=\"canonical\" href=\"https:\/\/narteks.net\/index.php\/2009\/12\/21\/roenesans-muezii\/\" \/>\n<meta property=\"og:locale\" content=\"tr_TR\" \/>\n<meta property=\"og:type\" content=\"article\" \/>\n<meta property=\"og:title\" content=\"R\u00f6nesans M\u00fczi\u011fi\" \/>\n<meta property=\"og:description\" content=\"15.-17. y\u00fczy\u0131l ba\u015flar\u0131 aras\u0131ndaki d\u00f6nem, uzmanlarca m\u00fczi\u011fin R\u00f6nesans’\u0131 olarak nitelendirilir. Sanat ve edebiyatla ilgili olarak kullan\u0131lan bu terim, o d\u00f6nemde m\u00fczik alan\u0131nda ger\u00e7ekle\u015ftirilen bir dizi h\u0131zl\u0131 geli\u015fmeye i\u015faret eder. Bu d\u00f6nemde kontrpuan tekni\u011fi yoluyla, birden \u00e7ok sesin e\u015fzamanl\u0131 olarak duyulmas\u0131na olanak veren yap\u0131tlar bestelendi. Bunlar \u00e7oksesli m\u00fczi\u011fin ilk \u00f6rnekleriydi. 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