19. y\u00fczy\u0131l\u0131n sonlar\u0131nda yeni aray\u0131\u015flara sahne olan m\u00fczik d\u00fcnyas\u0131nda tart\u0131\u015fma konusu olan de\u011fi\u015fik g\u00f6r\u00fc\u015fler besteciler aras\u0131nda ayr\u0131lmalara yol a\u00e7t\u0131. Beethoven m\u00fczi\u011fe d\u00fc\u015f\u00fcnce y\u00fckl\u00fc yeni bir i\u00e7erik kazand\u0131rm\u0131\u015ft\u0131. Onu izleyen ve m\u00fczi\u011fi se\u00e7kin s\u0131n\u0131flar\u0131n bir e\u011flence arac\u0131 olmaktan \u00e7\u0131kararak, kesintisiz ve al\u0131\u015f\u0131lm\u0131\u015f\u0131n d\u0131\u015f\u0131nda bir armoni anlay\u0131\u015f\u0131yla yaratmaktan yana baz\u0131 sanat\u00e7\u0131lar, Alman besteci Richard Wagner’in \u00f6nderli\u011finde m\u00fczikte Alman Roman-tizm’i olarak bilinen yeni bir ak\u0131m ba\u015flatt\u0131lar. M\u00fczi\u011fin s\u0131n\u0131rlar\u0131n\u0131 zorlamamas\u0131n\u0131 savunan ve romantiklerin getirdi\u011fi yeniliklere kar\u015f\u0131 \u00e7\u0131kan besteciler ise Johannes Brahms’\u0131n \u00e7evresinde topland\u0131lar. <\/p>\n
Bu iki d\u00fc\u015f\u00fcnce ak\u0131m\u0131 20. y\u00fczy\u0131la kadar bir\u00e7ok besteciyi etkiledi. Avusturyal\u0131 besteci Gustav Mahler ile Alman besteci Richard Strauss, Wagner’i izlediler ve orkestra i\u00e7in uzun senfonik yap\u0131tlar bestelediler. \u00d6te yandan Fransa’da Wagner gelene\u011finin yayg\u0131n oldu\u011fu bir d\u00f6nemde Frans\u0131z besteci Charles Ca-mille Saint-Saens klasik modellere ba\u011fl\u0131 kalarak titiz, zarif ve duygulu m\u00fczik par\u00e7alar\u0131 yazd\u0131. Ayn\u0131 d\u00f6nemde Mihail \u0130vanovi\u00e7 Glinka Rusya’da ulusal m\u00fczik hareketini ba\u015flatt\u0131. Pe-ter \u0130li\u00e7 \u00c7aykovski romantik bir besteci olarak tan\u0131nd\u0131. D\u00f6nemin \u00f6teki \u00fcnl\u00fc Rus bestecileri Aleksandr Borodin, Modest Mussorgski ve Nikolay Rimski-Korsakof, yap\u0131tlar\u0131nda \u00f6zellikle halk \u00f6yk\u00fclerini konu ald\u0131lar ve Rus halk \u015fark\u0131lar\u0131ndan esinlendiler. <\/p>\n
19. y\u00fczy\u0131lda operada \u00f6nemli geli\u015fmeler g\u00f6zlendi. Operan\u0131n bu d\u00f6nemdeki ba\u015fl\u0131ca bestecileri \u0130talyan Gioacchino Rossini ve Giu-seppe Verdi romantik bestecilerdi. Ama gene de d\u00f6nemin en \u00f6nemli opera bestecisi, al\u0131\u015f\u0131lm\u0131\u015f kal\u0131plar\u0131n d\u0131\u015f\u0131na \u00e7\u0131karak g\u00fc\u00e7l\u00fc orkestralara ve g\u00fc\u00e7l\u00fc \u015fark\u0131c\u0131lara yer veren, yap\u0131tlar\u0131nda edebi ve felsefi d\u00fc\u015f\u00fcnceleri konu alan, m\u00fczi\u011fi \u00f6teki sanatlarla i\u015fbirli\u011fi i\u00e7inde alg\u0131layan ve operaya “m\u00fczikli dram” ad\u0131n\u0131 veren Richard Wagner\\M.<\/p>\n","protected":false},"excerpt":{"rendered":"
19. y\u00fczy\u0131l\u0131n sonlar\u0131nda yeni aray\u0131\u015flara sahne olan m\u00fczik d\u00fcnyas\u0131nda tart\u0131\u015fma konusu olan de\u011fi\u015fik g\u00f6r\u00fc\u015fler besteciler aras\u0131nda ayr\u0131lmalara yol a\u00e7t\u0131. Beethoven m\u00fczi\u011fe d\u00fc\u015f\u00fcnce y\u00fckl\u00fc yeni bir i\u00e7erik kazand\u0131rm\u0131\u015ft\u0131. Onu izleyen ve m\u00fczi\u011fi se\u00e7kin s\u0131n\u0131flar\u0131n bir e\u011flence arac\u0131 olmaktan \u00e7\u0131kararak, kesintisiz ve al\u0131\u015f\u0131lm\u0131\u015f\u0131n d\u0131\u015f\u0131nda bir armoni anlay\u0131\u015f\u0131yla yaratmaktan yana baz\u0131 sanat\u00e7\u0131lar, Alman besteci Richard Wagner’in \u00f6nderli\u011finde m\u00fczikte […]<\/p>\n","protected":false},"author":1,"featured_media":0,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[93],"tags":[],"class_list":{"0":"post-2896","1":"post","2":"type-post","3":"status-publish","4":"format-standard","6":"category-muzik-genel-kultur"},"yoast_head":"\n