{"id":295,"date":"2009-03-01T17:19:09","date_gmt":"2009-03-01T14:19:09","guid":{"rendered":"http:\/\/localhost\/wordpress\/2009\/03\/01\/dikmen-gurun-tiyatro-yazilari\/"},"modified":"2009-03-01T17:19:09","modified_gmt":"2009-03-01T14:19:09","slug":"dikmen-gurun-tiyatro-yazilari","status":"publish","type":"post","link":"https:\/\/narteks.net\/index.php\/2009\/03\/01\/dikmen-gurun-tiyatro-yazilari\/","title":{"rendered":"Dikmen G\u00dcR\u00dcN Tiyatro yaz\u0131lar\u0131"},"content":{"rendered":"
<\/div>\n
Tiyatro deyince ne anl\u0131yoruz, Cem Y\u0131lmaz yada Y\u0131lmaz Erdo\u011fan’\u0131 m\u0131; yada \u015f\u00f6yle soray\u0131m, tiyatro sanat\u0131yla ne kadar ilgilisiniz? Bu sorunun yan\u0131t\u0131 i\u00e7in \u00f6yle uzun uzad\u0131ya d\u00fc\u015f\u00fcnmeye gerek yok her \u015fey ortada zaten, yine de durumu merak ediyorsan\u0131z \u015f\u00f6yle etraf\u0131n\u0131z\u0131 bir kola\u00e7an edin, bu soruyu tan\u0131d\u0131klar\u0131n\u0131za bir sorun, moralinizin bozulaca\u011f\u0131n\u0131 biliyorum. T\u00fcm bunlara ra\u011fmen \u00e7\u0131kmad\u0131k canda umut vard\u0131r hesab\u0131, tiyatro sanat\u0131n\u0131n gelece\u011fine olan inanc\u0131m\u0131 koruyorum. S\u0131k s\u0131k piyasaya \u00e7\u0131kan yeni yay\u0131nlar\u0131n bu sanat\u0131n bireylerin bilin\u00e7lerinde tiyatro’nun yerinin sa\u011flamla\u015fmas\u0131na vesile olaca\u011f\u0131n\u0131 d\u00fc\u015f\u00fcn\u00fcyorum. Marx’\u0131n s\u00f6yledi\u011fi gibi ‘sanat\u0131n tad\u0131na varmak istiyorsan\u0131z, sanat k\u00fclt\u00fcr\u00fc alm\u0131\u015f biri olmal\u0131s\u0131n\u0131z..’ sanat k\u00fclt\u00fcr\u00fc kazan\u0131m\u0131 da, ilgili alanlarda \u00f6zellikle okuma edimiyle m\u00fcmk\u00fcn olabilmektedir. Lakin bilgilenme merak\u0131n\u0131z olmas\u0131na kar\u015f\u0131n kaynaklara ula\u015fmakta problem \u00e7ekiyorsan\u0131z bu sadece sizin i\u00e7in de\u011fil genel olarak o \u00fclke sanat\u0131 ve sanat\u00e7\u0131lar\u0131 a\u00e7\u0131s\u0131ndan bir talihsizliktir.<\/p>\n

\u0130\u015fte bu noktada tiyatro a\u00e7\u0131s\u0131ndan tabii \u00f6zellikle T\u00fcrkiye tiyatrosu a\u00e7\u0131s\u0131ndan bilgisel aray\u0131\u015f i\u00e7inde olanlara Do\u00e7. Dr.Dikmen G\u00fcr\u00fcn’\u00fcn kendi ya\u015fam\u0131ndan dam\u0131tarak ortaya koydu\u011fu ‘tiyatro yaz\u0131lar\u0131’ adl\u0131 kitab\u0131 sizlere tan\u0131tmak istiyorum. ya\u015fam\u0131ndan dam\u0131tmak deyince sanki bir \u00f6yk\u00fc kitab\u0131ndan bahsediyormu\u015fum gibi yanl\u0131\u015f anlamalara mahal vermemek i\u00e7in s\u00f6yleyeyim: Dikmen G\u00fcr\u00fcn uzun y\u0131llar\u0131n\u0131 ele\u015ftirmen, \u00f6\u011fretim g\u00f6revlisi ve festival y\u00f6neticisi olarak tiyatroya emek vermi\u015f dolay\u0131s\u0131yla, ya\u015fam\u0131yla tiyatroyu birle\u015ftirmi\u015f bir insan, i\u015f b\u00f6yle olunca da ya\u015fam\u0131ndan dam\u0131tt\u0131\u011f\u0131 \u00fcr\u00fcnde do\u011fal olarak tiyatro oluyor.<\/p>\n

Dikmen G\u00fcr\u00fcn’\u00fcn, kitab\u0131n \u00f6ns\u00f6z\u00fcnde belirtti\u011fi gibi\u00a0“tiyatro yaz\u0131lar\u0131, T\u00fcrk tiyatrosunun son yirmi y\u0131l\u0131n\u0131n tan\u0131kl\u0131\u011f\u0131n\u0131 yapmas\u0131 d\u00fc\u015f\u00fcn\u00fclen \u00e7al\u0131\u015fmalardan biri.’ Kitap 1980′ den g\u00fcn\u00fcm\u00fcze tiyatro ya\u015fant\u0131s\u0131 i\u00e7inde t\u00fcrl\u00fc sorun ve konular\u0131n ele\u015ftirel, bir ba\u015fka bir deyi\u015fle ele\u015ftirmen kaleminden bir yorumunu i\u00e7ermektedir. Kitaptaki yaz\u0131lar\u0131n en eskisi 31 Ocak Aral\u0131k 1986 tarihli ‘Tiyatroda Bask\u0131 ve Sans\u00fcr-1’ ad\u0131n\u0131 ta\u015f\u0131rken en yenisi 21 mart 2000 tarihli ‘ Devlet Tiyatrolar\u0131 ‘Ba\u011fl\u0131’ Kurulu\u015f De\u011fildir’ isimli yaz\u0131. Yaz\u0131lar\u0131n \u00e7ok b\u00fcy\u00fck bir k\u0131sm\u0131 cumhuriyet gazetesinde yay\u0131nlanm\u0131\u015fken birka\u00e7 tanesi de ‘G\u00f6steri’ ve ‘Tiyatro’ dergilerinde yay\u0131nlanm\u0131\u015f.<\/p>\n

Kitapta ki yaz\u0131lar 3 ana ba\u015fl\u0131k alt\u0131nda konusal bir ayr\u0131ma tabi tutulmu\u015f. Bunlar:<\/p>\n

a) Yap\u0131lanma: Bu ba\u015fl\u0131k alt\u0131nda, T\u00fcrkiye tiyatrosu a\u00e7\u0131s\u0131ndan cumhuriyet d\u00f6nemi tiyatro ele\u015ftirisin- den, sanat ve sanat\u00e7\u0131 konusuna, tiyatro’da alk\u0131\u015f olgusundan, Muhsin Ertu\u011frul’a vb.. kadar \u00e7ok de\u011fi\u015fik konulara de\u011finilmi\u015f ve yap\u0131lan ele\u015ftiri ve sorgulamalarla tiyatronun yap\u0131lanmas\u0131na katk\u0131 sunma amac\u0131 yerine getirilmeye \u00e7al\u0131\u015f\u0131lm\u0131\u015f. \u00d6rne\u011fin g\u00fcn\u00fcm\u00fczde bir furyaya d\u00f6nen ve sel gibi \u00e7o\u011falan pop\u00e7ular ve bunlara sanat\u00e7\u0131 etiketinin yap\u0131\u015ft\u0131r\u0131lmas\u0131na ili\u015fkin neler d\u00fc\u015f\u00fcn\u00fcyorsunuz. <\/p>\n

Bu konu hakk\u0131nda Dikmen G\u00fcr\u00fcn ” sanat ve ‘sanat\u00e7\u0131’: \u00c7ok de\u011ferli, \u00e7ok de\u011ferli, \u00e7ok hassas, \u00e7ok \u00f6nemli anlamlar y\u00fckl\u00fc bu s\u00f6zc\u00fckler neden i\u015fporta usul\u00fc bini bir paraya savrulur? Acaba d\u00fcnyan\u0131n neresinde bu denli rahat, bu denli umursamaz bir tav\u0131r i\u00e7inde her \u00f6n\u00fcne gelene yap\u0131\u015ft\u0131r\u0131l\u0131verir ‘sanat\u00e7\u0131’yaftas\u0131? ‘Sanat\u00e7\u0131’ olmak bu kadar m\u0131 kolay? ‘Sanat,’ ‘sanat\u00e7\u0131’ s\u00f6zc\u00fcklerinin b\u00f6ylesine har vurulup harman savrulmas\u0131 toplumda bu kavramlara y\u00f6nelik yanl\u0131\u015f \u015fartlanmalar\u0131n kap\u0131lar\u0131n\u0131 da ard\u0131na kadar a\u00e7makta.’ Oldu\u011funu s\u00f6yleyerek duyarl\u0131 bir ayd\u0131n tavr\u0131yla, ele\u015ftirisini yap\u0131yor.<\/p><\/div>\n

b) \u0130kinci b\u00f6l\u00fcm yaln\u0131z tiyatro a\u00e7\u0131s\u0131ndan de\u011fil di\u011fer sanatlar a\u00e7\u0131s\u0131ndan da b\u00fcy\u00fck bir problem olan ve kanayan yara tabirini hak eden bir konu olan ‘bask\u0131 ve sans\u00fcr’ ile ilgili de\u011ferlendirmeleri i\u00e7eriyor. Bu b\u00f6l\u00fcm\u00fcn yaz\u0131- lar\u0131ndan ilki, Ferhan \u015eensoy’un \u015ean Tiyatrosu’nda sergiledikleri M\u0131s\u0131r M\u00fczikali oyununun baz\u0131 ki\u015filerce bas\u0131lmas\u0131 olay\u0131ndan hareketle yaz\u0131lan, ‘Tiyatroda Bask\u0131 ve Sans\u00fcr’ adl\u0131 3 b\u00f6l\u00fcml\u00fck yaz\u0131d\u0131r. Bu yaz\u0131da \u00f6zellikle sans\u00fcr konusu tarihten \u00f6rnekler verilerek i\u015flenmi\u015f, yine ‘Ge\u00e7mi\u015ften G\u00fcn\u00fcm\u00fcze Tiyatroda Bask\u0131’ adl\u0131 yaz\u0131 da ayn\u0131 \u015fekilde konuyu tarihsel ak\u0131\u015f\u0131 i\u00e7inde de\u011ferlendirerek bu olgular\u0131n k\u00f6kl\u00fc bir sorun oldu\u011funu ispatl\u0131yor. \u00d6zellikle 61 anayasas\u0131 ile demokratik bir atmosfer kazand\u0131\u011f\u0131n\u0131 s\u00f6yledi\u011fimiz T\u00fcrkiye’de, bu d\u00f6nemde pek \u00e7ok sans\u00fcr ve bask\u0131 olay\u0131n\u0131n ya\u015fanmas\u0131 ger\u00e7ekten \u015fa\u015f\u0131rt\u0131c\u0131 ve i\u00e7 karart\u0131c\u0131. ‘1961’de Vatanda\u015f Oyunu ile ‘Gen\u00e7 oyuncular’-1962’de Aziz Nesin’in Fatih \u015eehir Tiyatrosu’nda sahnelenen ‘Biraz Gelir misiniz’ adl\u0131 oyunu temsilden kald\u0131r\u0131l\u0131yor- 22 mart 1964′ te Tepeba\u015f\u0131 Sahnesinde Brecht’in ‘Sezuan’\u0131n \u0130yi insan\u0131’ adl\u0131 oyun gericilerin ta\u015fl\u0131 sopal\u0131 sald\u0131r\u0131s\u0131na u\u011fruyor…’ liste b\u00f6yle uzuyor, umar\u0131z buraya yenileri kat\u0131lmaz.<\/p>\n

b) \u00dc\u00e7\u00fcnc\u00fc b\u00f6l\u00fcm ‘festivaller’ ad\u0131n\u0131 ta\u015f\u0131yor. Yazar\u0131n pek \u00e7ok kereler tiyatro festivallerine y\u00f6neticilik yapm\u0131\u015f olmas\u0131, bu konuda ki bilgileri okuyucular a\u00e7\u0131s\u0131ndan daha de\u011ferli k\u0131l\u0131yor. Nede olsa, do\u011fruya giden yolun b\u00fcy\u00fck bir k\u0131sm\u0131 tecr\u00fcbelerden ge\u00e7iyor. Yeterince tiyatro festivali olmayan ve festivalleri \u00e7e\u015fitli nedenlerle iptal edilen bir \u00fclkede en az\u0131ndan okuyarak da olsa festivallerin havas\u0131n\u0131 solumak g\u00fczel!!! ‘(…) K\u00fclt\u00fcrel prizmam\u0131z\u0131 bir t\u00fcrl\u00fc yurt d\u0131\u015f\u0131na ta\u015f\u0131yam\u0131yoruz. \u0130\u00e7 \u00e7eki\u015fmelerden dolay\u0131 kepenkleri a\u00e7ma f\u0131rsat\u0131n\u0131 bulam\u0131yoruz. Farkl\u0131 k\u00fclt\u00fcrler aras\u0131ndaki ileti\u015fimin \u00f6nemini kavramakta zorlan\u0131yor, daha do\u011frusu \u00e7ok iyi bildi\u011fimiz halde ald\u0131rm\u0131yoruz. Bir \u00fclkeyi tan\u0131tacak \u015feyin o \u00fclkenin sanat\u0131 oldu\u011funu \u0131srarla g\u00f6z ard\u0131 ediyoruz. (…) Karamsar\u0131m, ama ya\u015fanan ger\u00e7ekler bu karamsarl\u0131\u011f\u0131n yersiz olmad\u0131\u011f\u0131n\u0131n kan\u0131tlar\u0131..’ acaba bu kitab\u0131 bu y\u0131lki festivali iptal edenler okumu\u015flar m\u0131d\u0131r? Hi\u00e7 sanm\u0131yorum. Ger\u00e7i okusalar neler de\u011fi\u015fir, o da ayr\u0131 bir mesele tabii. <\/p>\n

Tiyatro yaz\u0131lar\u0131, T\u00fcrkiye tiyatrosu hakk\u0131nda \u00e7ok \u00e7e\u015fitli konulara de\u011finmesi sayesinde bu okuyuculara genel bir bak\u0131\u015f verebilme potansiyeline sahip bir kitap. Gerek dili gerekse i\u00e7eri a\u00e7\u0131s\u0131ndan herkesin anlayabilece\u011fi sadelikteki dili ve denemeyi and\u0131ran tarz\u0131yla okurken s\u0131k\u0131lmayaca\u011f\u0131n\u0131z bir kitap, tabii e\u011fer sanata ve de \u00f6zelinde tiyatroya birazda olsa ilginiz varsa.<\/p>\n

Kitap, T\u00fcrk tiyatrosu ile ilgili bir bo\u015flu\u011fu dolduruyor ve k\u0131yaslamalarla d\u00fcnya tiyatrosundaki konumunu sorguluyor<\/p>\n

ERKAN K\u00dc\u00c7\u00dcK<\/div>\n
T\u0130YATRO YAZILARI
<\/strong><\/div>\n

Mitos Boyut Yay\u0131nlar\u0131<\/strong><\/p>\n","protected":false},"excerpt":{"rendered":"

Tiyatro deyince ne anl\u0131yoruz, Cem Y\u0131lmaz yada Y\u0131lmaz Erdo\u011fan’\u0131 m\u0131; yada \u015f\u00f6yle soray\u0131m, tiyatro sanat\u0131yla ne kadar ilgilisiniz? Bu sorunun yan\u0131t\u0131 i\u00e7in \u00f6yle uzun uzad\u0131ya d\u00fc\u015f\u00fcnmeye gerek yok her \u015fey ortada zaten, yine de durumu merak ediyorsan\u0131z \u015f\u00f6yle etraf\u0131n\u0131z\u0131 bir kola\u00e7an edin, bu soruyu tan\u0131d\u0131klar\u0131n\u0131za bir sorun, moralinizin bozulaca\u011f\u0131n\u0131 biliyorum. T\u00fcm bunlara ra\u011fmen \u00e7\u0131kmad\u0131k canda […]<\/p>\n","protected":false},"author":1,"featured_media":0,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[36],"tags":[],"class_list":["post-295","post","type-post","status-publish","format-standard","category-tiyatro-kritikleri"],"yoast_head":"\nDikmen G\u00dcR\u00dcN Tiyatro yaz\u0131lar\u0131 - narteks.net<\/title>\n<meta name=\"robots\" content=\"index, follow, max-snippet:-1, max-image-preview:large, max-video-preview:-1\" \/>\n<link rel=\"canonical\" href=\"https:\/\/narteks.net\/index.php\/2009\/03\/01\/dikmen-gurun-tiyatro-yazilari\/\" \/>\n<meta property=\"og:locale\" content=\"tr_TR\" \/>\n<meta property=\"og:type\" content=\"article\" \/>\n<meta property=\"og:title\" content=\"Dikmen G\u00dcR\u00dcN Tiyatro yaz\u0131lar\u0131\" \/>\n<meta property=\"og:description\" content=\"Tiyatro deyince ne anl\u0131yoruz, Cem Y\u0131lmaz yada Y\u0131lmaz Erdo\u011fan’\u0131 m\u0131; yada \u015f\u00f6yle soray\u0131m, tiyatro sanat\u0131yla ne kadar ilgilisiniz? Bu sorunun yan\u0131t\u0131 i\u00e7in \u00f6yle uzun uzad\u0131ya d\u00fc\u015f\u00fcnmeye gerek yok her \u015fey ortada zaten, yine de durumu merak ediyorsan\u0131z \u015f\u00f6yle etraf\u0131n\u0131z\u0131 bir kola\u00e7an edin, bu soruyu tan\u0131d\u0131klar\u0131n\u0131za bir sorun, moralinizin bozulaca\u011f\u0131n\u0131 biliyorum. 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