{"id":298,"date":"2009-03-01T17:38:31","date_gmt":"2009-03-01T14:38:31","guid":{"rendered":"http:\/\/localhost\/wordpress\/2009\/03\/01\/tiyatronun-yaam-damarlar-ve-tiyatro-kar-ky\/"},"modified":"2009-03-01T17:38:31","modified_gmt":"2009-03-01T14:38:31","slug":"tiyatronun-yaam-damarlar-ve-tiyatro-kar-ky","status":"publish","type":"post","link":"https:\/\/narteks.net\/index.php\/2009\/03\/01\/tiyatronun-yaam-damarlar-ve-tiyatro-kar-ky\/","title":{"rendered":"Tiyatronun Ya\u015fam Damarlar\u0131 ve Tiyatro Kar\u015f\u0131 K\u0131y\u0131"},"content":{"rendered":"<p>Yazar<br \/>Mehmet Esato\u011flu<\/p>\n<div><strong>Tiyatronun Ya\u015fam Damarlar\u0131 ve Tiyatro Kar\u015f\u0131 K\u0131y\u0131 <br \/><\/strong><\/div>\n<p><span style=\"color: #000000;\"><br \/><\/span><\/p>\n<div>Son on y\u0131ld\u0131r tiyatromuzun sorunlar\u0131 \u00fczerine yaz\u0131l\u0131p \u00e7izilenlere bakt\u0131\u011f\u0131m\u0131zda, b\u00fcy\u00fck bir a\u011fla\u015fma korosu g\u00f6r\u00fcyoruz. Yaz\u0131lanlara g\u00f6re tiyatro diye bir \ufffd y\u00fcce \ufffd sanat varm\u0131\u015f ama maalesef g\u00fcn\u00fcm\u00fczde art\u0131k \u00e7ok zor durumdaym\u0131\u015f. Seveni \u00e7okmu\u015f ama, ilgileneni pek yokmu\u015f. Bu y\u00fczden ad\u0131m ad\u0131m yok olmaya do\u011fru s\u00fcr\u00fckleniyormu\u015f.<\/p>\n<p>Bu, \u00f6ylesine yayg\u0131n bir s\u00f6ylem ki kitaplardan, dergilere, Internet sitelerine her yan\u0131 sarm\u0131\u015f durumda. Yaz\u0131lar\u0131n ve yazarlar\u0131n\u0131n bu duruma kar\u015f\u0131 bir \u00f6nerisi ise yok. <\/p>\n<p>Peki ya ya\u015fam nas\u0131l? \u0130\u00e7inde bulunulan a\u011f\u0131r ko\u015fullara ra\u011fmen Naz\u0131m\ufffd\u0131n deyimiyle <\/p>\n<p>\ufffdk\u0131v\u0131l k\u0131v\u0131l bal\u0131k misali \ufffd. A\u011fla\u015fmak yerine \u00fcretmeyi se\u00e7enler kentin kimi k\u00f6\u015felerinde perde a\u00e7\u0131yorlar.<\/p>\n<p>Bir k\u0131\u015f ak\u015fam\u0131. Ortal\u0131\u011f\u0131 ma\u00e7 b\u00f6\u011f\u00fcrt\u00fcs\u00fc sarm\u0131\u015f. Caddeler, sokaklar ayn\u0131 b\u00f6\u011f\u00fcrt\u00fcyle yank\u0131lan\u0131yor. O eski g\u00fczelim ayak topu oyunu art\u0131k ticari bir sekt\u00f6r olmu\u015f. Kafan\u0131z\u0131 \u00e7evirdi\u011finiz her yerde futbol al\u0131n\u0131yor, futbol sat\u0131l\u0131yor, futbol kusuluyor. Bunu bir tek ben s\u00f6ylemiyorum. Futbol \u00fczerine yaz\u0131 yazarak \u00f6mr\u00fcn\u00fc ge\u00e7irmi\u015f yazar Kahraman Bap\u00e7um\ufffdda ayn\u0131 \u015feyleri ifade ediyor. Bap\u00e7um ge\u00e7en ay Cumhuriyet spor sayfas\u0131ndaki yaz\u0131s\u0131nda ticarile\u015fen futbol ortam\u0131n\u0131n \u00e7irkinli\u011fine dayanamad\u0131\u011f\u0131n\u0131 ve art\u0131k futbol \u00fcst\u00fcne yazmak istemedi\u011fini yaz\u0131yor.<\/p>\n<p>So\u011fuk bir k\u0131\u015f ak\u015fam\u0131 s\u0131cac\u0131k bir tiyatro salonundan i\u00e7eri giriyoruz. Ma\u00e7 b\u00f6\u011f\u00fcrt\u00fcs\u00fc nedeniyle \u00e7ok yo\u011fun bir kalabal\u0131k yok. Gelenler farkl\u0131 insanlar. Duru\u015flar\u0131ndan konu\u015fmalar\u0131ndan belli ediyorlar kendilerini. Yoldan ge\u00e7erken tiyatroya girivermi\u015f bir kitle de\u011fil bu. Bilerek, isteyerek se\u00e7mi\u015f ve gelmi\u015f bir izleyici var fuayede.<\/p>\n<p>Sahnenin arkas\u0131nda ise oyuncular var. Onlar da fuayedeki izleyiciden farkl\u0131 de\u011filler. Lisede bir rastlant\u0131 ya da b\u00fcy\u00fck bir istek duyarak se\u00e7tikleri tiyatroyu hala s\u00fcrd\u00fcr\u00fcyorlar. Hala s\u00fcrd\u00fcr\u00fcyorlar diyorum \u00e7\u00fcnk\u00fc bir k\u0131sm\u0131 i\u00e7in lise art\u0131k geride kalm\u0131\u015f. Ama onlar birlikteliklerini al\u0131p ta\u015f\u0131m\u0131\u015flar bir amat\u00f6r tiyatro toplulu\u011funa. Ad\u0131na da Tiyatro Kar\u015f\u0131 K\u0131y\u0131 demi\u015fler.<\/p>\n<p>\u015eimdi d\u00fc\u015f\u00fcn\u00fcn \u015f\u00f6yle de davranabilirlerdi. Lise bitimi bir tela\u015f \u00fcniversiteye girmek \u00fczere birbirini ezme yar\u0131\u015f\u0131na dalmaca. Dershaneler, testler, s\u0131navlar.. Ard\u0131ndan sa\u011f\u0131na soluna bakmadan kitap \u00fczerinde pineklenen d\u00f6rt y\u0131ll\u0131k \u00fcniversite ya\u015fam\u0131. Ard\u0131ndan askerlik, hasbelkader bir evlilik. Ve g\u00fcn\u00fcn birinde elinde kumanda TV ekran\u0131 kar\u015f\u0131s\u0131nda uyuklay\u0131p duran, her \u015feyden yak\u0131nan, hi\u00e7bir \u015fey yapmaya mecali olmayan \u00e7evre, \u00e7eperimizde bol bol rastlad\u0131\u011f\u0131m\u0131z, 80\ufffdlerden bu yana olu\u015fturulan o insanlardan biri olabilirlerdi.<\/p>\n<p>Kulisteki oyuncular ise ba\u015fka insanlar. Anlatma tutkusuyla aylarca, y\u0131llarca u\u011fra\u015f\u0131p durmu\u015f ki\u015filer. Bir yanda kendilerini e\u011fitmi\u015fler, \u00f6te yanda \u00f6n\u00fcm\u00fcze koyacaklar\u0131 oyunu. Birazdan perde a\u00e7\u0131p anlatacaklar. Neyi anlatacaklar? Ya\u015fad\u0131klar\u0131, yery\u00fcz\u00fcnde g\u00f6rd\u00fckleri, duyduklar\u0131, be\u011fendikleri, be\u011fenmedikleri, onlar\u0131 sevindiren, heyecanland\u0131ran, \u00fczen, \u00f6fkelendiren, h\u00fcz\u00fcnlendiren bir \u00e7ok \u015feyi. <\/p>\n<p>Bu, insano\u011flunun binlerce y\u0131ld\u0131r yapt\u0131\u011f\u0131 bir i\u015f. Kendini g\u00f6rmek, kendine \u00e7eki d\u00fczen vermek, \u00fcretti\u011fi g\u00fczellikleri, \u00e7irkinlikleri \u00f6n\u00fcne koyup hesapla\u015ft\u0131\u011f\u0131 bir etkinlik bi\u00e7imi. \u0130nsanlar\u0131 bir araya toplayan, bir arada izleten. Topluca payla\u015f\u0131lan. Ad\u0131na tiyatro diyorlar.<\/p>\n<p>Perdenin arkas\u0131ndaki gen\u00e7ler bir yanda oyun \u00fcretirken \u00f6te yandan da belli bir direnme i\u00e7indeler. \u015e\u00f6yle bir perspektif koymu\u015flar \u00f6nlerine:<\/p>\n<p>Tiyatro Kar\u015f\u0131 K\u0131y\u0131 \ufffdYa\u015famdan tiyatroya , tiyatrodan ya\u015fama d\u00f6nen bulgular\u0131 malzeme edinerek kendi oyunlar\u0131n\u0131 yarat\u0131p oynamay\u0131 ama\u00e7l\u0131yor\ufffd.<\/p>\n<p>B\u00fct\u00fcn ya\u015fam\u0131n ma\u00e7 b\u00f6\u011f\u00fcrt\u00fcs\u00fcne, manken bedenine, a\u015f\u0131r\u0131 para h\u0131rs\u0131na endekslenmedi\u011fi, yeti\u015fen yeni ku\u015fa\u011f\u0131n k\u00fclt\u00fcrel de\u011ferlerle donand\u0131\u011f\u0131, \u00fclke ayd\u0131n\u0131yla bulu\u015fup tan\u0131\u015fabildi\u011fi, onlarla tart\u0131\u015f\u0131p kendini geli\u015ftirebildi\u011fi y\u0131llarda yeni ku\u015fa\u011f\u0131n bu hedeflerini ger\u00e7ekle\u015ftirebildi\u011fi kurumlar\u0131 vard\u0131. <\/p>\n<p>\u00d6zellikle kentin bir \u00e7ok yan\u0131na yay\u0131lm\u0131\u015f halkevlerinde usta-\u00e7\u0131rak ili\u015fkisi i\u00e7inde semtin gen\u00e7li\u011fi tiyatroyla, halk danslar\u0131yla tan\u0131\u015f\u0131yordu. Ondan da \u00f6teye sanat dergileri, kitaplarla tan\u0131\u015farak d\u00fc\u015f\u00fcnen, ara\u015ft\u0131ran bir insan haline geliyordu. <\/p>\n<p>1980 askeri darbesinin ard\u0131ndan ad\u0131m ad\u0131m kurulan, tek tanr\u0131n\u0131n para olarak ilan edildi\u011fi Turgut \u00d6zal T\u00fcrkiye\ufffdsinde d\u00fc\u015f\u00fcnen, ara\u015ft\u0131ran insanlar var eden bu kurumlar yok edildi.<\/p>\n<p>Bug\u00fcnk\u00fc yeti\u015fen ku\u015fa\u011f\u0131n kendini k\u00fclt\u00fcrel ve sanatsal olarak geli\u015ftirece\u011fi hi\u00e7 bir mekan, kurum yok. Sa\u011fda solda rasgele a\u00e7\u0131lan k\u00fclt\u00fcr merkezleri de belli bir perspektife sahip olamad\u0131klar\u0131ndan \u00e7al\u0131\u015fmalar, etkinlikler rastlant\u0131sal olarak y\u00fcr\u00fcyor.<\/p>\n<p>\u0130\u015fte Tiyatro Kar\u015f\u0131 K\u0131y\u0131 tam da bu noktada \u00f6nemli bir i\u015flev y\u00fcklenmi\u015f. Nitelikli \u00e7al\u0131\u015fmalar\u0131yla okul tiyatrosu i\u00e7in \u00f6nemli bir model ortaya koyan Be\u015fikta\u015f Atat\u00fcrk Anadolu Lisesi Oyuncular\u0131 (BAALOY) gelene\u011fini amat\u00f6r bir toplulukta kurumla\u015ft\u0131rma.<\/p>\n<p>Perde a\u00e7\u0131ld\u0131\u011f\u0131nda m\u00fczi\u011finden oyunculu\u011funa kar\u015f\u0131m\u0131za \u00e7\u0131kan b\u00fct\u00fcnl\u00fck, bu s\u00f6z\u00fcn\u00fc etti\u011fim kurumla\u015fmay\u0131 \u00f6n\u00fcm\u00fcze seriyor. Birbiriyle \u00f6ncelikle arkada\u015f olmu\u015f, el ele oyunlar \u00fcretmi\u015f belli bir uyumu yakalam\u0131\u015f, ortak estetik duyarl\u0131\u011f\u0131 olan bir ekip bu. <\/p>\n<p>Nas\u0131l olu\u015fturmu\u015flar bunu?. O bulu\u015ftuklar\u0131 okulun ve tiyatro kolunun \u00e7at\u0131s\u0131 alt\u0131nda. Yeni bulu\u015fmu\u015f insan topluluklar\u0131nda birbirlerine kar\u015f\u0131 olu\u015fan ve oyun \u00fcretmelerini engelleyen ne varsa burada asgari d\u00fczeyde. \u00c7\u00fcnk\u00fc burada herkes birbirini tan\u0131yor ve herkesin niyeti ayn\u0131 hedef; oyun \u00fcretmek. Ge\u00e7mi\u015f y\u0131llar herkesin neyi ne \u00f6l\u00e7\u00fcde yapabildi\u011fini ortaya koymu\u015f. Ge\u00e7en y\u0131llar i\u00e7inde de\u011fi\u015fen yanlar y\u00fcz\u00fcnden tart\u0131\u015fmalar \u00e7\u0131ksa da herkesin birbirini tan\u0131y\u0131\u015f\u0131, arkada\u015fl\u0131\u011f\u0131 ve g\u00fcveni bu tart\u0131\u015fmay\u0131 belli bir seviyede tutuyor. B\u00fct\u00fcn bunlar realitede olsa da olmasa da Tiyatro Kar\u015f\u0131 K\u0131y\u0131\ufffdn\u0131n oyun \u00fcretmede kazan\u00e7lar\u0131 olarak elinde duruyor. Ya\u015fama ge\u00e7irme becerisi ya\u015fayanlara ait.<\/p>\n<p>Y\u00f6netmen Ali K\u0131rkar, 80\ufffdli y\u0131llarda Cem Yal\u0131n\ufffd\u0131n \u0130zzet \u00dcnver Lisesi\ufffdnde yaratt\u0131\u011f\u0131 y\u00f6ntem \u00fczerinden ilerliyor. Y\u00f6ntem bir metni al\u0131p sahneye monte etmek yerine oyuncular\u0131yla onu yarat\u0131c\u0131 bir bi\u00e7imde geli\u015ftirmeye dayan\u0131yor. Tiyatro Kar\u015f\u0131 K\u0131y\u0131 da, Ray Bradbury\ufffdnin \ufffdKaymakl\u0131 Dondurma Rengindeki O G\u00fczelim Elbise\ufffd metni \u00fczerinde ayn\u0131 y\u00f6ntemle ilerliyor. Y\u00f6netmen Ali K\u0131rkar ve oyuncular\u0131 oyunda m\u00fclkiyet, dayan\u0131\u015fma, ve payla\u015f\u0131m \u00fczerinden giderek metinde yarat\u0131c\u0131 a\u00e7\u0131mlamalar yap\u0131yorlar.<\/p>\n<p>Topluluk ayr\u0131ca bu se\u00e7im ve tutumuyla muhalif bir duru\u015fu da kar\u015f\u0131m\u0131za koyuyor. <\/p>\n<p>Metni zengin katk\u0131larla geni\u015fletme y\u00f6nteminin en \u00f6nemli yararlar\u0131ndan biri, toplulu\u011fun kendi metnini yaratma yolunu a\u00e7mas\u0131. <\/p>\n<p>G\u00fcn\u00fcm\u00fczde muhalif bir oyun var etmek isteyen topluluklar, kar\u015f\u0131lar\u0131nda \u00e7ok az say\u0131da yazar ve yaz\u0131lm\u0131\u015f metin buluyorlar. Muhalif bir dolu oyun yazar\u0131n\u0131n kiminin k\u00fcsk\u00fcn, kiminin de ruhunu medyaya satt\u0131\u011f\u0131 g\u00fcn\u00fcm\u00fczde kendi metnini yaratmak muhalif topluluklar\u0131n \u00f6n\u00fcnde ka\u00e7\u0131n\u0131lmaz bir g\u00f6rev olarak duruyor. Haldun Taner\ufffdden Oktay Aray\u0131c\u0131\ufffddan Vas\u0131f \u00d6ng\u00f6ren\ufffde, \u0130smet K\u00fcntay\ufffddan, Cem Yal\u0131n\ufffda bir dolu toplumcu oyun yazar\u0131 bug\u00fcn art\u0131k yok, yenileri de ne yaz\u0131k ki yeti\u015fmiyor. Kimi zaman ortaya baz\u0131 yeni yetenekler \u00e7\u0131ksa da medyan\u0131n y\u00fcksek milyarlar\u0131 onlar\u0131n ba\u015f\u0131n\u0131 d\u00f6nd\u00fcr\u00fcyor. \ufffdYa\u015fam\u0131m\u0131 g\u00fcvence alt\u0131na alay\u0131m da sonra\ufffd diye ba\u015flayan s\u00fcre\u00e7 onu \ufffdk\u00f6t\u00fc yola\ufffd d\u00fc\u015f\u00fcrerek siyah caml\u0131, iri, odun marka araba ve m\u00fclk edinme batakl\u0131\u011f\u0131na s\u00fcr\u00fckl\u00fcyor. <\/p>\n<p>Tiyatro Kar\u015f\u0131 K\u0131y\u0131\ufffdn\u0131n oyuna oyun katmadaki ince \u00f6zeni yeni, muhalif, belli bir estetik \u00f6zene ve d\u00fcnya g\u00f6r\u00fc\u015f\u00fcne sahip metinlerin sahnemize kazand\u0131r\u0131laca\u011f\u0131 mu\u015ftusunu veriyor.<\/p>\n<p>Toplulu\u011fun oyundaki tempo aksay\u0131\u015f\u0131ndan \u00f6t\u00fcr\u00fc \u00f6ne \u00e7\u0131kamayan bir yan\u0131 da tak\u0131m oyunculu\u011funda elde etti\u011fi ba\u015far\u0131. \ufffdKaymakl\u0131 Dondurma Rengindeki O G\u00fczelim Elbise\ufffd oyunu kolektif oyunculuk gerektiren zorlu bir g\u00f6steri. Burada tak\u0131m oyunu ile bireysel \u00e7\u0131k\u0131\u015flar\u0131n iyi dengelenmesi gerekiyor. Buradaki en k\u00fc\u00e7\u00fck bir dengesizlik izleyicinin bir \u00f6yk\u00fcden di\u011ferine ge\u00e7i\u015fini zorla\u015ft\u0131r\u0131yor.<\/p>\n<p>Tiyatro Kar\u015f\u0131 K\u0131y\u0131 ise birbirinden \u00e7al\u0131\u015fkan ve yetenekli oyuncular\u0131yla bu dengeyi hassas bir noktada yakalamay\u0131 ba\u015far\u0131yor. \u00d6rne\u011fin elbiseyi en son giyen oyuncu toplulukta oyunu y\u00fcksek bir seviyede tutmay\u0131 ba\u015faran g\u00fc\u00e7l\u00fc oyunculardan biri. Ama bu oyuncu, rol\u00fcn\u00fcn geri planda oldu\u011fu t\u00fcm oyun boyunca bir an olsun rol \u00e7alm\u0131yor. Ticari ve b\u00fcrokratik tiyatrolarda s\u0131k s\u0131k kar\u015f\u0131m\u0131za \u00e7\u0131kan geri plandaki rol\u00fc angarya g\u00f6r\u00fcp savsaklama anlay\u0131\u015f\u0131 topluluktaki hi\u00e7bir oyuncuda yok. Bu yan\u0131yla da topluluk ta 1900\ufffdlerde Konstantin Stanislavski ve Nemirovi\u00e7 Dan\u00e7enko\ufffdnun \u00f6nerisi; bug\u00fcn Hamlet yar\u0131n fig\u00fcran gelene\u011fine s\u0131k\u0131 s\u0131k\u0131ya ba\u011fl\u0131. <\/p>\n<p>Toplulu\u011fun sahnesi iki yanda katk\u0131 istiyor. Bunlardan biri dekor ve aksesuarda biraz daha yarat\u0131c\u0131l\u0131k, di\u011feri de m\u00fczikte y\u00f6netmene de\u011fi\u015fik zenginlikler sa\u011flayacak bulu\u015flar. Bir lise toplulu\u011fundan amat\u00f6r bir topluluk olmaya ge\u00e7erken art\u0131k kimi bilgelerin deneyimlerine ve birikimlerine gereksinmeleri olacak. Bu alanda \u00fclkemiz gerek sahne tasar\u0131mc\u0131s\u0131, gerekse m\u00fczik a\u00e7\u0131s\u0131ndan olduk\u00e7a zengin bir potansiyele sahip. Topluluk kurumla\u015fma s\u00fcrecinde bu alanlarda da \ufffdunsur\ufffd yeti\u015ftirmenin yollar\u0131n\u0131 aramal\u0131d\u0131r.<\/p>\n<p>2001-2002 tiyatromuz a\u00e7\u0131s\u0131ndan k\u0131s\u0131r bir y\u0131l olarak ge\u00e7iyor. Ticari ve b\u00fcrokratik tiyatrolar da dahil olmak \u00fczere s\u00f6z\u00fcn\u00fc do\u011fru d\u00fcr\u00fcst s\u00f6yleyen, belli bir estetik \u00f6zeni yakalam\u0131\u015f tek bir \u00e7al\u0131\u015fma dahi ortaya \u00e7\u0131kmad\u0131. Baharla birlikte sahnelere amat\u00f6rler geliyor. \ufffdKaymakl\u0131 Dondurma Rengindeki O G\u00fczelim Elbise\ufffd bunun ilk mu\u015ftucular\u0131ndan biri. Ard\u0131n\u0131n da gelece\u011fine inanc\u0131m\u0131z, g\u00fcvenimiz tam. Ay\u015fe Sar\u0131kaya, Aytu\u011f Gen\u00e7o\u011flu, Ceren Tan, Cevher U\u00e7an, Elif Bal\u0131n, Emir G\u00fcrbudak, Emre G\u00f6kdemir, Erdal Kantarc\u0131, Erdem Pala, Eren G\u00fclbey, Musa K\u0131rkar, Onur Ereren, \u00d6zlem Bekar, \u00d6zlem \u00c7olak, Serdar Metin, \u015eahan A\u011far ve y\u00f6netmenleri, yan\u0131 ba\u015flar\u0131nda onlarla sahneyi payla\u015fan Ali K\u0131rkar\ufffd\u0131n emeklerini alk\u0131\u015fl\u0131yorum. Ne g\u00fczel ki vars\u0131n\u0131z diyorum. Sahnelerimiz size, b\u00fcy\u00fck ozan Can Y\u00fccel\ufffdin dedi\u011fi gibi \ufffdonlar da olmasalar benim gayr\u0131 kimim var\ufffd! diyor.<\/p><\/div>\n","protected":false},"excerpt":{"rendered":"<p>YazarMehmet Esato\u011flu Tiyatronun Ya\u015fam Damarlar\u0131 ve Tiyatro Kar\u015f\u0131 K\u0131y\u0131 Son on y\u0131ld\u0131r tiyatromuzun sorunlar\u0131 \u00fczerine yaz\u0131l\u0131p \u00e7izilenlere bakt\u0131\u011f\u0131m\u0131zda, b\u00fcy\u00fck bir a\u011fla\u015fma korosu g\u00f6r\u00fcyoruz. Yaz\u0131lanlara g\u00f6re tiyatro diye bir \ufffd y\u00fcce \ufffd sanat varm\u0131\u015f ama maalesef g\u00fcn\u00fcm\u00fczde art\u0131k \u00e7ok zor durumdaym\u0131\u015f. Seveni \u00e7okmu\u015f ama, ilgileneni pek yokmu\u015f. Bu y\u00fczden ad\u0131m ad\u0131m yok olmaya do\u011fru s\u00fcr\u00fckleniyormu\u015f. Bu, [&hellip;]<\/p>\n","protected":false},"author":1,"featured_media":0,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[36],"tags":[],"class_list":["post-298","post","type-post","status-publish","format-standard","category-tiyatro-kritikleri"],"yoast_head":"<!-- This site is optimized with the Yoast SEO Premium plugin v24.9 (Yoast SEO v24.9) - https:\/\/yoast.com\/wordpress\/plugins\/seo\/ -->\n<title>Tiyatronun Ya\u015fam Damarlar\u0131 ve Tiyatro Kar\u015f\u0131 K\u0131y\u0131 - narteks.net<\/title>\n<meta name=\"robots\" content=\"index, follow, max-snippet:-1, max-image-preview:large, max-video-preview:-1\" \/>\n<link rel=\"canonical\" href=\"https:\/\/narteks.net\/index.php\/2009\/03\/01\/tiyatronun-yaam-damarlar-ve-tiyatro-kar-ky\/\" \/>\n<meta property=\"og:locale\" content=\"tr_TR\" \/>\n<meta property=\"og:type\" content=\"article\" \/>\n<meta property=\"og:title\" content=\"Tiyatronun Ya\u015fam Damarlar\u0131 ve Tiyatro Kar\u015f\u0131 K\u0131y\u0131\" \/>\n<meta property=\"og:description\" content=\"YazarMehmet Esato\u011flu Tiyatronun Ya\u015fam Damarlar\u0131 ve Tiyatro Kar\u015f\u0131 K\u0131y\u0131 Son on y\u0131ld\u0131r tiyatromuzun sorunlar\u0131 \u00fczerine yaz\u0131l\u0131p \u00e7izilenlere bakt\u0131\u011f\u0131m\u0131zda, b\u00fcy\u00fck bir a\u011fla\u015fma korosu g\u00f6r\u00fcyoruz. Yaz\u0131lanlara g\u00f6re tiyatro diye bir \ufffd y\u00fcce \ufffd sanat varm\u0131\u015f ama maalesef g\u00fcn\u00fcm\u00fczde art\u0131k \u00e7ok zor durumdaym\u0131\u015f. Seveni \u00e7okmu\u015f ama, ilgileneni pek yokmu\u015f. Bu y\u00fczden ad\u0131m ad\u0131m yok olmaya do\u011fru s\u00fcr\u00fckleniyormu\u015f. 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