{"id":300,"date":"2009-03-01T18:17:26","date_gmt":"2009-03-01T15:17:26","guid":{"rendered":"http:\/\/localhost\/wordpress\/2009\/03\/01\/duvar\/"},"modified":"2009-03-01T18:17:26","modified_gmt":"2009-03-01T15:17:26","slug":"duvar","status":"publish","type":"post","link":"https:\/\/narteks.net\/index.php\/2009\/03\/01\/duvar\/","title":{"rendered":"Duvar- Y\u0131lmaz G\u00fcney"},"content":{"rendered":"<p><strong><font color=\"#ff6600\">Yazar<\/font><\/strong><br \/><strong><font color=\"#ff6600\">Metin Muharrir <\/font><\/strong><\/p>\n<div align=\"center\"><font color=\"#ff6600\"><strong>DUVAR <\/strong><\/font><\/div>\n<div align=\"center\"><font color=\"#000000\"><strong>Y\u0131lmaz G\u00fcney <\/strong><\/font><\/div>\n<p><strong><font color=\"#000000\"><br \/><\/font><\/strong><\/p>\n<div align=\"justify\"><strong><font color=\"#000000\">Sanatsal olan\u0131n kavranmas\u0131 ve onun tad\u0131na var\u0131lmas\u0131 i\u00e7in, izlenecek sanat \u00fcr\u00fcn\u00fc ve o sanat dal\u0131 hakk\u0131nda az \u00e7ok bilgimizin olmas\u0131 \u015fartt\u0131r. Bilgiden yoksun bir bak\u0131\u015f, g\u00f6rmekten yoksun olan, \u00f6z\u00fcnde k\u00f6r bir bak\u0131\u015ft\u0131r. <\/font><\/strong><\/p>\n<p><strong><font color=\"#000000\">\u00d6n\u00fcm\u00fczde Y\u0131lmaz G\u00fcneyin duvar filmi duruyor, bu filmi kavrayabilmemiz, onunla bize verilmek isteneni alg\u0131layabilmemiz i\u00e7in az \u00f6nce yukar\u0131da s\u00f6yledi\u011fim \u015feyin bunun i\u00e7inde ge\u00e7erli oldu\u011funu bilmemiz gereklidir. Bu y\u00fczden \u00f6ncelikle eserin yarat\u0131c\u0131s\u0131 Y\u0131lmaz G\u00fcneyi daha sonrada seyredece\u011fimiz bu filmi biraz tan\u0131yal\u0131m. <\/font><\/strong><\/p>\n<p><strong><font color=\"#000000\">Y\u0131lmaz G\u00fcney, laf\u0131 a\u011fz\u0131m\u0131zda gevelemeden s\u00f6yleyecek olursak Marxsizm- Leninizm bilimini kendine rehber olarak se\u00e7mi\u015f, hayat\u0131 ve sanat\u0131 bu d\u00fc\u015f\u00fcnce \u00e7izgisinde yorumlam\u0131\u015f bir sanat\u00e7\u0131, bununda \u00f6ncesinde bir sava\u015f\u00e7\u0131d\u0131r. Onun filmi sanatsal, estetik bir yarat\u0131m olmas\u0131n\u0131n yan\u0131nda b\u00fcy\u00fck bir siyasal ele\u015ftiri silah\u0131d\u0131r da ve devrimi g\u00f6steren onu savunan bir filmdir. Y\u0131lmaz G\u00fcney\ufffdin devrimci sanat\u00e7\u0131 olmas\u0131ndan dolay\u0131d\u0131r bu. Sanat ve devrim ili\u015fkisi hakk\u0131nda bakal\u0131m Y\u0131lmaz G\u00fcney ne diyor: \ufffdDevrimci sanat\u0131, devrimin hedefleri do\u011frultusunda s\u00fcrd\u00fcr\u00fclen m\u00fccadeleden ba\u011f\u0131ms\u0131z d\u00fc\u015f\u00fcnemeyiz. M\u00fccadelenin d\u0131\u015f\u0131nda devrimci sanat olmaz. Bu nedenle, devrimci sanat\u00e7\u0131, her \u015feyden \u00f6nce teorik ve ideolojik bir sa\u011flaml\u0131\u011fa ula\u015fmak i\u00e7in \u00e7aba g\u00f6stermelidir. Yani, bilimsel sosyalizmin temel yasalar\u0131n\u0131 \u00f6\u011frenmeli ve toplumsal, sanatsal m\u00fccadelesinin k\u0131lavuzu yapmal\u0131d\u0131r. Devrimci teoriyi kavramadan devrimci sanat olmaz.\ufffd diyor y\u0131lmaz g\u00fcney. <\/font><\/strong><\/p>\n<p><strong><font color=\"#000000\">Y\u0131lmaz G\u00fcney sahip oldu\u011fu devrimci kimli\u011fe ve de\u011ferlere sonuna kadar ba\u011fl\u0131 kalm\u0131\u015f,cezaevinden ka\u00e7t\u0131ktan sonra yurt d\u0131\u015f\u0131nda da siyasi faaliyetlerine devam etmi\u015ftir. Bunun en g\u00fczel \u00f6rne\u011fini duvar filimin de g\u00f6r\u00fcyoruz. Filmi seyretti\u011finizde burada ne s\u00f6ylemek istedi\u011fimi daha iyi anlayacaks\u0131n\u0131z. <\/font><\/strong><\/p>\n<p><strong><font color=\"#000000\">Y\u0131lmaz G\u00fcney hakk\u0131nda onun sanata bak\u0131\u015f\u0131n\u0131n ne oldu\u011fu hakk\u0131nda san\u0131r\u0131m bu kadar veri k\u00e2fi. \u015eimdi birazda filmi tan\u0131yal\u0131m. <\/font><\/strong><\/p>\n<p><strong><font color=\"#000000\">\u00d6ncelikle bu film siyasal arg\u00fcmanlara sahip, politik bir filimdir. Ve \u00f6ne s\u00fcr\u00fclen tezlerde bununla ili\u015fkili olarak politiktir. Buradaki ana \u00f6nerme hepimizin payla\u015ft\u0131\u011f\u0131 sorunun sistem sorunu oldu\u011fu ger\u00e7e\u011fidir. Ve ele\u015ftirinin g\u00f6be\u011finde milatarist- kemalist devlet vard\u0131r.Birka\u00e7 sahnede sunulan Atat\u00fcrk b\u00fcst\u00fc ve kitabesi kemalizm&#8217;in; filmin ba\u015f\u0131ndan sonuna kadar s\u0131k s\u0131k g\u00f6rd\u00fc\u011f\u00fcm\u00fcz asker, jandarma \u00fcniformas\u0131 ayr\u0131cana askerlerin sabah ko\u015fusu sahneleri kan\u0131mca militarizmin simgelenmesidir. <\/font><\/strong><\/p>\n<p><strong><font color=\"#000000\">\u0130kinci olarak insanlar\u0131n k\u0131s\u0131rla\u015fan d\u00fc\u015fleri sorgulan\u0131r. \u00d6r: filmin ba\u015flar\u0131nda \u00e7ocuklar\u0131n aya bakarak daha iyi bir hapishaneyi hayal etmeleri bunun g\u00f6stergesidir. Bunun yan\u0131nda filmin sonunda \ufffd\u00e7ocuklar ba\u015fka bir yere nakledildiklerinde yine ayn\u0131 k\u00f6t\u00fc muameleye maruz kalmalar\u0131 vakas\u0131 ile \u00f6ne s\u00fcr\u00fclen d\u00fc\u015f\u00fcnce ger\u00e7ek\u00e7i ol imkans\u0131z\u0131 iste deyi\u015fiyle dile getirilen, hayallerini b\u00fcy\u00fck tut, sistemin d\u0131\u015f\u0131na ta\u015f, ancak \u00f6yle \u00f6zg\u00fcrle\u015febilirsin aksi halde her gitti\u011fin durak sana duvar olacakt\u0131r fikridir. <\/font><\/strong><\/p>\n<p><strong><font color=\"#000000\">Film bize t\u00fcm karamsarl\u0131klar\u0131n yan\u0131nda olumlu \u015feylerde sunar. Benim dikkatimi \u00e7eken bu y\u00f6nde b\u00f6yle birka\u00e7 sahne var. Bunlardan ilki, isyan\u0131 \u00f6rg\u00fctlemeye \u00e7al\u0131\u015fan \u00e7ocu\u011fun, arkada\u015flar\u0131na \ufffdbiz ba\u015faramasak ta bizden sonra gelenler rahat y\u00fcz\u00fc g\u00f6rs\u00fcnler\ufffd s\u00f6zleridir ki bize y\u0131lmaz g\u00fcneyi hat\u0131rlat\u0131r. <\/font><\/strong><\/p>\n<p><strong><font color=\"#000000\">\u0130kinci sahne: iki ihbarc\u0131n\u0131n isyan s\u0131ras\u0131nda \u00f6ld\u00fcr\u00fclmeleridir, er ge\u00e7 adaletin yerini bulaca\u011f\u0131 m\u00fcjdelenir burada. <\/font><\/strong><\/p>\n<p><strong><font color=\"#000000\">\u00dc\u00e7\u00fcnc\u00fc ve en dikkat \u00e7ekici sahne: \u00e7at\u0131\u015fman\u0131n ortas\u0131nda bir bebe\u011fin do\u011fdu\u011fu k\u0131s\u0131m ki buradaki mesaj umudumuz, kurtulu\u015fumuz kavgadan ge\u00e7ecektir fikridir. Do\u011fan \u00e7ocuk gelece\u011fe duyulan umuttur asl\u0131nda. <\/font><\/strong><\/p>\n<p><strong><font color=\"#000000\">\u015eimdide filmde verilmek isteneni peki\u015ftiren, onu daha g\u00fc\u00e7l\u00fc bir \u015fekilde bize duyumsatan tekni\u011fi, filmin tekni\u011fine, ayr\u0131cana bu duyumsatmay\u0131 yaratmak i\u00e7in kullan\u0131lan daha ba\u015fka \u015feylere bakal\u0131m. Y\u00f6netmen belgesele yak\u0131n bir tarzla filmi \u00e7ekmi\u015f, buradaki gaye, ya\u015fanan ger\u00e7ekli\u011fin en iyi \u015fekilde, dolays\u0131z olarak aktar\u0131lmas\u0131d\u0131r buda en en ba\u015far\u0131l\u0131 olarak belgesel yada belgeselimsi y\u00f6ntemle filmin \u00e7ekilmesidir. Bu bi\u00e7imde her \u015fey t\u00fcm \u00e7\u0131plakl\u0131\u011f\u0131yla yans\u0131t\u0131l\u0131r, ho\u015fa gitme, e\u011flendirme amac\u0131 g\u00fcd\u00fclmez. Her \u015fey o kadar a\u00e7\u0131kt\u0131r ki filmin bir \u00e7ok yerinde y\u00fcre\u011finizde korkun\u00e7 bir ac\u0131ma hissi duyumsayacak, korkuyu hissedeceksiniz ama bu iki ana duygu sizde bir ba\u015fka \u015feyin do\u011fumuna sebep olacakt\u0131r: devrim fikrinin. Seyrin sonunda filimle a\u00e7\u0131\u011fa vurulan sorunlar\u0131n devrimden ba\u015fka \u00e7\u00f6z\u00fcm\u00fcn\u00fcn olmad\u0131\u011f\u0131n\u0131 g\u00f6receksiniz. E\u011fer ki bu d\u00fc\u015f\u00fcnce net olarak zihninizde yank\u0131lanmad\u0131ysa anlay\u0131n ki siz bu filmi tam olarak anlayamam\u0131\u015fs\u0131n\u0131zd\u0131r, esasen siz ya\u015fam\u0131 do\u011fru olarak kavrayamam\u0131\u015fs\u0131n\u0131zd\u0131r. <\/font><\/strong><\/p>\n<p><strong><font color=\"#000000\">Belirtmek istedi\u011fim ikinci bir konuda duvar filminin sosyalist ger\u00e7ek\u00e7i bir y\u00f6ntemle perdeye aktar\u0131ld\u0131\u011f\u0131d\u0131r. Her \u015fey \u00e7eli\u015fkilerle sunulur,s\u00fcrekli bir \u00e7at\u0131\u015fma hali s\u00fcr\u00fcp gider \u00e7\u00f6z\u00fcm ise sosyalizmdir, devrimcilerin mar\u015flar\u0131yla en a\u00e7\u0131k bir \u015fekilde ilan edilir bu ger\u00e7eklik. <\/font><\/strong><\/p>\n<p><strong><font color=\"#000000\">Ger\u00e7ekli\u011fi seyircinin bilincine berrak olarak yans\u0131tabilmek, onun akl\u0131n\u0131 diri tutabilmek, kendini filme kapt\u0131rarak bilincinin kapanmas\u0131n\u0131 \u00f6nlemek i\u00e7in seyirciyi filme yabanc\u0131la\u015ft\u0131r\u0131c\u0131 b\u00f6l\u00fcmler konulmu\u015ftur . \u00d6rnek verecek olursak: do\u011fum sahnesi, \u00e7ocuklar\u0131n hayk\u0131r\u0131\u015flar\u0131, hamam sahnesi gibi k\u0131s\u0131mlar bu yabanc\u0131la\u015ft\u0131rmay\u0131 yaratmay\u0131 da hedeflemektedirler kan\u0131mca. <\/font><\/strong><\/p>\n<p><strong><font color=\"#000000\">Ayr\u0131ca son olarak, filmin hedefine ula\u015fmas\u0131 seyircide ki duygusal ritmin en \u00fcst seviyeye \u00e7\u0131kart\u0131lmas\u0131 i\u00e7in filmin temel \u00f6rg\u00fcs\u00fc \u00e7ocuklar\u0131n \u00fczerine kurulmu\u015ftur. Bu y\u00f6n\u00fcyle gayet zekice ve bilin\u00e7li bir se\u00e7imdir bu; ki her \u00e7ocuk \u00e7\u0131\u011fl\u0131\u011f\u0131nda i\u00e7inizde hissedece\u011finiz o rahats\u0131z edici duyguda bunu do\u011frulayacakt\u0131r. <\/font><\/strong><\/p>\n<p><strong><font color=\"#000000\">Umar\u0131m \u015fu s\u00f6ylediklerimle sizlere yararl\u0131 olmu\u015fumdur iyi seyirler hepinize&#8230; <\/font><\/strong><\/div>\n","protected":false},"excerpt":{"rendered":"<p>YazarMetin Muharrir DUVAR Y\u0131lmaz G\u00fcney Sanatsal olan\u0131n kavranmas\u0131 ve onun tad\u0131na var\u0131lmas\u0131 i\u00e7in, izlenecek sanat \u00fcr\u00fcn\u00fc ve o sanat dal\u0131 hakk\u0131nda az \u00e7ok bilgimizin olmas\u0131 \u015fartt\u0131r. Bilgiden yoksun bir bak\u0131\u015f, g\u00f6rmekten yoksun olan, \u00f6z\u00fcnde k\u00f6r bir bak\u0131\u015ft\u0131r. \u00d6n\u00fcm\u00fczde Y\u0131lmaz G\u00fcneyin duvar filmi duruyor, bu filmi kavrayabilmemiz, onunla bize verilmek isteneni alg\u0131layabilmemiz i\u00e7in az \u00f6nce yukar\u0131da [&hellip;]<\/p>\n","protected":false},"author":1,"featured_media":0,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[37],"tags":[],"class_list":{"0":"post-300","1":"post","2":"type-post","3":"status-publish","4":"format-standard","6":"category-film-kritikleri"},"yoast_head":"<!-- This site is optimized with the Yoast SEO Premium plugin v24.9 (Yoast SEO v24.9) - https:\/\/yoast.com\/wordpress\/plugins\/seo\/ -->\n<title>Duvar- Y\u0131lmaz G\u00fcney - narteks.net<\/title>\n<meta name=\"robots\" content=\"index, follow, max-snippet:-1, max-image-preview:large, max-video-preview:-1\" \/>\n<link rel=\"canonical\" href=\"https:\/\/narteks.net\/index.php\/2009\/03\/01\/duvar\/\" \/>\n<meta property=\"og:locale\" content=\"tr_TR\" \/>\n<meta property=\"og:type\" content=\"article\" \/>\n<meta property=\"og:title\" content=\"Duvar- Y\u0131lmaz G\u00fcney\" \/>\n<meta property=\"og:description\" content=\"YazarMetin Muharrir DUVAR Y\u0131lmaz G\u00fcney Sanatsal olan\u0131n kavranmas\u0131 ve onun tad\u0131na var\u0131lmas\u0131 i\u00e7in, izlenecek sanat \u00fcr\u00fcn\u00fc ve o sanat dal\u0131 hakk\u0131nda az \u00e7ok bilgimizin olmas\u0131 \u015fartt\u0131r. Bilgiden yoksun bir bak\u0131\u015f, g\u00f6rmekten yoksun olan, \u00f6z\u00fcnde k\u00f6r bir bak\u0131\u015ft\u0131r. \u00d6n\u00fcm\u00fczde Y\u0131lmaz G\u00fcneyin duvar filmi duruyor, bu filmi kavrayabilmemiz, onunla bize verilmek isteneni alg\u0131layabilmemiz i\u00e7in az \u00f6nce yukar\u0131da [&hellip;]\" \/>\n<meta property=\"og:url\" content=\"https:\/\/narteks.net\/index.php\/2009\/03\/01\/duvar\/\" \/>\n<meta property=\"og:site_name\" content=\"narteks.net\" \/>\n<meta property=\"article:published_time\" content=\"2009-03-01T15:17:26+00:00\" \/>\n<meta property=\"og:image\" content=\"https:\/\/narteks.net\/wp-content\/uploads\/narteks.png\" \/>\n\t<meta property=\"og:image:width\" content=\"300\" \/>\n\t<meta property=\"og:image:height\" content=\"90\" \/>\n\t<meta property=\"og:image:type\" content=\"image\/png\" \/>\n<meta name=\"author\" content=\"Tar\u0131k\" \/>\n<meta name=\"twitter:card\" content=\"summary_large_image\" \/>\n<meta name=\"twitter:creator\" content=\"@narteks\" \/>\n<meta name=\"twitter:site\" content=\"@narteks\" \/>\n<meta name=\"twitter:label1\" content=\"Yazan:\" \/>\n\t<meta name=\"twitter:data1\" content=\"Tar\u0131k\" \/>\n\t<meta name=\"twitter:label2\" content=\"Tahmini okuma s\u00fcresi\" \/>\n\t<meta name=\"twitter:data2\" content=\"5 dakika\" \/>\n<script type=\"application\/ld+json\" class=\"yoast-schema-graph\">{\"@context\":\"https:\/\/schema.org\",\"@graph\":[{\"@type\":\"Article\",\"@id\":\"https:\/\/narteks.net\/index.php\/2009\/03\/01\/duvar\/#article\",\"isPartOf\":{\"@id\":\"https:\/\/narteks.net\/index.php\/2009\/03\/01\/duvar\/\"},\"author\":{\"name\":\"Tar\u0131k\",\"@id\":\"https:\/\/narteks.net\/#\/schema\/person\/61f37d9834294b72d31d274e7ed79bca\"},\"headline\":\"Duvar- Y\u0131lmaz G\u00fcney\",\"datePublished\":\"2009-03-01T15:17:26+00:00\",\"mainEntityOfPage\":{\"@id\":\"https:\/\/narteks.net\/index.php\/2009\/03\/01\/duvar\/\"},\"wordCount\":1047,\"commentCount\":0,\"publisher\":{\"@id\":\"https:\/\/narteks.net\/#organization\"},\"articleSection\":[\"Film Kritikleri\"],\"inLanguage\":\"tr\",\"potentialAction\":[{\"@type\":\"CommentAction\",\"name\":\"Comment\",\"target\":[\"https:\/\/narteks.net\/index.php\/2009\/03\/01\/duvar\/#respond\"]}]},{\"@type\":\"WebPage\",\"@id\":\"https:\/\/narteks.net\/index.php\/2009\/03\/01\/duvar\/\",\"url\":\"https:\/\/narteks.net\/index.php\/2009\/03\/01\/duvar\/\",\"name\":\"Duvar- Y\u0131lmaz G\u00fcney - 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