{"id":3387,"date":"2009-12-27T16:08:16","date_gmt":"2009-12-27T13:08:16","guid":{"rendered":"http:\/\/localhost\/wordpress\/2009\/12\/27\/gelinlik-kiz-oykusunun-cozumlemesi-omer-lekesiz\/"},"modified":"2009-12-27T16:08:16","modified_gmt":"2009-12-27T13:08:16","slug":"gelinlik-kiz-oykusunun-cozumlemesi-omer-lekesiz","status":"publish","type":"post","link":"https:\/\/narteks.net\/index.php\/2009\/12\/27\/gelinlik-kiz-oykusunun-cozumlemesi-omer-lekesiz\/","title":{"rendered":"‘Gelinlik K\u0131z’ \u00d6yk\u00fcs\u00fcn\u00fcn \u00c7\u00f6z\u00fcmlemesi | \u00d6mer Lekesiz"},"content":{"rendered":"

Bir durum belirlemesiyle ba\u015fl\u0131yor “Gelinlik K\u0131z” \u00f6yk\u00fcs\u00fc: “\u00c7ocukken gidilen evler iki t\u00fcrl\u00fcyd\u00fc: Annemin se\u00e7ti\u011fi dostluklar ve gitmek zorunda kald\u0131\u011f\u0131 yerler.”
Bu durum belirlemesi ayn\u0131 zamanda anlat\u0131c\u0131n\u0131n “\u00e7ocukken gidilen evlerle” ilgili tutumunun ayd\u0131nlat\u0131lmas\u0131n\u0131 beraberinde getiriyor: “Annemin g\u00f6nl\u00fcnce kurdu\u011fu dostluklar\u0131 severdim ben.” Anlat\u0131c\u0131m\u0131z, \u00e7ocukluk zamanlar\u0131na mahsus belirlemeler yapt\u0131\u011f\u0131n\u0131n bilincinde: Bu tutumunun kendi se\u00e7iminden de\u011fil annesinin se\u00e7iminden kaynaklad\u0131\u011f\u0131n\u0131 zarif bir \u015fekilde bildiriveriyor. “Annemin g\u00f6nl\u00fcnce kurdu\u011fu dostluklar”dan \u00e7ocu\u011fa d\u00fc\u015fen pay, bir \u00e7ocuk olarak kendisini annesine ait k\u0131lman\u0131n \u00f6tesinde, o anlarda annesinin en anne olmas\u0131ndan duydu\u011fu memnuniyet: “\u00d6yle yerlere gidece\u011fimizde annemin ince k\u0131vr\u0131mlarla bi\u00e7imlenmi\u015f dudaklar\u0131 sevin\u00e7le \u00e7\u00f6z\u00fcl\u00fcyor; ruj, dudaklarda hafif\u00e7e gezinip k\u0131z\u0131la d\u00f6n\u00fc\u015ft\u00fcr\u00fcyor k\u0131rm\u0131z\u0131s\u0131n\u0131.” Yine \u00e7ocuk a\u00e7\u0131s\u0131ndan bu memnuniyetin art\u0131 meyveleri: “Kap\u0131dan kedi ad\u0131mlar\u0131yla” \u00e7\u0131k\u0131\u015f, annenin sokak kap\u0131s\u0131n\u0131 kilitlemekle u\u011fra\u015fmay\u0131p gidi\u015fi \u00e7abukla\u015ft\u0131rmas\u0131, “yazsa” soka\u011f\u0131n \u00e7ocu\u011fa “daha bir i\u00e7 a\u00e7\u0131c\u0131 serinlikte”, sonbaharsa ilikleri \u0131s\u0131tan \u0131l\u0131k g\u00fcne\u015fler i\u00e7inde g\u00f6r\u00fcnmesi. Hepsinden \u00f6nemlisi: \u0130stekle yap\u0131lan bir eylemin, anneye kat\u0131lman\u0131n\/kar\u0131\u015fman\u0131n, \u00e7ocuk ruhunda meydana getirdi\u011fi bu de\u011fi\u015fmelerin, bembeyaz bir mendilden s\u00fct damlat\u0131rcas\u0131na verili\u015fi…<\/p>\n

\u015eimdiden s\u00f6ylemeliyiz: “Gelinlik K\u0131z” \u00f6yk\u00fcs\u00fcnde, \u00e7ocukla, \u015fimdi ergin bir ya\u015fta bulunan (“. Bu ya\u011fmurlar ergenlik y\u0131llar\u0131m\u0131n ve \u015fimdinin ya\u011fmurlar\u0131na yabanc\u0131d\u0131r.”) anlat\u0131c\u0131 aras\u0131na s\u0131n\u0131r konmam\u0131\u015ft\u0131r; biri bitirip, di\u011feri ba\u015flamaz tahkiyeye, ikisi hep birliktedir, ayn\u0131 anda ayn\u0131 \u015feyi duyar, g\u00f6r\u00fcr ve iletirler. Bu nedenle \u00e7ocuk yer yer ergin bir konumda g\u00f6r\u00fcn\u00fcrken, ergin de \u00e7ocuk konumunda g\u00f6r\u00fcn\u00fcr. Dolay\u0131s\u0131yla burada bilin\u00e7li olarak tekle\u015ftirilmi\u015f iki bak\u0131\u015f a\u00e7\u0131s\u0131 s\u00f6z konusudur. ‘Ben \u00e7ocuktum \u00f6yle g\u00f6rd\u00fcm’ diyen erginle, ‘ben erginim, \u00e7ocu\u011fun b\u00f6yle g\u00f6rebilece\u011fini d\u00fc\u015f\u00fcnd\u00fcm’ ya da ‘\u015fimdi \u00e7ocuk g\u00f6z\u00fcm\u00fc b\u00fcy\u00fcterek bug\u00fcnden d\u00fcne b\u00f6yle bak\u0131yorum’ diyen \u00e7ocu\u011fun\/erginin m\u00fc\u015fterek bak\u0131\u015f a\u00e7\u0131lar\u0131yla zamansal bo\u015flu\u011fun ve \u00f6rg\u00fcsel da\u011f\u0131n\u0131kl\u0131\u011f\u0131n giderilebildi\u011fi sa\u011flam bir bak\u0131\u015f a\u00e7\u0131s\u0131. \u00d6rne\u011fimiz, \u00f6yk\u00fcn\u00fcn hemen ikinci paragraf\u0131: “Yollarda d\u00f6n\u00fcp d\u00f6n\u00fcp gerime bak\u0131yorum. \u015eifa’n\u0131n denize \u00e7\u0131kan burnunda sak\u0131za\u011fa\u00e7lar\u0131 vard\u0131. Art\u0131k deniz banyolar\u0131ndan vazge\u00e7ilmi\u015f g\u00fcnlerde, gen\u00e7ler onlar\u0131n altlar\u0131na otururlard\u0131. Yo\u011furt\u00e7u taraf\u0131ndan sandallar \u00e7\u0131k\u0131yor; Kurba\u011fal\u0131dere’nin a\u011fz\u0131na gelince ya Kalam\u0131\u015f k\u0131y\u0131lar\u0131na uzan\u0131rlar ya da \u015eifa’dan Moda’ya kadar gezinirlerdi. \u00d6\u011flen g\u00fcne\u015finin omuzlara e\u011fili\u015fi, ok\u015fay\u0131\u015f\u0131.” \u015eimdiki zamanl\u0131 ilk c\u00fcmleden, ge\u00e7mi\u015f zamanl\u0131 ikinci c\u00fcmleye ve di\u011ferlerine ge\u00e7i\u015f… \u015eimdiki zamanda konu\u015fan\u0131n \u00e7ocuk oldu\u011funa h\u00fckmetmemiz gerekiyor, \u00e7\u00fcnk\u00fc annesiyle birlikte “yollarda” bulunan o; hemen ayn\u0131 anda anlat\u0131c\u0131 da kendi zaman\u0131ndan (\u00e7ocu\u011fa g\u00f6re gelecek zamandan), mazideki \u015fimdiki zaman\u0131na d\u00f6n\u00fc\u015f yap\u0131yor. \u0130lgin\u00e7 olan \u015fu: Anlat\u0131c\u0131, \u00e7ocuklu\u011funun \u015fimdisini de\u011fil, kendi \u015fimdisini nostaljik tadlarla d\u00f6n\u00fc\u015ft\u00fcrerek, \u00e7ocuk zaman\u0131yla \u015fimdiki zaman\u0131 aras\u0131ndaki bo\u015flu\u011fu ortadan kald\u0131r\u0131rken, olay \u00f6rg\u00fcs\u00fcn\u00fc de sa\u011flamla\u015ft\u0131r\u0131yor.
\u00c7ocuk ruhundaki olumlu de\u011fi\u015fmelerde kalm\u0131\u015ft\u0131k. Bu bahsi daha da derinle\u015ftiriyor Selim ileri. Anneyle varolunan zamanlar ta\u00e7land\u0131r\u0131ld\u0131k\u00e7a h\u00fcz\u00fcn ve sevin\u00e7 kar\u0131\u015f\u0131m\u0131, tatl\u0131, vazge\u00e7ilemez bir s\u0131z\u0131 gibi inceden inceye somutla\u015f\u0131yor mazi: “Annemin yeniden gen\u00e7k\u0131z gibi yollardan ge\u00e7ti\u011fi s\u0131ralarda, ya\u011fmurlardan bile g\u00f6nenirdim. Bu ya\u011fmurlar ergenlik y\u0131llar\u0131m\u0131n ve \u015fimdinin ya\u011fmurlar\u0131na yabanc\u0131d\u0131r. R\u00fczg\u00e2r \u00fc\u015f\u00fctmezdi; so\u011fuk r\u00fczg\u00e2rlar ya\u011fmurlu\u011fumun yakas\u0131n\u0131, eteklerini a\u00e7\u0131p u\u00e7urtmazd\u0131. Ya\u011fmurda y\u00fcr\u00fcy\u00fc\u015flerimiz annemle. Tramvaylar\u0131n, otob\u00fcslerin, vapurlar\u0131n, ender bindi\u011fimiz otomobillerin pencerelerine iri damlalar vururdu. Damlan\u0131n b\u00fct\u00fcnle\u015ferek cama \u00e7arp\u0131\u015f\u0131; da\u011f\u0131larak kendince su yollar\u0131 a\u00e7\u0131yor. Binlerce resim \u00e7izerdim kafamda. Annemi g\u00f6r\u00fcrd\u00fcm, ku\u015flar uyduruyorum, ayy\u0131ld\u0131zl\u0131 T\u00fcrk bayraklar\u0131… Ya\u011fmurun \u00e7i\u00e7ekd\u00fcrb\u00fcn\u00fcnden binlerce \u015fekil ge\u00e7erdi arka arkaya. Bulutlarla da hep bu oyunu oynard\u0131k. \u0130ncil\u00e2 Abla’yla. \u0130ncil\u00e2 Abla, annemin isteyerek, \u00f6zleyerek gitti\u011fi evin k\u0131z\u0131yd\u0131.”
Bir \u00f6yk\u00fc i\u00e7in elzem olan durumlar belirlendi, bak\u0131\u015f a\u00e7\u0131lar\u0131 g\u00f6sterildi, teknik d\u00fczey en zirvede sabitlendi ve \u015fimdi s\u0131ra olaya geldi: “\u0130ncil\u00e2 Abla, annemin isteyerek, \u00f6zleyerek gitti\u011fi evin k\u0131z\u0131yd\u0131.”<\/p>\n

Olay: \u0130ncil\u00e2 ad\u0131ndaki gen\u00e7 k\u0131z\u0131n, yeni m\u00fchendis olmu\u015f Cahid ad\u0131ndaki gen\u00e7le beklenen ni\u015fan\u0131 ger\u00e7ekle\u015fmiyor. Cahid’in zengin bir k\u0131zla evlenme haz\u0131rl\u0131klar\u0131ndayken, \u0130ncil\u00e2 \u00fcz\u00fcnt\u00fcs\u00fcnden \u00f6l\u00fcyor. T\u0131pk\u0131 T\u00fcrk filmlerindeki gibi oluyor olanlar. Ama olay\u0131n anlat\u0131c\u0131s\u0131 Selim \u0130leri olunca her \u015fey de\u011fi\u015fiyor; s\u0131radan, bildik bir konu g\u00f6z kama\u015ft\u0131ran bir dantela gibi i\u015fleniyor:
Evet: \u0130cil\u00e2 Abla! Anlat\u0131c\u0131n\u0131n hayallerini s\u00fcsleyen, oyunlar\u0131na renk katan, annesinin “\u00f6zleyerek gitti\u011fi evin k\u0131z\u0131…”
Anlat\u0131c\u0131n\u0131n, filancan\u0131n k\u0131z\u0131, \u015fu ya\u015ftaki k\u0131z, mavi g\u00f6zl\u00fc k\u0131z yerine eve vurgu yapmas\u0131 (“evin k\u0131z\u0131”) \u00f6nemli. Selim \u0130leri’nin en \u00f6l\u00fc mekanlar\u0131 bile renklendirecek c\u00fcmleleriyle, bir hayat bi\u00e7iminin, cisimle\u015fmi\u015f bir k\u00fclt\u00fcr\u00fcn \u00f6rne\u011fi olarak sahici bir de\u011fer ta\u015f\u0131yor: “\u0130ncil\u00e2 Abla’lar\u0131n evi. Bahariye’nin arka sokaklar\u0131ndayd\u0131. Buradaki \u00fc\u00e7 k\u00e2rgir konaklar\u0131, zenginlik \u00e7a\u011flar\u0131n\u0131 kapad\u0131klar\u0131ndan kiraya verilmi\u015fti. Ev sahipleri, herhalde pek \u00f6nceden kar\u015f\u0131 yakaya ta\u015f\u0131nm\u0131\u015flard\u0131. Baz\u0131 g\u00fcnlerde, havan\u0131n a\u00e7\u0131k ve ayd\u0131nl\u0131k oldu\u011fu g\u00fcnlerde at arabas\u0131yle gelirdik \u0130ncil\u00e2 Abla’lara. \u00d6teden soka\u011fa sapar sapmaz dantelal\u0131 mendil kenarlar\u0131n\u0131 hat\u0131rlatan \u00e7at\u0131 \u00e7\u0131kmalar\u0131 g\u00f6r\u00fcn\u00fcrd\u00fc. Tahta oymalar \u00e7ok g\u00fczeldi. Nicedir kona\u011f\u0131n y\u00fcz\u00fc ya\u011fl\u0131boya g\u00f6rmedi\u011finden karar\u0131p \u00e7irkinle\u015fmi\u015fti. Dam\u0131nda hep sazlar bitmi\u015fti. K\u0131r\u0131k d\u00f6k\u00fckt\u00fc pencerelerin kepenkleri. Bah\u00e7eden girince, konakta kimselerin ya\u015famad\u0131\u011f\u0131n\u0131 d\u00fc\u015f\u00fcn\u00fcyordu insan. Duta\u011fa\u00e7lar\u0131yle akasyalar bak\u0131ms\u0131zl\u0131ktan yaban\u0131lla\u015fm\u0131\u015flard\u0131 ..”
Anlat\u0131c\u0131n\u0131n “Annemin onlar\u0131 nereden tan\u0131d\u0131\u011f\u0131n\u0131 \u00e7\u0131karam\u0131yorum. Belki uzaktan bir yak\u0131nl\u0131k, h\u0131s\u0131ml\u0131k vard\u0131 aram\u0131zda.” s\u00f6zleriyle \u00f6nce belirli bir mesafe koyup sonra, onlar\u0131n s\u0131cak ilgileriyle “vazge\u00e7emeyecekleri” insanlar konuma y\u00fckseltti\u011fi aile, kona\u011f\u0131n “hemen bah\u00e7eye a\u00e7\u0131lan en alt” kat\u0131nda, kilerde bozma evde oturuyorlar. Penecerleri kapal\u0131 tutularak mevsimlerin renginden, \u0131\u015f\u0131ktan, kokudan adeta tecrit edilen eve iki \u015fey hakim: “…suskunluk ve s\u0131cak.” Bu a\u011f\u0131r ortam\u0131 da\u011f\u0131tan \u015feyler, “\u0130ncil\u00e2 Abla’n\u0131n ye\u015fil marul yapraklar\u0131yle besledi\u011fi kanaryas\u0131n\u0131n \u00f6t\u00fc\u015fleri…”. Ta\u015fl\u0131kta duvarlar\u0131n ak badanal\u0131, Nuhbe Han\u0131m’\u0131n odas\u0131n\u0131n da g\u00fcl kurusu oldu\u011fun ayr\u0131ms\u0131yor anlat\u0131c\u0131.
Ziyaret ettikleri ailenin hik\u00e2yesiyle, aile \u00e7evresini ve beli ba\u015fl\u0131 ilgilerini de \u015f\u00f6yle veriyor anlat\u0131c\u0131: “D\u0131\u015farda ya\u015fanan kalabal\u0131klardan, e\u011flencelerden, sevin\u00e7lerden, hatta \u00fcz\u00fcnt\u00fclerden ve kederlerden bu eve s\u0131zabilen bir tek bizlerdik: Annemle ben. Ba\u015fka gelen giden yok muydu oraya? Sanki \u00fcst katlarda kimse oturmuyordu ve biz, kimsenin ya\u015famad\u0131\u011f\u0131 bir kona\u011fa tan\u0131kt\u0131k. \u00d6b\u00fcr kirac\u0131larla merdiven ba\u015f\u0131nda, bah\u00e7ede, dut a\u011fa\u00e7lar\u0131n\u0131n g\u00f6lgeli\u011finde, hi\u00e7bir yerde hi\u00e7bir yerde kar\u015f\u0131la\u015fmad\u0131k. Nuhbe Han\u0131m’\u0131n s\u00f6z\u00fcn\u00fc etti\u011fi insanlar ge\u00e7mi\u015f, g\u00f6\u00e7m\u00fc\u015flerdi. Solgun y\u00fczleri, sark\u0131k yanaklar\u0131yle \u00e7ektikleri foto\u011fraflar\u0131 g\u00f6sterirdi bana eski tan\u0131d\u0131klar\u0131n\u0131n. An\u0131lar\u0131yle yetiniyordu. \u0130ffet Han\u0131m’sa b\u00f6yle \u015feyleri d\u00fc\u015f\u00fcnmeye, anmaya f\u0131rsat bulamazd\u0131 san\u0131r\u0131m. Evi evirip \u00e7eviren, kotarand\u0131 \u0130ffet Han\u0131m. \u0130ncil\u00e2’yla birlikte b\u00fct\u00fcn g\u00fcnler \u00e7al\u0131\u015f\u0131rlard\u0131. Kasna\u011fa ge\u00e7mi\u015f i\u015fler biter bitmez, \u0130ffet Han\u0131m satmaya g\u00f6t\u00fcr\u00fcrd\u00fc. \u0130ncil\u00e2’n\u0131n babas\u0131ndan kalan az\u0131c\u0131k emekli ayl\u0131\u011f\u0131na, dul ve yetim maa\u015f\u0131na \u0130ffet Han\u0131m’\u0131n zorlukla satt\u0131\u011f\u0131 i\u015flemelerin, g\u00f6z nurunun, el eme\u011finin pek ucuza gider kar\u015f\u0131l\u0131\u011f\u0131n\u0131 eklerlerdi. \u00dc\u00e7\u00fc bir ba\u015flar\u0131na erkeksiz ya\u015f\u0131yorlard\u0131. Belki de d\u0131\u015f d\u00fcnyayla ilgisiz ya\u015famlar\u0131 bundand\u0131. \u0130ffet Han\u0131m’\u0131n elinde en canl\u0131 iplikler h\u00fczne bulan\u0131r; en g\u00f6z kama\u015ft\u0131r\u0131c\u0131 \u00e7i\u00e7ekler ac\u0131 \u00e7\u00f6kertirdi. Oysa \u0130ncil\u00e2 Abla’n\u0131n suzen\u00eeleri, sarmalar\u0131, hesapi\u015fleri huzur verirdi i\u00e7imize.”
Erkeksiz, k\u0131t kanaat ge\u00e7inen bir aile ama gelenek ve g\u00f6reneklerini ihmal etmeden ya\u015fayan bir aile: Ayakkab\u0131lar ta\u015fl\u0131kta \u00e7\u0131kar\u0131l\u0131yor eve girerken. Naftalin kokulu terlikler getiriliyor konuklara. “harikul\u00e2de” \u00e7ay fincalar\u0131yla ikramda bulunuluyor misafirlere (“Bunlar porselendi. Kulplar\u0131ysa \u00e7aya e\u011filmi\u015f, \u00e7at\u0131 yudumlamaya haz\u0131r g\u00fcm\u00fc\u015f ku\u015flard\u0131…”). \u00c7aylar i\u00e7ildikten sonra evin k\u0131z\u0131, b\u00fcy\u00fckannesinin (“nedense” darg\u0131n k\u00fcsk\u00fcn bak\u0131\u015flar\u0131 aras\u0131nda ud \u00e7al\u0131p t\u00fcrk\u00fc s\u00f6yl\u00fcyor. Onca yoksulluklar\u0131na ra\u011fmen misafire ikramdan ka\u00e7\u0131n\u0131lm\u0131yor (“Benim i\u00e7in taze meyveler, balbademler, i\u00e7f\u0131st\u0131klar\u0131 getirir; sessizce bir yana b\u0131rak\u0131rd\u0131. Ger\u00e7ekte onurun saklatd\u0131\u011f\u0131 bir yoksulluk, odalardan ta\u015fl\u0131\u011fa, ta\u015fl\u0131ktan mutfa\u011fa belli belirsiz sinmi\u015fti.”)
Anlat\u0131c\u0131n\u0131n, son, ailenin d\u0131\u015far\u0131yla olan ili\u015fkileriyle ilgili tespiti: “\u015ea\u015f\u0131rmam gereken konulardan biri, \u0130ffet Han\u0131m’la \u0130ncil\u00e2 Abla’n\u0131n bize hi\u00e7 gelmemeleriydi. Nuhbe Han\u0131m\u0131n ya\u015fl\u0131l\u0131\u011f\u0131na, y\u00fcr\u00fcyemeyecek kerte yorgun olu\u015funa ba\u011flard\u0131m bunu.”
Nuhbe Han\u0131m, \u0130ffet Han\u0131m’\u0131n annesi. “Ta\u015fl\u0131ktan girilince” kar\u015f\u0131ya d\u00fc\u015fen odada oturuyor. “\u00c7ok ya\u015fl\u0131 bir kad\u0131n…”. “V\u00fccudunun yorgunlu\u011funa kar\u015f\u0131n, akl\u0131 din\u00e7…”. “\u0130htiyarl\u0131\u011f\u0131ndan yerinden kalkm\u0131yor, sabahtan ak\u015fama kadar bir k\u00f6\u015fe koltu\u011funda dua ediyor ve “Mor kadife \u00fczerine s\u0131rma i\u015flemeli kesesinden elyazmas\u0131 Kur’an’\u0131n\u0131” \u00e7\u0131kart\u0131p, “hi\u00e7 s\u0131k\u0131lmadan ezbere bildi\u011fi ayetleri tekrar tekrar” okuyor. Ara ara da sigara i\u00e7iyor. Onun elini \u00f6pen anlat\u0131c\u0131, elinin “her vakit tuhaf, bayg\u0131n bir menek\u015fe kolonyas\u0131” koktu\u011funu, “kapa\u011f\u0131 sincap rengi…”nde olan kolonyas\u0131n\u0131 ba\u015fucundan ay\u0131rmad\u0131\u011f\u0131n\u0131 tespit ediyor.
Sa\u00e7lar\u0131na “k\u0131na” yakan Nuhbe Han\u0131m, “\u00d6n\u00fc i\u015flemeli beyaz” incecik t\u00fclbentlerle \u00f6rt\u00fcyor sa\u00e7lar\u0131n\u0131, kal\u0131n t\u00fclbentlerini de terledi\u011finde s\u0131rt\u0131na konulmak \u00fczere yata\u011f\u0131n ucundaki boh\u00e7ada tutuyor.
Ellerini “ikide bir” yakalar\u0131na i\u015flenmi\u015f rokoko yapraklar\u0131na de\u011fdiren Nuhbe Han\u0131m, belli ki \u00e7ocuklar\u0131 seviyor, \u00e7ocuk yeti\u015ftirmeyi de iyi biliyor (“Benle b\u00fcy\u00fck insanm\u0131\u015f\u0131m gibi konu\u015fuyor.”).
Nuhbe Han\u0131m’\u0131n e\u015fyas\u0131 y\u0131llard\u0131r yenilenmedi\u011fi i\u00e7in evin k\u00f6keni haline gelmi\u015f e\u015fyalar\u0131ndan baz\u0131lar\u0131n\u0131 da hat\u0131rl\u0131yor anlat\u0131c\u0131: “Duvara dayal\u0131, parlakl\u0131\u011f\u0131n\u0131 yitirmi\u015f pirin\u00e7 topuzlarla bezeli y\u00fcksek, demirden karyolas\u0131; sa\u011fl\u0131 sollu, yast\u0131klarla t\u0131ka basa doldurulmu\u015f koltuk; \u00fczerinde iki b\u00fcy\u00fck gaz lambas\u0131n\u0131n durdu\u011fu aynal\u0131 konsol… \u015eimdi sadece bunlar\u0131 an\u0131msayabiliyorum.” Bir de ” Sonralar\u0131 Nuhbe Han\u0131m’\u0131n yan\u0131ndan ay\u0131rmad\u0131\u011f\u0131 \u0130ncil\u00e2 Abla’n\u0131n mevlut \u015fekerlerini…” Ki buna a\u015fa\u011f\u0131da de\u011finece\u011fiz.
\u0130ffet Han\u0131m, sevecen, m\u00fc\u015ffik bir kad\u0131n (“beni kucaklar, sa\u00e7lar\u0131m\u0131 defalarca \u00f6p\u00fcp koklard\u0131.”). Nuhbe Han\u0131m’\u0131n k\u0131z\u0131 denemeyecek kadar, “Ufak tefek…”, “i\u00e7i tez” bir kad\u0131n. Ya\u015f\u0131 kestirilemeyecek kadar \u00e7ok \u00e7\u00f6km\u00fc\u015f. “Annesine sigara saran elleri, t\u00fct\u00fcnden olacak, sapsar\u0131…” “Modas\u0131 ge\u00e7mi\u015f uzun elbiseler” giyiyor ve elbiselerini de\u011fi\u015ftirdi\u011fi halde “g\u00f6\u011fs\u00fcne takt\u0131\u011f\u0131 elmas i\u011fne”yi de\u011fi\u015ftirmiyor. “Ne dal\u0131 oldu\u011fu anla\u015f\u0131lmayan bir alt\u0131n \u00e7ubu\u011fa oturtulmu\u015f ta\u015flar” ihtiva eden i\u011fnenin ta\u015flar\u0131n\u0131n t\u00fcm\u00fcne su ka\u00e7m\u0131\u015f, kararm\u0131\u015f. Bir de sa\u00e7lar\u0131n\u0131 topuz yap\u0131yor \u0130ffet Han\u0131m. O topuza da \u00e7ocu\u011fun sayamayaca\u011f\u0131 kadar \u00e7ok kemik tokalar, firketeler tak\u0131yor.
S\u00fcrekli bir h\u00fczn\u00fc ya\u015fayan ve yayan \u0130ffet Han\u0131m (“\u0130ffet Han\u0131m’\u0131n elinde en canl\u0131 iplikler h\u00fczne bulan\u0131r; en g\u00f6z kama\u015ft\u0131r\u0131c\u0131 \u00e7i\u00e7ekler ac\u0131 \u00e7\u00f6kertirdi.”), “h\u00e2l\u00e2 t\u00fckenmez” kuruyor k\u0131\u015f aylar\u0131nda.
\u0130ncil\u00e2 Abla’ya gelince: Anlat\u0131c\u0131yla annesinin geldiklerini g\u00f6rd\u00fc\u011f\u00fcnde “delicesine” sevinecek kadar rols\u00fcz yapmac\u0131ks\u0131z bir k\u0131z \u0130ncil\u00e2 Abla.
Anlat\u0131c\u0131, zihninde \u00e7ok \u00f6nemli bir yer tutan \u0130ncil\u00e2 Abla hakk\u0131nda \u015funlar\u0131 s\u00f6yl\u00fcyor: “\u0130ncil\u00e2 Abla, ge\u00e7mi\u015f zamanlardan kalma bir perik\u0131z\u0131 gibiydi. K\u0131z\u0131l sa\u00e7lar\u0131n\u0131 omuzlar\u0131na d\u00f6ker, a\u011f\u0131r a\u011f\u0131r tarard\u0131. Papatya sular\u0131yle y\u0131kan\u0131yordu k\u0131z\u0131l sa\u00e7lar\u0131. Papatya kayn\u0131yor ocakta. \u0130kimiz ufal\u0131yoruz papatyalar\u0131. \u0130ncil\u00e2 Abla’yla karanfil kurusu kaynat\u0131p esans yap\u0131yoruz. Onunla birlikte olmaktan mutluluk duyard\u0131m. \u0130li\u015firdim kuca\u011f\u0131na. Defterime kenars\u00fcs\u00fc yapard\u0131 Faber kalemlerimle. \u00c7ukulata yald\u0131zlar\u0131n\u0131 biriktiriyor, k\u0131r\u0131\u015f\u0131klar\u0131 ince parmaklar\u0131yle d\u00fczeltiyor; ben gelince bana verecek. Kimi vakitler annesi gibi sa\u00e7lar\u0131n\u0131 topluyor, ama onun topuzu s\u0131k\u0131 de\u011fil. Aralardan ka\u00e7an yumu\u015fak bukleler ensesine d\u00fc\u015ferdi.”
Kanarya besliyor \u0130ncil\u00e2 Abla, insan\u0131n i\u00e7ine huzur veren suzen\u00eeler, sarmalar, hesapi\u015fleri yap\u0131yor. \u0130bri\u015fimlerle, “elvan elvan iplikler”le u\u011fra\u015f\u0131p duruyor. Ud \u00e7al\u0131p \u015fark\u0131 s\u00f6yl\u00fcyor. Cahit’ten ayr\u0131ld\u0131ktan sonra ne yap\u0131p etti\u011fi sadece k\u00fc\u00e7\u00fck ihsaslarla verilen \u0130ncil\u00e2 Abla’n\u0131n, as\u0131l o durumdaki psikolojisini de merak etmiyor de\u011filiz hani. Ve f\u0131rsat versek, metin d\u0131\u015f\u0131 aray\u0131\u015falara y\u00f6nlendirecek ikinci bir merak\u0131m\u0131z\u0131 da zor dizginliyoruz: \u00c7ocuk i\u00e7in \u0130ncil\u00e2 Abla, annesiyle birlikte gittikleri evin k\u0131z\u0131 olmaktan daha \u00f6te, daha \u00f6zel bir de\u011fere sahip; bir amca, day\u0131 k\u0131z\u0131 ya da do\u011frudan do\u011fruya bir karde\u015f, bir abla… Ama bu bir \u00f6yk\u00fc neticede, bir kadeh bal \u015ferbeti; biz de bize sunulan\u0131 i\u00e7mekle y\u00fck\u00fcml\u00fcy\u00fcz.
\u0130ncil\u00e2 Abla’n\u0131n \u00f6l\u00fcm\u00fcne sebep de\u011fil vesile olan Cahit, anlat\u0131c\u0131yla ananesinden ba\u015fka misafirin gelmedi\u011fi eve, “ilkyaz \u00f6\u011fleden sonras\u0131nda”, pat diye misafir olarak geliveren “Geni\u015f omuzlu, uzun boylu, insan\u0131n elini s\u0131karken g\u00fcven\u00e7 veren.”, “gen\u00e7 ve yak\u0131\u015f\u0131kl\u0131 bir adam”. “Ta\u015fl\u0131ktaki masay\u0131 \u00e7evreleyen iskemlelerden birine oturmu\u015f, kahve” i\u00e7en bu “Hasan amcayla K\u00e2mran yengenin o\u011flu” (ki onun i\u00e7in bu isimleri de yeni) kar\u015f\u0131la\u015f\u0131yor anlat\u0131c\u0131 onunla. Ayn\u0131 anda, pencerelerin kepenklerinin araland\u0131\u011f\u0131n\u0131, eve, eski e\u015fyay\u0131 b\u00fcy\u00fcleyen g\u00fcn \u0131\u015f\u0131\u011f\u0131n\u0131n doldu\u011funu farkediyor. Ba\u015fka de\u011fi\u015fikliklere, yeni geli\u015fmelere ve yeni ilgilere de tan\u0131k oluyor anlat\u0131c\u0131: “O g\u00fcn kandil simitleri yedik Nuhbe Han\u0131m’\u0131n odas\u0131na dolu\u015fup. Nuhbe Han\u0131m baya\u011f\u0131 gen\u00e7le\u015fmi\u015fti. Cahit a\u011fbinin getirdi\u011fi siyah-beyaz damal\u0131 ba\u015f\u00f6rt\u00fcs\u00fcn\u00fc g\u00f6stermi\u015fti anneme. Onlar\u0131 aray\u0131p soran bir ba\u015fka insan\u0131n gizli gururunu ta\u015f\u0131yordu. ‘Cahit a\u011fbine \u015fiir okusana’ dediler bana. Cahit a\u011fbime ba\u015f\u0131m\u0131 \u00e7eviriyor, sonra utan\u00e7la yere e\u011fiyordum. Bah\u00e7eye \u00e7\u0131kt\u0131k; \u0130ncil\u00e2 Abla, Cahit A\u011fbi \u00fc\u00e7\u00fcm\u00fcz. Camlar\u0131 boydan boya \u00e7atlak limonlukta kuru otlara oturduk. Ta\u015fl\u0131\u011fa girip p\u0131tp\u0131t terliklerimizi giydi\u011fimizde g\u00fcne\u015f bat\u0131yordu. Nuhbe Han\u0131m’\u0131n odas\u0131 alacakaranl\u0131\u011fa b\u00fcr\u00fcnm\u00fc\u015ft\u00fc. Cahit A\u011fbi, alacakaranl\u0131kta, \u0130ncil\u00e2 ablay\u0131 seyrediyordu sezdirmeden. Cahit A\u011fbi’ye defterimi, \u0130ncil\u00e2 Abla’n\u0131n yapt\u0131\u011f\u0131 kenar s\u00fcslerini g\u00f6sterdim. \u00c7arp\u0131m cetvelini \u00e7\u0131kard\u0131m okul \u00e7antamdan. Boncuklar\u0131n yerlerini de\u011fi\u015ftirdim. Pergelle suda halkalar \u00e7izdi defterime Cahit a\u011fbi. Nuhbe Han\u0131m, oradan oraya ko\u015fturan \u0130ffet Han\u0131m’\u0131n terli y\u00fcz\u00fcne bir \u015feyler m\u0131r\u0131ldanarak \u00fcfledi. \u0130ncil\u00e2 Abla ud \u00e7almad\u0131. Eri\u015ftelerimizi patiska bir torbaya koydu \u0130ffet Han\u0131m; ‘Sana da verece\u011fim Cahit,’ dedi. ‘Size gelip yerim teyzeci\u011fim.’ Hasan amcan\u0131n, K\u00e2mran yengenin yinelenen adlar\u0131. Nuhbe Han\u0131m’\u0131n kadife kesesinden \u00e7\u0131kan elyazmas\u0131 Kur’an. Ayr\u0131l\u0131rken annem, \u0130ncil\u00e2 ablay\u0131 sevecenlikle kucakl\u0131yor.”
“\u0130lkyaz aylar\u0131nda Cahit A\u011fbi’ye hep rast”l\u0131yorlar Nuhbe Han\u0131m’larda. “Misafir odas\u0131 \u015fimdi” onlara oldu\u011fu gibi, Cahit i\u00e7in de a\u00e7\u0131l\u0131yor. Bu arada Cahit i\u015fe giriyor, mesle\u011fi aile taraf\u0131ndan kutsan\u0131yor (“\u0130\u015fe girmi\u015fti Cahit a\u011fbi. M\u00fchendisli\u011fin \u00f6n\u00fc \u015fimdi a\u00e7\u0131kt\u0131lar, herkes m\u00fchendis olmak istiyordular…”) ve o “Kad\u0131k\u00f6y\u00fc’ne ge\u00e7ti\u011finde, ne yap\u0131p ne edip, Nuhbe Han\u0131m’larda eri\u015fte yiyor…”
Cahit’in gelip gitmelerindeki artmaya paralel olarak \u0130ncil\u00e2’lar\u0131n evindeki hareket de art\u0131yor. “\u0130ffet Han\u0131m kasnaklar\u0131 konsolun g\u00f6z\u00fcne kald\u0131rm\u0131\u015f durmadan bir \u015feyler dikiyor…”. Anlat\u0131c\u0131n\u0131n sayfalar\u0131n\u0131 \u00e7evirdi\u011fi Manidifata’lar ortal\u0131ktan kalk\u0131yor. “Ta\u015fl\u0131ktaki masan\u0131n alt\u0131na beyaz k\u00e2\u011f\u0131tlar yay\u0131l\u0131yor, kuma\u015flar bi\u00e7iliyor….”
Sonunda anlat\u0131c\u0131, annesinden olan-bitenlerin nedenini \u00f6\u011freniyor: “\u0130ncil\u00e2 Abla’yla evlenecekler.”
Ve o ne\u015fe i\u00e7inde s\u00fcren hummal\u0131 \u00e7al\u0131\u015fmalar, \u00e7abalamalar: “\u0130ffet Han\u0131m’lar\u0131n odas\u0131ndaki cilal\u0131 tahta sand\u0131k a\u00e7\u0131l\u0131p kapan\u0131yordu. Okul \u00e7\u0131k\u0131\u015flar\u0131nda genellikle buraya geliyorduk annemle. Tahta sand\u0131\u011f\u0131n a\u00e7\u0131l\u0131p kapan\u0131\u015flar\u0131na. “Eskiden,” diyordu Nuhbe Han\u0131m, “k\u0131zlar\u0131n \u00e7eyizinde bir teli ipekten, bir teli ketenden k\u0131v\u0131r k\u0131v\u0131r dokunmu\u015f hil\u00e2li g\u00fcmlekler makbuld\u00fc.” Herkes g\u00fcl\u00fcyordu onun anlatt\u0131klar\u0131na. Aral\u0131k kepenklerden \u015fi\u015fman dut sinekleri giriyordu odaya. Hevessiz, co\u015fkusuz g\u00fcnlerim. \u0130ncil\u00e2 Abla’y\u0131, o duta\u011fa\u00e7lar\u0131n\u0131n g\u00f6lgeledi\u011fi evden ayr\u0131 d\u00fc\u015f\u00fcnemiyordum. \u0130ncil\u00e2 Abla bir perik\u0131z\u0131 olmaktan uzakla\u015f\u0131yor, etiyle-kemi\u011fiyle ger\u00e7e\u011fe d\u00f6n\u00fc\u015f\u00fcyordu. \u00c7ar\u015faflardan s\u0131caktutaca\u011f\u0131na, her \u015fey haz\u0131rlan\u0131yordu \u00e7eyizde.”
G\u00fcn geliyor,” Ni\u015fan elbisesi dikilirken s\u00f6z” bozuluyor. Anlat\u0131c\u0131, annesi S\u00fcheyl\u00e2 Han\u0131m’\u0131n “O u\u011fursuz mum” \u00e7i\u00e7eklerine y\u00fckledi\u011fi bu \u00fcz\u00fcc\u00fc geli\u015fmeyi “Cahit A\u011fbi’nin \u0130ncil\u00e2 Abla’yla ni\u015fanlanmay\u0131\u015f\u0131n\u0131n nedeni belirsizdi.”den hemen birka\u00e7 sat\u0131r sonra “Ni\u015fan bozulmas\u0131ndan bir yaz ge\u00e7mi\u015fti”ye ge\u00e7erek biraz karars\u0131z ve kar\u0131\u015f\u0131k veriyorsa da, ger\u00e7e\u011fi t\u00fcm \u00e7\u0131plakl\u0131\u011f\u0131yla ortaya koyuyor: “Cahit a\u011fbinin geli\u015fleri seyrekle\u015fmi\u015fti. Limonlu\u011fa ge\u00e7ip \u015fark\u0131lar s\u00f6ylemiyordu art\u0131k. \u0130ncil\u00e2 Abla’y\u0131 kucaklay\u0131\u015flar\u0131nda so\u011fuktu, b\u0131kk\u0131nd\u0131. Oturup kalkmas\u0131, giyinip ku\u015fan\u0131\u015f\u0131 ba\u015fkala\u015fm\u0131\u015ft\u0131. Defterime g\u00f6nyesiyle \u00fc\u00e7genler yapmad\u0131 boy boy. Mum \u00e7i\u00e7ekleri limonlukta kendi kendilerine bitmi\u015flerdi. ‘Y\u0131llarca otun \u00fcremedi\u011fi limonlukta.”, “Annem konu\u015fmuyordu sordu\u011fum vakit. Ben onlara gitmedi\u011fimizde \u00e7ar\u00e7abuk unutuyordum.”
Sonraki gidi\u015flerinde “\u0130ffet Han\u0131m’\u0131 k\u0131pk\u0131rm\u0131z\u0131 g\u00f6zlerle” buluyor, “U\u00e7uk pembe tafta ni\u015fan elbisesi eski gard\u0131roba as\u0131lm\u0131\u015f” olarak g\u00f6r\u00fcyorlar. S\u00fcheyl\u00e2 Han\u0131m onlar\u0131 –kendisinin de inanmad\u0131\u011f\u0131 s\u00f6zlerle– teselli etmek i\u00e7in \u00e7\u0131rp\u0131n\u0131yorsa da sonu\u00e7 de\u011fi\u015fmiyor. S\u00fcheyl\u00e2 Han\u0131m’\u0131n “misafir g\u00fcn\u00fcnde beyaz eldivenler ge\u00e7irmi\u015f, g\u00fcne\u015f \u015femsiyeli bir kad\u0131n”\u0131n “\u0130ncil\u00e2’y\u0131 da bundan sonra kimse almaz,” s\u00f6z\u00fc ger\u00e7ek gibi g\u00f6r\u00fcn\u00fcyor. Ayn\u0131 kad\u0131n, mahallenin ortak g\u00f6r\u00fc\u015f\u00fcn\u00fc de yans\u0131t\u0131yor: “Az gezmedi o m\u00fchendis \u00e7ocukla. Limonlukta \u015fark\u0131lar\u0131n bini bir parayd\u0131. G\u00f6kleri \u00e7\u0131nlatt\u0131 \u00e2vazeleri.” Mahallenin g\u00f6r\u00fc\u015flerine yeni g\u00f6r\u00fc\u015fler ekleniyor ve \u0130ncil\u00e2’n\u0131n \u00e7eyizi K\u0131z\u0131lay’a sat\u0131l\u0131yor. (Hallerini bilmeyi\u015flerinden s\u00f6z edildi \u0130ffet Han\u0131mlar\u0131n; K\u0131z\u0131lay’a sat\u0131lan hesapi\u015fleri, m\u00fcrver i\u011fneler, civan ka\u015flar\u0131.)
Yaz da ge\u00e7iyor. Ana – o\u011ful, Cahit’i “yan\u0131nda k\u0131saca boylu, \u00e7ok \u015f\u0131k bir k\u0131zla Moda’da” g\u00f6r\u00fcyorlar. Cahit’in selam\u0131 reddediliyor, uzaktan el sallamas\u0131 bo\u015fa \u00e7\u0131kar\u0131l\u0131yor (Cahit a\u011fbi, anneme selam vermek istemi\u015fti: Hasan amcayla K\u00e2mran yengenin o\u011flu, “Tan\u0131yacaks\u0131n S\u00fcheyl\u00e2.” Buz gibi durmu\u015ftu annem. Bana el sallam\u0131\u015ft\u0131 Cahit a\u011fbi, kolumdan \u00e7ekip s\u00fcr\u00fcklemi\u015fti annem.)
\u00d6yk\u00fcn\u00fcn sonuna yakla\u015f\u0131rken, sulu sepken bir ya\u011fmurun damlalar\u0131 gibi d\u00fc\u015f\u00fcyor Selim \u0130lerinin se\u00e7ti\u011fi s\u00f6zc\u00fckler:
“D\u00fc\u011f\u00fcnler ya\u015fan\u0131yor. Gelin g\u00fclery\u00fczle iniyor merdivenlerden. \u00c7ocuklar geziniyor ortal\u0131kta. Kad\u0131nlar aynalarda yap\u0131l\u0131 sa\u00e7lar\u0131n\u0131 d\u00fczeltiyorlar. D\u00fc\u011f\u00fcn pastas\u0131 kesiliyor.
Ben hi\u00e7 d\u00fc\u011f\u00fcnlere gitmiyorum.
\u0130\u00e7inde akide \u015fekerleriyle bir tek lokumun oldu\u011fu pembe k\u00e2\u011f\u0131d\u0131 a\u00e7m\u0131\u015ft\u0131m. Pembe k\u00e2\u011f\u0131t k\u00fclahta \u0130ncil\u00e2 Ablam\u0131n soluk bask\u0131l\u0131 foto\u011fraf\u0131n\u0131 g\u00f6rm\u00fc\u015ft\u00fcm. Limonlu\u011fa kar ya\u011f\u0131yordu. Kar, \u00e7atlak camlardan i\u00e7eriye ya\u011f\u0131p eriyordu.
Kuru ayaz\u0131n ard\u0131ndan ya\u011fmurlar geldi.
‘Ho\u015f geldiniz,’ dedi annem.
‘\u015eak\u0131r \u015fak\u0131r ya\u011fmur, man\u015fonumu \u0131slatt\u0131,’ dedi annemin g\u00fcne\u015f \u015femsiyeli konu\u011fu. \u00c7izmelerini \u00e7\u0131kard\u0131. Man\u015fonunun t\u00fcylerini kabartt\u0131. Soba yanan odaya girerken, ‘\u0130\u015fittiniz mi?’ diye sordu. ‘Sizin \u0130ncil\u00e2’n\u0131n Cahit, eski el\u00e7ilerden Regaip beyin k\u0131z\u0131yla ni\u015fanlanm\u0131\u015f, y\u0131ld\u0131r\u0131m nikah\u0131yla evleneceklermi\u015f.’ Bir an sustu anlaml\u0131 g\u00f6z s\u00fczmelerle. “Regaip bey \u00e7ok seviniyormu\u015f. Sevinir elbet, Cahit hem g\u00fczel \u00e7ocuk hem de istikbali a\u00e7\u0131k.’
Annem, misafir han\u0131ma muzlu pastadan tutmuyordu.”
***
“Gelinlik K\u0131z”\u0131 t\u00fcketmek her babayi\u011fin harc\u0131 de\u011fil. Tekni\u011fini, kurgusunu anlamak, tiplerini tan\u0131mak\/tan\u0131tmak, \u00e7ocu\u011fu ve onun ergin konumunu de\u011ferlendirmek, S\u00fcheyl\u00e2 Han\u0131m’\u0131n asil, vakur ve h\u00fcz\u00fcnl\u00fc tav\u0131rlar\u0131n\u0131 \u00e7\u00f6z\u00fcmlemek… Bunlar\u0131n her biri ayr\u0131 bir \u00e7abay\u0131 gerektiriyor. Eh, bizim ad\u0131m\u0131z da, H\u0131d\u0131r!
(\u00d6mer Lekesiz, Yeni T\u00fcrk Edebiyat\u0131nda \u00d6yk\u00fc, Cilt: 4, Kakn\u00fcs Yay\u0131nlar\u0131, \u0130stanbul 2001, ss: 83-104)<\/p>\n","protected":false},"excerpt":{"rendered":"

Bir durum belirlemesiyle ba\u015fl\u0131yor “Gelinlik K\u0131z” \u00f6yk\u00fcs\u00fc: “\u00c7ocukken gidilen evler iki t\u00fcrl\u00fcyd\u00fc: Annemin se\u00e7ti\u011fi dostluklar ve gitmek zorunda kald\u0131\u011f\u0131 yerler.”Bu durum belirlemesi ayn\u0131 zamanda anlat\u0131c\u0131n\u0131n “\u00e7ocukken gidilen evlerle” ilgili tutumunun ayd\u0131nlat\u0131lmas\u0131n\u0131 beraberinde getiriyor: “Annemin g\u00f6nl\u00fcnce kurdu\u011fu dostluklar\u0131 severdim ben.” Anlat\u0131c\u0131m\u0131z, \u00e7ocukluk zamanlar\u0131na mahsus belirlemeler yapt\u0131\u011f\u0131n\u0131n bilincinde: Bu tutumunun kendi se\u00e7iminden de\u011fil annesinin se\u00e7iminden kaynaklad\u0131\u011f\u0131n\u0131 zarif […]<\/p>\n","protected":false},"author":1,"featured_media":0,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[117],"tags":[],"class_list":{"0":"post-3387","1":"post","2":"type-post","3":"status-publish","4":"format-standard","6":"category-oyku-cozumlemeleri"},"yoast_head":"\n'Gelinlik K\u0131z' \u00d6yk\u00fcs\u00fcn\u00fcn \u00c7\u00f6z\u00fcmlemesi | \u00d6mer Lekesiz - narteks.net<\/title>\n<meta name=\"robots\" content=\"index, follow, max-snippet:-1, max-image-preview:large, max-video-preview:-1\" \/>\n<link rel=\"canonical\" href=\"https:\/\/narteks.net\/index.php\/2009\/12\/27\/gelinlik-kiz-oykusunun-cozumlemesi-omer-lekesiz\/\" \/>\n<meta property=\"og:locale\" content=\"tr_TR\" \/>\n<meta property=\"og:type\" content=\"article\" \/>\n<meta property=\"og:title\" content=\"'Gelinlik K\u0131z' \u00d6yk\u00fcs\u00fcn\u00fcn \u00c7\u00f6z\u00fcmlemesi | \u00d6mer Lekesiz\" \/>\n<meta property=\"og:description\" content=\"Bir durum belirlemesiyle ba\u015fl\u0131yor “Gelinlik K\u0131z” \u00f6yk\u00fcs\u00fc: “\u00c7ocukken gidilen evler iki t\u00fcrl\u00fcyd\u00fc: Annemin se\u00e7ti\u011fi dostluklar ve gitmek zorunda kald\u0131\u011f\u0131 yerler.”Bu durum belirlemesi ayn\u0131 zamanda anlat\u0131c\u0131n\u0131n “\u00e7ocukken gidilen evlerle” ilgili tutumunun ayd\u0131nlat\u0131lmas\u0131n\u0131 beraberinde getiriyor: “Annemin g\u00f6nl\u00fcnce kurdu\u011fu dostluklar\u0131 severdim ben.” Anlat\u0131c\u0131m\u0131z, \u00e7ocukluk zamanlar\u0131na mahsus belirlemeler yapt\u0131\u011f\u0131n\u0131n bilincinde: Bu tutumunun kendi se\u00e7iminden de\u011fil annesinin se\u00e7iminden kaynaklad\u0131\u011f\u0131n\u0131 zarif […]\" \/>\n<meta property=\"og:url\" content=\"https:\/\/narteks.net\/index.php\/2009\/12\/27\/gelinlik-kiz-oykusunun-cozumlemesi-omer-lekesiz\/\" \/>\n<meta property=\"og:site_name\" content=\"narteks.net\" \/>\n<meta property=\"article:published_time\" content=\"2009-12-27T13:08:16+00:00\" \/>\n<meta property=\"og:image\" content=\"http:\/\/www.bizimtava.com\/image\/haber\/Resim_1258978217.jpg\" \/>\n<meta name=\"author\" content=\"Tar\u0131k\" \/>\n<meta name=\"twitter:card\" content=\"summary_large_image\" \/>\n<meta name=\"twitter:creator\" content=\"@narteks\" \/>\n<meta name=\"twitter:site\" content=\"@narteks\" \/>\n<meta name=\"twitter:label1\" content=\"Yazan:\" \/>\n\t<meta name=\"twitter:data1\" content=\"Tar\u0131k\" \/>\n\t<meta name=\"twitter:label2\" content=\"Tahmini okuma s\u00fcresi\" \/>\n\t<meta name=\"twitter:data2\" content=\"18 dakika\" \/>\n<script type=\"application\/ld+json\" class=\"yoast-schema-graph\">{\"@context\":\"https:\/\/schema.org\",\"@graph\":[{\"@type\":\"Article\",\"@id\":\"https:\/\/narteks.net\/index.php\/2009\/12\/27\/gelinlik-kiz-oykusunun-cozumlemesi-omer-lekesiz\/#article\",\"isPartOf\":{\"@id\":\"https:\/\/narteks.net\/index.php\/2009\/12\/27\/gelinlik-kiz-oykusunun-cozumlemesi-omer-lekesiz\/\"},\"author\":{\"name\":\"Tar\u0131k\",\"@id\":\"https:\/\/narteks.net\/#\/schema\/person\/61f37d9834294b72d31d274e7ed79bca\"},\"headline\":\"‘Gelinlik K\u0131z’ \u00d6yk\u00fcs\u00fcn\u00fcn \u00c7\u00f6z\u00fcmlemesi | \u00d6mer Lekesiz\",\"datePublished\":\"2009-12-27T13:08:16+00:00\",\"mainEntityOfPage\":{\"@id\":\"https:\/\/narteks.net\/index.php\/2009\/12\/27\/gelinlik-kiz-oykusunun-cozumlemesi-omer-lekesiz\/\"},\"wordCount\":3704,\"commentCount\":0,\"publisher\":{\"@id\":\"https:\/\/narteks.net\/#organization\"},\"image\":{\"@id\":\"https:\/\/narteks.net\/index.php\/2009\/12\/27\/gelinlik-kiz-oykusunun-cozumlemesi-omer-lekesiz\/#primaryimage\"},\"thumbnailUrl\":\"http:\/\/www.bizimtava.com\/image\/haber\/Resim_1258978217.jpg\",\"articleSection\":[\"\u00d6yk\u00fc \u00c7\u00f6z\u00fcmlemeleri\"],\"inLanguage\":\"tr\",\"potentialAction\":[{\"@type\":\"CommentAction\",\"name\":\"Comment\",\"target\":[\"https:\/\/narteks.net\/index.php\/2009\/12\/27\/gelinlik-kiz-oykusunun-cozumlemesi-omer-lekesiz\/#respond\"]}]},{\"@type\":\"WebPage\",\"@id\":\"https:\/\/narteks.net\/index.php\/2009\/12\/27\/gelinlik-kiz-oykusunun-cozumlemesi-omer-lekesiz\/\",\"url\":\"https:\/\/narteks.net\/index.php\/2009\/12\/27\/gelinlik-kiz-oykusunun-cozumlemesi-omer-lekesiz\/\",\"name\":\"'Gelinlik K\u0131z' \u00d6yk\u00fcs\u00fcn\u00fcn \u00c7\u00f6z\u00fcmlemesi | \u00d6mer Lekesiz - 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