{"id":3708,"date":"2010-01-07T13:35:55","date_gmt":"2010-01-07T10:35:55","guid":{"rendered":"http:\/\/localhost\/wordpress\/2010\/01\/07\/olumunun-20-yilinda-bir-ankara-prensi-cemal-sureya\/"},"modified":"2010-01-07T13:35:55","modified_gmt":"2010-01-07T10:35:55","slug":"olumunun-20-yilinda-bir-ankara-prensi-cemal-sureya","status":"publish","type":"post","link":"https:\/\/narteks.net\/index.php\/2010\/01\/07\/olumunun-20-yilinda-bir-ankara-prensi-cemal-sureya\/","title":{"rendered":"\u00d6l\u00fcm\u00fcn\u00fcn 20. y\u0131l\u0131nda bir Ankara prensi: Cemal S\u00fcreya"},"content":{"rendered":"

<\/p>\n

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<\/span><\/strong><\/p>\n

Cemal S\u00fcreya’n\u0131n \u00f6l\u00fcm\u00fc \u00fczerinden 20 y\u0131l ge\u00e7mesi, zaman\u0131n g\u00f6rece oldu\u011funu d\u00fc\u015f\u00fcnd\u00fcr\u00fcyor. \u015eiirleriyle, yaz\u0131lar\u0131yla g\u00fcncelli\u011fini korudu\u011fu i\u00e7in \u00f6l\u00fcm\u00fc yad\u0131rgan\u0131yor. Yirmi y\u0131lda onar y\u0131ll\u0131k iki ku\u015fak de\u011fi\u015fti. Bu ku\u015faklar\u0131 bile etkileyen bir \u00f6zelli\u011fi olmas\u0131, onun g\u00fcncelli\u011fini s\u00fcrd\u00fcrmesi anlam\u0131na gelir.Ya\u015farken kendini \u00f6nemsetmeye \u00e7al\u0131\u015fan ozanlar\u0131n unutulmu\u015flu\u011funa bak\u0131p, Cemal S\u00fcreya’y\u0131 canl\u0131 k\u0131lan \u00f6zelliklerin neler oldu\u011funu anlamaya \u00e7al\u0131\u015fal\u0131m. \u00d6nce ‘\u0130kinci Yeni’nin en duyarl\u0131, en i\u00e7tenlikli ozan\u0131 say\u0131lmas\u0131, kendinden \u00f6nceki, kendinden sonraki edebiyat\u0131n nabz\u0131n\u0131 tutan, ‘derin g\u00f6r\u00fc’s\u00fc olan bir edebiyat insan\u0131 olmas\u0131.<\/p>\n

Yaln\u0131z i\u00e7ki masalar\u0131nda ortam yaratan de\u011fil, edebiyat dergicili\u011fine i\u015flev kazand\u0131rarak etkisini s\u00fcrd\u00fcrmesi. \u00d6zellikle g\u00f6rmezden gelinen edebiyat\u00e7\u0131lara, geride duran ozanlara arka \u00e7\u0131karak onlara da edebiyatta yer a\u00e7mas\u0131. Kendinin uza\u011f\u0131na \u00e7ekilirken, darg\u0131n oldu\u011fu ozanlara bile g\u00fcl\u00fcmsemeyi bilmesi…
Ancak Cemal S\u00fcreya gibi kendine g\u00fcvenen bir ozan \u00f6zverili olabilir. Yoksa edebiyat\u0131m\u0131z\u0131n karma\u015f\u0131k ortam\u0131nda nice de\u011ferleri g\u00f6rmezden gelmek al\u0131\u015fkanl\u0131k edindi\u011fimiz bir gelenektir.\u00d6l\u00fcm\u00fcn\u00fcn 20. y\u0131l\u0131nda biraz an\u0131lardan yola \u00e7\u0131k\u0131p \u015fiirinin daha a\u015f\u0131lamayan \u00f6zelliklerine, edebiyat\u0131 de\u011ferlendirmedeki ustal\u0131\u011f\u0131na bakarak Cemal S\u00fcreya’n\u0131n ki\u015fili\u011fini an\u0131msamaya \u00e7al\u0131\u015fal\u0131m.<\/p>\n

50’li y\u0131llar\u0131n Ankaras\u0131<\/strong><\/p>\n

Bir ozan\u0131 tan\u0131m\u0131\u015f olmak, onunla nice an\u0131lar\u0131 payla\u015fmak bir ayr\u0131cal\u0131kt\u0131r. Edebiyata bak\u0131\u015f\u0131n an\u0131larla b\u00fct\u00fcnle\u015fen bir anlam\u0131, bir \u00f6zelli\u011fi vard\u0131r.<\/p>\n

Kimi edebiyat ortamlar\u0131nda; ister T\u00fcrk Dil Kurumu gibi bir yerde, ister bir i\u00e7ki masas\u0131nda, ister bir derginin y\u00f6netim yerinde olsun, onu, hep y\u00fcz\u00fcndeki \u00fczg\u00fcn g\u00fcl\u00fcmsemeyle an\u0131msar\u0131m.<\/p>\n

Erzincan’dan Bilecik’e zorunlu g\u00f6\u00e7 y\u00fcz\u00fcnden mi, bir \u00fcvey annenin bask\u0131s\u0131 m\u0131, bilinmez, ama o \u00fczg\u00fcn g\u00fcl\u00fcmsemede ba\u011f\u0131\u015flayan bir incelik vard\u0131r.<\/p>\n

Ellili y\u0131llar\u0131n Ankara’s\u0131nda Siyasal Bilgiler Okulu da \u00f6zel bir k\u00fclt\u00fcr ortam\u0131yd\u0131. Benim T\u0131p Fak\u00fcltesi \u00f6\u011frencisi oldu\u011fum ellili y\u0131llar Ankara’s\u0131nda Siyasal Bilgiler Okulu’nda Cemal S\u00fcreya ile Sezai Karako\u00e7’u g\u00f6rmeye giderdim. O birlikteli\u011fin eskimeyen bir an\u0131s\u0131 vard\u0131.<\/p>\n

O zamanlar Nejat Tun\u00e7siper ‘M\u00fclkiye’ dergisini \u00e7\u0131kar\u0131rd\u0131. ‘M\u00fclkiye’ s\u0131radan bir okul dergisi de\u011fildi. Cemal S\u00fcreya’n\u0131n ilk \u015fiirleri bu dergide yay\u0131mlanm\u0131\u015ft\u0131. Nejat Tun\u00e7siper’i olduk\u00e7a yak\u0131ndan tan\u0131rd\u0131m. Bana Sait Faik’in dergiyi be\u011fendi\u011fini yazd\u0131\u011f\u0131 mektuplar\u0131n\u0131 okurdu.<\/p>\n

O d\u00f6nemlerde Siyasal Bilgiler Okulu’nu bitirenler aras\u0131nda Ece Ayhan ile Tevfik Akda\u011f da vard\u0131. Erdo\u011fan Alkan’\u0131 daha sonra tan\u0131d\u0131m. Cemal S\u00fcreya’n\u0131n ‘G\u00fcvercin Curnatas\u0131’ dedi\u011fi ‘\u0130kinci Yeni’ olu\u015fumuna bu ozanlar da kat\u0131lm\u0131\u015ft\u0131.<\/p>\n

Ama Muzaffer \u0130lhan Erdost, bir \u015fiirbilim anlay\u0131\u015f\u0131 i\u00e7inde, bu olu\u015fumun geli\u015fmesini a\u00e7\u0131klamasayd\u0131, ‘\u0130kinci Yeni’ ki\u015filik kazanabilir miydi?<\/p>\n

‘\u0130kinci Yeni’ toplumcu \u015fiire kar\u015f\u0131 m\u0131yd\u0131? Belki \u015f\u00f6yle d\u00fc\u015f\u00fcnmek gerekir: ‘K\u0131rk Ku\u015fa\u011f\u0131 Toplumcular\u0131’n\u0131n kurtulamad\u0131\u011f\u0131 savs\u00f6z \u015fiirine kar\u015f\u0131, ‘\u0130kinci Yeni’, \u00f6rt\u00fcl\u00fc bir \u015fiirle toplumcu duyarl\u0131\u011f\u0131 yoklamaya \u00e7al\u0131\u015f\u0131yordu.<\/p>\n

Cemal S\u00fcreya toplumcu duyarl\u0131\u011fa cinsellikten bakmay\u0131 deniyordu. Daha ‘\u00dcvercinka’ yay\u0131mlanmam\u0131\u015ft\u0131. Eski\u015fehir’de 1955’te birlikteydik. O vergi dairesinde g\u00f6revli, bizim d\u00f6nem, Hava Hastanesi’ne bir inceleme i\u00e7in gelmi\u015ftik. O, Nasuh Akar’\u0131n kahvesinde oturdu\u011fumuzu an\u0131ms\u0131yor. Kahvenin \u00f6n\u00fcnden zaman\u0131n g\u00fczellik krali\u00e7esi G\u00fcler Ar\u0131man ge\u00e7iyor. \u0130kimiz de kap\u0131ya do\u011fru do\u011frulmu\u015ftuk.<\/p>\n

Cemal S\u00fcreya toplumcu duyarl\u0131\u011fa cinsellikten bakmay\u0131 deniyordu:<\/p>\n

‘Y\u00fcz\u00fcnde ne var biliyor musun?<\/p>\n

Ev da\u011f\u0131n\u0131kl\u0131\u011f\u0131 var.’<\/p>\n

Bir evin kap\u0131s\u0131 \u00f6rt\u00fcl\u00fcnce hangi ac\u0131lar\u0131n ya\u015fand\u0131\u011f\u0131 bilinmez. Ama Cemal S\u00fcreya gibi bir ozan bir kad\u0131n\u0131n y\u00fcz\u00fcndeki yaln\u0131zl\u0131ktan toplumcu duyarl\u0131\u011fa a\u00e7\u0131lan yolu bulabilir.<\/p>\n

\u0130\u00e7ki masalar\u0131 ac\u0131mas\u0131zd\u0131r. Kendini pek \u00f6nemseyen bir ozan\u0131n defterinin d\u00fcr\u00fcld\u00fc\u011f\u00fc yerdir. Ama Cemal S\u00fcreya, sol dirse\u011fi masaya dayal\u0131, bak\u0131\u015flar\u0131ndaki \u00fczg\u00fcn g\u00fcl\u00fcmsemede, ba\u011f\u0131\u015flamas\u0131n\u0131 bilen bir g\u00f6n\u00fcl insan\u0131d\u0131r.<\/p>\n

Cinsellikten toplumsall\u0131\u011fa<\/strong><\/p>\n

Cemal S\u00fcreya’n\u0131n \u015fiirindeki i\u00e7tenlikle duyarl\u0131k insan\u0131 yava\u015f\u00e7a etkilese de, \u015fiirinin dokusunu \u00e7\u00fcr\u00fctmez. Sevi ili\u015fkisinde yenilmi\u015f g\u00f6r\u00fcnmenin dalg\u0131nl\u0131\u011f\u0131 i\u00e7indedir:<\/p>\n

‘\u00d6nce \u00f6p<\/p>\n

Sonra do\u011fur beni.’<\/p>\n

‘\u00dcvercinka’y\u0131 1958’de benim i\u00e7in imzalarken ba\u015fl\u0131\u011f\u0131n alt\u0131na el yaz\u0131s\u0131yla ‘sensualite’ diye yazm\u0131\u015ft\u0131. Ya\u015faman\u0131n anlams\u0131zl\u0131\u011f\u0131na k\u00f6sn\u00fcye s\u0131\u011f\u0131narak katlanaca\u011f\u0131n\u0131 umuyordu. Bir tutkulu sese, yara izine ba\u011flan\u0131yordu. Belki de b\u0131rak\u0131lm\u0131\u015f biri onun i\u00e7in yeni bir ba\u015flang\u0131\u00e7t\u0131:<\/p>\n

‘\u015eu senin tutkulu sesin var ya:<\/p>\n

Ortak g\u00fczellik art\u0131 yara izi.’<\/p>\n

Karanl\u0131k bir toplumun kurtulu\u015funa cinsellikten de bak\u0131lamaz m\u0131? Ya\u015famaya darg\u0131n duran \u015fiirinin gizli yerinde, sessiz bir \u00f6rge gibi durur cinsellik.<\/p>\n

Anlat\u0131 kolayl\u0131\u011f\u0131ndan kurtulan Cemal S\u00fcreya s\u00f6zc\u00fckler aras\u0131ndaki \u015fiirsel y\u00fck\u00fc cinselli\u011fe ta\u015f\u0131tarak yeni bir s\u00f6yleyi\u015f \u00f6zg\u00fcrl\u00fc\u011f\u00fcne ula\u015ft\u0131.<\/p>\n

Bir sevi ili\u015fkisi \u00f6l\u00fcm\u00fcn k\u0131y\u0131s\u0131ndan insan\u0131 \u00e7ekip kurtarabilir mi?<\/p>\n

Oktay Rifat o ili\u015fkiye yenilmek istemiyordu:<\/p>\n

‘K\u00f6\u015feyi tutan leylak kokusu<\/p>\n

Yakam\u0131 b\u0131rak da gideyim.’<\/p>\n

Oysa Cemal S\u00fcreya’y\u0131 \u00f6l\u00fcmden kurtaran bir ‘leylak sesi’dir:<\/p>\n

‘Sen tam tabancay\u0131<\/p>\n

\u015eaka\u011f\u0131na dayam\u0131\u015fs\u0131n;<\/p>\n

Kap\u0131 a\u00e7\u0131l\u0131veriyor<\/p>\n

Ve \u00fcst\u00fcndekileri<\/p>\n

Bir bir f\u0131rlat\u0131p atan<\/p>\n

Bir leylak sesi.’<\/p>\n

Cemal S\u00fcreya’n\u0131n insan\u0131n kurtulu\u015funa sevi ili\u015fkisinden bakmas\u0131n\u0131, d\u00fc\u015flem g\u00fcc\u00fcn\u00fcn oyunu olarak yorumlayabilirsiniz. Sevi ili\u015fkisi ya\u015famaya direnmeyi sa\u011flasa bile onun gen\u00e7 \u00f6l\u00fcm\u00fcne engel olamad\u0131.<\/p>\n

\u00a0<\/p>\n

\u00d6l\u00fcme do\u011fru<\/strong><\/p>\n

Muzaffer Buyruk\u00e7u’nun g\u00fcnl\u00fcklerinde Cemal S\u00fcreya’n\u0131n \u00f6nemli yeri vard\u0131r. \u00d6l\u00fcm\u00fcnden bir g\u00fcn \u00f6nce, 8 Ocak 1990 tarihli g\u00fcnl\u00fckte, \u0130stanbul Gazeteciler Cemiyeti’nde, dergi sorunlar\u0131n\u0131n tart\u0131\u015f\u0131ld\u0131\u011f\u0131, \u00f6\u011fle rak\u0131lar\u0131n\u0131n i\u00e7ildi\u011fi bir masada Cemal S\u00fcreya da vard\u0131r.<\/p>\n

Yirmi y\u0131l \u00f6nceki bu g\u00fcnl\u00fc\u011fe g\u00fcn\u00fcm\u00fczden bakarken Cemal S\u00fcreya \u00f6l\u00fcm\u00fcn e\u015fi\u011finde g\u00f6r\u00fcn\u00fcyordu. Bu g\u00f6r\u00fcnt\u00fcy\u00fc \u015f\u00f6yle saptam\u0131\u015f\u0131m:<\/p>\n

‘Cemal S\u00fcreya biraz gecikerek, \u00f6l\u00fcm\u00fcn g\u00f6lgesiyle birlikte gelecektir’ (Cumhuriyet K\u0130TAP, \u00d6l\u00fcm\u00fcnden Bir G\u00fcn \u00d6nce Cemal S\u00fcreya, 28 May\u0131s 2008).<\/p>\n

Muzaffer Buyruk\u00e7u bu g\u00f6r\u00fcnt\u00fcy\u00fc daha ayr\u0131nt\u0131l\u0131 anlat\u0131yor:<\/p>\n

‘Saat 12,35’te Cemal S\u00fcreya g\u00f6r\u00fcnd\u00fc. Ama \u00f6zlemimi gideren, beni sevindiren bir g\u00f6r\u00fcnme de\u011fildi bu, \u00e7\u00fcnk\u00fc s\u00fcr\u00fcklenircesine, yalpalayarak y\u00fcr\u00fcyor, g\u00fc\u00e7l\u00fckle ayakta duruyordu, belki de iradesini zorlamasa oraya y\u0131\u011f\u0131lacakt\u0131. Vurgun yemi\u015f bir s\u00fcngerciydi sanki, ay\u0131lamayan bir sarho\u015ftu; d\u00fc\u015fmanlar\u0131n\u0131n elinden can\u0131n\u0131 rastlant\u0131lar\u0131n yard\u0131m\u0131yla kurtaran ama bu arada adamak\u0131ll\u0131 h\u0131rpalanan biriydi; her \u015feyini, ama bu g\u00fcne kadar kazand\u0131\u011f\u0131 her \u015feyini yitiren bir talihsizdi (CEMAL S\u00dcREYA ve SONRASI, ‘Cemal S\u00fcreya ile Son G\u00fcn’, Artshop Yay\u0131nc\u0131l\u0131k ve Cemal S\u00fcreya K\u00fclt\u00fcr Sanat Derne\u011fi Ortak Yay\u0131n\u0131, Ocak 2008).<\/p>\n

Halden anlamayan insanlar\u0131n iyilik olsun diye yapt\u0131\u011f\u0131 k\u00f6t\u00fcl\u00fckler. Sonra da Cemal S\u00fcreya’n\u0131n kimseye bor\u00e7lu kalmak istemedi\u011fi bir ald\u0131rmazl\u0131kla, ‘\u00fcst\u00fc kals\u0131n’ diyerek hesab\u0131 \u00f6demesi.<\/p>\n

\u0130yi ki Anadolu yakas\u0131na ge\u00e7mesini kolayla\u015ft\u0131racak bir koruyucu melek yard\u0131mc\u0131 olur da onu evine ula\u015ft\u0131r\u0131r. Ke\u015fke \u0130pek Tekil evine de\u011fil, onu hastahaneye yeti\u015ftirebilseydi. Ama geri d\u00f6n\u00fclmez bir yola girmi\u015ftir art\u0131k. \u015eeker komas\u0131 ile beyin kanamas\u0131 \u00f6l\u00fcm\u00fcne yol a\u00e7m\u0131\u015ft\u0131r.<\/p>\n

\u00a0<\/p>\n

Bir Ankara prensi<\/strong><\/p>\n

Metin Alt\u0131ok soruyordu:<\/p>\n

‘Bir Ankara prensi olan Cemal S\u00fcreya nerde \u015fimdi?’<\/p>\n

‘… Ne oldu Tavuk\u00e7u’daki \u00f6\u011fle rak\u0131lar\u0131na? Co\u015fkular\u0131m tarazland\u0131 benimse, umudumda g\u00fcve yenikleri, pas kokuyor a\u015fklar\u0131m ve art\u0131k patlak bir tefle dola\u015f\u0131yorum elimde Ankara sokaklar\u0131n\u0131! En k\u00f6t\u00fcs\u00fc de ya\u015fland\u0131 zaman\u0131m\u0131z\u0131n g\u00fczel k\u0131zlar\u0131. Bir bo\u015fluk var ya\u015fam\u0131mda, y\u00fcre\u011fimde derin bir sacaya\u011f\u0131’ (\u015e\u0130\u0130R\u0130N \u0130LK ATLASI, ‘Ankara’, K\u0131rm\u0131z\u0131 Yay\u0131nlar\u0131, 2006).<\/p>\n

Cemal S\u00fcreya’n\u0131n o i\u00e7tenlikli, o duyarl\u0131 \u015fiiri, bir bayrak yar\u0131\u015f\u0131 gibi Metin Alt\u0131ok’a ge\u00e7mi\u015fti. Ama o da, 1993 Mad\u0131mak yang\u0131n\u0131nda i\u00e7i kuruyuncaya kadar, ancak \u00fc\u00e7 y\u0131l daha ta\u015f\u0131yabilidi o bayra\u011f\u0131.<\/p>\n

Cemal S\u00fcreya gibi edebiyata geni\u015f a\u00e7\u0131dan bakmas\u0131n\u0131 bilen bir ozan kendine bakmay\u0131 bilemedi. Kendine bakmay\u0131 hep erteledi. Sevi ili\u015fkisinin g\u00fcc\u00fcne inan\u0131r\u0131z ama, dar zamanlar y\u00fcz\u00fcnden o ili\u015fkiyi hep ertelemek durumunda kal\u0131r\u0131z.<\/p>\n

Cemal S\u00fcreya’n\u0131n nice evlilikler ge\u00e7ti ba\u015f\u0131ndan. Yaln\u0131zca Z\u00fchal Tekkanat’la \u00fc\u00e7 kez evlendi\u011fi bilinir. Evliliklerinde 28 kez kira evlerine ta\u015f\u0131nd\u0131\u011f\u0131 s\u00f6ylenir. Bir bak\u0131ma yorgunlu\u011funu ta\u015f\u0131y\u0131p durmu\u015ftur.<\/p>\n

Beh\u00e7et Necatigil’in dizelerini an\u0131msayal\u0131m:<\/p>\n

‘Y\u0131llar\u0131n tela\u015flarda bu kadar \u00e7abuk<\/p>\n

Ge\u00e7ece\u011fi akl\u0131m\u0131za gelmezdi.’<\/p>\n

Cemal S\u00fcreya \u00f6ld\u00fc\u011f\u00fc zaman daha 60 ya\u015f\u0131na bile girmemi\u015fti. Onunla birlikte yaln\u0131z iyi bir ozan \u00f6lmedi. Edebiyat\u0131n ayr\u0131nt\u0131lar\u0131n\u0131 bilen bir g\u00f6n\u00fcl insan\u0131 da \u00f6ld\u00fc.<\/p>\n

Edebiyat\u0131n ayr\u0131nt\u0131lar\u0131n\u0131 bilmek ne demektir? Edebiyat be\u011fenisi olmayan, ele\u015ftirel denemeden ayr\u0131nt\u0131ya bakmas\u0131n\u0131 bilmeyen bu ger\u00e7e\u011fi kavrayabilir mi? Kapsaml\u0131 bir incelemede be\u011feni d\u00fczeyi eksik kal\u0131rsa yaz\u0131 amac\u0131na ula\u015famaz.<\/p>\n

Cemal S\u00fcreya ‘kimliklerin izd\u00fc\u015f\u00fcm\u00fc’n\u00fc anlat\u0131rken al\u0131\u015f\u0131lm\u0131\u015f s\u00f6zlerden yola \u00e7\u0131km\u0131yordu.<\/p>\n

Do\u011fan H\u0131zlan’\u0131n yorumlamas\u0131na g\u00f6re:<\/p>\n

‘Ger\u00e7ekten de ’99 Y\u00fcz’, bir izd\u00fc\u015f\u00fcmler toplam\u0131d\u0131r. \u0130zlenimlerin tan\u0131kl\u0131\u011f\u0131d\u0131r. G\u00f6rd\u00fckleriyle, okuduklar\u0131yla, duyumlar\u0131yla, g\u00f6zlemleriyle olu\u015fturdu\u011fu bir t\u00fcr kimlik kart\u0131. Kimileri bu kart\u0131 bir iftihar levhas\u0131 gibi yan\u0131nda ta\u015f\u0131yacak, kimileri de saklamak i\u00e7in yorgun d\u00fc\u015fecek.’<\/p>\n

Unutulmu\u015f bir ozan\u0131n \u0131\u015f\u0131lt\u0131l\u0131 bir dizesini bulur. O art\u0131k ‘Sakl\u0131 G\u00fcldeste’de yerini alm\u0131\u015ft\u0131r. Birbirinden yararlanan \u015fiir se\u00e7kilerinin tekd\u00fczeli\u011fine bakmay\u0131n. Cemal S\u00fcreya’n\u0131n ‘Sakl\u0131 G\u00fcldeste’sindeki gizli g\u00f6m\u00fcy\u00fc anlamaya \u00e7al\u0131\u015f\u0131n.<\/p>\n

G\u00fcnler ak\u0131p gidiyor ama, Cemal S\u00fcreya’n\u0131n g\u00fcndelik yaz\u0131lar\u0131nda, tarihsiz g\u00fcnl\u00fcklerinde zaman\u0131n ge\u00e7mesini anlaml\u0131 k\u0131lan \u00f6yle ayr\u0131nt\u0131lar var ki, sanki kendini denetliyor gibidir. Oysa o, ald\u0131rmazl\u0131k i\u00e7inde ge\u00e7en bir g\u00f6n\u00fcl yorgunlu\u011fu \u00e7ekerek, ya\u015famas\u0131n\u0131 d\u00fczenceye sokmaya \u00e7al\u0131\u015fan bir ozan olman\u0131n \u00e7eli\u015fkisinde ya\u015fad\u0131.<\/p>\n

Aradan sanki 20 y\u0131l ge\u00e7memi\u015f gibi, gene g\u00f6zlerini k\u0131sarak kendinin uza\u011f\u0131na dalm\u0131\u015f gibi i\u00e7kisini yudumlayan bir ‘Ankara Prensi’ o!<\/p>\n

Belki de hep Ankara’da kalsa \u00f6l\u00fcm\u00fc ertelenebilirdi. \u0130nsan, zaman\u0131n ak\u0131\u015f\u0131nda kendinin de bir pay\u0131 oldu\u011fu yan\u0131lg\u0131s\u0131na d\u00fc\u015f\u00fcyor. Ama \u00f6l\u00fcm\u00fcn ertelenebilece\u011fi yan\u0131lg\u0131s\u0131 her zaman \u00f6zlenecektir.<\/p>\n

Mustafa \u015eerif Onaran<\/p>\n

kaynak: cumhuriyet gazetesi<\/p>\n<\/div>\n","protected":false},"excerpt":{"rendered":"

Cemal S\u00fcreya’n\u0131n \u00f6l\u00fcm\u00fc \u00fczerinden 20 y\u0131l ge\u00e7mesi, zaman\u0131n g\u00f6rece oldu\u011funu d\u00fc\u015f\u00fcnd\u00fcr\u00fcyor. \u015eiirleriyle, yaz\u0131lar\u0131yla g\u00fcncelli\u011fini korudu\u011fu i\u00e7in \u00f6l\u00fcm\u00fc yad\u0131rgan\u0131yor. Yirmi y\u0131lda onar y\u0131ll\u0131k iki ku\u015fak de\u011fi\u015fti. Bu ku\u015faklar\u0131 bile etkileyen bir \u00f6zelli\u011fi olmas\u0131, onun g\u00fcncelli\u011fini s\u00fcrd\u00fcrmesi anlam\u0131na gelir.Ya\u015farken kendini \u00f6nemsetmeye \u00e7al\u0131\u015fan ozanlar\u0131n unutulmu\u015flu\u011funa bak\u0131p, Cemal S\u00fcreya’y\u0131 canl\u0131 k\u0131lan \u00f6zelliklerin neler oldu\u011funu anlamaya \u00e7al\u0131\u015fal\u0131m. \u00d6nce ‘\u0130kinci Yeni’nin […]<\/p>\n","protected":false},"author":1,"featured_media":0,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[122],"tags":[],"class_list":{"0":"post-3708","1":"post","2":"type-post","3":"status-publish","4":"format-standard","6":"category-sair-e-dair"},"yoast_head":"\n\u00d6l\u00fcm\u00fcn\u00fcn 20. y\u0131l\u0131nda bir Ankara prensi: Cemal S\u00fcreya - narteks.net<\/title>\n<meta name=\"robots\" content=\"index, follow, max-snippet:-1, max-image-preview:large, max-video-preview:-1\" \/>\n<link rel=\"canonical\" href=\"https:\/\/narteks.net\/index.php\/2010\/01\/07\/olumunun-20-yilinda-bir-ankara-prensi-cemal-sureya\/\" \/>\n<meta property=\"og:locale\" content=\"tr_TR\" \/>\n<meta property=\"og:type\" content=\"article\" \/>\n<meta property=\"og:title\" content=\"\u00d6l\u00fcm\u00fcn\u00fcn 20. y\u0131l\u0131nda bir Ankara prensi: Cemal S\u00fcreya\" \/>\n<meta property=\"og:description\" content=\"Cemal S\u00fcreya’n\u0131n \u00f6l\u00fcm\u00fc \u00fczerinden 20 y\u0131l ge\u00e7mesi, zaman\u0131n g\u00f6rece oldu\u011funu d\u00fc\u015f\u00fcnd\u00fcr\u00fcyor. \u015eiirleriyle, yaz\u0131lar\u0131yla g\u00fcncelli\u011fini korudu\u011fu i\u00e7in \u00f6l\u00fcm\u00fc yad\u0131rgan\u0131yor. 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