{"id":375,"date":"2010-01-09T01:00:00","date_gmt":"2010-01-08T22:00:00","guid":{"rendered":"http:\/\/localhost\/wordpress\/2010\/01\/09\/alcaklar-komplocudurlar-alcaklik-ve-ihanet-kurami-borges\/"},"modified":"2010-01-09T01:00:00","modified_gmt":"2010-01-08T22:00:00","slug":"alcaklar-komplocudurlar-alcaklik-ve-ihanet-kurami-borges","status":"publish","type":"post","link":"https:\/\/narteks.net\/index.php\/2010\/01\/09\/alcaklar-komplocudurlar-alcaklik-ve-ihanet-kurami-borges\/","title":{"rendered":"Al\u00e7aklar komplocudurlar | Al\u00e7akl\u0131k ve \u0130hanet Kuram\u0131 – Borges"},"content":{"rendered":"![](\"images\/stories\/borges.jpg\")
Borges’in al\u00e7aklar\u0131 komplocudurlar. Elbette pop\u00fcler polisiye k\u00fclt\u00fcr\u00fcn\u00fcn bildik kli\u015felerinin \u00e7ok \u00f6telerine ge\u00e7erler. Ama kurduklar\u0131 komplolar, hesap\u00e7\u0131, do\u011frudan do\u011fruya ‘fesat’ ile tan\u0131mlanamaz bir “doland\u0131r\u0131c\u0131l\u0131k” t\u00fcr\u00fcn\u00fc \u00e7a\u011fr\u0131\u015ft\u0131r\u0131rlar. K\u00e2h Pampalar\u0131n macho’lar\u0131, k\u00e2h beynelminel ve kozmopolit D\u00fcnya Sava\u015f\u0131 \u00e7a\u011f\u0131 uygarl\u0131\u011f\u0131n\u0131n karanl\u0131k ki\u015filikleri olarak \u00e7\u0131karlar kar\u015f\u0131m\u0131za.<\/p>\n
Al\u00e7akl\u0131klar\u0131, g\u00fcnl\u00fck hayat\u0131n, “k\u00fc\u00e7\u00fck adamlar\u0131n” al\u00e7akl\u0131klar\u0131 de\u011fildir; “yollan \u00e7atallanan bah\u00e7e”lerin, labirentlerin, kaosun hakim oldu\u011fu bir uygarl\u0131k t\u00fcr\u00fcne uygun d\u00fc\u015fer: “\u0130nsan\u0131n kendini herg\u00fcn yeni al\u00e7akl\u0131klara terk edece\u011fini g\u00f6r\u00fcyorum \u015fimdiden; \u00f6yle ki sonu\u00e7ta sadece haydutlarla askerler kalacak geriye.<\/p>\n
” (Yollar\u0131 \u00c7atallanan Bah\u00e7e) Ufak tefek “k\u00f6t\u00fcye kullanmalar\u0131”, g\u00fcnl\u00fck hayat i\u00e7inde genellikle “ba\u011f\u0131\u015flanabilir”<\/p>\n
k\u00fc\u00e7\u00fck komplocuklar\u0131, kan-koca kavgalar\u0131ndaki minik “hainlikler” birikimini, kedilerin kuyruklar\u0131na bir \u015feyler ba\u011flayan \u00e7ocuklar\u0131nkini, Nietzsche’nin bahsetti\u011fi “s\u00fcr\u00fc insan”na ait bir ressentiment, i\u00e7erleme al\u00e7akl\u0131\u011f\u0131n\u0131 Borges’in tasnifinde bulamazs\u0131n\u0131z. \u00c7ok bilgili yazar\u0131m\u0131z, “al\u00e7akl\u0131k” ile “ihanet” aras\u0131ndaki fark\u0131 da ay\u0131rdedememektedir. Bunun nedeni, al\u00e7aklar\u0131n\u0131 sanki birer “kahraman”, Poe’nunkiler t\u00fcr\u00fcnden, \u00fcst\u00fcn ve ads\u0131z, ki\u015fisel olmayan bir zek\u00e2n\u0131n , \u00f6nceden kestirilemez labirentlerini kateden ve her noktada, gere\u011fini yapmalar\u0131 \u015fart\u0131yla mutlak ba\u015far\u0131ya eri\u015fmeleri ku\u015fkusuz her zaman muhtemel olan akt\u00f6rler olarak kurgulamas\u0131d\u0131r. Ona g\u00f6re, al\u00e7akl\u0131\u011f\u0131n kurgusu more geometrico, geometrik \u00fcsl\u00fbpta i\u015flemelidir. Al\u00e7akl\u0131k bir satran\u00e7 tahtas\u0131 \u00fczerinde yap\u0131lan hamleler gibi icra edilir ve labirentin “sonsuzlu\u011funun” yaln\u0131zca bir t\u00fcr\u00fcne uygunluk g\u00f6sterir: “Herhangi bir vah\u015fi eyleme giri\u015fecek kimse sanki bu eylem \u00f6nceden ger\u00e7ekle\u015fmi\u015f gibi davranmal\u0131, kendine ge\u00e7mi\u015f kadar geriye getirilemez bir gelecek dayatmal\u0131d\u0131r.” (Yollan \u00c7atallanan Bah\u00e7e) Leibniz’in “sonsuz”unu yorumlay\u0131\u015f\u0131 zamana endekslenmi\u015ftir b\u00f6ylece. Her \u00f6yk\u00fcn\u00fcn biti\u015fi, mutlak ve kat\u0131ks\u0131z al\u00e7akl\u0131\u011f\u0131n belirmesiyle m\u00fcmk\u00fcnd\u00fcr ancak. Geriye cevaplanmam\u0131\u015f soru kalmayacak, ancak al\u00e7akl\u0131\u011f\u0131n i\u00e7erdi\u011fi ve b\u00fcy\u00fck bir ustal\u0131kla \u00e7ekip \u00e7evirdi\u011fi zek\u00e2n\u0131n kar\u015f\u0131s\u0131nda, h\u00fcz\u00fcnl\u00fc bir hayranl\u0131k damaktaki ac\u0131 lezzetini b\u0131rakacakt\u0131r. Borges al\u00e7akl\u0131\u011f\u0131 bir icraat al\u00e7akl\u0131\u011f\u0131 de\u011fil, bir taraftan bulu\u015flara, \u00f6te taraftan da evrensel bir insan mefhumuna g\u00f6nderen bir al\u00e7akl\u0131kt\u0131r: “Bir ki\u015finin yapt\u0131\u011f\u0131, bir \u00f6l\u00e7\u00fcde, b\u00fct\u00fcn insanlar\u0131n yapt\u0131\u011f\u0131d\u0131r. Bu y\u00fczden bir bah\u00e7ede yap\u0131lan bir ba\u015fkald\u0131r\u0131 b\u00fct\u00fcn insan \u0131rk\u0131na bula\u015f\u0131r. \u00d6yleyse, tek bir Yahudinin \u00e7arm\u0131ha gerilmesinin \u0131rk\u0131 kurtarmaya yeterli olmas\u0131 adaletsiz de\u011fildir.” (K\u0131l\u0131c\u0131n Bi\u00e7imi) Hiyerar\u015fideki y\u00fcksek konumlar\u0131n k\u00f6t\u00fcye kullan\u0131lmas\u0131yla ger\u00e7ekle\u015ftirilen “tezg\u00e2h” ile sokaktaki bir i\u015fportac\u0131n\u0131n tezg\u00e2h\u0131nda ataca\u011f\u0131 kaz\u0131k aras\u0131nda bir fark kalmamaktad\u0131r b\u00f6ylece. Elbette Borges al\u00e7aklar\u0131n\u0131 yaln\u0131zca \u00fcst s\u0131n\u0131flardan se\u00e7memektedir: Sokaktaki adamlar ve kad\u0131nlar da bu al\u00e7akl\u0131klar tarihinin ki\u015filikleri aras\u0131na girebilirler. Ancak bir \u015fartla: Al\u00e7akl\u0131k her zaman bir komplonun labirentinden ge\u00e7erek, sonsuzcas\u0131na dallan\u0131p budaklanarak, su\u00e7a dair ola\u011fan kavramlar\u0131m\u0131z\u0131n \u00e7atlaklar\u0131n\u0131 zorlamal\u0131, su\u00e7laman\u0131n ve nefretin y\u00f6n\u00fcn\u00fc al\u00e7a\u011f\u0131n zarar\u0131na u\u011frayan kurban\u0131n aleyhine d\u00f6n\u00fc\u015ft\u00fcrmeye her an aday olan bir g\u00fc\u00e7 g\u00f6sterisi yapabilmelidir. B\u00f6ylece Borges, yaz\u0131n\u0131n ara\u00e7lar\u0131yla, kendi olu\u015fturdu\u011fu labirentin i\u00e7inde, kurgulad\u0131\u011f\u0131 al\u00e7akla belli birnoktada kar\u015f\u0131la\u015facak, ama o andan itibaren onunla e\u015fitlenecektir: “Tarihin tarihi taklit etmek zorunda olu\u015fu yeterince harikad\u0131r; tarihin edebiyat\u0131 taklit edi\u015fi ise inan\u0131lmaz bir haldir.” (Hain ile Kahraman) Al\u00e7a\u011f\u0131n \u00f6yk\u00fcs\u00fcn\u00fcn biti\u015f noktas\u0131, i\u015fte bu kar\u015f\u0131la\u015fma ve e\u015fitlenme and\u0131r. Bir \u00f6yk\u00fc olarak “al\u00e7akl\u0131\u011f\u0131n” anlat\u0131s\u0131, eninde sonunda “yazar”\u0131n ta kendisinin \u00fcretti\u011fi bir kurgu de\u011fil midir? Modern edebiyata \u00f6zg\u00fc oldu\u011fu hep s\u00f6ylenen “yazar\u0131n, kendini yaz\u0131n\u0131n ard\u0131nda g\u00f6r\u00fcnmez k\u0131l\u0131\u015f\u0131”, b\u00f6ylece uzun, dolamba\u00e7l\u0131 yollar\u0131n en son noktas\u0131nda belirecek ve b\u00f6ylece su\u00e7a, nefrete ve antipatiye ili\u015fkin duygular\u0131n Aristocu katharsis’inin elinden kurtulamayacakt\u0131r.<\/p>\n
Erken d\u00f6nem kitaplar\u0131ndan Al\u00e7akl\u0131\u011f\u0131n Evrensel Tarihi, bu y\u00fczden ne yeterince “evrensel”dir, ne de yeterince “Tarih”. \u00d6ncelikle, Orta\u00e7a\u011f edebiyat\u0131nda rastlad\u0131\u011f\u0131m\u0131z “demonolojik”, iblisvari al\u00e7akl\u0131k t\u00fcr\u00fcn\u00fc d\u0131\u015flamaktad\u0131r. Klossowski’nin g\u00f6sterdi\u011fi gibi, \u015eeytan, asl\u0131nda bir “yan\u0131lsamalar sat\u0131c\u0131s\u0131”, bir “g\u00f6zba\u011fc\u0131” de\u011fil, tam aksine, bir “kar\u0131\u015f\u0131mlar” ve “ala\u015f\u0131mlar” zanaat\u00e7\u0131s\u0131, “saf ve temiz”, p\u00fcr\u00fczs\u00fcz kavram olarak \u0130yi’nin, G\u00fczelin, Do\u011fru’nun, \u00d6z’\u00fcn, ve “Tann”n\u0131n despotlu\u011funa, yani evren \u00fczerindeki evsahipli\u011fine ba\u015fkald\u0131ran salt \u00fcretkenlikti. Ama. bu \u00fcretim “ruhsal” malzemeyle ger\u00e7ekle\u015ftiriliyordu: Ruhta \u00f6nceden bulunmayan hi\u00e7bir karanl\u0131k yan\u0131n \u015eeytan taraf\u0131ndan \u00fcretilmesi bu y\u00fczden m\u00fcmk\u00fcn de\u011fildi. Oysa Borges’e g\u00f6re, “Hi\u00e7kimse herhangi biridir, biricik, tek bir \u00f6l\u00fcms\u00fcz insan b\u00fct\u00fcn insanlard\u0131r. Cornelius Agrippa gibi, Tanr\u0131y\u0131m, kahraman\u0131m, filozofum, iblisim ve d\u00fcnyay\u0131m; bu ise varolmad\u0131\u011f\u0131m\u0131 s\u00f6ylemenin s\u0131k\u0131c\u0131 bir yoludur.” (\u00d6l\u00fcms\u00fcz)<\/p>\n
Gilles de Rais ya da Mavi Sakal, giderek Kont Dracula, kapal\u0131 cemiyetler ve “compagnonnage”lar, s\u0131r karde\u015flikleri i\u00e7inde \u00f6rg\u00fctlenen zanaat\u00e7\u0131 k\u00fclt\u00fcrleri kar\u015f\u0131s\u0131ndaki bir k\u00f6yl\u00fc k\u00fclt\u00fcr\u00fcnden ba\u011f\u0131ms\u0131z \u00e7\u0131kmam\u0131\u015flard\u0131 ortaya. Sahtelikleri ve masals\u0131 y\u00fczeysellikleri bundan gelmektedir. Ancak, Borges tipi “al\u00e7akl\u0131k”, Orta\u00e7a\u011f k\u00fclt\u00fcr\u00fcnde kayna\u015f\u0131p duran ve sivrilen bu “al\u00e7akl\u0131klardan” baz\u0131 unsurlar\u0131 \u00f6d\u00fcn\u00e7 almakta, \u00fcstelik modernle\u015ftirmekte ve yeniden uygulamaktad\u0131r. Borges, anlatt\u0131\u011f\u0131 al\u00e7a\u011f\u0131n “\u015feytani” bir ki\u015filikle de belirlemesini arzulamaktad\u0131r. Ancak her t\u00fcrden “ill\u00fczyon”un mutlak bir “ger\u00e7eklik” olarak kabul edilmesi gibisinden, b\u00fct\u00fcn eserinin, ku\u015fatan bir tema, tam da bu noktada, “al\u00e7akl\u0131\u011f\u0131n tasvirinde” doyum noktas\u0131na varmaktad\u0131r. Borges’in labirenti hi\u00e7 de “sonsuz” de\u011fildir.<\/p>\n
Ancak, Borges’in anlamak istemedi\u011fi ve “evrensel” tarihine katmaya l\u00e2y\u0131k g\u00f6rmedi\u011fi \u00e7ok \u00f6nemli bir al\u00e7akl\u0131k t\u00fcr\u00fcn\u00fc, yaln\u0131zca “modern” edebiyat\u0131n de\u011fil, modern ya\u015fam tarzlar\u0131n\u0131n ta g\u00f6be\u011finde ke\u015ffedebilenler de vard\u0131: Gogol, Brecht, Kafka ve Foucault tipi al\u00e7aklard\u0131r bunlar. Yazarlar\u0131n\u0131n onlar\u0131 asla “al\u00e7ak” diye damgalam\u0131yor olmalar\u0131yla ay\u0131rdedilirler. “\u00d6l\u00fc can” al\u0131c\u0131s\u0131n\u0131n “i\u00e7tenli\u011fi”, onu her t\u00fcrden “demonolojik” \u00e7a\u011fr\u0131\u015f\u0131mdan, g\u00fcr\u00fclt\u00fcyle patlay\u0131veren komplodan, “entrikac\u0131” zihniyetten uzak tutmaktad\u0131r. O, basit bir memur gibidir ve \u00e7\u00f6kmekte olan bir toplumun ekran\u0131nda beliren \u00e7atlaklar boyunca “yolunu bulmaktad\u0131r”.<\/p>\n
G\u00fcnahk\u00e2rl\u0131k, Tanr\u0131yla birlikte \u00e7oktan geri \u00e7ekilmi\u015f, onlar\u0131n b\u0131rakt\u0131klar\u0131 bo\u015flukta “herkes gibi” olan “al\u00e7aklar” kayna\u015fmaya ba\u015flam\u0131\u015flard\u0131r. Bizi Musil’in “Niteliksiz Adam”\u0131na g\u00f6t\u00fcrecek yollan, ger\u00e7ek anlamda ilk kez a\u00e7an, kahramanlar\u0131 “B\u00fcy\u00fck Adam”\u0131n g\u00f6lgesinde i\u015f g\u00f6ren Dostoyevski de\u011fil, Gogol’d\u00fcr bu y\u00fczden. Gogol’\u00fcn al\u00e7a\u011f\u0131, sanki Hegelci “b\u00fcy\u00fck adam” tarihinin (Rusya’da Hegel bile inan\u0131lmaz \u00f6l\u00e7\u00fcde ‘v\u00fclgarize’ edilebilmi\u015fti) kurnazl\u0131\u011f\u0131n\u0131n panzehiridir: Bir ‘k\u00fc\u00e7\u00fck adamlar ve masum al\u00e7akl\u0131klar tarihi’… Gogolc\u00fc al\u00e7a\u011f\u0131n ana form\u00fcl\u00fc, en belirgin bi\u00e7imiyle M\u00fcfetti\u015f’te ortaya \u00e7\u0131kar: Her al\u00e7akl\u0131\u011f\u0131n zorunlu olarak u\u011frad\u0131\u011f\u0131 “yan\u0131lsama”, kasaban\u0131n b\u00fct\u00fcn ileri gelenlerini sararken, sahte m\u00fcfetti\u015fin “memuriyet”ini ge\u00e7ici birka\u00e7 \u00e7\u0131kar (birka\u00e7 k\u0131za kur yapma f\u0131rsat\u0131, ba\u015fka bir durumda asla kar\u015f\u0131la\u015fmak \u015fans\u0131na sahip olamayaca\u011f\u0131, bir “ast”\u0131 a\u015fa\u011f\u0131lay\u0131p, azarlama f\u0131rsat\u0131, vb.,) u\u011fruna \u00fcstleni\u015fi, al\u00e7akl\u0131\u011f\u0131n do\u011fas\u0131nda bulunan, \u00e7ok \u00f6zel t\u00fcrden bir “kar\u015f\u0131l\u0131kl\u0131l\u0131\u011f\u0131” ifade etmektedir. Foucault’nun modern adalet cihaz\u0131n\u0131n isimsiz kahramanlar\u0131 olarak tan\u0131tt\u0131\u011f\u0131, k\u00f6\u015feba\u015f\u0131 muhbiri, apartman kap\u0131c\u0131s\u0131 gibi biridir o: \u0130ktidar\u0131n “kurban\u0131” olmad\u0131\u011f\u0131 gibi, ona sahip de de\u011fildir; hep iki arada bir derede, iktidara “dayanak” olu\u015fturur. Ger\u00e7ekten de “sarho\u015f edici” bir g\u00fc\u00e7ten \u00e7ok uzakta, \u00fcstelik asla bir “m\u00fclk” gibi d\u00fc\u015f\u00fcn\u00fcl\u00fcp konulamayacak bir iktidar tipi s\u00f6z konusudur. Bu iktidar tipi, evde, g\u00fcnl\u00fck ya\u015fam\u0131n dolamba\u00e7lar\u0131nda, k\u00f6\u015feba\u015flar\u0131nda, kom\u015fular aras\u0131nda, cemiyetin kenar\u0131nda k\u00f6\u015fesinde belirir. Bu k\u00f6\u015feba\u015f\u0131 insanlar\u0131, istedikleri kadar “politik” kimlikten yoksun olmak, s\u0131radanla\u015fmak, ortadan kaybolmak istesinler, yine de iktidar\u0131n “dayanaklar\u0131” olmadan edemezler. Kafka’n\u0131n form\u00fcl\u00fc i\u015fte tam da bu hali anlat\u0131yor bize: “Bir baban\u0131n o\u011fluna verdi\u011fi her buyrukta binlerce \u00f6l\u00fcm h\u00fckm\u00fc sakl\u0131d\u0131r.”<\/p>\n
Ulus Baker<\/strong><\/p>\n","protected":false},"excerpt":{"rendered":"Borges’in al\u00e7aklar\u0131 komplocudurlar. Elbette pop\u00fcler polisiye k\u00fclt\u00fcr\u00fcn\u00fcn bildik kli\u015felerinin \u00e7ok \u00f6telerine ge\u00e7erler. Ama kurduklar\u0131 komplolar, hesap\u00e7\u0131, do\u011frudan do\u011fruya ‘fesat’ ile tan\u0131mlanamaz bir “doland\u0131r\u0131c\u0131l\u0131k” t\u00fcr\u00fcn\u00fc \u00e7a\u011fr\u0131\u015ft\u0131r\u0131rlar. K\u00e2h Pampalar\u0131n macho’lar\u0131, k\u00e2h beynelminel ve kozmopolit D\u00fcnya Sava\u015f\u0131 \u00e7a\u011f\u0131 uygarl\u0131\u011f\u0131n\u0131n karanl\u0131k ki\u015filikleri olarak \u00e7\u0131karlar kar\u015f\u0131m\u0131za. Al\u00e7akl\u0131klar\u0131, g\u00fcnl\u00fck hayat\u0131n, “k\u00fc\u00e7\u00fck adamlar\u0131n” al\u00e7akl\u0131klar\u0131 de\u011fildir; “yollan \u00e7atallanan bah\u00e7e”lerin, labirentlerin, kaosun hakim oldu\u011fu […]<\/p>\n","protected":false},"author":1,"featured_media":0,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[138],"tags":[],"class_list":{"0":"post-375","1":"post","2":"type-post","3":"status-publish","4":"format-standard","6":"category-edebiyat-dunya"},"yoast_head":"\n
Al\u00e7aklar komplocudurlar | Al\u00e7akl\u0131k ve \u0130hanet Kuram\u0131 - Borges - narteks.net<\/title>\n<meta name=\"robots\" content=\"index, follow, max-snippet:-1, max-image-preview:large, max-video-preview:-1\" \/>\n<link rel=\"canonical\" href=\"https:\/\/narteks.net\/index.php\/2010\/01\/09\/alcaklar-komplocudurlar-alcaklik-ve-ihanet-kurami-borges\/\" \/>\n<meta property=\"og:locale\" content=\"tr_TR\" \/>\n<meta property=\"og:type\" content=\"article\" \/>\n<meta property=\"og:title\" content=\"Al\u00e7aklar komplocudurlar | Al\u00e7akl\u0131k ve \u0130hanet Kuram\u0131 - Borges\" \/>\n<meta property=\"og:description\" content=\"Borges’in al\u00e7aklar\u0131 komplocudurlar. Elbette pop\u00fcler polisiye k\u00fclt\u00fcr\u00fcn\u00fcn bildik kli\u015felerinin \u00e7ok \u00f6telerine ge\u00e7erler. Ama kurduklar\u0131 komplolar, hesap\u00e7\u0131, do\u011frudan do\u011fruya ‘fesat’ ile tan\u0131mlanamaz bir “doland\u0131r\u0131c\u0131l\u0131k” t\u00fcr\u00fcn\u00fc \u00e7a\u011fr\u0131\u015ft\u0131r\u0131rlar. K\u00e2h Pampalar\u0131n macho’lar\u0131, k\u00e2h beynelminel ve kozmopolit D\u00fcnya Sava\u015f\u0131 \u00e7a\u011f\u0131 uygarl\u0131\u011f\u0131n\u0131n karanl\u0131k ki\u015filikleri olarak \u00e7\u0131karlar kar\u015f\u0131m\u0131za. Al\u00e7akl\u0131klar\u0131, g\u00fcnl\u00fck hayat\u0131n, “k\u00fc\u00e7\u00fck adamlar\u0131n” al\u00e7akl\u0131klar\u0131 de\u011fildir; “yollan \u00e7atallanan bah\u00e7e”lerin, labirentlerin, kaosun hakim oldu\u011fu […]\" \/>\n<meta property=\"og:url\" content=\"https:\/\/narteks.net\/index.php\/2010\/01\/09\/alcaklar-komplocudurlar-alcaklik-ve-ihanet-kurami-borges\/\" \/>\n<meta property=\"og:site_name\" content=\"narteks.net\" \/>\n<meta property=\"article:published_time\" content=\"2010-01-08T22:00:00+00:00\" \/>\n<meta property=\"og:image\" content=\"https:\/\/narteks.net\/wp-content\/uploads\/narteks.png\" \/>\n\t<meta property=\"og:image:width\" content=\"300\" \/>\n\t<meta property=\"og:image:height\" content=\"90\" \/>\n\t<meta property=\"og:image:type\" content=\"image\/png\" \/>\n<meta name=\"author\" content=\"Tar\u0131k\" \/>\n<meta name=\"twitter:card\" content=\"summary_large_image\" \/>\n<meta name=\"twitter:creator\" content=\"@narteks\" \/>\n<meta name=\"twitter:site\" content=\"@narteks\" \/>\n<meta name=\"twitter:label1\" content=\"Yazan:\" \/>\n\t<meta name=\"twitter:data1\" content=\"Tar\u0131k\" \/>\n\t<meta name=\"twitter:label2\" content=\"Tahmini okuma s\u00fcresi\" \/>\n\t<meta name=\"twitter:data2\" content=\"8 dakika\" \/>\n<script type=\"application\/ld+json\" class=\"yoast-schema-graph\">{\"@context\":\"https:\/\/schema.org\",\"@graph\":[{\"@type\":\"Article\",\"@id\":\"https:\/\/narteks.net\/index.php\/2010\/01\/09\/alcaklar-komplocudurlar-alcaklik-ve-ihanet-kurami-borges\/#article\",\"isPartOf\":{\"@id\":\"https:\/\/narteks.net\/index.php\/2010\/01\/09\/alcaklar-komplocudurlar-alcaklik-ve-ihanet-kurami-borges\/\"},\"author\":{\"name\":\"Tar\u0131k\",\"@id\":\"https:\/\/narteks.net\/#\/schema\/person\/61f37d9834294b72d31d274e7ed79bca\"},\"headline\":\"Al\u00e7aklar komplocudurlar | Al\u00e7akl\u0131k ve \u0130hanet Kuram\u0131 – Borges\",\"datePublished\":\"2010-01-08T22:00:00+00:00\",\"mainEntityOfPage\":{\"@id\":\"https:\/\/narteks.net\/index.php\/2010\/01\/09\/alcaklar-komplocudurlar-alcaklik-ve-ihanet-kurami-borges\/\"},\"wordCount\":1544,\"commentCount\":0,\"publisher\":{\"@id\":\"https:\/\/narteks.net\/#organization\"},\"articleSection\":[\"Edebiyat ( D\u00fcnya )\"],\"inLanguage\":\"tr\",\"potentialAction\":[{\"@type\":\"CommentAction\",\"name\":\"Comment\",\"target\":[\"https:\/\/narteks.net\/index.php\/2010\/01\/09\/alcaklar-komplocudurlar-alcaklik-ve-ihanet-kurami-borges\/#respond\"]}]},{\"@type\":\"WebPage\",\"@id\":\"https:\/\/narteks.net\/index.php\/2010\/01\/09\/alcaklar-komplocudurlar-alcaklik-ve-ihanet-kurami-borges\/\",\"url\":\"https:\/\/narteks.net\/index.php\/2010\/01\/09\/alcaklar-komplocudurlar-alcaklik-ve-ihanet-kurami-borges\/\",\"name\":\"Al\u00e7aklar komplocudurlar | Al\u00e7akl\u0131k ve \u0130hanet Kuram\u0131 - Borges - narteks.net\",\"isPartOf\":{\"@id\":\"https:\/\/narteks.net\/#website\"},\"datePublished\":\"2010-01-08T22:00:00+00:00\",\"breadcrumb\":{\"@id\":\"https:\/\/narteks.net\/index.php\/2010\/01\/09\/alcaklar-komplocudurlar-alcaklik-ve-ihanet-kurami-borges\/#breadcrumb\"},\"inLanguage\":\"tr\",\"potentialAction\":[{\"@type\":\"ReadAction\",\"target\":[\"https:\/\/narteks.net\/index.php\/2010\/01\/09\/alcaklar-komplocudurlar-alcaklik-ve-ihanet-kurami-borges\/\"]}]},{\"@type\":\"BreadcrumbList\",\"@id\":\"https:\/\/narteks.net\/index.php\/2010\/01\/09\/alcaklar-komplocudurlar-alcaklik-ve-ihanet-kurami-borges\/#breadcrumb\",\"itemListElement\":[{\"@type\":\"ListItem\",\"position\":1,\"name\":\"Anasayfa\",\"item\":\"https:\/\/narteks.net\/\"},{\"@type\":\"ListItem\",\"position\":2,\"name\":\"Al\u00e7aklar komplocudurlar | Al\u00e7akl\u0131k ve \u0130hanet Kuram\u0131 – Borges\"}]},{\"@type\":\"WebSite\",\"@id\":\"https:\/\/narteks.net\/#website\",\"url\":\"https:\/\/narteks.net\/\",\"name\":\"narteks.net\",\"description\":\"K\u00fclt\u00fcr Sanat Edebiyat Felsefe\",\"publisher\":{\"@id\":\"https:\/\/narteks.net\/#organization\"},\"alternateName\":\"K\u00fclt\u00fcr Sanat Edebiyat Felsefe\",\"potentialAction\":[{\"@type\":\"SearchAction\",\"target\":{\"@type\":\"EntryPoint\",\"urlTemplate\":\"https:\/\/narteks.net\/?s={search_term_string}\"},\"query-input\":{\"@type\":\"PropertyValueSpecification\",\"valueRequired\":true,\"valueName\":\"search_term_string\"}}],\"inLanguage\":\"tr\"},{\"@type\":\"Organization\",\"@id\":\"https:\/\/narteks.net\/#organization\",\"name\":\"narteks.net\",\"url\":\"https:\/\/narteks.net\/\",\"logo\":{\"@type\":\"ImageObject\",\"inLanguage\":\"tr\",\"@id\":\"https:\/\/narteks.net\/#\/schema\/logo\/image\/\",\"url\":\"https:\/\/narteks.net\/wp-content\/uploads\/narteks.png\",\"contentUrl\":\"https:\/\/narteks.net\/wp-content\/uploads\/narteks.png\",\"width\":300,\"height\":90,\"caption\":\"narteks.net\"},\"image\":{\"@id\":\"https:\/\/narteks.net\/#\/schema\/logo\/image\/\"},\"sameAs\":[\"https:\/\/x.com\/narteks\",\"https:\/\/instagram.com\/narteksnet\"]},{\"@type\":\"Person\",\"@id\":\"https:\/\/narteks.net\/#\/schema\/person\/61f37d9834294b72d31d274e7ed79bca\",\"name\":\"Tar\u0131k\",\"image\":{\"@type\":\"ImageObject\",\"inLanguage\":\"tr\",\"@id\":\"https:\/\/narteks.net\/#\/schema\/person\/image\/\",\"url\":\"https:\/\/secure.gravatar.com\/avatar\/50865afb55632c4ae467e0af0930f6510aa2297d8014be502a55b14f3b7550cf?s=96&d=mm&r=g\",\"contentUrl\":\"https:\/\/secure.gravatar.com\/avatar\/50865afb55632c4ae467e0af0930f6510aa2297d8014be502a55b14f3b7550cf?s=96&d=mm&r=g\",\"caption\":\"Tar\u0131k\"},\"sameAs\":[\"http:\/\/narteks.net\"],\"url\":\"https:\/\/narteks.net\/index.php\/author\/narbak\/\"}]}<\/script>\n<!-- \/ Yoast SEO Premium plugin. -->","yoast_head_json":{"title":"Al\u00e7aklar komplocudurlar | Al\u00e7akl\u0131k ve \u0130hanet Kuram\u0131 - Borges - narteks.net","robots":{"index":"index","follow":"follow","max-snippet":"max-snippet:-1","max-image-preview":"max-image-preview:large","max-video-preview":"max-video-preview:-1"},"canonical":"https:\/\/narteks.net\/index.php\/2010\/01\/09\/alcaklar-komplocudurlar-alcaklik-ve-ihanet-kurami-borges\/","og_locale":"tr_TR","og_type":"article","og_title":"Al\u00e7aklar komplocudurlar | Al\u00e7akl\u0131k ve \u0130hanet Kuram\u0131 - Borges","og_description":"Borges’in al\u00e7aklar\u0131 komplocudurlar. Elbette pop\u00fcler polisiye k\u00fclt\u00fcr\u00fcn\u00fcn bildik kli\u015felerinin \u00e7ok \u00f6telerine ge\u00e7erler. Ama kurduklar\u0131 komplolar, hesap\u00e7\u0131, do\u011frudan do\u011fruya ‘fesat’ ile tan\u0131mlanamaz bir “doland\u0131r\u0131c\u0131l\u0131k” t\u00fcr\u00fcn\u00fc \u00e7a\u011fr\u0131\u015ft\u0131r\u0131rlar. K\u00e2h Pampalar\u0131n macho’lar\u0131, k\u00e2h beynelminel ve kozmopolit D\u00fcnya Sava\u015f\u0131 \u00e7a\u011f\u0131 uygarl\u0131\u011f\u0131n\u0131n karanl\u0131k ki\u015filikleri olarak \u00e7\u0131karlar kar\u015f\u0131m\u0131za. Al\u00e7akl\u0131klar\u0131, g\u00fcnl\u00fck hayat\u0131n, “k\u00fc\u00e7\u00fck adamlar\u0131n” al\u00e7akl\u0131klar\u0131 de\u011fildir; “yollan \u00e7atallanan bah\u00e7e”lerin, labirentlerin, kaosun hakim oldu\u011fu […]","og_url":"https:\/\/narteks.net\/index.php\/2010\/01\/09\/alcaklar-komplocudurlar-alcaklik-ve-ihanet-kurami-borges\/","og_site_name":"narteks.net","article_published_time":"2010-01-08T22:00:00+00:00","og_image":[{"width":300,"height":90,"url":"https:\/\/narteks.net\/wp-content\/uploads\/narteks.png","type":"image\/png"}],"author":"Tar\u0131k","twitter_card":"summary_large_image","twitter_creator":"@narteks","twitter_site":"@narteks","twitter_misc":{"Yazan:":"Tar\u0131k","Tahmini okuma s\u00fcresi":"8 dakika"},"schema":{"@context":"https:\/\/schema.org","@graph":[{"@type":"Article","@id":"https:\/\/narteks.net\/index.php\/2010\/01\/09\/alcaklar-komplocudurlar-alcaklik-ve-ihanet-kurami-borges\/#article","isPartOf":{"@id":"https:\/\/narteks.net\/index.php\/2010\/01\/09\/alcaklar-komplocudurlar-alcaklik-ve-ihanet-kurami-borges\/"},"author":{"name":"Tar\u0131k","@id":"https:\/\/narteks.net\/#\/schema\/person\/61f37d9834294b72d31d274e7ed79bca"},"headline":"Al\u00e7aklar komplocudurlar | Al\u00e7akl\u0131k ve \u0130hanet Kuram\u0131 – Borges","datePublished":"2010-01-08T22:00:00+00:00","mainEntityOfPage":{"@id":"https:\/\/narteks.net\/index.php\/2010\/01\/09\/alcaklar-komplocudurlar-alcaklik-ve-ihanet-kurami-borges\/"},"wordCount":1544,"commentCount":0,"publisher":{"@id":"https:\/\/narteks.net\/#organization"},"articleSection":["Edebiyat ( D\u00fcnya )"],"inLanguage":"tr","potentialAction":[{"@type":"CommentAction","name":"Comment","target":["https:\/\/narteks.net\/index.php\/2010\/01\/09\/alcaklar-komplocudurlar-alcaklik-ve-ihanet-kurami-borges\/#respond"]}]},{"@type":"WebPage","@id":"https:\/\/narteks.net\/index.php\/2010\/01\/09\/alcaklar-komplocudurlar-alcaklik-ve-ihanet-kurami-borges\/","url":"https:\/\/narteks.net\/index.php\/2010\/01\/09\/alcaklar-komplocudurlar-alcaklik-ve-ihanet-kurami-borges\/","name":"Al\u00e7aklar komplocudurlar | Al\u00e7akl\u0131k ve \u0130hanet Kuram\u0131 - Borges - narteks.net","isPartOf":{"@id":"https:\/\/narteks.net\/#website"},"datePublished":"2010-01-08T22:00:00+00:00","breadcrumb":{"@id":"https:\/\/narteks.net\/index.php\/2010\/01\/09\/alcaklar-komplocudurlar-alcaklik-ve-ihanet-kurami-borges\/#breadcrumb"},"inLanguage":"tr","potentialAction":[{"@type":"ReadAction","target":["https:\/\/narteks.net\/index.php\/2010\/01\/09\/alcaklar-komplocudurlar-alcaklik-ve-ihanet-kurami-borges\/"]}]},{"@type":"BreadcrumbList","@id":"https:\/\/narteks.net\/index.php\/2010\/01\/09\/alcaklar-komplocudurlar-alcaklik-ve-ihanet-kurami-borges\/#breadcrumb","itemListElement":[{"@type":"ListItem","position":1,"name":"Anasayfa","item":"https:\/\/narteks.net\/"},{"@type":"ListItem","position":2,"name":"Al\u00e7aklar komplocudurlar | Al\u00e7akl\u0131k ve \u0130hanet Kuram\u0131 – Borges"}]},{"@type":"WebSite","@id":"https:\/\/narteks.net\/#website","url":"https:\/\/narteks.net\/","name":"narteks.net","description":"K\u00fclt\u00fcr Sanat Edebiyat Felsefe","publisher":{"@id":"https:\/\/narteks.net\/#organization"},"alternateName":"K\u00fclt\u00fcr Sanat Edebiyat Felsefe","potentialAction":[{"@type":"SearchAction","target":{"@type":"EntryPoint","urlTemplate":"https:\/\/narteks.net\/?s={search_term_string}"},"query-input":{"@type":"PropertyValueSpecification","valueRequired":true,"valueName":"search_term_string"}}],"inLanguage":"tr"},{"@type":"Organization","@id":"https:\/\/narteks.net\/#organization","name":"narteks.net","url":"https:\/\/narteks.net\/","logo":{"@type":"ImageObject","inLanguage":"tr","@id":"https:\/\/narteks.net\/#\/schema\/logo\/image\/","url":"https:\/\/narteks.net\/wp-content\/uploads\/narteks.png","contentUrl":"https:\/\/narteks.net\/wp-content\/uploads\/narteks.png","width":300,"height":90,"caption":"narteks.net"},"image":{"@id":"https:\/\/narteks.net\/#\/schema\/logo\/image\/"},"sameAs":["https:\/\/x.com\/narteks","https:\/\/instagram.com\/narteksnet"]},{"@type":"Person","@id":"https:\/\/narteks.net\/#\/schema\/person\/61f37d9834294b72d31d274e7ed79bca","name":"Tar\u0131k","image":{"@type":"ImageObject","inLanguage":"tr","@id":"https:\/\/narteks.net\/#\/schema\/person\/image\/","url":"https:\/\/secure.gravatar.com\/avatar\/50865afb55632c4ae467e0af0930f6510aa2297d8014be502a55b14f3b7550cf?s=96&d=mm&r=g","contentUrl":"https:\/\/secure.gravatar.com\/avatar\/50865afb55632c4ae467e0af0930f6510aa2297d8014be502a55b14f3b7550cf?s=96&d=mm&r=g","caption":"Tar\u0131k"},"sameAs":["http:\/\/narteks.net"],"url":"https:\/\/narteks.net\/index.php\/author\/narbak\/"}]}},"_links":{"self":[{"href":"https:\/\/narteks.net\/index.php\/wp-json\/wp\/v2\/posts\/375","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/narteks.net\/index.php\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/narteks.net\/index.php\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/narteks.net\/index.php\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/narteks.net\/index.php\/wp-json\/wp\/v2\/comments?post=375"}],"version-history":[{"count":0,"href":"https:\/\/narteks.net\/index.php\/wp-json\/wp\/v2\/posts\/375\/revisions"}],"wp:attachment":[{"href":"https:\/\/narteks.net\/index.php\/wp-json\/wp\/v2\/media?parent=375"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/narteks.net\/index.php\/wp-json\/wp\/v2\/categories?post=375"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/narteks.net\/index.php\/wp-json\/wp\/v2\/tags?post=375"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}