{"id":3799,"date":"2010-01-08T00:54:50","date_gmt":"2010-01-07T21:54:50","guid":{"rendered":"http:\/\/localhost\/wordpress\/2010\/01\/08\/gobekbagi-annelik-ozgurluk-ve-esaret-ayse-kadioglu\/"},"modified":"2010-01-08T00:54:50","modified_gmt":"2010-01-07T21:54:50","slug":"gobekbagi-annelik-ozgurluk-ve-esaret-ayse-kadioglu","status":"publish","type":"post","link":"https:\/\/narteks.net\/index.php\/2010\/01\/08\/gobekbagi-annelik-ozgurluk-ve-esaret-ayse-kadioglu\/","title":{"rendered":"G\u00f6bekba\u011f\u0131 \/ Annelik \/ \u00d6zg\u00fcrl\u00fck ve Esaret | Ay\u015fe Kad\u0131o\u011flu"},"content":{"rendered":"

Do\u011fum an\u0131, tasviri en \u00e7ok yap\u0131lm\u0131\u015f anlardan birisidir. Courbet’in ‘D\u00fcnyan\u0131n Kayna\u011f\u0131’ isimli resmi ile do\u011fum an\u0131 aras\u0131ndaki mesafe bir saniyedir. Do\u011fum an\u0131 kad\u0131nl\u0131k durumunun i\u00e7inde ta\u015f\u0131d\u0131\u011f\u0131 tezatl\u0131\u011f\u0131n bir simulasyonu gibidir. Do\u011fum an\u0131, \u00f6zg\u00fcrl\u00fck ve esareti ayn\u0131 anda i\u00e7inde bar\u0131nd\u0131r\u0131r. Do\u011fan \u00e7ocuk g\u00f6bek ba\u011f\u0131n\u0131n kesilmesiyle \u00f6zg\u00fcr k\u0131l\u0131n\u0131rken, do\u011furan kad\u0131n da onun esiri olur. Yani bir anlamda kendi do\u011fumu esnas\u0131nda annesi taraf\u0131ndan \u00f6zg\u00fcr k\u0131l\u0131nan kad\u0131n, bu \u00f6zg\u00fcrl\u00fc\u011f\u00fc \u00e7ocu\u011funa iletirken kendi g\u00f6n\u00fcll\u00fc esaretini de ba\u015flat\u0131r.<\/p>\n

\u00d6zg\u00fcrl\u00fck kavram\u0131 \u00f6znel tan\u0131mlamalara a\u00e7\u0131k oldu\u011fu i\u00e7in zor bir kavram. \u00d6zg\u00fcrl\u00fck deyince ben Eflatun’un \u00fcnl\u00fc Devlet \u00e7al\u0131\u015fmas\u0131nda tasvir etti\u011fi ma\u011faray\u0131 d\u00fc\u015f\u00fcn\u00fcyorum. Bilindi\u011fi gibi ma\u011faran\u0131n i\u00e7inde v\u00fccutlar\u0131ndan duvara ba\u011fl\u0131 olan esirlerin arkalar\u0131ndan bir \u0131\u015f\u0131k gelir ve g\u00f6lgelerini kar\u015f\u0131daki duvara yans\u0131t\u0131r. Esirler \u0131\u015f\u0131\u011f\u0131 g\u00f6remedikleri i\u00e7in g\u00f6lgelerinin de ne oldu\u011funu bilmezler. Ta ki g\u00fcn gelir, ba\u011flar \u00e7\u00f6z\u00fcl\u00fcr, esirler kafalar\u0131n\u0131 arkaya d\u00f6nerler ve \u0131\u015f\u0131\u011f\u0131 g\u00f6r\u00fcrler. \u0130\u015fte \u00f6zg\u00fcrl\u00fck o anda ba\u015flar ve verdi\u011fi ilk duygu, g\u00f6z kama\u015fmas\u0131 yani ac\u0131d\u0131r. G\u00f6zleri kama\u015fan kimi esirler tekrar v\u00fccutlar\u0131ndan duvara ba\u011flanmay\u0131 bile d\u00fc\u015f\u00fcn\u00fcrler, \u00e7\u00fcnk\u00fc \u0131\u015f\u0131k ile g\u00f6lge ve kendileri aras\u0131ndaki ba\u011flant\u0131y\u0131 hemen kuramazlar, kafalar\u0131 kar\u0131\u015f\u0131r. Demek ki \u00f6zg\u00fcrl\u00fck cesaret i\u015fidir. I\u015f\u0131\u011fa g\u00f6z\u00fcn\u00fc dikip bakma cesaretini gerektirir. Dolay\u0131s\u0131 ile de \u00f6zg\u00fcrl\u00fck zordur, herkesin harc\u0131nda yoktur. Kimileri \u00f6m\u00fcrlerini rahat koltuklar\u0131nda ge\u00e7irmeyi \u0131\u015f\u0131\u011fa bakmaya ye\u011flerler.<\/p>\n

Kad\u0131nl\u0131k durumu hemen hemen her y\u00f6n\u00fcyle tezatl\u0131klar i\u00e7erir. Kad\u0131nlar\u0131n ya\u015famlar\u0131n\u0131n tezatl\u0131klar ile bezenmi\u015f olmas\u0131n\u0131n en temel nedeni kamusal alan ile \u00f6zel alan aras\u0131nda yapt\u0131klar\u0131 ip cambazl\u0131\u011f\u0131d\u0131r. Kamusal alan ifadesi ile evin d\u0131\u015f\u0131na g\u00f6ndermeler yaparken,\u00f6zel alan ile evin i\u00e7ini kastederiz. Modernli\u011fin tarihi bu iki alan\u0131n birbirinden kopmas\u0131n\u0131n da tarihidir. \u00d6rne\u011fin modern siyaset, dinleri, etnik farkl\u0131l\u0131klar\u0131,cins ayr\u0131mlar\u0131n\u0131 evin i\u00e7ine havale ederek, kamusal alan\u0131 bunlardan ar\u0131nd\u0131rmaya ve bunlar\u0131n \u00fcst\u00fcnde, homojenle\u015fmi\u015f vatanda\u015flar yaratmaya \u00e7al\u0131\u015ft\u0131. K\u0131sacas\u0131 insanlara, dini vecibelerinizi evin i\u00e7inde yerine getirin ve bunlar\u0131 kamusal alana ta\u015f\u0131may\u0131n mesaj\u0131 verildi. Etnik farkl\u0131l\u0131klar kamusal alanda teslim edilmedi, yok varsay\u0131ld\u0131. Erkekler modernli\u011fin homojenle\u015ftirici potas\u0131nda vatanda\u015f haline gelirlerken, \u00f6zel alan kad\u0131nlar i\u00e7in temel d\u00fcnya olma \u00f6zelli\u011fini korudu, kad\u0131nlar kamusal alana \u00e7\u0131ksalar bile bir ayaklar\u0131n\u0131 hep \u00f6zel alanda tutmak zorunda kald\u0131lar.\u0130\u015fte bu sebeple olsa gerek, \u00f6zel alan\u0131n kayg\u0131lar\u0131n\u0131 siyasete ilk ta\u015f\u0131yanlar 1960’l\u0131 y\u0131llar\u0131n kad\u0131n hareketinin \u00f6nc\u00fcleri oldular. \u00d6zel alan\u0131 siyasal ilan eden de yine bu kad\u0131nlard\u0131.<\/p>\n

Bu denli \u00f6zel alana hapsedilmi\u015f olmalar\u0131na ra\u011fmen, kad\u0131nlar\u0131n \u00f6zel ya\u015famlar\u0131 da \u00e7o\u011fu kez kendilerine ait de\u011fil. Ya\u015fam onlara ba\u015fkalar\u0131n\u0131n dertlerini kendine dert etmeyi \u00f6\u011fretti, ba\u015fkalar\u0131n\u0131n (\u00e7o\u011fu kez sevdiklerinin bile olsa) ne yiyip i\u00e7ece\u011finden onlar\u0131 mesul k\u0131ld\u0131. Fazla h\u0131rsl\u0131 olduklar\u0131nda erke\u011fe benzetildiler, fazla k\u0131r\u0131lgan olduklar\u0131nda beceriksizlikle su\u00e7land\u0131lar bir ya\u015fam boyu. Kad\u0131nl\u0131k ba\u015fl\u0131 ba\u015f\u0131na bir ip cambazl\u0131\u011f\u0131d\u0131r asl\u0131nda. Hem kad\u0131n gibi olmay\u0131 se\u00e7ip hem de h\u0131rsl\u0131, ba\u015far\u0131l\u0131 olan kad\u0131nlar o kadar azd\u0131r ki. Hem onlar\u0131n kaderi de eninde sonunda kad\u0131nl\u0131k durumunun onlar\u0131 mahk\u00fbm etti\u011fi \u00f6zel alanda di\u011fer kad\u0131nlar\u0131n kaderi ile \u00f6rt\u00fc\u015f\u00fcr. Ele\u015ftirildikleri zamanlarda da genellikle namuslar\u0131na, ahl\u00e2klar\u0131na dil uzat\u0131l\u0131r. \u00d6ylesine kolayd\u0131r kad\u0131nlar\u0131 harcamak. Fazla e\u011flenen kad\u0131n ahl\u00e2ks\u0131z, fazla ciddi kad\u0131n surats\u0131z, fazla ak\u0131ll\u0131 kad\u0131n tehlikeli, fazla s\u00fcsl\u00fc kad\u0131n fesat addedilir. Kad\u0131nlar bu s\u0131n\u0131rlar\u0131 \u00e7ok k\u00fc\u00e7\u00fckken \u00f6\u011frenirler.<\/p>\n

Evin i\u00e7inin sorumlusu kad\u0131n\u0131n, o evin i\u00e7inde kendi kendisine kald\u0131\u011f\u0131 bir mek\u00e2n\u0131 yoktur \u00e7o\u011fu zaman. Okudu\u011fum en etkileyici kad\u0131n \u00f6yk\u00fclerinden biri, Doris Lessing’in 19 Numaral\u0131 Oda’s\u0131d\u0131r. Bu \u00f6yk\u00fcde, mutlu bir evlili\u011fi ve d\u00f6rt \u00e7ocu\u011fu olan bir kad\u0131n vard\u0131r. Herkes ona ‘hele \u00e7ocuklar bir okula ba\u015flas\u0131nlar, senin elinden \u00e7\u0131ks\u0131nlar, tekrar i\u015f hayat\u0131na d\u00f6nebilirsin’ der. Ancak yapt\u0131\u011f\u0131 do\u011fumlar ile birlikte adeta i\u00e7i bo\u015falm\u0131\u015f olan kad\u0131n ‘\u00e7ocuklar elinden \u00e7\u0131k\u0131nca’ var olma nedenini yitirir. Hem \u00e7ocuklar\u0131n onun elinde oldu\u011fu g\u00fcnleri \u00f6zler hem de do\u011furmadan \u00f6nce oldu\u011fu gibi \u00f6zg\u00fcr olmay\u0131 yeniden ister. Bu aray\u0131\u015flar\u0131n\u0131 hi\u00e7 kimse ile konu\u015famaz. \u00c7\u00fcnk\u00fc onun her \u015feyi vard\u0131r ve bu aray\u0131\u015flar \u015f\u0131mar\u0131kl\u0131k olarak g\u00f6r\u00fclebilir. Kendisine g\u00fcndelik olarak tuttu\u011fu bir otel odas\u0131na (19 Numaral\u0131 Oda) gitmeye ba\u015flar. Burada herg\u00fcn birka\u00e7 saat oturur, kendi kendisi ile kal\u0131r. Hi\u00e7 kimsenin nerede oldu\u011funu bilmemesinden dolay\u0131 kendisini \u00f6zg\u00fcr hisseder. Sonunda pe\u015fine d\u00fc\u015fen kocas\u0131n\u0131n akl\u0131na ilk olarak kar\u0131s\u0131n\u0131n bir ba\u015fkas\u0131 ile ili\u015fkisi oldu\u011fu gelir. (Bu arada kocan\u0131n zaten ba\u015fkas\u0131yla ili\u015fkisi vard\u0131r). Kad\u0131n da kendi kendisiyle kalmak istedi\u011fini s\u00f6ylemektense bir ba\u015fkas\u0131yla ili\u015fkisi oldu\u011funu s\u00f6ylemeyi tercih eder. \u00c7\u00fcnk\u00fc toplumda daha normal olarak beklenen davran\u0131\u015f budur. Herg\u00fcn birka\u00e7 saat bir otel odas\u0131na kaybolan bir kad\u0131n\u0131n kendi kendisi ile yaln\u0131z kalmak istedi\u011fini dile getirmesi olsa olsa delilik olarak g\u00f6r\u00fcl\u00fcr. Virginia Woolf da kad\u0131nlara benzer bir mesaj\u0131 iletir. ‘Kendine Ait Bir Oda’da, kad\u0131nlar\u0131 yaln\u0131z kal\u0131p kendilerini dinleyebilecekleri bir mekana davet eder. O mek\u00e2n kad\u0131na aittir ve o mek\u00e2nda ba\u015fkalar\u0131n\u0131n ne diyece\u011fine ald\u0131rmadan yazabilir. Asl\u0131nda zaten kendine ait olmak da ba\u015fkalar\u0131n\u0131n ne diyece\u011fine ald\u0131rmamak ile ilgilidir.<\/p>\n

Kad\u0131nlar do\u011fururken bir \u00e7e\u015fit esarete teslim oluyorlar. Ben o\u011flumu do\u011furdu\u011fumda rehavet i\u00e7inde yatarken, arkadan \u00e7\u0131kan plasentan\u0131n bana g\u00f6z k\u0131rpt\u0131\u011f\u0131n\u0131 ve ‘benim i\u015fim bitti \u015fimdi s\u0131ra sende’ dedi\u011fini g\u00f6r\u00fcr\/duyar gibi olmu\u015ftum. O anda annemin bana kendisinden kopararak verdi\u011fi \u00f6zg\u00fcrl\u00fc\u011f\u00fc o\u011fluma teslim ediyordum fark\u0131nda olmayarak. \u00c7\u00fcnk\u00fc o\u011flum ma\u011faradan \u00e7\u0131km\u0131\u015f ve benim g\u00f6zlerimdeki \u0131\u015f\u0131\u011fa bakm\u0131\u015ft\u0131. Ben ise ma\u011faran\u0131n kendisi olmu\u015f, i\u00e7imde \u00f6zg\u00fcrl\u00fck ve esareti birlikte bar\u0131nd\u0131rmaya ba\u015flam\u0131\u015ft\u0131m. Ben ger\u00e7ekten de cesur olmay\u0131 ve \u00f6zg\u00fcrl\u00fc\u011f\u00fc annemden \u00f6\u011frendim. Bana bu \u00f6zellikleri her zaman c\u00f6mert\u00e7e verdi. Belki o y\u00fczden k\u00fc\u00e7\u00fckken annemin bana anlatt\u0131\u011f\u0131 hikayelerin i\u00e7inde en \u00e7ok onun kendi k\u00fc\u00e7\u00fckl\u00fc\u011f\u00fc ile ilgili olanlar\u0131 severdim. \u00c7\u00fcnk\u00fc bu hik\u00e2yelerde annem yaramaz, \u00f6zg\u00fcr bir k\u0131z \u00e7ocu\u011fu olurdu hep. Ve ben onu \u00f6yle hayal etmeyi \u00e7ok severdim. Evet, do\u011fan \u00f6zg\u00fcr do\u011furan ise esir oluyor. Kad\u0131nlar bunu iki y\u00f6n\u00fcyle de ya\u015f\u0131yor. Annelik bir g\u00f6n\u00fcll\u00fc esaret, bir g\u00f6n\u00fcl esareti… Janis Joplin, \u00fcnl\u00fc \u015fark\u0131s\u0131nda \u00f6zg\u00fcrl\u00fc\u011f\u00fcn art\u0131k kaybedecek bir \u015feyinin kalmamas\u0131 anlam\u0131na geldi\u011fini s\u00f6yler. \u00c7ocu\u011fu olan kad\u0131nlar\u0131n \u00f6zg\u00fcrl\u00fckleri \u00e7ocuklar\u0131nda ya\u015far. G\u00f6bek ba\u011f\u0131 kesilirken \u00e7ocu\u011fun \u00f6zg\u00fcr, annenin ise esir olmas\u0131ndan s\u00f6z ettik. \u00d6zg\u00fcrl\u00fck ile de ma\u011faradan \u00e7\u0131kmay\u0131, do\u011fmay\u0131, \u0131\u015f\u0131\u011f\u0131 g\u00f6rmeyi kastettik. Benim h\u00e2l\u00e2 anlamad\u0131\u011f\u0131m bir \u015fey var: o\u011flumun g\u00f6zlerine bakt\u0131\u011f\u0131mda g\u00f6rd\u00fc\u011f\u00fcm \u0131\u015f\u0131k nedir?<\/p>\n

Ay\u015fe Kad\u0131o\u011flu<\/strong><\/strong><\/p>\n","protected":false},"excerpt":{"rendered":"

Do\u011fum an\u0131, tasviri en \u00e7ok yap\u0131lm\u0131\u015f anlardan birisidir. Courbet’in ‘D\u00fcnyan\u0131n Kayna\u011f\u0131’ isimli resmi ile do\u011fum an\u0131 aras\u0131ndaki mesafe bir saniyedir. Do\u011fum an\u0131 kad\u0131nl\u0131k durumunun i\u00e7inde ta\u015f\u0131d\u0131\u011f\u0131 tezatl\u0131\u011f\u0131n bir simulasyonu gibidir. Do\u011fum an\u0131, \u00f6zg\u00fcrl\u00fck ve esareti ayn\u0131 anda i\u00e7inde bar\u0131nd\u0131r\u0131r. Do\u011fan \u00e7ocuk g\u00f6bek ba\u011f\u0131n\u0131n kesilmesiyle \u00f6zg\u00fcr k\u0131l\u0131n\u0131rken, do\u011furan kad\u0131n da onun esiri olur. Yani bir anlamda […]<\/p>\n","protected":false},"author":1,"featured_media":0,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[176],"tags":[],"class_list":{"0":"post-3799","1":"post","2":"type-post","3":"status-publish","4":"format-standard","6":"category-kadin-a-dair"},"yoast_head":"\nG\u00f6bekba\u011f\u0131 \/ Annelik \/ \u00d6zg\u00fcrl\u00fck ve Esaret | Ay\u015fe Kad\u0131o\u011flu - narteks.net<\/title>\n<meta name=\"robots\" content=\"index, follow, max-snippet:-1, max-image-preview:large, max-video-preview:-1\" \/>\n<link rel=\"canonical\" href=\"https:\/\/narteks.net\/index.php\/2010\/01\/08\/gobekbagi-annelik-ozgurluk-ve-esaret-ayse-kadioglu\/\" \/>\n<meta property=\"og:locale\" content=\"tr_TR\" \/>\n<meta property=\"og:type\" content=\"article\" \/>\n<meta property=\"og:title\" content=\"G\u00f6bekba\u011f\u0131 \/ Annelik \/ \u00d6zg\u00fcrl\u00fck ve Esaret | Ay\u015fe Kad\u0131o\u011flu\" \/>\n<meta property=\"og:description\" content=\"Do\u011fum an\u0131, tasviri en \u00e7ok yap\u0131lm\u0131\u015f anlardan birisidir. Courbet’in ‘D\u00fcnyan\u0131n Kayna\u011f\u0131’ isimli resmi ile do\u011fum an\u0131 aras\u0131ndaki mesafe bir saniyedir. Do\u011fum an\u0131 kad\u0131nl\u0131k durumunun i\u00e7inde ta\u015f\u0131d\u0131\u011f\u0131 tezatl\u0131\u011f\u0131n bir simulasyonu gibidir. Do\u011fum an\u0131, \u00f6zg\u00fcrl\u00fck ve esareti ayn\u0131 anda i\u00e7inde bar\u0131nd\u0131r\u0131r. Do\u011fan \u00e7ocuk g\u00f6bek ba\u011f\u0131n\u0131n kesilmesiyle \u00f6zg\u00fcr k\u0131l\u0131n\u0131rken, do\u011furan kad\u0131n da onun esiri olur. 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