{"id":387,"date":"2011-04-25T01:00:00","date_gmt":"2011-04-24T22:00:00","guid":{"rendered":"http:\/\/localhost\/wordpress\/2011\/04\/25\/tanik-hayat-giorgio-agamben\/"},"modified":"2011-04-25T01:00:00","modified_gmt":"2011-04-24T22:00:00","slug":"tanik-hayat-giorgio-agamben","status":"publish","type":"post","link":"https:\/\/narteks.net\/index.php\/2011\/04\/25\/tanik-hayat-giorgio-agamben\/","title":{"rendered":"Tan\u0131k &#8211; Hayat | Giorgio Agamben"},"content":{"rendered":"<p><img loading=\"lazy\" decoding=\"async\" src=\"http:\/\/www.idelberavelar.com\/post-images\/Agamben.jpg\" border=\"0\" alt=\"agamben\" width=\"155\" height=\"205\" style=\"float: left; border: 0;\" \/><strong><\/strong><\/p>\n<p style=\"text-align: justify;\">TANIK<\/p>\n<p style=\"text-align: justify;\">1. Felsefenin bir temizlik i\u015f\u00e7ili\u011fi oldu\u011fu\u201d \u00fczerine Deleuze Agamben felsefesini yakla\u015f\u0131k olarak bu s\u00f6zlerle selaml\u0131yordu; cam yontucusu Spinoza\u2019dan beri kavramlar\u0131 temizleyip parlatmak felsefenin \u00f6rt\u00fck \u00f6z\u00fc haline gelmi\u015f olmal\u0131yd\u0131\u2026 \u201cAgamben\u2019in ki\u015fili\u011finde felsefe bir yarat\u0131c\u0131l\u0131k, bir yap\u0131p etme sanat\u0131, kelimenin esas anlam\u0131yla bir poetika haline geliyor\u2026\u201d (Deleuze) ve Agamben\u2019in Pier Paolo Pasolini\u2019nin \u201cMatta\u2019ya G\u00f6re \u0130ncil\u201d filminde Filip rol\u00fcn\u00fc oynam\u0131\u015f oldu\u011funu hat\u0131rlayal\u0131m\u2026<\/p>\n<p>2. Biraz imkan, yoksa bo\u011fulaca\u011f\u0131m!\u201d (Kierkegaard, Deleuze); \u201c\u0130\u00e7inde bulundu\u011fum mutlak umutsuzluk bana umut veriyor\u201d (Marx); \u201cYa\u015fama sanat\u0131 kendine ba\u011f\u0131ml\u0131 olma sanat\u0131d\u0131r\u2026\u201d (Foucault) bu \u00fc\u00e7 aforizma anla\u015f\u0131lan Agamben\u2019in yolunu belirlemi\u015f\u2026 ama bunlar ayn\u0131 zamanda yeni ve gelecek i\u00e7in olan bir eti\u011fin kurulu\u015f c\u00fcmleleridir. Ve bu eti\u011fin i\u00e7inde \u00f6zde\u015flik ve kimlik s\u00f6z konusu de\u011fildir art\u0131k \u00e7\u00fcnk\u00fc kimlik, Agamben\u2019in \u00c7ocukluk ve Tarih: Deneyimin Mahvedili\u015fi adl\u0131 kitab\u0131nda g\u00f6sterdi\u011fi gibi benli\u011fin en zay\u0131f kalm\u0131\u015f k\u0131sm\u0131d\u0131r. g\u00fcc\u00fcm\u00fcz ise Agamben\u2019in genel bir form\u00fclle dile getirdi\u011fi gibi \u201cbizi al\u0131p g\u00f6t\u00fcren ve ta\u015f\u0131yan ads\u0131z kuvvetlere\u201d dayan\u0131yor\u2026 Etik \u00f6zne hakikatle kesi\u015fti\u011fimiz noktada bulunmuyor art\u0131k \u2013insan t\u00fcr\u00fcne topyek\u00fcn olarak ortak olan dilde ve s\u00f6zde cereyan ediyor\u2026<br \/>3. Homo Sacer\u2019in \u00e7\u0131k\u0131\u015f noktas\u0131 muhtemelen Primo Levi\u2019nin \u201ckonsantrasyon kamplar\u0131\u201d konusunda ortaya att\u0131\u011f\u0131 bir paradokstan geliyor: bu etik ile tan\u0131kl\u0131k aras\u0131nda yer alan bir paradoks \u2013\u201cdibe vurmu\u015f\u201d ger\u00e7ek tan\u0131klar kimler? A\u00e7\u0131k\u00e7as\u0131 ger\u00e7ek tan\u0131klar \u00f6l\u00fcmden kurtulanlar de\u011fil, \u201c\u00f6l\u00fcmleri cismani \u00f6l\u00fcm ger\u00e7ekle\u015fmeden tamamlanm\u0131\u015f olanlar\u201d\u2026 Yani Auschwitz jargonuna g\u00f6re \u201cm\u00fcsl\u00fcman\u201d denenler\u2026<\/p>\n<p>4. Bilinmedik topraklar\u0131 dola\u015fmak gerekti \u2013Auschwitz\u2019in meydan okuyu\u015funa kar\u015f\u0131 \u201cetik\u00e7e\u201d yakla\u015fmaya \u00e7al\u0131\u015fan b\u00fct\u00fcn doktrinlere boyun e\u011fdirmek gerekti\u2026 Ama geriye \u00e7ok az \u015fey kalm\u0131\u015ft\u0131\u2026 Robert Antelme\u2019in \u201ctan\u0131kl\u0131\u011f\u0131\u201d \u0130nsan T\u00fcr\u00fc konusunda Blanchot bir defas\u0131nda \u015f\u00f6yle yazm\u0131\u015ft\u0131: \u2018insan sonsuzca mahvedilebilen bir mahvolmazl\u0131kt\u0131r\u2019. Bana \u00f6yle geliyor ki bu iki anlama geliyor: insan \u00f6z\u00fc diye bir \u015feyin olmad\u0131\u011f\u0131, insan\u0131 insan olmayandan ay\u0131rdedebilmenin imkans\u0131zl\u0131\u011f\u0131 ve, ikinci olarak, insan mahvedildikten sonra yine de geriye bir \u015feylerin mutlaka kald\u0131\u011f\u0131, yani insan\u0131n sonsuz mahvedili\u015finden geriye artan ve direnmeye devam eden bir \u015fey oldu\u011fu. Tan\u0131k i\u015fte bu kal\u0131nt\u0131d\u0131r.\u201d (Agamben)<\/p>\n<p>HAYAT<\/p>\n<p>1. Hayat mefhumunun bir \u015feceresi \u2013k\u00f6keninde t\u0131bbi-biyolojik bir mefhum yok bunun, felsefi-siyasal bir \u00f6rg\u00fctleni\u015f tarz\u0131 var. Agamben\u2019e g\u00f6re hayat ancak onu b\u00f6lerek, par\u00e7alayarak d\u00fc\u015f\u00fcnmek zorunda kald\u0131\u011f\u0131m\u0131z \u015fey neyse onun ad\u0131d\u0131r. Bitkisel hayatlar vard\u0131r, duyusal hayatlar vard\u0131r, d\u00fc\u015f\u00fcnen hayatlar vard\u0131r, do\u011fal hayat vard\u0131r, siyasi hayat vard\u0131r\u2026 &#8211;Biyo-politika (Foucault)<\/p>\n<p>2. Aziz Pavlus zaman\u0131 nas\u0131l kavr\u0131yordu? Ama \u00e7o\u011fumuzun sand\u0131\u011f\u0131 gibi zaman\u0131n sonunu de\u011fil, sonun zaman\u0131 olarak zaman\u0131 \u2013bitmeye ba\u015flayan zaman\u0131: ve Agamben\u2019le birlikte sormak gerekiyor: bu zamandan geriye ne kalacak?<\/p>\n<p>3. D\u00fc\u015f\u00fcnmek dedi\u011fimiz faaliyetin g\u00fcn\u00fcm\u00fczde siyasi bir anlam\u0131 var m\u0131 hala? Daha 1980 y\u0131l\u0131ndaki bir s\u00f6yle\u015fisinde Gilles Deleuze t\u00fcm\u00fcyle prefabrik par\u00e7alardan in\u015fa edilecek hukuki, iktisadi, siyasi ve k\u00fclt\u00fcrel uzamlar\u0131n genellik kazanmas\u0131 kar\u015f\u0131s\u0131nda bizi uyarm\u0131\u015ft\u0131. B\u00f6yle bir ortamda a\u00e7\u0131kt\u0131r ki d\u00fc\u015f\u00fcncenin bah\u015fedebilece\u011fi hi\u00e7bir yarat\u0131c\u0131l\u0131\u011fa yer kalmayarak, bir anlamda d\u00fc\u015f\u00fcnmek imkans\u0131z hale gelecektir\u2026<\/p>\n<p>4. Agamben\u2019e g\u00f6re bu \u201c\u00f6dleklik \u00e7a\u011f\u0131\u201d art\u0131k tamamlanm\u0131\u015ft\u0131r\u2026 \u201cHi\u00e7bir zaman bir \u00e7a\u011f d\u00fc\u015f\u00fcnmeye bu kadar aciz, Bat\u0131 demokrasileri hayalg\u00fcc\u00fcnden bu kadar yoksun olmad\u0131. Her \u015fey uyulacak ka\u00e7amak kurallar a\u00e7\u0131s\u0131ndan kavran\u0131yor art\u0131k \u2013ve s\u00fcreklilik kazanm\u0131\u015f bir ola\u011fan\u00fcst\u00fc hal i\u00e7inde \u2013orada problemler \u00f6nceden verilmi\u015fler ve \u00f6nceden zaten \u00e7\u00f6z\u00fclm\u00fc\u015fler bile\u2026\u201d<\/p>\n","protected":false},"excerpt":{"rendered":"<p>TANIK 1. Felsefenin bir temizlik i\u015f\u00e7ili\u011fi oldu\u011fu\u201d \u00fczerine Deleuze Agamben felsefesini yakla\u015f\u0131k olarak bu s\u00f6zlerle selaml\u0131yordu; cam yontucusu Spinoza\u2019dan beri kavramlar\u0131 temizleyip parlatmak felsefenin \u00f6rt\u00fck \u00f6z\u00fc haline gelmi\u015f olmal\u0131yd\u0131\u2026 \u201cAgamben\u2019in ki\u015fili\u011finde felsefe bir yarat\u0131c\u0131l\u0131k, bir yap\u0131p etme sanat\u0131, kelimenin esas anlam\u0131yla bir poetika haline geliyor\u2026\u201d (Deleuze) ve Agamben\u2019in Pier Paolo Pasolini\u2019nin \u201cMatta\u2019ya G\u00f6re \u0130ncil\u201d filminde [&hellip;]<\/p>\n","protected":false},"author":1,"featured_media":0,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[162],"tags":[],"class_list":{"0":"post-387","1":"post","2":"type-post","3":"status-publish","4":"format-standard","6":"category-antonio-gramsci"},"yoast_head":"<!-- This site is optimized with the Yoast SEO Premium plugin v24.9 (Yoast SEO v24.9) - https:\/\/yoast.com\/wordpress\/plugins\/seo\/ -->\n<title>Tan\u0131k - Hayat | Giorgio Agamben - narteks.net<\/title>\n<meta name=\"robots\" content=\"index, follow, max-snippet:-1, max-image-preview:large, max-video-preview:-1\" \/>\n<link rel=\"canonical\" href=\"https:\/\/narteks.net\/index.php\/2011\/04\/25\/tanik-hayat-giorgio-agamben\/\" \/>\n<meta property=\"og:locale\" content=\"tr_TR\" \/>\n<meta property=\"og:type\" content=\"article\" \/>\n<meta property=\"og:title\" content=\"Tan\u0131k - Hayat | Giorgio Agamben\" \/>\n<meta property=\"og:description\" content=\"TANIK 1. Felsefenin bir temizlik i\u015f\u00e7ili\u011fi oldu\u011fu\u201d \u00fczerine Deleuze Agamben felsefesini yakla\u015f\u0131k olarak bu s\u00f6zlerle selaml\u0131yordu; cam yontucusu Spinoza\u2019dan beri kavramlar\u0131 temizleyip parlatmak felsefenin \u00f6rt\u00fck \u00f6z\u00fc haline gelmi\u015f olmal\u0131yd\u0131\u2026 \u201cAgamben\u2019in ki\u015fili\u011finde felsefe bir yarat\u0131c\u0131l\u0131k, bir yap\u0131p etme sanat\u0131, kelimenin esas anlam\u0131yla bir poetika haline geliyor\u2026\u201d (Deleuze) ve Agamben\u2019in Pier Paolo Pasolini\u2019nin \u201cMatta\u2019ya G\u00f6re \u0130ncil\u201d filminde [&hellip;]\" \/>\n<meta property=\"og:url\" content=\"https:\/\/narteks.net\/index.php\/2011\/04\/25\/tanik-hayat-giorgio-agamben\/\" \/>\n<meta property=\"og:site_name\" content=\"narteks.net\" \/>\n<meta property=\"article:published_time\" content=\"2011-04-24T22:00:00+00:00\" \/>\n<meta property=\"og:image\" content=\"http:\/\/www.idelberavelar.com\/post-images\/Agamben.jpg\" \/>\n<meta name=\"author\" content=\"Tar\u0131k\" \/>\n<meta name=\"twitter:card\" content=\"summary_large_image\" \/>\n<meta name=\"twitter:creator\" content=\"@narteks\" \/>\n<meta name=\"twitter:site\" content=\"@narteks\" \/>\n<meta name=\"twitter:label1\" content=\"Yazan:\" \/>\n\t<meta name=\"twitter:data1\" content=\"Tar\u0131k\" \/>\n\t<meta name=\"twitter:label2\" content=\"Tahmini okuma s\u00fcresi\" \/>\n\t<meta name=\"twitter:data2\" content=\"3 dakika\" \/>\n<script type=\"application\/ld+json\" class=\"yoast-schema-graph\">{\"@context\":\"https:\/\/schema.org\",\"@graph\":[{\"@type\":\"Article\",\"@id\":\"https:\/\/narteks.net\/index.php\/2011\/04\/25\/tanik-hayat-giorgio-agamben\/#article\",\"isPartOf\":{\"@id\":\"https:\/\/narteks.net\/index.php\/2011\/04\/25\/tanik-hayat-giorgio-agamben\/\"},\"author\":{\"name\":\"Tar\u0131k\",\"@id\":\"https:\/\/narteks.net\/#\/schema\/person\/61f37d9834294b72d31d274e7ed79bca\"},\"headline\":\"Tan\u0131k &#8211; Hayat | Giorgio Agamben\",\"datePublished\":\"2011-04-24T22:00:00+00:00\",\"mainEntityOfPage\":{\"@id\":\"https:\/\/narteks.net\/index.php\/2011\/04\/25\/tanik-hayat-giorgio-agamben\/\"},\"wordCount\":671,\"commentCount\":0,\"publisher\":{\"@id\":\"https:\/\/narteks.net\/#organization\"},\"image\":{\"@id\":\"https:\/\/narteks.net\/index.php\/2011\/04\/25\/tanik-hayat-giorgio-agamben\/#primaryimage\"},\"thumbnailUrl\":\"http:\/\/www.idelberavelar.com\/post-images\/Agamben.jpg\",\"articleSection\":[\"Antonio GRAMSC\u0130\"],\"inLanguage\":\"tr\",\"potentialAction\":[{\"@type\":\"CommentAction\",\"name\":\"Comment\",\"target\":[\"https:\/\/narteks.net\/index.php\/2011\/04\/25\/tanik-hayat-giorgio-agamben\/#respond\"]}]},{\"@type\":\"WebPage\",\"@id\":\"https:\/\/narteks.net\/index.php\/2011\/04\/25\/tanik-hayat-giorgio-agamben\/\",\"url\":\"https:\/\/narteks.net\/index.php\/2011\/04\/25\/tanik-hayat-giorgio-agamben\/\",\"name\":\"Tan\u0131k - Hayat | Giorgio Agamben - narteks.net\",\"isPartOf\":{\"@id\":\"https:\/\/narteks.net\/#website\"},\"primaryImageOfPage\":{\"@id\":\"https:\/\/narteks.net\/index.php\/2011\/04\/25\/tanik-hayat-giorgio-agamben\/#primaryimage\"},\"image\":{\"@id\":\"https:\/\/narteks.net\/index.php\/2011\/04\/25\/tanik-hayat-giorgio-agamben\/#primaryimage\"},\"thumbnailUrl\":\"http:\/\/www.idelberavelar.com\/post-images\/Agamben.jpg\",\"datePublished\":\"2011-04-24T22:00:00+00:00\",\"breadcrumb\":{\"@id\":\"https:\/\/narteks.net\/index.php\/2011\/04\/25\/tanik-hayat-giorgio-agamben\/#breadcrumb\"},\"inLanguage\":\"tr\",\"potentialAction\":[{\"@type\":\"ReadAction\",\"target\":[\"https:\/\/narteks.net\/index.php\/2011\/04\/25\/tanik-hayat-giorgio-agamben\/\"]}]},{\"@type\":\"ImageObject\",\"inLanguage\":\"tr\",\"@id\":\"https:\/\/narteks.net\/index.php\/2011\/04\/25\/tanik-hayat-giorgio-agamben\/#primaryimage\",\"url\":\"http:\/\/www.idelberavelar.com\/post-images\/Agamben.jpg\",\"contentUrl\":\"http:\/\/www.idelberavelar.com\/post-images\/Agamben.jpg\"},{\"@type\":\"BreadcrumbList\",\"@id\":\"https:\/\/narteks.net\/index.php\/2011\/04\/25\/tanik-hayat-giorgio-agamben\/#breadcrumb\",\"itemListElement\":[{\"@type\":\"ListItem\",\"position\":1,\"name\":\"Anasayfa\",\"item\":\"https:\/\/narteks.net\/\"},{\"@type\":\"ListItem\",\"position\":2,\"name\":\"Tan\u0131k &#8211; Hayat | Giorgio Agamben\"}]},{\"@type\":\"WebSite\",\"@id\":\"https:\/\/narteks.net\/#website\",\"url\":\"https:\/\/narteks.net\/\",\"name\":\"narteks.net\",\"description\":\"K\u00fclt\u00fcr Sanat Edebiyat Felsefe\",\"publisher\":{\"@id\":\"https:\/\/narteks.net\/#organization\"},\"alternateName\":\"K\u00fclt\u00fcr Sanat Edebiyat Felsefe\",\"potentialAction\":[{\"@type\":\"SearchAction\",\"target\":{\"@type\":\"EntryPoint\",\"urlTemplate\":\"https:\/\/narteks.net\/?s={search_term_string}\"},\"query-input\":{\"@type\":\"PropertyValueSpecification\",\"valueRequired\":true,\"valueName\":\"search_term_string\"}}],\"inLanguage\":\"tr\"},{\"@type\":\"Organization\",\"@id\":\"https:\/\/narteks.net\/#organization\",\"name\":\"narteks.net\",\"url\":\"https:\/\/narteks.net\/\",\"logo\":{\"@type\":\"ImageObject\",\"inLanguage\":\"tr\",\"@id\":\"https:\/\/narteks.net\/#\/schema\/logo\/image\/\",\"url\":\"https:\/\/narteks.net\/wp-content\/uploads\/narteks.png\",\"contentUrl\":\"https:\/\/narteks.net\/wp-content\/uploads\/narteks.png\",\"width\":300,\"height\":90,\"caption\":\"narteks.net\"},\"image\":{\"@id\":\"https:\/\/narteks.net\/#\/schema\/logo\/image\/\"},\"sameAs\":[\"https:\/\/x.com\/narteks\",\"https:\/\/instagram.com\/narteksnet\"]},{\"@type\":\"Person\",\"@id\":\"https:\/\/narteks.net\/#\/schema\/person\/61f37d9834294b72d31d274e7ed79bca\",\"name\":\"Tar\u0131k\",\"image\":{\"@type\":\"ImageObject\",\"inLanguage\":\"tr\",\"@id\":\"https:\/\/narteks.net\/#\/schema\/person\/image\/\",\"url\":\"https:\/\/secure.gravatar.com\/avatar\/50865afb55632c4ae467e0af0930f6510aa2297d8014be502a55b14f3b7550cf?s=96&d=mm&r=g\",\"contentUrl\":\"https:\/\/secure.gravatar.com\/avatar\/50865afb55632c4ae467e0af0930f6510aa2297d8014be502a55b14f3b7550cf?s=96&d=mm&r=g\",\"caption\":\"Tar\u0131k\"},\"sameAs\":[\"http:\/\/narteks.net\"],\"url\":\"https:\/\/narteks.net\/index.php\/author\/narbak\/\"}]}<\/script>\n<!-- \/ Yoast SEO Premium plugin. -->","yoast_head_json":{"title":"Tan\u0131k - Hayat | Giorgio Agamben - narteks.net","robots":{"index":"index","follow":"follow","max-snippet":"max-snippet:-1","max-image-preview":"max-image-preview:large","max-video-preview":"max-video-preview:-1"},"canonical":"https:\/\/narteks.net\/index.php\/2011\/04\/25\/tanik-hayat-giorgio-agamben\/","og_locale":"tr_TR","og_type":"article","og_title":"Tan\u0131k - Hayat | Giorgio Agamben","og_description":"TANIK 1. Felsefenin bir temizlik i\u015f\u00e7ili\u011fi oldu\u011fu\u201d \u00fczerine Deleuze Agamben felsefesini yakla\u015f\u0131k olarak bu s\u00f6zlerle selaml\u0131yordu; cam yontucusu Spinoza\u2019dan beri kavramlar\u0131 temizleyip parlatmak felsefenin \u00f6rt\u00fck \u00f6z\u00fc haline gelmi\u015f olmal\u0131yd\u0131\u2026 \u201cAgamben\u2019in ki\u015fili\u011finde felsefe bir yarat\u0131c\u0131l\u0131k, bir yap\u0131p etme sanat\u0131, kelimenin esas anlam\u0131yla bir poetika haline geliyor\u2026\u201d (Deleuze) ve Agamben\u2019in Pier Paolo Pasolini\u2019nin \u201cMatta\u2019ya G\u00f6re \u0130ncil\u201d filminde [&hellip;]","og_url":"https:\/\/narteks.net\/index.php\/2011\/04\/25\/tanik-hayat-giorgio-agamben\/","og_site_name":"narteks.net","article_published_time":"2011-04-24T22:00:00+00:00","og_image":[{"url":"http:\/\/www.idelberavelar.com\/post-images\/Agamben.jpg","type":"","width":"","height":""}],"author":"Tar\u0131k","twitter_card":"summary_large_image","twitter_creator":"@narteks","twitter_site":"@narteks","twitter_misc":{"Yazan:":"Tar\u0131k","Tahmini okuma s\u00fcresi":"3 dakika"},"schema":{"@context":"https:\/\/schema.org","@graph":[{"@type":"Article","@id":"https:\/\/narteks.net\/index.php\/2011\/04\/25\/tanik-hayat-giorgio-agamben\/#article","isPartOf":{"@id":"https:\/\/narteks.net\/index.php\/2011\/04\/25\/tanik-hayat-giorgio-agamben\/"},"author":{"name":"Tar\u0131k","@id":"https:\/\/narteks.net\/#\/schema\/person\/61f37d9834294b72d31d274e7ed79bca"},"headline":"Tan\u0131k &#8211; Hayat | Giorgio Agamben","datePublished":"2011-04-24T22:00:00+00:00","mainEntityOfPage":{"@id":"https:\/\/narteks.net\/index.php\/2011\/04\/25\/tanik-hayat-giorgio-agamben\/"},"wordCount":671,"commentCount":0,"publisher":{"@id":"https:\/\/narteks.net\/#organization"},"image":{"@id":"https:\/\/narteks.net\/index.php\/2011\/04\/25\/tanik-hayat-giorgio-agamben\/#primaryimage"},"thumbnailUrl":"http:\/\/www.idelberavelar.com\/post-images\/Agamben.jpg","articleSection":["Antonio GRAMSC\u0130"],"inLanguage":"tr","potentialAction":[{"@type":"CommentAction","name":"Comment","target":["https:\/\/narteks.net\/index.php\/2011\/04\/25\/tanik-hayat-giorgio-agamben\/#respond"]}]},{"@type":"WebPage","@id":"https:\/\/narteks.net\/index.php\/2011\/04\/25\/tanik-hayat-giorgio-agamben\/","url":"https:\/\/narteks.net\/index.php\/2011\/04\/25\/tanik-hayat-giorgio-agamben\/","name":"Tan\u0131k - Hayat | Giorgio Agamben - narteks.net","isPartOf":{"@id":"https:\/\/narteks.net\/#website"},"primaryImageOfPage":{"@id":"https:\/\/narteks.net\/index.php\/2011\/04\/25\/tanik-hayat-giorgio-agamben\/#primaryimage"},"image":{"@id":"https:\/\/narteks.net\/index.php\/2011\/04\/25\/tanik-hayat-giorgio-agamben\/#primaryimage"},"thumbnailUrl":"http:\/\/www.idelberavelar.com\/post-images\/Agamben.jpg","datePublished":"2011-04-24T22:00:00+00:00","breadcrumb":{"@id":"https:\/\/narteks.net\/index.php\/2011\/04\/25\/tanik-hayat-giorgio-agamben\/#breadcrumb"},"inLanguage":"tr","potentialAction":[{"@type":"ReadAction","target":["https:\/\/narteks.net\/index.php\/2011\/04\/25\/tanik-hayat-giorgio-agamben\/"]}]},{"@type":"ImageObject","inLanguage":"tr","@id":"https:\/\/narteks.net\/index.php\/2011\/04\/25\/tanik-hayat-giorgio-agamben\/#primaryimage","url":"http:\/\/www.idelberavelar.com\/post-images\/Agamben.jpg","contentUrl":"http:\/\/www.idelberavelar.com\/post-images\/Agamben.jpg"},{"@type":"BreadcrumbList","@id":"https:\/\/narteks.net\/index.php\/2011\/04\/25\/tanik-hayat-giorgio-agamben\/#breadcrumb","itemListElement":[{"@type":"ListItem","position":1,"name":"Anasayfa","item":"https:\/\/narteks.net\/"},{"@type":"ListItem","position":2,"name":"Tan\u0131k &#8211; Hayat | Giorgio Agamben"}]},{"@type":"WebSite","@id":"https:\/\/narteks.net\/#website","url":"https:\/\/narteks.net\/","name":"narteks.net","description":"K\u00fclt\u00fcr Sanat Edebiyat Felsefe","publisher":{"@id":"https:\/\/narteks.net\/#organization"},"alternateName":"K\u00fclt\u00fcr Sanat Edebiyat Felsefe","potentialAction":[{"@type":"SearchAction","target":{"@type":"EntryPoint","urlTemplate":"https:\/\/narteks.net\/?s={search_term_string}"},"query-input":{"@type":"PropertyValueSpecification","valueRequired":true,"valueName":"search_term_string"}}],"inLanguage":"tr"},{"@type":"Organization","@id":"https:\/\/narteks.net\/#organization","name":"narteks.net","url":"https:\/\/narteks.net\/","logo":{"@type":"ImageObject","inLanguage":"tr","@id":"https:\/\/narteks.net\/#\/schema\/logo\/image\/","url":"https:\/\/narteks.net\/wp-content\/uploads\/narteks.png","contentUrl":"https:\/\/narteks.net\/wp-content\/uploads\/narteks.png","width":300,"height":90,"caption":"narteks.net"},"image":{"@id":"https:\/\/narteks.net\/#\/schema\/logo\/image\/"},"sameAs":["https:\/\/x.com\/narteks","https:\/\/instagram.com\/narteksnet"]},{"@type":"Person","@id":"https:\/\/narteks.net\/#\/schema\/person\/61f37d9834294b72d31d274e7ed79bca","name":"Tar\u0131k","image":{"@type":"ImageObject","inLanguage":"tr","@id":"https:\/\/narteks.net\/#\/schema\/person\/image\/","url":"https:\/\/secure.gravatar.com\/avatar\/50865afb55632c4ae467e0af0930f6510aa2297d8014be502a55b14f3b7550cf?s=96&d=mm&r=g","contentUrl":"https:\/\/secure.gravatar.com\/avatar\/50865afb55632c4ae467e0af0930f6510aa2297d8014be502a55b14f3b7550cf?s=96&d=mm&r=g","caption":"Tar\u0131k"},"sameAs":["http:\/\/narteks.net"],"url":"https:\/\/narteks.net\/index.php\/author\/narbak\/"}]}},"_links":{"self":[{"href":"https:\/\/narteks.net\/index.php\/wp-json\/wp\/v2\/posts\/387","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/narteks.net\/index.php\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/narteks.net\/index.php\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/narteks.net\/index.php\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/narteks.net\/index.php\/wp-json\/wp\/v2\/comments?post=387"}],"version-history":[{"count":0,"href":"https:\/\/narteks.net\/index.php\/wp-json\/wp\/v2\/posts\/387\/revisions"}],"wp:attachment":[{"href":"https:\/\/narteks.net\/index.php\/wp-json\/wp\/v2\/media?parent=387"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/narteks.net\/index.php\/wp-json\/wp\/v2\/categories?post=387"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/narteks.net\/index.php\/wp-json\/wp\/v2\/tags?post=387"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}