{"id":3960,"date":"2010-01-12T13:09:29","date_gmt":"2010-01-12T10:09:29","guid":{"rendered":"http:\/\/localhost\/wordpress\/2010\/01\/12\/sosyalizmde-ask-mumkun-mu-postaneye-asla-yalniz-gitme-stelyo-kuloglu\/"},"modified":"2010-01-12T13:09:29","modified_gmt":"2010-01-12T10:09:29","slug":"sosyalizmde-ask-mumkun-mu-postaneye-asla-yalniz-gitme-stelyo-kuloglu","status":"publish","type":"post","link":"https:\/\/narteks.net\/index.php\/2010\/01\/12\/sosyalizmde-ask-mumkun-mu-postaneye-asla-yalniz-gitme-stelyo-kuloglu\/","title":{"rendered":"Sosyalizm&#8217;de a\u015fk m\u00fcmk\u00fcn m\u00fc ? | Postaneye Asla Yaln\u0131z Gitme &#8211; Stelyo Kulo\u011flu"},"content":{"rendered":"<p><strong><img loading=\"lazy\" decoding=\"async\" src=\"http:\/\/static.ideefixe.com\/images\/285\/285852_2.jpg\" border=\"0\" width=\"155\" height=\"205\" style=\"float: left; border: 0;\" \/><\/strong><\/p>\n<p style=\"text-align: justify;\">Yunanistan\u2019\u0131n \u00f6nde gelen gazetecilerinden olan Stelyo Kulo\u011flu\u2019nun ge\u00e7ti\u011fimiz g\u00fcnlerde Kanat Kitap taraf\u0131ndan yay\u0131mlanan roman\u0131 Postaneye Asla Yaln\u0131z Gitme, birka\u00e7 farkl\u0131 d\u00fczlemde okunabilecek bir roman. \u00d6ncelikle s\u00fcr\u00fckleyici bir casus roman\u0131. Bu t\u00fcr\u00fcn ba\u015far\u0131l\u0131 \u00f6rneklerinde g\u00f6rd\u00fc\u011f\u00fcm\u00fcz \u00e7e\u015fitli olgular bu romanda da mevcut: Entrikalar, gizli servislerin \u00e7evirdi\u011fi dolaplar, bu servislere kar\u015f\u0131 m\u00fccadele eden roman kahraman\u0131n\u0131n roman ilerledik\u00e7e bir \u015feyleri anlamaya ba\u015flamas\u0131, bununla birlikte art\u0131k bildi\u011fini sand\u0131klar\u0131n\u0131n \u201cb\u00fcy\u00fck resmin\u201d tamam\u0131 olup olmad\u0131\u011f\u0131 konusunda duydu\u011fu ikircimin bir t\u00fcrl\u00fc sona ermemesi&#8230;<\/p>\n<p style=\"text-align: justify;\">Postaneye Asla Yaln\u0131z Gitme\u2019de birbirleriyle m\u00fccadele eden ve rekabet halinde olan gizli servislerin Do\u011fu Almanya\u2019n\u0131n gizli servisi Stasi ile KGB oldu\u011funu da vurgulamak gerekir. \u0130lk bak\u0131\u015fta ayn\u0131 tarafta olmas\u0131 gerekti\u011fi d\u00fc\u015f\u00fcn\u00fclebilecek bu iki servisin rekabeti, Berlin Duvar\u0131\u2019n\u0131n y\u0131k\u0131lmas\u0131ndan \u00f6nceki Do\u011fu Blokunun belki de ger\u00e7ek anlamda bir \u201cblok\u201d olmad\u0131\u011f\u0131 \/ olamad\u0131\u011f\u0131, ulusall\u0131\u011f\u0131n (ve ulusalc\u0131l\u0131\u011f\u0131n) bu blok i\u00e7erisinde de bir sorun oldu\u011fu, hatta \u201ca\u011fabey\u201d \u201ckarde\u015f\u201d aras\u0131ndaki rekabetin kimi zaman \u00f6ld\u00fcr\u00fcc\u00fc olabildi\u011fi ger\u00e7e\u011finin de bir g\u00f6r\u00fcn\u00fcm\u00fc. Bununla birlikte, gizli servisler aras\u0131ndaki rekabete bu servislerle aras\u0131nda karanl\u0131k ili\u015fkiler bulunan mafyan\u0131n da dahil olmas\u0131, roman boyunca \u00e7\u00f6z\u00fclmesi beklenen gizemi daha da karma\u015f\u0131kla\u015ft\u0131r\u0131yor.<\/p>\n<p>Postaneye Asla Yaln\u0131z Gitme\u2019nin arka plan\u0131n\u0131 olu\u015fturan d\u00f6nem de hayli ilgi \u00e7ekici: SSCB\u2019de Perestroika d\u00f6neminde ya\u015fanan de\u011fi\u015fim ve bu de\u011fi\u015fimin yaratt\u0131\u011f\u0131 karga\u015fa var roman\u0131n fonunda. Bu d\u00f6neme ili\u015fkin ayr\u0131nt\u0131lar, romanda, gizli servisler, casuslar ya da SSCB\u2019nin y\u00f6netici elitlerinin yap\u0131p ettikleri ba\u011flam\u0131nda de\u011fil, daha \u00e7ok Moskova\u2019daki g\u00fcndelik hayat \u00fczerinden anlat\u0131l\u0131yor. Perestroika \u00f6ncesiyle Perestroika d\u00f6nemi aras\u0131ndaki farkl\u0131lar, s\u0131radan insanlar\u0131n t\u00fcketim al\u0131\u015fkanl\u0131klar\u0131nda ve kad\u0131n erkek ili\u015fkilerinde ya\u015fanan de\u011fi\u015fimin farkl\u0131 ayr\u0131nt\u0131lar\u0131nda ortaya \u00e7\u0131k\u0131yor. Kulo\u011flu, roman\u0131nda Sovyet Rusya\u2019da ya\u015fayan kad\u0131nlar\u0131n g\u00fcndelik hayatlar\u0131na ve a\u015fklar\u0131na ayr\u0131 bir \u00f6nem veriyor. \u201c\u0130kinci cins\u201din sosyalist oldu\u011fu iddia edilen bir rejimde de ikinci cins olarak alg\u0131land\u0131\u011f\u0131n\u0131, roman\u0131n kad\u0131n kahramanlar\u0131n\u0131n g\u00fcndelik hayatlar\u0131ndaki ve duygu d\u00fcnyalar\u0131ndaki ayr\u0131nt\u0131larda a\u00e7\u0131k\u00e7a g\u00f6r\u00fcyoruz.<\/p>\n<p>Romanda Sovyet devriminin nas\u0131l yozla\u015ft\u0131\u011f\u0131 da didaktizme ka\u00e7madan, yine somut insanlar\u0131n ba\u015flar\u0131na gelenler \u00fczerinden anlat\u0131l\u0131yor. Uzun uzad\u0131ya olmasa da, roman kahramanlar\u0131n\u0131n baz\u0131s\u0131n\u0131n anlatt\u0131\u011f\u0131 \u00f6nceki d\u00f6nemlere ait olaylarsa toplumsal fona tarihsel bir derinlik de kat\u0131yor.<\/p>\n<p>Postaneye Asla Yaln\u0131z Gitme\u2019nin en ba\u015far\u0131l\u0131 yanlar\u0131nda biri de, toplumsal-siyasal yap\u0131daki bask\u0131n\u0131n bireylerin psikolojisinde yaratt\u0131\u011f\u0131 tahribat ve yar\u0131lmalar\u0131n, roman\u0131n ak\u0131\u015f\u0131 i\u00e7erisinde, roman\u0131n ak\u0131\u015f\u0131n\u0131 duraklatmadan \u00e7izilmi\u015f olmas\u0131. Bir alt metin olarak, bireylerin korkuya yaslanan bu toplumsal yap\u0131ya zaman i\u00e7erisinde uyum sa\u011flayan psikolojilerinin toplumsal denetim mekanizmalar\u0131n\u0131 nas\u0131l yeniden \u00fcretti\u011fini okumak da m\u00fcmk\u00fcn bu romanda. \u00d6yle ki, insanlar korkuyla bask\u0131 alt\u0131nda tutulduklar\u0131 zaman herkes bir ba\u015fkas\u0131n\u0131 korkulacak biri olarak g\u00f6rmeye ba\u015fl\u0131yor. Bu da rejimin kendini ayakta tutmas\u0131 ve s\u00fcrd\u00fcrmesi i\u00e7in \u00f6nemli bir imk\u00e2n yarat\u0131yor. Bireyler s\u00fcrekli olarak bir teyakkuz halindeler; bunun sonucunda da tehdit olarak alg\u0131lad\u0131klar\u0131 ba\u015fkalar\u0131n\u0131, kendilerini korumak ad\u0131na rahatl\u0131kla ihbar edebiliyorlar. B\u00f6ylece kendilerini koruduklar\u0131n\u0131 san\u0131rken korkuya dayanan bask\u0131 rejimini de korumakta, yeniden ve yeniden \u00fcretmekteler asl\u0131nda.<\/p>\n<p>Romanda \u00e7izilen korku dolu, karanl\u0131k atmosfere kar\u015f\u0131n Kulo\u011flu, ironiyi de elden b\u0131rakm\u0131yor. Roman\u0131n ironisi Bat\u0131 toplumuyla Sovyet toplumunun; Perestroika \u00f6ncesiyle Perestroika sonras\u0131 aras\u0131ndaki kar\u015f\u0131tl\u0131klar\u0131n ifade edildi\u011fi sat\u0131rlar\u0131n aras\u0131nda gizli. Tabii, kapal\u0131 toplumlar\u0131n tamam\u0131nda g\u00f6rd\u00fc\u011f\u00fcm\u00fcz simgelere verilen a\u015f\u0131r\u0131 \u00f6nem ve bu simgelerin ger\u00e7eklikle aras\u0131ndaki ba\u011f\u0131n kopma noktas\u0131na varm\u0131\u015f olmas\u0131nda da ironik bir yan var. Sat\u0131r aralar\u0131nda bunlarla -bazen inceden bazen de olduk\u00e7a a\u00e7\u0131k bi\u00e7imde- dalga ge\u00e7iyor Kulo\u011flu.<\/p>\n<p>B\u00fct\u00fcn bunlar\u0131n yan\u0131nda Postaneye Asla Yaln\u0131z Gitme, buruk bir a\u015fk roman\u0131 ayn\u0131 zamanda. A\u015fk konusunu roman\u0131n felsefi ba\u011flam\u0131yla da ili\u015fkilendirmek m\u00fcmk\u00fcn. A\u015fk i\u00e7in sadece \u201cseven biri\u201d ile \u201csevilenin biri\u201dnin var olmas\u0131n\u0131n yetip yetmedi\u011fini, bunlar\u0131 \u00f6nceleyen bir de \u00f6zg\u00fcrl\u00fck sorunu bulunup bulunmad\u0131\u011f\u0131n\u0131 tart\u0131\u015f\u0131yor Kulo\u011flu roman\u0131nda. \u201cSosyalizmde a\u015fk m\u00fcmk\u00fcn m\u00fc?\u201d sorusunu bu nedenle roman\u0131n anlat\u0131c\u0131-kahraman\u0131 Kevin Danagher s\u00fcrekli olarak sorguluyor. Rejimin kendisini ayakta tutabilmek i\u00e7in insanlar\u0131n \u00f6zel hayat\u0131na ve yatak odas\u0131na da m\u00fcdahale etmesinin sonucunda insanlar aras\u0131ndaki en dolays\u0131z ve yak\u0131n ili\u015fki bile bir korku ve nefret ili\u015fkisine d\u00f6n\u00fc\u015f\u00fcyor. Bunun sonucunda da Bat\u0131 toplumlar\u0131ndaki insan\u0131 insanl\u0131ktan \u00e7\u0131karan rekabetin yerini almas\u0131 gerekti\u011fi d\u00fc\u015f\u00fcn\u00fclen dayan\u0131\u015fma duygusu da geli\u015femiyor, hatta aksine ba\u015fka bir t\u00fcr rekabet halini al\u0131yor. Topluma h\u00e2kim olan korku atmosferi bireylerin bir ba\u015fkas\u0131n\u0131 sevebilmelerinin ve ba\u015fkalar\u0131yla dayan\u0131\u015fabilmelerinin \u00f6n\u00fcnde b\u00fcy\u00fck bir engel olu\u015fturuyor. A\u015fk ve cinsellik de bundan muaf kalam\u0131yor sonu\u00e7ta.<\/p>\n<p>Postaneye Asla Yaln\u0131z Gitme\u2019de hik\u00e2yeleri anlat\u0131lan ya da hik\u00e2yelerine bir bi\u00e7imde de\u011finilen pek \u00e7ok karaktere h\u00e2kim olan bu haletiruhiye, a\u015fk ile \u00f6zg\u00fcrl\u00fck aras\u0131ndaki ili\u015fkinin tekil \u00f6rneklerini g\u00f6zler \u00f6n\u00fcne seriyor. \u015eu da eklenebilir: Kulo\u011flu\u2019nun roman \u00f6rg\u00fcs\u00fc i\u00e7erisinde kalarak ba\u015far\u0131yla \u00e7izdi\u011fi b\u00fct\u00fcnsel panoramada a\u015fk-\u00f6zg\u00fcrl\u00fck ili\u015fkisi farkl\u0131 boyutlar\u0131yla g\u00f6r\u00fcn\u00fcrl\u00fck kazan\u0131yor. Bir yandan korku atmosferi nedeniyle ya\u015fanan ihanetlere tan\u0131k olurken, \u00f6te yandan \u00f6zg\u00fcrl\u00fc\u011f\u00fc en az\u0131ndan kendi i\u00e7 d\u00fcnyas\u0131nda koruyabilmi\u015f olanlar\u0131n a\u015fk, sevgi, dayan\u0131\u015fma gibi insani duygular\u0131 da korumay\u0131 s\u00fcrd\u00fcrebildiklerini g\u00f6r\u00fcyoruz. Stelyo Kulo\u011flu\u2019nun Postaneye Asla Yaln\u0131z Gitme\u2019deki en b\u00fcy\u00fck ba\u015far\u0131s\u0131, san\u0131r\u0131m, bir casus roman\u0131n\u0131n s\u00fcr\u00fckleyici olay \u00f6rg\u00fcs\u00fc i\u00e7erisinde hem siyasi hem de felsefi g\u00f6ndermeleri bulunan b\u00f6ylesine \u00f6nemli bir konuyu sorgulayabilmesinde.<\/p>\n<p>Stelyo Kulo\u011flu\u2019nun \u00f6zg\u00fcrl\u00fc\u011f\u00fc ele al\u0131\u015f\u0131 da baz\u0131 haklara sahip olup olmamak ba\u011flam\u0131yla s\u0131n\u0131rl\u0131 de\u011fil. Homo Sovyetikus\u2019un \u00f6zg\u00fcrl\u00fckle ili\u015fkisinin \u00e7ift y\u00f6nl\u00fcl\u00fc\u011f\u00fc de tart\u0131\u015f\u0131l\u0131yor romanda. Korkuya dayal\u0131 rejimlerde insanlar\u0131n \u201c\u00f6zg\u00fcrl\u00fc\u011f\u00fcn belirsizli\u011fi\u201d yerine \u201c\u00f6zg\u00fcrl\u00fcks\u00fczl\u00fc\u011f\u00fcn verdi\u011fi g\u00fcvenli\u011fi\u201d ye\u011fleyebildiklerini farkl\u0131 roman kahramanlar\u0131n\u0131n se\u00e7imleri arac\u0131l\u0131\u011f\u0131yla g\u00f6r\u00fcyoruz. Postaneye Asla Yaln\u0131z Gitme\u2019de \u00f6zellikle vurgulanan belki de \u015fu: Bask\u0131 rejimleri tahakk\u00fcmlerini insanlar\u0131n ruhsall\u0131klar\u0131n\u0131 sakatlayarak muhkemle\u015ftiriyor; insanlar\u0131n ruhsall\u0131klar\u0131 da g\u00fcndelik hayattaki, \u00f6zellikle yak\u0131n ili\u015fkiler i\u00e7erisinde sakatlan\u0131yor daha \u00e7ok \u2013 siyasal haklar\u0131n, \u00f6zg\u00fcrl\u00fcklerin olup olmas\u0131n\u0131n \u00f6tesinde, daha derinlerdeki dinamikleri sorguluyor roman. Bu nedenle Bat\u0131\u2019daki t\u00fcketim toplumlar\u0131 da bu ba\u011flamda paylar\u0131na d\u00fc\u015feni al\u0131yor romanda. Stelyo Kulo\u011flu Sovyet rejimini alabildi\u011fine ele\u015ftirirken t\u00fcketememe ya da toplumsal rekabette geride kalma korkusunun da \u00f6z\u00fcnde bir ba\u015fka t\u00fcr korku rejimi oldu\u011fu ger\u00e7e\u011fini pas ge\u00e7miyor. Korku rejiminin Bat\u0131l\u0131 versiyonunda da insani duygular meta halini al\u0131yor.<\/p>\n<p>Lukacs, roman sanat\u0131n\u0131n do\u011fumunu burjuva toplumuyla ili\u015fkilendirirken, roman kahraman\u0131n\u0131n da her \u015feyin al\u0131n\u0131r sat\u0131l\u0131r oldu\u011fu bu toplumsal yap\u0131 i\u00e7erisinde otantik de\u011ferleri arayan sorunsal bireyler olduklar\u0131n\u0131 belirtmi\u015fti. Postaneye Asla Yaln\u0131z Gitme\u2019nin kahraman\u0131 Kevin Danagher\u2019i de, her \u015feyin korku nesnesi oldu\u011fu -art\u0131k tarihe kar\u0131\u015fan- b\u00fcrokratik-\u201csosyalist\u201d toplumda otantik de\u011ferleri arayan sorunsal bireylerden biri olarak de\u011ferlendirmek m\u00fcmk\u00fcn.<\/p>\n<p>Son olarak hayli s\u00fcr\u00fckleyici, merak duygusunu s\u00fcrekli k\u0131\u015fk\u0131rtan ve ayakta tutan bir olay \u00f6rg\u00fcs\u00fc oldu\u011funu belirtmeliyim Postaneye Asla Yaln\u0131z Gitme\u2019nin. \u0130\u00e7 i\u00e7e ge\u00e7mi\u015f iki ayr\u0131 hik\u00e2ye anlat\u0131l\u0131yor romanda. Kevin Danagher\u2019in yazmakta oldu\u011fu roman, Kevin\u2019in ba\u015f\u0131ndan ge\u00e7enlerle paralel olarak ak\u0131yor. Bu noktada belki k\u00fc\u00e7\u00fck bir ayr\u0131nt\u0131 ama Postaneye Asla Yaln\u0131z Gitme\u2019yi okurken, edebiyat\u0131n bireylerin hayatlar\u0131ndaki -giderek unutulan- kendini sa\u011flam tutma, koruma, kendini ifade etme ve ileti\u015fim rollerini de bir kez daha fark ediyoruz.<\/p>\n<p>Stelyo Kulo\u011flu, Postaneye Asla Yaln\u0131z Gitme, \u00e7ev: Sona \u00d6zzakar, Kanat Kitap, 2007, 303 s.<\/p>\n","protected":false},"excerpt":{"rendered":"<p>Yunanistan\u2019\u0131n \u00f6nde gelen gazetecilerinden olan Stelyo Kulo\u011flu\u2019nun ge\u00e7ti\u011fimiz g\u00fcnlerde Kanat Kitap taraf\u0131ndan yay\u0131mlanan roman\u0131 Postaneye Asla Yaln\u0131z Gitme, birka\u00e7 farkl\u0131 d\u00fczlemde okunabilecek bir roman. \u00d6ncelikle s\u00fcr\u00fckleyici bir casus roman\u0131. Bu t\u00fcr\u00fcn ba\u015far\u0131l\u0131 \u00f6rneklerinde g\u00f6rd\u00fc\u011f\u00fcm\u00fcz \u00e7e\u015fitli olgular bu romanda da mevcut: Entrikalar, gizli servislerin \u00e7evirdi\u011fi dolaplar, bu servislere kar\u015f\u0131 m\u00fccadele eden roman kahraman\u0131n\u0131n roman ilerledik\u00e7e bir [&hellip;]<\/p>\n","protected":false},"author":1,"featured_media":0,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[137],"tags":[],"class_list":{"0":"post-3960","1":"post","2":"type-post","3":"status-publish","4":"format-standard","6":"category-edebiyat-turkiye"},"yoast_head":"<!-- This site is optimized with the Yoast SEO Premium plugin v24.9 (Yoast SEO v24.9) - https:\/\/yoast.com\/wordpress\/plugins\/seo\/ -->\n<title>Sosyalizm&#039;de a\u015fk m\u00fcmk\u00fcn m\u00fc ? | Postaneye Asla Yaln\u0131z Gitme - Stelyo Kulo\u011flu - narteks.net<\/title>\n<meta name=\"robots\" content=\"index, follow, max-snippet:-1, max-image-preview:large, max-video-preview:-1\" \/>\n<link rel=\"canonical\" href=\"https:\/\/narteks.net\/index.php\/2010\/01\/12\/sosyalizmde-ask-mumkun-mu-postaneye-asla-yalniz-gitme-stelyo-kuloglu\/\" \/>\n<meta property=\"og:locale\" content=\"tr_TR\" \/>\n<meta property=\"og:type\" content=\"article\" \/>\n<meta property=\"og:title\" content=\"Sosyalizm&#039;de a\u015fk m\u00fcmk\u00fcn m\u00fc ? | Postaneye Asla Yaln\u0131z Gitme - Stelyo Kulo\u011flu\" \/>\n<meta property=\"og:description\" content=\"Yunanistan\u2019\u0131n \u00f6nde gelen gazetecilerinden olan Stelyo Kulo\u011flu\u2019nun ge\u00e7ti\u011fimiz g\u00fcnlerde Kanat Kitap taraf\u0131ndan yay\u0131mlanan roman\u0131 Postaneye Asla Yaln\u0131z Gitme, birka\u00e7 farkl\u0131 d\u00fczlemde okunabilecek bir roman. \u00d6ncelikle s\u00fcr\u00fckleyici bir casus roman\u0131. 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