{"id":4059,"date":"2010-01-22T11:25:32","date_gmt":"2010-01-22T08:25:32","guid":{"rendered":"http:\/\/localhost\/wordpress\/2010\/01\/22\/oyun-yazar-olarak-maksim-gorki-ataol-behramolu\/"},"modified":"2010-01-22T11:25:32","modified_gmt":"2010-01-22T08:25:32","slug":"oyun-yazar-olarak-maksim-gorki-ataol-behramolu","status":"publish","type":"post","link":"https:\/\/narteks.net\/index.php\/2010\/01\/22\/oyun-yazar-olarak-maksim-gorki-ataol-behramolu\/","title":{"rendered":"Oyun yazar\u0131 olarak Maksim Gorki | Ataol Behramo\u011flu"},"content":{"rendered":"<h2><strong><img loading=\"lazy\" decoding=\"async\" src=\"images\/stories\/gorki.jpg\" border=\"0\" width=\"155\" height=\"205\" style=\"float: left;\" \/><\/strong><\/h2>\n<p style=\"text-align: justify;\">Yarat\u0131c\u0131l\u0131\u011f\u0131yla Sovyet Rus edebiyat\u0131n\u0131 ba\u015flatt\u0131\u011f\u0131 kabul edilen, sosyalist ger\u00e7ek\u00e7ilik ak\u0131m\u0131n\u0131n kurucusu say\u0131lan Maksim Gorki, yap\u0131tlar\u0131n\u0131 iki \u00e7a\u011f\u0131n (19.Y\u00fczy\u0131l-20.Y\u00fczy\u0131l) kesi\u015fti\u011fi noktada verdi. Marangoz bir baban\u0131n ve k\u00f6yl\u00fc k\u00f6kenli bir anan\u0131n \u00e7ocu\u011fu olarak d\u00fcnyaya gelen Maksim Gorki\u2019nin, yap\u0131tlar\u0131nda, devrim \u00f6ncesi, devrim y\u0131llar\u0131 ve devrim sonras\u0131 Rusya\u2019s\u0131n\u0131n sorunlar\u0131 b\u00fct\u00fcn geni\u015fli\u011fiyle yans\u0131d\u0131.<\/p>\n<p style=\"text-align: justify;\">Ona d\u00fcnya \u00e7ap\u0131nda \u00fcn getiren ilk hik\u00e2yeleri ve romanlar\u0131ndan sonra, ilk oyunlar\u0131 olan \u201cDipte\u201d ve \u201cK\u00fc\u00e7\u00fck Burjuvalar\u201d \u0131 1980\u2019lerde yazd\u0131. Tiplerin \u00e7izili\u015fi ve tiyatro \u00fcsl\u00fbbu olarak Gorki, \u00c7ehov dramaturjisinin izleyicisidir. Fakat Gorki tiyatrosunun yenilik\u00e7ili\u011fi, onun oyunlar\u0131nda ilk kez halk k\u00f6kenli \u201columlu tip\u201din ve genel olarak halk k\u00f6kenli insanlar\u0131n sahneye getirilmi\u015f olmas\u0131d\u0131r.<\/p>\n<p style=\"text-align: justify;\">Gorki\u2019nin ilk oyunlar\u0131, \u00c7ehov\u2019un oyunlar\u0131n\u0131 yeni bir anlay\u0131\u015fla sahneleyerek Rus tiyatrosunda yeni bir a\u015famay\u0131 ba\u015flatan Moskova Sanat Tiyatrosu\u2019nda (Stanislavski Tiyatrosu) sahnelendi. Bu oyunlar\u0131n yaz\u0131l\u0131\u015f\u0131, Rus devrim tarihinde \u00f6nemli bir d\u00f6neme rastlar, Gorki\u2019nin ilk oyunlar\u0131 (ve genel olarak t\u00fcm yarat\u0131c\u0131l\u0131\u011f\u0131) burjuva ideolojisinin ele\u015ftirisine y\u00f6nelmi\u015ftir. Her oyunun sahneleni\u015fi, bu nedenle, o d\u00f6nemin Rus demokratlar\u0131nca co\u015fkunlukla kar\u015f\u0131lan\u0131yor ve b\u00fcy\u00fck toplumsal \u00f6nem ta\u015f\u0131yordu.<\/p>\n<p>\u0130lk oyunu olan \u201cK\u00fc\u00e7\u00fck Burjuvalar\u201dda Gorki, sadece ataerkil ve tutucu \u201cbabalar\u201d \u0131 de\u011fil, liberal, bireyci \u201c\u00e7ocuklar\u201d\u0131 da ele\u015ftirmektedir. Bu oyundaki Nil tipiyle ise, hayat\u0131 de\u011fi\u015ftirecek olan yeni devrimci g\u00fc\u00e7, emek\u00e7i k\u00f6kenli sava\u015f\u00e7\u0131 canland\u0131r\u0131lmaktad\u0131r. Nil, tarihin yeni kahraman\u0131d\u0131r.<\/p>\n<p>T\u00fcrk\u00e7e\u2019ye \u201cAyak Tak\u0131m\u0131 Aras\u0131nda\u201d ad\u0131yla \u00e7evrilen \u201cDipte\u201d adl\u0131 oyununda, toplumun \u201cdibine\u201d f\u0131rlat\u0131lm\u0131\u015f insanlar sahneyi doldurmakta ve sorunlar\u0131n\u0131 g\u00fcndeme getirmektedirler. Onlar, kapitalist d\u00fczenin g\u00fcnahlar\u0131n\u0131n canl\u0131 kan\u0131tlar\u0131d\u0131rlar. Bu oyundaki Luka tipiyle ise, toplumsal \u00e7eli\u015fkileri uzla\u015ft\u0131rmak isteyen hristiyan insanc\u0131ll\u0131\u011f\u0131n\u0131n sahte i\u00e7y\u00fcz\u00fc sergilenmektedir. Ayn\u0131 y\u00f6nde bir ele\u015ftiri \u201cK\u00fc\u00e7\u00fck Burjuvalar\u201dda da vard\u0131r. (Hristiyan insanc\u0131ll\u0131\u011f\u0131n\u0131n k\u00f6t\u00fcl\u00fc\u011fe iyilikle kar\u015f\u0131l\u0131k verme kuram\u0131na kar\u015f\u0131, iyili\u011fe iyilikle, k\u00f6t\u00fcl\u00fc\u011fe k\u00f6t\u00fcl\u00fckle kar\u015f\u0131l\u0131k verme kuram\u0131).<\/p>\n<p>Gorki\u2019nin ilk oyunlar\u0131n\u0131 izleyen, 1904-1905 y\u0131llar\u0131nda yazd\u0131\u011f\u0131 oyunlar\u0131, genellikle ayd\u0131nlar \u00e7evresinde ge\u00e7er, onlar\u0131n halkla ve devrimle ili\u015fkileri konular\u0131na y\u00f6nelik yap\u0131tlard\u0131r bunlar. Bir ku\u015fak \u00f6nceki Rus devrimcileri olan Narodnikler, ayd\u0131nlar\u0131, \u201cs\u0131n\u0131flar \u00fcst\u00fc\u201d bir devrimci g\u00fc\u00e7 olarak kabul ediyorlard\u0131. Gorki bu oyunlar\u0131nda, ayd\u0131nlar aras\u0131ndaki kesin ayr\u0131mla\u015fmalar\u0131 ve m\u00fccadeleyi yans\u0131tmaktad\u0131r. \u201cYazl\u0131k\u00e7\u0131lar\u201d da d\u00f6nek liberaller ve ger\u00e7ekten demokrat ayd\u0131nlar kar\u015f\u0131tl\u0131\u011f\u0131 g\u00f6sterilmektedir. Ger\u00e7ek demokratlar, halk\u0131n \u00f6zg\u00fcrl\u00fck sava\u015f\u0131na etkin olarak kat\u0131lanlar aras\u0131ndad\u0131r. \u201cG\u00fcne\u015fin \u00c7ocuklar\u0131\u201dnda i\u015flenen konu da hemen hemen ayn\u0131d\u0131r. Bu oyunda. siyasetle ilgili bir ayd\u0131n\u0131n burjuva toplumunda ba\u011f\u0131ms\u0131z bilimsel \u00e7al\u0131\u015fma yapma sav\u0131n\u0131n ge\u00e7ersizli\u011fi kan\u0131tlanmaktad\u0131r. Ayn\u0131 oyunda, halk\u0131n ta\u015f\u0131d\u0131\u011f\u0131 potansiyel g\u00fc\u00e7 de duyurulmaktad\u0131r. \u00c7al\u0131\u015fmalar\u0131n\u0131 bu g\u00fc\u00e7le birle\u015ftirmeyen ayd\u0131n, yenilgiye yazg\u0131l\u0131d\u0131r. Bu ikinci d\u00f6nem oyunlar\u0131ndan olan \u201cBarbarlar\u201dda ise, burjuvazinin ahl\u00e2ksal barbarl\u0131\u011f\u0131 sergilenmekte, geri kalm\u0131\u015f Rus toplumunun kapitalist uygarl\u0131k yoluyla de\u011fil, devrimci bir toplumsal kurtulu\u015fla yenilenece\u011fi inanc\u0131 yans\u0131maktad\u0131r.<\/p>\n<p>1906 y\u0131l\u0131nda yazd\u0131\u011f\u0131 \u201cD\u00fc\u015fmanlar\u201d adl\u0131 oyunu, 1905 Rus devriminin bir sonucudur. \u0130\u015f\u00e7i s\u0131n\u0131f\u0131 Rus Tiyatrosu\u2019nda ilk kez bu oyunla, \u201cS\u0131n\u0131f bilinciyle\u201d sahneye \u00e7\u0131km\u0131\u015ft\u0131r. \u201cD\u00fc\u015fmanlar\u201d da Maksim Gorki, i\u015f\u00e7i s\u0131n\u0131f\u0131n\u0131n grev m\u00fccadelesinin siyasal bir bilince do\u011fru nas\u0131l geli\u015fti\u011fini, i\u015f\u00e7iler aras\u0131nda sosyalist bilincin nas\u0131l yayg\u0131nl\u0131k kazand\u0131\u011f\u0131n\u0131 g\u00f6stermektedir.<br \/>\u201cSonuncular\u201d da (1908) bir polis devleti olan \u00c7arl\u0131k Rusya\u2019s\u0131n\u0131n ka\u00e7\u0131n\u0131lmaz sonu g\u00f6sterilmekte, \u201cVassa Jeleznova\u201dda (1910) burjuva toplumunun \u00e7\u00fcr\u00fcm\u00fc\u015fl\u00fc\u011f\u00fc sergilenmektedir. Oyunlar\u0131n\u0131n siyasal sorunsal\u0131n\u0131n yan\u0131s\u0131ra, belirtti\u011fimiz gibi \u00c7ehov gelene\u011finin bir izleyicisi olan ve \u00c7ehov\u2019a sevgisini her zaman belirten Gorki\u2019nin yap\u0131tlar\u0131nda, ki\u015fisel, psikolojik ayr\u0131nt\u0131lar ve sorunlar da ayn\u0131 \u00f6l\u00e7\u00fcde \u00f6nem ta\u015f\u0131r. Onun sosyalist ger\u00e7ek\u00e7i anlay\u0131\u015f\u0131n\u0131n g\u00fcc\u00fc, bireysel ve toplumsal olan aras\u0131nda denge kurabilmi\u015f olmas\u0131nda, tip yaratma ustal\u0131\u011f\u0131 ve ger\u00e7ek\u00e7ili\u011fiyle toplumsal sorunlar\u0131 ve sava\u015f\u00e7\u0131 bir duyarl\u0131\u011f\u0131 ve bilinci birle\u015ftirebilmesindedir.<\/p>\n<p>1930 y\u0131llar, Gorki\u2019nin oyun yazarl\u0131\u011f\u0131nda yeni bir yarat\u0131c\u0131 y\u00fckseli\u015f d\u00f6nemlidir. Bu y\u0131llarda yazd\u0131\u011f\u0131 \u201cYegor Buli\u00e7ov ve \u00d6tekiler\u201d oyunu ile \u201cDostigayev ve \u00d6tekiler\u201d, \u00fc\u00e7l\u00fc olarak tasarlanm\u0131\u015f bir dizinin ilk iki yap\u0131t\u0131d\u0131r. Bu oyunlarla, yine devrim \u00f6ncesi Rusya\u2019s\u0131n\u0131n \u00e7e\u015fitli tipleri getirilmektedir sahneye.<br \/>Gorki\u2019nin oyunlar\u0131 \u00c7ehov\u2019un oyunlar\u0131ndan, a\u00e7\u0131k, net bir bildiri ta\u015f\u0131mas\u0131yla ayr\u0131l\u0131r. Gorki\u2019nin amac\u0131, sergilemekten \u00e7ok, kan\u0131tlamakt\u0131r. Gerek olaylar\u0131n geli\u015fimi ve sonu\u00e7lar\u0131, gerek kahramanlar\u0131n s\u00f6yledikleriyle belirlenir bu. \u00c7ehov\u2019un oyunlar\u0131n\u0131n kahramanlar\u0131, \u00e7\u00f6z\u00fclen burjuva d\u00fcnyas\u0131n\u0131n temsilcileri olan toprak sahipleri, burjuvalar ve ayd\u0131nlard\u0131r. Bu oyunlar\u0131n ba\u015fl\u0131ca temas\u0131, onlar\u0131n \u00e7\u00f6k\u00fcnt\u00fcye u\u011frayan duygusal d\u00fcnyalar\u0131 ve ideolojileridir. \u0130ki s\u0131n\u0131f aras\u0131ndaki kar\u015f\u0131tl\u0131k s\u00f6z konusu de\u011fildir \u00c7ehov\u2019un oyunlar\u0131nda. Kahramanlar olumlu-olumsuz diye ikiye de ayr\u0131lmaz. Sadece (Vanya Day\u0131\u2019n\u0131n ilk varyant\u0131 olan) \u201cOrman Cini\u201dnde olumlu kahraman\u0131n s\u00f6z\u00fc edilebilir. Bu olumlu kahraman da (Hru\u015f\u00e7ov) yine burjuva \u00e7evresinden bir ayd\u0131nd\u0131r. \u00c7ehov\u2019un iki toplumsal s\u0131n\u0131f aras\u0131ndaki kar\u015f\u0131tl\u0131\u011f\u0131 net olarak koydu\u011fu tek oyunu, \u201cVi\u015fne Bah\u00e7esi\u201ddir. Buradaki kar\u015f\u0131tl\u0131k da, aristokrasi ile k\u00fc\u00e7\u00fck burjuvalar aras\u0131ndad\u0131r. Gorki\u2019nin oyunlar\u0131nda s\u0131n\u0131fsal kar\u015f\u0131tl\u0131klar, olumlu ve olumsuz kahramanlar olanca keskinli\u011fiyle, polemik\u00e7i bir \u00fcsl\u00fbpla konulmu\u015ftur. \u00d6te yandan, bu oyunlar, yukarda da de\u011findi\u011fim gibi, ustas\u0131 \u00c7ehov\u2019a \u00f6zg\u00fc psikolojik ayr\u0131nt\u0131lara inme ve tip \u00e7izme ustal\u0131klar\u0131n\u0131 da i\u00e7erir. K\u0131saca, \u00c7ehov\u2019un oyunlar\u0131n\u0131n atmosferi \u201cduygusal\u201d diye nitelenebilir. Gorki\u2019nin oyunlar\u0131nda ise \u201cpolemik\u00e7i\u201d bir atmosfer egemendir. \u201cDuygusal\u201d oldu\u011fu noktalarda, \u00f6zellikle burjuva ayd\u0131n tiplerin \u00e7iziminde, ustas\u0131 \u00c7ehov\u2019un etkisi a\u00e7\u0131k\u00e7a duyulanmaktad\u0131r. Gorki\u2019nin sahnelenmesinde, kan\u0131mca, \u201cpolemik\u00e7i\u201d \u00fcsl\u00fbba sad\u0131k kal\u0131nmal\u0131, yazar\u0131n sav\u2019\u0131n\u0131n alt\u0131 \u00e7izilmeli, fakat psikolojik incelikler, duygusal \u00e7\u0131n\u0131lt\u0131lar ve Rus edebiyat\u0131n\u0131n t\u00fcm\u00fcne \u00f6zg\u00fc humor (ince ve bazan kaba alay) \u00f6zellikleri g\u00f6zden \u0131rak tutulmamal\u0131d\u0131r.<\/p>\n<p>ATAOL BEHRAMO\u011eLU<\/p>\n<p>\u00a0<\/p>\n","protected":false},"excerpt":{"rendered":"<p>Yarat\u0131c\u0131l\u0131\u011f\u0131yla Sovyet Rus edebiyat\u0131n\u0131 ba\u015flatt\u0131\u011f\u0131 kabul edilen, sosyalist ger\u00e7ek\u00e7ilik ak\u0131m\u0131n\u0131n kurucusu say\u0131lan Maksim Gorki, yap\u0131tlar\u0131n\u0131 iki \u00e7a\u011f\u0131n (19.Y\u00fczy\u0131l-20.Y\u00fczy\u0131l) kesi\u015fti\u011fi noktada verdi. Marangoz bir baban\u0131n ve k\u00f6yl\u00fc k\u00f6kenli bir anan\u0131n \u00e7ocu\u011fu olarak d\u00fcnyaya gelen Maksim Gorki\u2019nin, yap\u0131tlar\u0131nda, devrim \u00f6ncesi, devrim y\u0131llar\u0131 ve devrim sonras\u0131 Rusya\u2019s\u0131n\u0131n sorunlar\u0131 b\u00fct\u00fcn geni\u015fli\u011fiyle yans\u0131d\u0131. Ona d\u00fcnya \u00e7ap\u0131nda \u00fcn getiren ilk hik\u00e2yeleri [&hellip;]<\/p>\n","protected":false},"author":1,"featured_media":0,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[64],"tags":[],"class_list":{"0":"post-4059","1":"post","2":"type-post","3":"status-publish","4":"format-standard","6":"category-tiyatro-uzerine"},"yoast_head":"<!-- This site is optimized with the Yoast SEO Premium plugin v24.9 (Yoast SEO v24.9) - https:\/\/yoast.com\/wordpress\/plugins\/seo\/ -->\n<title>Oyun yazar\u0131 olarak Maksim Gorki | Ataol Behramo\u011flu - narteks.net<\/title>\n<meta name=\"robots\" content=\"index, follow, max-snippet:-1, max-image-preview:large, max-video-preview:-1\" \/>\n<link rel=\"canonical\" href=\"https:\/\/narteks.net\/index.php\/2010\/01\/22\/oyun-yazar-olarak-maksim-gorki-ataol-behramolu\/\" \/>\n<meta property=\"og:locale\" content=\"tr_TR\" \/>\n<meta property=\"og:type\" content=\"article\" \/>\n<meta property=\"og:title\" content=\"Oyun yazar\u0131 olarak Maksim Gorki | Ataol Behramo\u011flu\" \/>\n<meta property=\"og:description\" content=\"Yarat\u0131c\u0131l\u0131\u011f\u0131yla Sovyet Rus edebiyat\u0131n\u0131 ba\u015flatt\u0131\u011f\u0131 kabul edilen, sosyalist ger\u00e7ek\u00e7ilik ak\u0131m\u0131n\u0131n kurucusu say\u0131lan Maksim Gorki, yap\u0131tlar\u0131n\u0131 iki \u00e7a\u011f\u0131n (19.Y\u00fczy\u0131l-20.Y\u00fczy\u0131l) kesi\u015fti\u011fi noktada verdi. 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