{"id":4077,"date":"2010-01-27T10:37:15","date_gmt":"2010-01-27T07:37:15","guid":{"rendered":"http:\/\/localhost\/wordpress\/2010\/01\/27\/gizdes-yasanti-siirleriyle-maskesiz-bir-yasam-ruhan-mavruk\/"},"modified":"2010-01-27T10:37:15","modified_gmt":"2010-01-27T07:37:15","slug":"gizdes-yasanti-siirleriyle-maskesiz-bir-yasam-ruhan-mavruk","status":"publish","type":"post","link":"https:\/\/narteks.net\/index.php\/2010\/01\/27\/gizdes-yasanti-siirleriyle-maskesiz-bir-yasam-ruhan-mavruk\/","title":{"rendered":"Gizde\u015f ya\u015fant\u0131 \u015fiirleriyle maskesiz bir ya\u015fam | Ruhan Mavruk"},"content":{"rendered":"

<\/strong><\/p>\n

1956 y\u0131l\u0131nda \u0130stanbul\u2019da do\u011fdu. \u0130stanbul Ticari \u0130limler Akademisi\u2019ne ba\u011fl\u0131 Gazetecilik ve Halkla \u0130li\u015fkiler Y\u00fcksek Okulu \u2019nu bitirdi. Ayn\u0131 dalda y\u00fcksek lisans yapt\u0131. Proficiency in English, TOEFL, T\u0131bbi \u00c7eviri gibi bran\u015flarda ingilizce ders vererek ya\u015fam\u0131n\u0131 kazand\u0131. 1985 y\u0131l\u0131nda bir gramer kitab\u0131 yay\u0131mlad\u0131. \u0130ngilizce\u2019den \u00e7eviriler yapt\u0131.1994 y\u0131l\u0131nda Berfin Yay\u0131nlar\u0131\u2019ndan \u00e7\u0131kan\u00a0 \u0130lk \u015fiir kitab\u0131 \u0130da Da\u011f\u0131 \u00c7\u00f6z Beni (2.bask\u0131 Kardelen Yay\u0131nc\u0131l\u0131k, 2004) ile \u201cMavi Dergisi \u0130lk Yap\u0131tlar\u201d birincilik \u00f6d\u00fcl\u00fcn\u00fc kazand\u0131.<\/p>\n

1996 y\u0131l\u0131nda Ulusal Yay\u0131nc\u0131l\u0131k\u2019 tan Derinli\u011fin Serinli\u011fi adl\u0131 felsefe ara\u015ft\u0131rmalar\u0131 yay\u0131mland\u0131. \u0130kinci \u015fiir kitab\u0131 Leyladan Beri 1998 Kas\u0131m\u2019\u0131nda Ger\u00e7ek Sanat Yay\u0131nlar\u0131\u2019ndan, Fiyortlar adl\u0131 bir \u00f6yk\u00fc kitab\u0131 2005\u2019te Daima Yay\u0131nc\u0131l\u0131k\u2019tan \u00e7\u0131kt\u0131.<\/p>\n

\u2018\u2019Ayd\u0131n, sanat\u00e7\u0131 kavram\u0131 nedir? Sizce neyi gerektiriyor… Y\u00fcklenen misyon nedir?<\/p>\n

Ruhan Mavruk: Sanat\u0131n kendisi muha-lefettir ve direni\u015ftir. Sanat\u00e7\u0131 kendini sis-temden ba\u011f\u0131ms\u0131z olarak d\u00fc\u015f\u00fcn\u00fcyorsa, bu d\u00fc\u015f\u00fcncelerini eylem halinde ortaya koy-mal\u0131. Evet yazmak ta bir eylemdir, resim yapmakta… \u00c7\u00fcnk\u00fc beyinde ba\u015flayan ey-lemle ba\u015fl\u0131yor sanat, her\u015fey gibi… Ama d\u00fc\u015f\u00fcnd\u00fcklerini halk\u0131n i\u00e7inde eylemlilikle b\u00fct\u00fcnle\u015ftirebiliyorsa o zaman kendisini ger\u00e7ekle\u015ftirmi\u015f demektir. \u0130nsan d\u00fc\u015f\u00fcncesinin nesnel ger\u00e7ekli\u011fe yakla\u015f\u0131p yakla\u015famayaca\u011f\u0131 sorunu teorik bir sorun de\u011fil asl\u0131nda, pratik bir sorun… Sanat\u00e7\u0131 bunu yapam\u0131yor, ya da yapmaktan ka\u00e7\u0131n\u0131yorsa, ya ayd\u0131n kavram\u0131n\u0131 i\u00e7selle\u015ftirmekte yetersiz kal\u0131yor ya da bedel \u00f6demekten korkuyor demektir.<\/p>\n

\u00dcretim a\u015famas\u0131nda ara\u015ft\u0131rmac\u0131, co\u015fkulu ve i\u00e7ten olacak, s\u00fcrekli de\u011fi\u015fen, \u00fclke ve d\u00fcnya siyasetini eme\u011fin ve insan hakla-r\u0131n\u0131n ihlali sorununu irdeleyecektir. Yerine g\u00f6re omuz ba\u015f\u0131nda olacak halk\u0131n, yerine g\u00f6re belki biraz \u00f6n\u00fcnde, yerine g\u00f6-re arkas\u0131nda… \u00c7\u00fcnk\u00fc onun halk\u0131n dinamiklerinden kendi sanatsal \u00fcretimine katabilece\u011fi \u00e7ok \u015fey var. Bu co\u015fkuyu al-mazsa giderek kendi rengini de soldurur ve kurur… Sanatsal yarat\u0131c\u0131l\u0131\u011f\u0131n co\u015fkuya ihtiyac\u0131 vard\u0131r. Art\u0131 d\u00fc\u015f\u00fcnd\u00fcklerini eylemlili\u011fe koymamak b\u00fcy\u00fck \u00e7eli\u015fki ve iki y\u00fczl\u00fcl\u00fckt\u00fcr. Entel -entellekt\u00fceller- kavram\u0131da iki grupta kar\u015f\u0131m\u0131za \u00e7\u0131k\u0131yor post-modernle\u015fme d\u00f6neminde: Birincisi, burjuvazinin \u00fcretim g\u00fcc\u00fc haline gelmi\u015f ve emperyalizmin dayatt\u0131klar\u0131n\u0131 insanlara empoze etmeye \u00e7al\u0131\u015fanlar… \u0130kincisi; bunlar\u0131 benimsetmeye \u00e7al\u0131\u015fmayan, duyan g\u00f6ren ama sadece yorumlayanlar… Ama yukarda da de\u011findi\u011fimiz gibi ayd\u0131n kavram\u0131 bunlar\u0131n \u00e7ok d\u0131\u015f\u0131nda ve \u00fcst\u00fcnde. Cesaret en b\u00fcy\u00fck erdem… Devrimciler ve ger\u00e7ek ayd\u0131nlar birbirine son derece benzeyen ve gereksinimi olan insanlard\u0131r…<\/p>\n

S\u00f6z\u00fcn\u00fc etti\u011fimiz kapsamda \u00f6rne\u011fin TAYAD’l\u0131 aileler i\u00e7inde dahi d\u00fc\u015f\u00fcnsel varl\u0131\u011f\u0131n\u0131 ger\u00e7ekle\u015ftirmeye \u00e7al\u0131\u015fan ayd\u0131nlar\u0131n say\u0131s\u0131 \u00e7ok az. Bu sanat\u00e7\u0131 ve ayd\u0131nlar\u0131n da b\u00fcy\u00fck bask\u0131lar ya\u015fad\u0131\u011f\u0131 bir ger\u00e7ek. Ya\u015fam\u0131 de\u011fi\u015ftirip d\u00f6n\u00fc\u015ft\u00fcrmeye kararl\u0131 olan t\u00fcm insanlar ezilmeye \u00e7al\u0131\u015f\u0131l\u0131yor. Tam bir Mc. Carty d\u00f6nemi diyebiliriz…<\/p>\n

Ayd\u0131n ve sanat\u00e7\u0131lar\u0131n bug\u00fcn geldikleri nokta, \u00e7o\u011funlukla i\u00e7ten olmayan, sisteme teslim olmu\u015f bir konumlar\u0131 var. Baz\u0131 k\u0131r\u0131lma noktalar\u0131 var… \u00d6rne\u011fin bir ayd\u0131n, bir sanat\u00e7\u0131 Irak sava\u015f\u0131 gibi haks\u0131z bir m\u00fcdahaleye kar\u015f\u0131 \u00e7\u0131kmakta fazla bir risk g\u00f6rmeyebiliyor ama F tipi hapishanelerle, yarg\u0131s\u0131z infazlarla ilgili bir eylemlili\u011fe kat\u0131l\u0131m noktas\u0131nda kayg\u0131lar\u0131 beliriyor. \u0130stedikleri \u015fu: Kendilerini muhalif sanat\u00e7\u0131 olarak tan\u0131tabilmek ama m\u00fcmk\u00fcn oldu\u011fu kadar az riskle.<\/p>\n

Edebiyatc\u0131lar aras\u0131nda \u00f6zellikle k\u0131rk ku\u015fa\u011f\u0131ndan, halk\u0131n ve devrimcilerin sorunlar\u0131n\u0131 i\u00e7tenlik ve cesaretle sahip-lenen ayd\u0131n sanat\u00e7\u0131lar da var, elbette m\u00fczik, tiyatro ve sinemada da…<\/p>\n

D\u00f6rt y\u0131ld\u0131r s\u00fcren direni\u015fe ve F tipi hapishanelerde uygulanan tecrite kar\u015f\u0131 ayd\u0131n ve sanat\u00e7\u0131lar\u0131n yakla\u015f\u0131m\u0131n\u0131 nas\u0131l de\u011ferlendiriyorsunuz?<\/p>\n

Olumlu katk\u0131lar\u0131 da oldu. Ankara Ayd\u0131n Sanat\u00e7\u0131 Giri\u015fimi y\u00fcrekli bir m\u00fccadele verdi. \u0130stanbul F t\u0130pine kar\u015f\u0131 ayd\u0131n ve sanat\u00e7\u0131 giri\u015fimini kurdu\u011fumuzda ise do\u011f-rusu incitici yakla\u015f\u0131mlarla kar\u015f\u0131la\u015ft\u0131k: “Sizler radikal insanlars\u0131n\u0131z, elit de\u011filsi-niz, bu giri\u015fimi daha g\u00fc\u00e7l\u00fc birileri kurmal\u0131yd\u0131.” Biz de kendi g\u00fcc\u00fcm\u00fczle tepkimizi devrimci kurulu\u015flarla ve halk\u0131n i\u00e7inde s\u00fcrd\u00fcrmeye \u00e7al\u0131\u015ft\u0131k.<\/p>\n

Sadece masa ba\u015f\u0131nda de\u011fil ya\u015fam\u0131n her alan\u0131nda devrimcilerin yan\u0131nda olunmal\u0131 ve sahip \u00e7\u0131k\u0131lmal\u0131. Ben kendimi son s\u0131n\u0131r\u0131ma kadar zorlayaca\u011f\u0131m. \u015eunu biliyorum ki \u00f6l\u00fcm orucu eylemini se\u00e7en arkada\u015flar\u0131n bedenlerinden ba\u015fka \u00f6ne s\u00fcrecekleri \u015feyleri yok… Bir de iradeleri ve yarat\u0131c\u0131l\u0131klar\u0131… Onlara sayg\u0131 duyuyorum ve destek olunmas\u0131 gerekti\u011fine inan\u0131yorum.<\/p>\n

Bu s\u00fcre\u00e7le ilgili \u00e7al\u0131\u015fmalar\u0131n\u0131z var m\u0131?<\/p>\n

Evet… Simurg Tufan\u0131 adl\u0131 bir kitap haz\u0131rl\u0131yorum. Bu kitab\u0131m\u0131 haz\u0131rlarken daha \u00e7ok i\u00e7eride ve d\u0131\u015far\u0131daki tecriti anlatmak istedim. Devrimcilerin her anlamdaki direngenli\u011fini ve yarat\u0131c\u0131l\u0131klar\u0131n\u0131 dillendirmek istedim.. \u00d6rne\u011fin; Yiyecek art\u0131klar\u0131ndan ve kurumu\u015f \u00e7aylardan nas\u0131l ta\u015f avlularda toprak \u00fcrettiklerini, sal\u00e7adan, rengarenk haplardan nas\u0131l tablolar boyad\u0131klar\u0131n\u0131, h\u00fccreden h\u00fccreye seslenerek nas\u0131l \u015fiir ve tiyatro g\u00fcnleri d\u00fczenlediklerini, yazd\u0131klar\u0131 edebi de\u011feri ironisi \u00e7ok g\u00fc\u00e7l\u00fc mektuplar\u0131 k\u0131sacas\u0131 destans\u0131 ya\u015famlar\u0131n\u0131.. Daha geni\u015f halk kesimlerine ula\u015ft\u0131rmay\u0131 ama\u00e7lad\u0131m bilinmeyen bu ger\u00e7ekleri. Gelirini de ger\u00e7ek sahiplerine ba\u011f\u0131\u015flayaca\u011f\u0131m\u2026\u2019\u2019 Ekmek ve Adalet, Say\u0131\u00a0 24<\/p>\n

”Ruhan Mavruk’un ikinci kitab\u0131 Leyladan Beri\u2019de \u2026 yer alan \u015fiirler, \u015fiir ortam\u0131nda art\u0131k bir Ruhan Mavruk \u015fiiri’nden s\u00f6z edilebilece\u011finin ip u\u00e7lar\u0131n\u0131 veriyor. Ruhan Mavruk, 1994’te Berfin Yay\u0131nlar\u0131’ ndan \u00e7\u0131kan ilk kitab\u0131 “\u0130da Da\u011f\u0131 \u00c7\u00f6z Beni”den ikinci kitab\u0131 “Leyladan Beri”ye, toplumsal ve bireysel olan\u0131n izlerini \u015fiire ta\u015f\u0131yor. Yal\u0131n dili, duru anlat\u0131m\u0131, “kad\u0131n \u015fair duyarl\u0131\u011f\u0131” ile \u015fiir bilgisi ve sevgisi, Mavruk’ un \u015fiirin pe\u015fini b\u0131rakmayaca\u011f\u0131n\u0131n ve giderek daha yetkin \u00fcr\u00fcnlerle okurun kar\u015f\u0131s\u0131na \u00e7\u0131kaca\u011f\u0131n\u0131n habercisi…Kad\u0131n sorunundan K\u00fcrt sorununa, a\u00e7l\u0131k grevinde \u00f6lenlerden g\u00fcnl\u00fck ya\u015fam\u0131n ko\u015fturmas\u0131na kadar hayat\u0131nda iz b\u0131rakan her insanl\u0131k durumunu \u015fiirleriyle i\u015fliyor Mavruk. Muhalefet edece\u011fim derken \u015fiirden taviz vermiyor Ruhan Mavruk. ”Vecdi Erbay, \u00d6zg\u00fcr Politika<\/p>\n

”\u0130dilK\u00fclt\u00fcr Merkezi\u2019nin kurucusu oldu\u011fu gerek\u00e7esiyle, g\u00f6zalt\u0131na al\u0131nan Ruhan Mavruk \u2026 serbest b\u0131rak\u0131ld\u0131ktan sonra bir a\u00e7\u0131klama yaparak, polisteki sorgular\u0131 s\u0131ras\u0131nda kendilerine, Alevi olup olmad\u0131klar\u0131n\u0131n soruldu\u011funu ve Alevi olanlara a\u011f\u0131r hakaretlerde bulu-nuldu\u011funu, bu ki\u015filerin k\u00f6t\u00fc davran\u0131\u015f-lara maruz b\u0131rak\u0131ld\u0131\u011f\u0131n\u0131 iddia etmi\u015f-tir.”TCMB Tutanak Dergisi, 02.02.1999<\/p>\n

”\u00c7evre Radyo Genel Yay\u0131n Y\u00f6netmeni \u015eair Ruhan Mavruk yapt\u0131\u011f\u0131 konu\u015fmada \u0130zmir’de g\u00f6zalt\u0131na al\u0131n\u0131p kaybedilmeye \u00e7al\u0131\u015f\u0131lan Hasan Aydo\u011fan’\u0131n annesinin \u00c7evre Radyo’da yapt\u0131\u011f\u0131 konu\u015fma nede-niyle ayd\u0131nlar olarak biraraya gelip imza toplad\u0131klar\u0131n\u0131 belirtti.”<\/p>\n

Kurtulu\u015f, Haziran 1999<\/p>\n

”Irak’ta \u0130\u015fgale Hay\u0131r Koordinasyonu, \u0130s-rail Konsoloslu\u011fu \u00f6n\u00fcnde d\u00fczenledi\u011fi ey-lemle, Irak ve Filistin’deki i\u015fgali protesto etti…\u015eair Ruhan Mavruk \u015fiir okuyarak, Grup Vardiya, Grup Y\u00fcr\u00fcy\u00fc\u015f ve Grup Yorum da birer \u015fark\u0131 s\u00f6yleyerek eyleme destek verdi.” Barikat, Ekim 2004<\/p>\n

”\u015eair-Yazar Ruhan Mavruk G\u00f6zalt\u0131nda!<\/p>\n

…Bu g\u00fcn sabah saatlerinde kendisinin ol-mad\u0131\u011f\u0131 bir zamanda evi \u0130stanbul polisince bas\u0131l\u0131p talan edildi. \u00d6zel e\u015fyalar\u0131na el konuldu. Durumu \u00f6\u011frenen sanat\u00e7\u0131 daha sonra avukat\u0131yla beraber \u0130stanbul Emniyet M\u00fcd\u00fcrl\u00fc\u011f\u00fc’ne gitti ve burada g\u00f6zalt\u0131na al\u0131nd\u0131…\u00d6l\u00fcm orucundaki tutuklular\u0131n yazd\u0131\u011f\u0131 mektuplarsa ele ge\u00e7irdikleri “\u00e7ok \u00f6nemli su\u00e7 delilleri.” \u0130\u015fte Ruhan Mavruk’ un \u00f6rg\u00fct \u00fcyeli\u011fiyle su\u00e7lanmas\u0131n\u0131n daya-na\u011f\u0131 bu mektuplar…”Halk\u0131n Hukuk B\u00fcrosu bas\u0131n a\u00e7\u0131klamas\u0131, 11.10.2004<\/p>\n

\u2018\u2019Neden sizce bu g\u00f6zalt\u0131?<\/p>\n

Benim devrimcilere yak\u0131nl\u0131\u011f\u0131m rahats\u0131z ediyor onlar\u0131 ve yaln\u0131zla\u015ft\u0131rmak istiyor-lar, beni de\u011fil asl\u0131nda devrimcileri yal-n\u0131zla\u015ft\u0131rmak istiyorlar. \u00c7ok zor bir \u00e7a\u011fday\u0131z, b\u00fct\u00fcn d\u00fcnyay\u0131 halklar hapishane-sine \u00e7evirmek istiyorlar. Bunlara kar\u015f\u0131 direnecek g\u00fcc\u00fc olan insanlardan da korkuyorlar, bu sadece T\u00fcrkiye egemenlerinin de\u011fil emperyalizmin korkusudur.<\/p>\n

Emperyalizm herkesi bir h\u00fccrenin i\u00e7ine al\u0131yor, i\u00e7erde, d\u0131\u015far\u0131da buna izin vermeyece\u011fiz. Ba\u015fka ne diyebilirim ki. Cezaevlerinden mektuplar geliyor. Yeni kitap haz\u0131rl\u0131\u011f\u0131m var, i\u00e7erde onca g\u00fczel insan tutuluyor ki onlar\u0131n \u015fiirleri, karikat\u00fcrleri, resimleri, \u00f6yk\u00fcleri var. Benim \u015fiirlerimle beraber onlar\u0131n da olacak. Zaten i\u00e7erideki dostlar\u0131n b\u00f6yle bir kitaplar\u0131 da var, yarat\u0131c\u0131l\u0131k diye onlar\u0131n yapt\u0131\u011f\u0131na derim ben.<\/p>\n

<\/span><\/p>\n

Bir Gece Treni<\/strong><\/p>\n

k\u00f6p\u00fcrerek uzakla\u015fan sulara siniyor sesim
bana bir hasret \u015fark\u0131s\u0131 bestele
al bu sus i\u015faretleri senin olsun
sat\u0131r aralar\u0131na g\u00f6md\u00fc\u011f\u00fcm \u015fiirlerim de <\/p>\n

eski nehir havzalar\u0131ma d\u00f6n\u00fcyorum
k\u0131rg\u0131n de\u011filim g\u00fcne\u015fe
buharla\u015f\u0131r zamana b\u0131rak\u0131lan g\u00fcnler
\u00f6fkem kendime <\/p>\n

a\u015f\u0131klar\u0131n kavu\u015ftu\u011fu duraklarda
ayr\u0131ld\u0131m kendimden
ya\u011fmursuz, topraks\u0131z bir erdeme tutsak
susturup yasak bir \u00fclke gibi
yanan tenini y\u0131llar\u0131n <\/p>\n

demir asa y\u00fcr\u00fcd\u00fc\u011f\u00fcm yollar\u0131 da unut
ka\u00e7\u0131rmad\u0131m g\u00f6zlerimi engizisyon yarg\u0131\u00e7lar\u0131ndan
ama y\u0131kamad\u0131m i\u00e7imdeki karakollar\u0131 <\/p>\n

\u015fimdi t\u00fcts\u00fcler, dualar u\u011furluyor bedenimi
bir muse a\u011fl\u0131yor, y\u00fcre\u011fi yar\u0131m
kalm\u0131\u015f \u015fiirlerimde <\/p>\n

bilmiyorlar
postac\u0131 hi\u00e7 u\u011framasa
mimozalar a\u00e7masa da
bir buzda\u011f\u0131n\u0131n alt\u0131nda at\u0131yor h\u00e2l\u00e2 kalbim
birikmi\u015f g\u00f6kleri ve prangalar\u0131 dizelerde <\/p>\n

ta\u015f\u0131r sonsuza
han\u00e7eri, nehri ve kederi <\/p>\n

\u00f6l\u00fcm petrols\u00fcz ve protokols\u00fcz bir \u00fclke
bir \u015fairin
en i\u00e7ten \u015fiiri\u00a0<\/p>\n

\u00d6teki-siz Dergisi 2002 14-15. say\u0131s\u0131<\/p>\n

Di\u011fer \u015fiirleri i\u00e7in \u015fairler ve \u015fiirleri b\u00f6l\u00fcm\u00fcne bak\u0131n\u0131z<\/p>\n","protected":false},"excerpt":{"rendered":"

1956 y\u0131l\u0131nda \u0130stanbul\u2019da do\u011fdu. \u0130stanbul Ticari \u0130limler Akademisi\u2019ne ba\u011fl\u0131 Gazetecilik ve Halkla \u0130li\u015fkiler Y\u00fcksek Okulu \u2019nu bitirdi. Ayn\u0131 dalda y\u00fcksek lisans yapt\u0131. Proficiency in English, TOEFL, T\u0131bbi \u00c7eviri gibi bran\u015flarda ingilizce ders vererek ya\u015fam\u0131n\u0131 kazand\u0131. 1985 y\u0131l\u0131nda bir gramer kitab\u0131 yay\u0131mlad\u0131. \u0130ngilizce\u2019den \u00e7eviriler yapt\u0131.1994 y\u0131l\u0131nda Berfin Yay\u0131nlar\u0131\u2019ndan \u00e7\u0131kan\u00a0 \u0130lk \u015fiir kitab\u0131 \u0130da Da\u011f\u0131 \u00c7\u00f6z Beni […]<\/p>\n","protected":false},"author":1,"featured_media":0,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[133],"tags":[],"class_list":{"0":"post-4077","1":"post","2":"type-post","3":"status-publish","4":"format-standard","6":"category-ruhan-mavruk"},"yoast_head":"\nGizde\u015f ya\u015fant\u0131 \u015fiirleriyle maskesiz bir ya\u015fam | Ruhan Mavruk - narteks.net<\/title>\n<meta name=\"robots\" content=\"index, follow, max-snippet:-1, max-image-preview:large, max-video-preview:-1\" \/>\n<link rel=\"canonical\" href=\"https:\/\/narteks.net\/index.php\/2010\/01\/27\/gizdes-yasanti-siirleriyle-maskesiz-bir-yasam-ruhan-mavruk\/\" \/>\n<meta property=\"og:locale\" content=\"tr_TR\" \/>\n<meta property=\"og:type\" content=\"article\" \/>\n<meta property=\"og:title\" content=\"Gizde\u015f ya\u015fant\u0131 \u015fiirleriyle maskesiz bir ya\u015fam | Ruhan Mavruk\" \/>\n<meta property=\"og:description\" content=\"1956 y\u0131l\u0131nda \u0130stanbul\u2019da do\u011fdu. \u0130stanbul Ticari \u0130limler Akademisi\u2019ne ba\u011fl\u0131 Gazetecilik ve Halkla \u0130li\u015fkiler Y\u00fcksek Okulu \u2019nu bitirdi. 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