![](\"http:\/\/img.blogcu.com\/uploads\/karnaval_karnaval_picasso.JPG\")
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Don Ki\u015fot\u2019un klasik tefsirleri [yorumlar\u0131] vard\u0131r : Monar\u015finin \u2013 yani burjuva iktisad\u0131n\u0131n \u2013 h\u00e2kim olmaya ba\u015flad\u0131\u011f\u0131 bir devirde, derebeyli\u011fe, \u015f\u00f6valyeli\u011fe, yani art\u0131k geri gelmesi m\u00fcmk\u00fcn olmayan bir devre, maziye hasret. Don Ki\u015fot bu \u015f\u00f6valeresk taraflar\u0131 olan mazinin, bu kaybolmu\u015f cennetin m\u00fctehassiri [\u00f6zleyeni], \u015eanso ise, burjuva ak\u0131l ve mant\u0131\u011f\u0131n\u0131n, devrin realitesinin m\u00fcmessili. Cervantes, maziye d\u00f6nmenin ne kadar imk\u00e2ns\u0131z oldu\u011funu g\u00f6stermek istemi\u015f ve b\u00f6yle bir hasret \u00e7ekenlerle alay etmi\u015ftir. Bu bak\u0131mdan da Don Ki\u015fot imk\u00e2ns\u0131z\u0131n pe\u015finde ko\u015fan bir \u00e7e\u015fit zavall\u0131 ve biraz da g\u00fcl\u00fcn\u00e7 bir delidir.<\/p>\n
(\u2026) Bana g\u00f6re Don Ki\u015fot sadece mazi hasreti \u00e7eken bir adam de\u011fildir. Umumiyetle do\u011frunun, hakl\u0131n\u0131n, g\u00fczelin hasretini \u00e7eken adamd\u0131r.<\/p>\n
Umumiyetle do\u011frunun, hakl\u0131n\u0131n, g\u00fczelin hasretini \u00e7eken adamd\u0131r. Bu onun hem kuvvetli, hem zay\u0131f taraf\u0131d\u0131r. \u00c7\u00fcnk\u00fc umumiyetle, mutlak manas\u0131yla, g\u00fczel, do\u011fru ve iyi yoktur, fakar di\u011fer taraftan insanlar, sosyal \u015fartlar\u0131n tesiriyle, daha g\u00fczele, daha hakl\u0131ya, daha do\u011fruya m\u00fctemadiyen hasret \u00e7ekmi\u015flerdir. Don Ki\u015fot kuvvetli bir adamd\u0131r, \u00e7\u00fcnk\u00fc aksiyon [eylem] adam\u0131d\u0131r.<\/p>\n
M\u00fccadele adam\u0131d\u0131r. \u0130nand\u0131\u011f\u0131 \u015fey i\u00e7in d\u00f6v\u00fc\u015fen adamd\u0131r. Bundan dolay\u0131 da akl\u0131, mant\u0131\u011f\u0131, burjuva akl\u0131n\u0131 ve mant\u0131\u011f\u0131n\u0131 temsil eden \u015eanso\u2019yla k\u0131yas edildi\u011fi zaman, Don Ki\u015fot de\u011fil, \u015eanso g\u00fcl\u00fcn\u00e7t\u00fcr. \u015eanso\u2019da hareket noktas\u0131, aksiyonunun hareket noktas\u0131, \u015fahsi menfaatidir. Zengin olmak, vali olmak i\u00e7in Don Ki\u015fot\u2019un pe\u015fine tak\u0131lm\u0131\u015ft\u0131r. Bunun i\u00e7in de kitab\u0131 bitirdi\u011fin zaman Don Ki\u015fot\u2019u seversin, \u015eanso\u2019yu sevmezsin. Don Ki\u015fot\u2019un deli, komik filan olarak g\u00f6sterilmesinde bizzat burjuva devri ve bu devrin resmi ne\u015friyat\u0131 da amil olmu\u015ftur. Burjuva, Monarch\u2019\u0131 da devirip sosyetenin [toplumun] tam h\u00e2kimi olduktan sonra, kendi devrini, mutlak, de\u011fi\u015fmez ve en do\u011fru, en g\u00fczel, en akla uygun bir devir sayd\u0131\u011f\u0131 i\u00e7in, daha g\u00fczeli, daha do\u011fruyu arayandan nefret etmi\u015f, idealistten \u00fcrkm\u00fc\u015f, korkmu\u015f ve Don Ki\u015fot\u2019u bir istihza vesilesi yaparak bu s\u0131fat\u0131, kendi akl\u0131 ve mant\u0131\u011f\u0131, hele kendi devrinin \u015fartlar\u0131na uymayan, hele o \u015fartlar\u0131 de\u011fi\u015ftirmek isteyen herkese vermi\u015ftir. Don Ki\u015fot\u2019un g\u00fcl\u00fcn\u00e7, komik, yar\u0131 deli telakki edilmesinde, bu devirde ve belirli muhitlerde, bu da amildir. Kitab\u0131n i\u00e7indeki Don Ki\u015fot elbette ki normal bir adam de\u011fildir. Fakat kitab\u0131n d\u0131\u015f\u0131na \u00e7\u0131kan bir Don Ki\u015fot vard\u0131r ki o gayetle normaldir. Kitab\u0131n i\u00e7indeki Don Ki\u015fot\u2019un normal olmay\u0131\u015f\u0131, demin de s\u00f6yledi\u011fim gibi, geri gelmesi imk\u00e2ns\u0131z olan\u0131 aramaya, bulmaya kalk\u0131\u015fmas\u0131ndand\u0131r. Fakat kitab\u0131n d\u0131\u015f\u0131na \u00e7\u0131kan, kitab\u0131n mevzuunun d\u0131\u015f\u0131na \u00e7\u0131kan Don Ki\u015fot\u2019un, daha iyiyi, daha g\u00fczeli arayan\u0131n, burjuva akl\u0131 ve mant\u0131\u011f\u0131n\u0131, burjuva telakkilerini ve psikolojisini, mutlak olarak kabul etmeyen Don Ki\u015fot\u2019un, daha g\u00fczeli ve daha iyiyi, daha hakl\u0131y\u0131 arayan Don Ki\u015fot\u2019un, bu u\u011furda d\u00f6v\u00fc\u015fen Don Ki\u015fot\u2019un, aksiyona ge\u00e7en Don Ki\u015fot\u2019un anormallikle hi\u00e7bir ilgisi yoktur. Yani Don Ki\u015fot\u2019un hik\u00e2yesini, yelde\u011firmenleriyle d\u00f6v\u00fc\u015fmesini, falan\u0131n\u0131 filan\u0131n\u0131 de\u011fil de, g\u00fczel ve do\u011fru buldu\u011fu bir i\u015f i\u00e7in ellisinden sonra d\u00f6v\u00fc\u015fmesini, yollara d\u00fc\u015fmesini filan g\u00f6z \u00f6n\u00fcnde tutarsan onu sevmemek imk\u00e2ns\u0131zd\u0131r. Ve ben \u00f6yle san\u0131yorum ki onun h\u00e2l\u00e2 canl\u0131 olu\u015funda ve insanl\u0131k tarihi boyunca da canl\u0131 kalacak olmas\u0131nda b\u00fct\u00fcn bu sayd\u0131klar\u0131m\u0131n rol\u00fc b\u00fcy\u00fckt\u00fcr. Sonra, kitab\u0131n tekni\u011fi, hik\u00e2yesi, \u00f6z\u00fc de \u00f6yledir ki, tabir caizse, \u015earlo\u2019nun filmlerine benzer. \u00c7ocuk da zevk al\u0131r, b\u00fcy\u00fck de, cahil de, okumu\u015f da, burjuva da \u2013 sebebini s\u00f6yledim \u2013 sosyalist de. Cervantes Don Ki\u015fot\u2019u yazarken, b\u00fct\u00fcn bu s\u00f6ylediklerimi d\u00fc\u015f\u00fcnm\u00fc\u015f m\u00fc? Zannetmem. Fakat \u00e7ok enteresan bir devirde ya\u015fad\u0131\u011f\u0131 i\u00e7in o devrin, yani bir ink\u0131lap devrinin damgas\u0131n\u0131 ta\u015f\u0131m\u0131\u015f ve kitab\u0131na da bu damgay\u0131 vurmu\u015f.<\/p>\n
Naz\u0131m Hikmet \u2013 Don Ki\u015fot \u00dczerine<\/p>\n
Don Ki\u015fot (\u0130spanyolca: Don Quixote ya da Don Quijote), \u0130spanyol romanc\u0131 Miguel de Cervantes Saavedra\u2019n\u0131n roman\u0131 ve ayn\u0131 zamanda bu romandaki as\u0131l \u015fahsiyetin ad\u0131.<\/p>\n 1605 ve 1615\u2019te El ingenioso hidalgo Don Quijote de La Mancha (Marifetli ayan Don Ki\u015fot de La Man\u00e7a) ve Segunda parte del ingenioso caballero Don Quijote de La Mancha (Marifetli \u015f\u00f6valye Don Ki\u015fot de La Man\u00e7a\u2019n\u0131n ikinci b\u00f6l\u00fcm\u00fc) olmak \u00fczere iki b\u00f6l\u00fcm halinde yay\u0131mlanan roman, \u0130spanyol Alt\u0131n \u00c7a\u011f\u0131ndan bir \u00f6rnek olarak en ak\u0131c\u0131 edebi eserlerden biridir ve belkide \u0130spanyol edebiyat\u0131na ciddi bir giri\u015ftir. Modern Bat\u0131 edebiyat\u0131n\u0131n en kaydade\u011fer kurgu romanlar\u0131ndand\u0131r.<\/em><\/p>\n","protected":false},"excerpt":{"rendered":" Don Ki\u015fot\u2019un klasik tefsirleri [yorumlar\u0131] vard\u0131r : Monar\u015finin \u2013 yani burjuva iktisad\u0131n\u0131n \u2013 h\u00e2kim olmaya ba\u015flad\u0131\u011f\u0131 bir devirde, derebeyli\u011fe, \u015f\u00f6valyeli\u011fe, yani art\u0131k geri gelmesi m\u00fcmk\u00fcn olmayan bir devre, maziye hasret. Don Ki\u015fot bu \u015f\u00f6valeresk taraflar\u0131 olan mazinin, bu kaybolmu\u015f cennetin m\u00fctehassiri [\u00f6zleyeni], \u015eanso ise, burjuva ak\u0131l ve mant\u0131\u011f\u0131n\u0131n, devrin realitesinin m\u00fcmessili. Cervantes, maziye d\u00f6nmenin ne […]<\/p>\n","protected":false},"author":1,"featured_media":0,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[134],"tags":[],"class_list":{"0":"post-4085","1":"post","2":"type-post","3":"status-publish","4":"format-standard","6":"category-kuram"},"yoast_head":"\n