![](\"images\/stories\/isci_insaat_amele.jpg\")
\u00d6lenlerin ad\u0131n\u0131 unutma \/ T\u00fcrk\u00fclerin, meydanlar\u0131n \/ B\u0131rakmas\u0131n onlar seni<\/p>\n\u00d6lenlerin ad\u0131n\u0131 unutma \/ T\u00fcrk\u00fclerin, meydanlar\u0131n \/ B\u0131rakmas\u0131n onlar seni<\/p>\n
Sait Faik, 1935\u2019te yazd\u0131\u011f\u0131 Semaver\u2019e, anas\u0131n\u0131n Ali\u2019ye sesleni\u015fiyle ba\u015flar: \u201cSabah ezan\u0131 okundu. Kalk yavrum, i\u015fe ge\u00e7 kalacaks\u0131n.\u201d<\/p>\n
Ali, hik\u00e2yenin ba\u015f ki\u015fisidir ve \u201cnihayet\u201d i\u015f bulmu\u015ftur: Fabrikada \u00e7al\u0131\u015fmaktad\u0131r. Anas\u0131, o sabah da semaveri \u00e7oktan kaynatm\u0131\u015ft\u0131r: \u201cAli semaveri, i\u00e7inde ne \u0131st\u0131rap, ne grev, ne de kaza olan bir fabrikaya benzetirdi.\u201d<\/p>\n
Bu, rutin bir \u015fekilde ilerler ancak bir sabah semaver kaynamaz, hem de Ali i\u015fe ge\u00e7 kal\u0131r: Anas\u0131 aniden \u00f6lm\u00fc\u015ft\u00fcr. Ali semaveri g\u00f6rmeyece\u011fi bir yere kald\u0131r\u0131r ve onun yerine \u201cAli\u2019nin hayat\u0131na bir salep g\u00fc\u011f\u00fcm\u00fc girer\u201d: \u201cBozuk kald\u0131r\u0131mlar\u0131n \u00fczerinde buz tutmu\u015f \u00e7amur par\u00e7alar\u0131n\u0131 k\u0131rarak erkenden i\u015fe gidenler\u201d gibi, o da her sabah \u201ckocaman bir duvara s\u0131rt\u0131n\u0131\u201d vererek \u201c\u00fcst\u00fcne zencefil ve tar\u00e7\u0131n serpilmi\u015f salep\u201d i\u00e7er art\u0131k\u2026<\/p>\n
\u0130\u015f\u00e7i hik\u00e2yeleri edebiyat\u0131m\u0131zda \u00e7ok fazla say\u0131lmaz. Sait Faik\u2019inki, herhalde en g\u00fczellerinden biri. \u0130\u015f\u00e7ilerin siyaset sahnesine \u00e7\u0131kmas\u0131yla birlikte, pop\u00fcler \u015fark\u0131larda da -\u00f6zellikle \u201870\u2019li y\u0131llarda- i\u015f\u00e7i fig\u00fcr\u00fc ve m\u00fccadelesi zaman zaman g\u00f6r\u00fcld\u00fc. Bora Ayano\u011flu\u2019nun isimsiz Fabrika K\u0131z\u0131\u2019n\u0131 anlatan ve 1967 y\u0131l\u0131nda Alpay taraf\u0131ndan yorumlanan \u015fark\u0131s\u0131, hem ilklerden hem de en g\u00fczellerden biri:<\/p>\n
G\u00fcn do\u011farken her sabah
Bir k\u0131z ge\u00e7er kap\u0131mdan
K\u00f6\u015feyi d\u00f6n\u00fcp kaybolur
Ba\u015f\u0131 \u00f6nde yorgunca<\/p>\n
Fabrikada t\u00fct\u00fcn sarar
Sanki kendi i\u00e7er gibi
Sararken de hayal kurar
B\u00fct\u00fcn insanlar gibi<\/p>\n
(…)
Makineler diken gibi
Batar her g\u00fcn kalbine\u2026<\/p>\n
Fabrika K\u0131z\u0131, yak\u0131nlarda Haramiler taraf\u0131ndan yorumland\u0131; \u015fark\u0131n\u0131n bir k\u0131sm\u0131 Ahmet Kaya taraf\u0131ndan bir potporide kullan\u0131ld\u0131, bu haliyle H\u00fcveyda Evis\u2019in Karadut alb\u00fcm\u00fcne de girdi.<\/p>\n
Alpay, 1976\u2019da ilgin\u00e7 bir denemeye imza atar ve \u00e7\u0131kard\u0131\u011f\u0131 alb\u00fcme 11 dakikal\u0131k bir \u015fark\u0131 -adeta hik\u00e2ye- koyar. Can Arpa\u00e7\u2019\u0131n \u015fiirini M\u00fcjdat Akg\u00fcn bestelemi\u015ftir:<\/p>\n
Bu kente Konya asfalt\u0131ndan gelir i\u015f\u00e7i k\u0131zlar\u0131
Balgat\u2019tan \u00e7\u0131k\u0131p dolmu\u015fa biner, G\u00fcven Park\u0131\u2019nda toplan\u0131r
A\u00e7\u0131ksa k\u0131smetleri, kimi \u00e7ama\u015f\u0131ra, kimi temizlik\u00e7i diye
Bir b\u00fcy\u00fck eve kap\u0131lan\u0131r her biri, g\u00fcndelik\u00e7i diye\u2026<\/p>\n
\u015eark\u0131, \u00e7al\u0131\u015fmak i\u00e7in kocas\u0131 ve \u00e7ocu\u011fuyla \u201cac\u0131mas\u0131z, kalle\u015f, kat\u0131\u201d \u015fehre gelen Fatma k\u0131z\u0131n hik\u00e2yesini anlat\u0131r. \u00dc\u00e7 y\u0131lda n\u00fcfuslar\u0131 alt\u0131ya y\u00fckselir ve Fatma k\u0131z, kocas\u0131 takatten kesilince onun bayra\u011f\u0131n\u0131 devral\u0131r. \u00c7ocukludur, \u00e7al\u0131\u015fmas\u0131 zordur. Nitekim bu tempoya dayanamaz ve \u201cd\u00fc\u015fer\u2026\u201d<\/p>\n
Grup Yorum\u2019un 1989 tarihli Cemo alb\u00fcm\u00fcnde yer alan \u0130nsan Pazar\u0131 da yine G\u00fcven Park\u0131\u2019nda toplanan i\u015f\u00e7ileri anlat\u0131r.<\/p>\n
Safinaz, kap\u0131c\u0131 Kas\u0131m ve Ay\u015fe\u2019ler<\/p>\n
\u201cG\u00fcn do\u011fmadan\u201d uyanan bir ba\u015fka \u015fark\u0131 kahraman\u0131 Kap\u0131c\u0131 Kas\u0131m\u2019d\u0131r; Cem Karaca\u2019n\u0131n Edirdahan e\u015fli\u011finde yorumlad\u0131\u011f\u0131 Safinaz\u2019\u0131n babas\u0131. K\u0131z\u0131n\u0131 okutmak i\u00e7in kap\u0131c\u0131l\u0131k yapar, kar\u0131s\u0131 Asiye\u2019yi g\u00fcndeli\u011fe g\u00f6nderir Kas\u0131m ama fiyatlar artarken onun \u201c\u00fccreti sabit\u201d kal\u0131nca Safinaz\u2019\u0131 okuldan al\u0131r:<\/p>\n
Yine erken kalk\u0131yordu Safinaz sabahlar\u0131
Her sabah ge\u00e7erek o ayn\u0131 sokaklar\u0131
Kendi gibi insanlarla doldurup fabrikalar\u0131
Kendi gibilerine sat\u0131yorlard\u0131 yapt\u0131klar\u0131 mallar\u0131\u2026<\/p>\n
\u015eark\u0131n\u0131n sonras\u0131 ayr\u0131 bir hik\u00e2ye: Alpay\u2019\u0131n A\u011fa D\u00fc\u015fen Kad\u0131n\u2019da, \u00d6zdemir Erdo\u011fan\u2019\u0131n Vitrin\u2019de, N\u00fckhet Duru\u2019nun Kald\u0131r\u0131mlar\u2019da anlatt\u0131\u011f\u0131 bir \u201cyoldan \u00e7\u0131kma\u201d hik\u00e2yesi. Timur Sel\u00e7uk\u2019un Size K\u00f6t\u00fc Kad\u0131n Derler\u2019de anlatt\u0131\u011f\u0131 kad\u0131nlar\u0131n hik\u00e2yesi\u2026<\/p>\n
\u00c7al\u0131\u015fan kad\u0131nlardan s\u00f6z etmi\u015fken Ahmet Kaya\u2019n\u0131n Tezgahtar Nebahat\u2019\u0131na sel\u00e2m \u00e7ak\u0131p Melike Demira\u011f\u2019a kulak verelim: 1979 tarihli \u015eanar Yurdatapan \u015fark\u0131s\u0131 Makine Yiyor Beni\u2019de 13 ya\u015f\u0131nda makine ba\u015f\u0131ndaki Ay\u015fe\u2019nin hik\u00e2yesini anlat\u0131yor, Demira\u011f. Ay\u015fe, \u201c\u00fc\u00e7 be\u015f kuru\u015f u\u011fruna\u201d makinenin k\u00f6lesi olmu\u015ftur ve bir g\u00fcn \u201cba\u015f\u0131n\u0131 dik tutmay\u0131\u201d \u00f6\u011frenir, isyan eder: \u201c\u0130syan ediyor i\u00e7im \/ Ni\u00e7in Allah\u0131m ni\u00e7in \/ Daha fazla k\u00e2r i\u00e7in \/ Makine yiyor beni\u201d Sonras\u0131nda, \u00e7evresindekilere seslenir:<\/p>\n
Gel karda\u015f gel
Ver elini ver
Ver ki tek kalmayas\u0131n
Ver ki ezilmeyesin
Makinenin su\u00e7u ne
Can\u0131 yok ki kan emsin
Beynini par\u00e7alayan sermayenin sesidir
Hayk\u0131rd\u0131\u011f\u0131m\u0131z t\u00fcrk\u00fc onun son nefesidir<\/p>\n
Red T\u00fcrk\u00fcleri serisinin ikinci alb\u00fcm\u00fcnde bir \u0130\u015f\u00e7i K\u0131z\u2019\u0131 anlatan Arif Kemal\u2019e uzanal\u0131m \u015fimdi de. Tesad\u00fcfe bak\u0131n ki buradaki k\u0131z\u0131n da ad\u0131 Ay\u015fe; hem de mevzu ayn\u0131:<\/p>\n
Her ak\u015fam yorgun i\u015ften d\u00f6nerken
G\u00f6r\u00fcrd\u00fcm onu yolunda ben
D\u00fc\u015f\u00fcrm\u00fc\u015ft\u00fc g\u00f6nl\u00fcme bir s\u0131z\u0131
O h\u00fcz\u00fcn g\u00f6zl\u00fc i\u015f\u00e7i k\u0131z\u0131<\/p>\n
Ellerindeki i\u015ften kalan izler
T\u00fct\u00fcn i\u015flemi\u015f o parmaklar
All\u0131ks\u0131z yanaklar\u0131yla a\u011fz\u0131
\u0130zmir nar\u0131 gibi k\u0131rm\u0131z\u0131<\/p>\n
Benimle ayn\u0131 i\u015fte \u00e7al\u0131\u015fan
O gen\u00e7 k\u0131z\u0131n Ay\u015fe\u2019dir ad\u0131
\u00c7ok darbe yedik biz patronlardan
Nihayet bir g\u00fcn grev patlad\u0131<\/p>\n
Ay\u015fe\u2019yle ge\u00e7tik grubun ba\u015f\u0131na
Ay\u015fe oldu kavga yanda\u015f\u0131
Biz i\u015fte o g\u00fcn Ay\u015fe yanda\u015fla
Grev meydan\u0131nda ni\u015fanland\u0131k<\/p>\n
O da bir i\u015f\u00e7i ben de bir i\u015f\u00e7i
Bir s\u0131n\u0131f\u0131n evlad\u0131y\u0131z biz
Gaye u\u011fruna verip elele
G\u00fczel g\u00fcnlere gitmekteyiz<\/p>\n
\u0130\u015f\u00e7isin sen i\u015f\u00e7i kal<\/p>\n
Bir d\u00f6nem Ekmek Aslan\u0131n A\u011fz\u0131nda diyen ve 1995\u2019te \u201cya\u015f\u0131 yakla\u015f\u0131k on yedi\u201d olan Kaportac\u0131\u2019n\u0131n \u015fark\u0131s\u0131n\u0131 s\u00f6yleyen Bulutsuzluk \u00d6zlemi, bu \u015fark\u0131da Cem Karaca\u2019ya sel\u00e2m g\u00f6ndermeyi ihmal etmez.<\/p>\n
\u201cSabah erken kalkar \/ Kahvalt\u0131s\u0131z \u00e7\u0131kar\u201d ve \u201ck\u0131r\u0131k aynada sa\u00e7\u0131n\u0131 tarar\u201d Kaportac\u0131. Tamirci \u00c7\u0131ra\u011f\u0131\u2019n\u0131n sa\u00e7\u0131n\u0131 tarad\u0131\u011f\u0131 aynan\u0131n \u201carkas\u0131 ku\u015flu\u201ddur ve \u201caya\u011f\u0131nda uzun etek, dalga dalga sa\u00e7lar\u0131\u201dyla bir g\u00fcn \u00f6nce \u201ctamirhane\u201dye gelen k\u0131z\u0131n yeniden gelmesini beklemektedir, \u00fczerinde tulumlar\u0131 olmaks\u0131z\u0131n ve \u201ccildi parlak ka\u011f\u0131t kapl\u0131 pahal\u0131\u201d bir kitapta okudu\u011fu hik\u00e2yenin ger\u00e7ek olmas\u0131n\u0131 umarak.<\/p>\n
K\u0131z gelir, bizim \u00e7\u0131rak araban\u0131n kap\u0131s\u0131n\u0131 a\u00e7ar: “Kalkt\u0131 hilal ka\u015flar\u0131, sordu kim bu serseri \/\/ \u00c7ekti gitti arabayla egzosuna bo\u011fuldum \/ G\u00f6z\u00fcmde tomurcuk ya\u015flar a\u011f\u0131r a\u011f\u0131r do\u011fruldum\u201d.<\/p>\n
Kaportac\u0131\u2019n\u0131n s\u0131rt\u0131na \u201cn\u2019aber lan\u201d diyerek vuran usta, burada farkl\u0131 bir \u015fekilde devreye girer: \u201cUstam geldi s\u0131rt\u0131ma vurdu unut dedi romanlar\u0131 \/ \u0130\u015f\u00e7isin sen i\u015f\u00e7i kal giy, dedi tulumlar\u0131!\u201d<\/p>\n
Cem Karaca-Dervi\u015fan bu pla\u011f\u0131nda sizlere bug\u00fcne dek hep belli bir mutlu son masal\u0131yla biten yoksul erkek zengin k\u0131z ili\u015fkisini de\u011fi\u015fik bir yakla\u015f\u0131mla sergiliyor. Ger\u00e7ek\u00e7i oldu\u011fu i\u00e7in kat\u0131 belki ama ger\u00e7eklerin kendi ac\u0131l\u0131\u011f\u0131 bu. Yap\u0131t\u0131 t\u00fcm ulus emek\u00e7ilerine ad\u0131yoruz.<\/p>\n
S\u00f6zleriyle sunulan Tamirci \u00c7\u0131ra\u011f\u0131\u2019n\u0131n tarihi 1975. Karaca, T\u00fcrkiye\u2019ye d\u00f6nd\u00fckten sonra bir m\u00fcddet bu \u015fark\u0131y\u0131 s\u00f6ylemeyi reddetti. Hatta konserlerinde bu \u015fark\u0131y\u0131 isteyenlere \u015f\u00f6yle bir hik\u00e2ye anlatt\u0131\u011f\u0131na bizzat \u015fahit olduk:<\/p>\n
Ge\u00e7enlerde tan\u0131d\u0131k bir y\u00fcz g\u00f6rd\u00fcm; bizim Tamirci \u00c7\u0131ra\u011f\u0131. Rastlad\u0131\u011f\u0131mda bir otelin kap\u0131s\u0131nda k\u00e2hyal\u0131k yap\u0131yordu. O g\u00fcne dek ad\u0131n\u0131 bilmiyordum, sordum, \u00f6\u011frendim: Yahya\u2019ym\u0131\u015f<\/p>\n
Bu hik\u00e2yenin ard\u0131ndan gelen \u015fark\u0131, elbette K\u00e2hya Yahya\u2019yd\u0131: Sivri u\u00e7lar\u0131 temizlenmi\u015f, modern Tamirci \u00c7\u0131ra\u011f\u0131! \u015eark\u0131 sonradan Cem Karaca repertuar\u0131na girdi ve gen\u00e7 ku\u015faklar canl\u0131 dinleyebildi. Grup Yorum\u2019un kimi konserlerinde seslendirdi\u011fi Tamirci \u00c7\u0131ra\u011f\u0131, Ali Altay taraf\u0131ndan da yorumland\u0131.<\/p>\n
Z\u00fclf\u00fc Livaneli\u2019nin 1979\u2019da Refik Durba\u015f\u2019tan besteleyerek s\u00f6yledi\u011fi \u00c7\u0131rak Aran\u0131yor, merakla kar\u0131\u015f\u0131k bir sesleni\u015fi, bir yandan da isyan\u0131 bar\u0131nd\u0131r\u0131yordu i\u00e7inde: \u201cElim sanata d\u00fc\u015fer usta \/ Y\u00fcrek ac\u0131ya \/ \u00d6l\u00fcm hep bana m\u0131 \/ D\u00fc\u015fer usta\u2026\u201d<\/p>\n
1982\u2019de Maria Faranduri\u2019nin O Paragiyos ad\u0131yla Yunanca yorumlad\u0131\u011f\u0131 \u015fark\u0131, 1984\u2019te Edip Akbayram taraf\u0131ndan yorumland\u0131. H\u00fcmeyra da o \u015fahane Benim \u015eark\u0131lar\u0131m alb\u00fcm\u00fcnde Esin Engin\u2019in bestesiyle ve Usta ad\u0131yla seslendirdi bu \u015fiiri.<\/p>\n
\u015eark\u0131n\u0131n yay\u0131mland\u0131\u011f\u0131 1979, mal\u00fbm, \u201cD\u00fcnya \u00c7ocuk Y\u0131l\u0131\u201d; T\u00fcrkiye\u2019nin de kar\u0131\u015f\u0131k d\u00f6nemleri. Livaneli\u2019nin ayn\u0131 alb\u00fcmde (Atl\u0131n\u0131n T\u00fcrk\u00fcs\u00fc) N\u00e2z\u0131m\u2019\u0131n \u201cB\u00fcy\u00fck insanl\u0131k sekizinde i\u015fe gider\u201d dizesini m\u00fczikledi\u011fi d\u00f6nem. Taner \u00d6ng\u00fcr\u2019\u00fcn \u00c7al\u0131\u015fan \u00c7ocuklar\u2019\u0131 belki de o d\u00f6nemin \u00fcr\u00fcn\u00fc:<\/p>\n
\u00c7al\u0131\u015fan \u00e7ocuklar
Gelece\u011fimiz umudumuz
Su\u00e7umuz utanc\u0131m\u0131z<\/p>\n
(\u2026)
\u00c7ocuk sevin\u00e7leri
Sabah\u0131n karanl\u0131\u011f\u0131nda
\u0130lkel end\u00fcstrinin
Kurbanlar\u0131 bunlar<\/p>\n
(…)
Arkada\u015f b\u0131rak \u00e7ocuklar\u0131
B\u0131rak oynas\u0131nlar
B\u0131rak ki gelece\u011fimizi tazelesinler
Ba\u015ftan \u00f6lm\u00fc\u015f insanlar
Ne sana ne bana yara getirir
B\u0131rak \u00e7ocuklar\u0131
\u00c7ocuk gibi b\u00fcy\u00fcs\u00fcnler\u2026<\/p>\n
Asu Maralman\u2019\u0131n ayn\u0131 y\u0131llarda seslendirdi\u011fi \u00c7\u00f6pl\u00fck, sonundaki enteresan vurguyla ilgi \u00e7ekiyor:<\/p>\n
Kentin \u00e7\u00f6pl\u00fcklerinde i\u015f arayan \u00e7ocuklar
Bilir misiniz ben sizin i\u00e7in a\u011flar\u0131m
\u0130ki damla g\u00f6zya\u015f\u0131 d\u00f6k\u00fcl\u00fcr g\u00f6zlerimden
Ad\u0131n\u0131za kendimden, herkesten utan\u0131r\u0131m<\/p>\n
Gece r\u00fcyalar\u0131nda ekmek g\u00f6ren \u00e7ocuklar
Ne yer ne i\u00e7ersiniz, sizden uzak dostluklar
Sanmay\u0131n belki bir g\u00fcn sizi de an\u0131msarlar
\u0130\u015fte onun i\u00e7in ben, onun i\u00e7in utan\u0131r\u0131m<\/p>\n
D\u00fcnya \u00e7\u00f6pl\u00fcklerinde hayat arayan \u00e7ocukla
K\u00fc\u00e7\u00fckl\u00fc\u011fe doymadan b\u00fcy\u00fck olan \u00e7ocuklar
Gelecek y\u0131llar sizin diyorsa da insanlar
Bir bayramdan bayrama sizi d\u00fc\u015f\u00fcnm\u00fcyorlar\u2026<\/p>\n
1979\u2019da en g\u00fczel \u00e7ocuk \u015fark\u0131s\u0131n\u0131 yazan (D\u0131\u015farda Kar Ya\u011f\u0131yor) ve onunla Alt\u0131n Mikrofon kazanan \u00dcnol B\u00fcy\u00fckg\u00f6nen\u00e7, on y\u0131l sonra yay\u0131mlanan ilk alb\u00fcm\u00fcnde Yap\u0131c\u0131lar\u2019\u0131 anlat\u0131yordu: \u201cYap\u0131c\u0131lar t\u00fcrk\u00fc s\u00f6yl\u00fcyor \/ Yap\u0131 t\u00fcrk\u00fc s\u00f6yler gibi yap\u0131lm\u0131yor ama \/ Bu i\u015f biraz zor\u2026\u201d<\/p>\n
Ayn\u0131 y\u0131llarda kula\u011f\u0131m\u0131za \u00e7al\u0131nan bir ba\u015fka \u015fark\u0131, Ezginin G\u00fcnl\u00fc\u011f\u00fc\u2019n\u00fcn Sabah T\u00fcrk\u00fcs\u00fc\u2019yd\u00fc: \u201cA\u011fz\u0131mda bal gibi tatl\u0131 bir t\u00fcrk\u00fc \/ Bir iner bir \u00e7\u0131kar\u0131m bu yoku\u015fu \/ Kazan\u0131r\u0131m \u00e7ocuklar\u0131ma ekmek paras\u0131\u201d<\/p>\n
Tarlada \u00e7al\u0131\u015fan i\u015f\u00e7iler de zaman zaman \u015fark\u0131lara, t\u00fcrk\u00fclere konu olmu\u015f. T\u00fclay German\u2019\u0131n me\u015fhur etti\u011fi Bur\u00e7ak Tarlas\u0131, \u201caman k\u0131zlar ne zor imi\u015f bur\u00e7ak yolmas\u0131\u201d dizesiyle bu yaz\u0131ya girmeyi hak ediyor.<\/p>\n
\u201870\u2019li y\u0131llarda kurdu\u011fu korolara i\u015f\u00e7i \u015fark\u0131lar\u0131 s\u00f6yleten Ali Asker repertuvar\u0131ndan Sar\u0131 S\u0131cak, \u201880\u2019lerin sonunda Yavuz Bing\u00f6l\u2019l\u00fc Atmacalar (sonradan Umuda Ezgi ad\u0131n\u0131 ald\u0131) taraf\u0131ndan seslendirilmi\u015fti:<\/p>\n
Tepemizde sar\u0131 s\u0131cak
Olur mu b\u00f6yle ya\u015famak
Bir avu\u00e7 topra\u011fa muhta\u00e7<\/p>\n
Sar\u0131 d\u00fcnyam t\u00fct\u00fcn benim
Beyaz d\u00fcnyam pamuk benim
Ye\u015fil d\u00fcnyam ha\u015fha\u015f benim\u2026<\/p>\n
Bulutsuzluk \u00d6zlemi\u2019nin Yol alb\u00fcm\u00fcnde yer alan, pamuk i\u015f\u00e7ilerini anlatt\u0131\u011f\u0131 Harran Ovas\u0131 (\u201cPamuk tarlas\u0131nda \/ G\u00fcne\u015fin alt\u0131nda \/ Kad\u0131n erkek yan yana \/ Yapard\u0131lar \u00e7apa\u2026\u201d) ve Cem Karaca\u2019n\u0131n ilk plaklar\u0131ndan birinde s\u00f6yledi\u011fi, sonradan Hasret G\u00fcltekin\u2019in de yorumlad\u0131\u011f\u0131 \u00dcmit Tarlalar\u0131 (\u201cToprak yar\u0131k \/ Yar\u0131k topra\u011fa \/ Basan tabanlar yar\u0131k \/ Avu\u00e7lar \/ Kan a\u011flar \/ Kara saban deyu \/ S\u00fcr ha s\u00fcr \/ \u00dcmit tarlalar\u0131n\u0131\u2026\u201d) tarla \u015fark\u0131lar\u0131na verebilece\u011fimiz \u00f6rnekler.<\/p>\n
Almanya ac\u0131 vatan<\/p>\n
1980\u2019ler, \u201cAlamanya\u201d y\u0131llar\u0131. \u201870\u2019lerin ba\u015f\u0131nda giden i\u015f\u00e7i kervan\u0131na, 12 Eyl\u00fcl\u2019le birlikte m\u00fczisyenler de kat\u0131ld\u0131: \u015eanar Yurdatapan, Melike Demira\u011f, Cem Karaca, Fuat Saka, Ali Asker ve niceleri, 1980 sonras\u0131n\u0131 \u201czorunlu tatil\u201d ilan edenler. Tatil hali, \u00fclkeye d\u00f6nememekten ibaret. Yoksa, m\u00fczik \u00e7al\u0131\u015fmalar\u0131n\u0131 orada da s\u00fcrd\u00fcrd\u00fcler ve ekseriyetle g\u00f6\u00e7 ve hasret temal\u0131 \u015fark\u0131lar yazd\u0131lar.<\/p>\n
Bunlar aras\u0131nda en i\u00e7lilerinden biri, Fuat Saka\u2019n\u0131n 1984\u2019te yay\u0131mlanan Ayr\u0131l\u0131k T\u00fcrk\u00fcs\u00fc alb\u00fcm\u00fcndeki Liman \u0130\u015f\u00e7isi:<\/p>\n
Eser Hamburg ak\u015famlar\u0131
Y\u00fcre\u011fime i\u015fler gider
F\u0131rt\u0131nayla gelen r\u00fczg\u00e2r
Y\u00fcz\u00fcm\u00fc kavurur gider<\/p>\n
Bir h\u00fcz\u00fcn \u00e7\u00f6ker inceden
\u00c7\u00f6melir t\u00fct\u00fcn sarar\u0131m
T\u00fct\u00fcn de\u011fil sanki bilmem
Ka\u00e7 y\u0131ll\u0131k hasret sarar\u0131m<\/p>\n
Yaman olur gurbetli\u011fin
\u0130nceden \u00e7\u00f6ken s\u0131z\u0131s\u0131
Ne zaman diner bilinmez
Hasretimizin yaras\u0131\u2026<\/p>\n
Cem Karaca, Alamanya\u2019da, \u201con be\u015f y\u0131ld\u0131r gurbet elde mark ile \u0131rgat\u201d olanlar\u0131n \u015fark\u0131lar\u0131n\u0131 s\u00f6yler: \u201cMarkla \u0131rgatl\u0131kt\u0131r i\u015fim geldim geleli \/ Bantta akan sanki \u00f6mr\u00fcm bildim bileli\u201d Bu d\u00f6nemde, isyan\u0131n\u0131 yans\u0131tt\u0131\u011f\u0131 en g\u00fczel \u015fark\u0131lardan biri Alamanya Berbad\u0131\u2019d\u0131r: \u201cBizim elin a\u00e7l\u0131\u011f\u0131na selam\u0131m s\u00f6yle\u2026\u201d<\/p>\n
Almanc\u0131lar, o y\u0131llarda Almanca olarak yap\u0131lm\u0131\u015f, T\u00fcrkiye\u2019ye d\u00f6nd\u00fckten sonra yay\u0131mlad\u0131\u011f\u0131 ilk alb\u00fcmde (Merhaba Gen\u00e7ler ve Her Zaman Gen\u00e7 Kalanlar) T\u00fcrk\u00e7e s\u00f6zlerle yer alm\u0131\u015ft\u0131r:<\/p>\n
Davulla zurnayla yola \u00e7\u0131km\u0131\u015f
Bandoyla kar\u015f\u0131lanm\u0131\u015ft\u0131k<\/p>\n
\u0130\u015f g\u00fcc\u00fcm\u00fczd\u00fc satt\u0131\u011f\u0131m\u0131z
Ter olup \u00e7arklara akt\u0131\u011f\u0131m\u0131z
Servete servet katt\u0131\u011f\u0131m\u0131z
Gurbet el \u015fimdi bize d\u00f6n geri diyor\u2026<\/p>\n
Almanca ad\u0131 Es kamen Menschen an olan \u015fark\u0131n\u0131n eski s\u00f6zleri daha a\u011f\u0131r:<\/p>\n
\u0130\u015f oldu\u011funda
En boktan i\u015fleri verdiniz bize
Ve gelip \u00e7at\u0131nca beklenen i\u015fsizlik
\u00c7\u0131kmaz\u0131n\u0131z\u0131n hesab\u0131n\u0131 sordunuz bizden\u2026<\/p>\n
Almanya\u2019da, 1984\u2019te yay\u0131mlanan Die Kanaken\u2019deki \u015fark\u0131lar\u0131n hemen hepsinin temas\u0131 budur. Total geschlaucht, i\u015fsizli\u011fin t\u00fcrk\u00fcs\u00fcd\u00fcr; Willkommen\u2019de sarm\u0131sak kokuyor diye d\u0131\u015flanan T\u00fcrkler anlat\u0131l\u0131r; Ab in den Orient-Express ise \u201cdefolun Orient Ekspresiyle\u201d diyen Almanlara s\u00f6ylenmi\u015ftir ve sonunda (i\u011fneyi kendimize \u00e7uvald\u0131z\u0131 ba\u015fkas\u0131na misali) T\u00fcrk\u00e7e bir yakar\u0131\u015f vard\u0131r: \u201cB\u0131rakal\u0131m nefreti k\u00f6r\u00fckleyip durmay\u0131 \/ Bu yang\u0131n b\u00fcy\u00fcmesin\u2026\u201d<\/p>\n
Ruhi Su, El Kap\u0131lar\u0131 alb\u00fcm\u00fcnde, bu duruma i\u00e7eriden bakar. Alb\u00fcmde yer alan ve Faz\u0131l H\u00fcsn\u00fc Da\u011flarca\u2019n\u0131n dizelerinden m\u00fczikledi\u011fi Almanya\u2019da \u00c7\u00f6p\u00e7\u00fclerimiz\u2019i \u00f6zellikle anmak gerekiyor. An\u0131lmas\u0131 gereken bir ba\u015fka \u00e7al\u0131\u015fma, Abdullah Ery\u0131lmaz\u2019\u0131n yapt\u0131\u011f\u0131 ve 1990\u2019l\u0131 y\u0131llar\u0131n ba\u015f\u0131nda T\u00fcrkiye\u2019de yay\u0131mlanabilen Gastarbeiterlieder \/ \u0130\u015f\u00e7i \u015eark\u0131lar\u0131 ba\u015fl\u0131kl\u0131 alb\u00fcm. O d\u00f6nem Almanya\u2019ya gitmi\u015f halk ozanlar\u0131n\u0131n ve orada y\u00fckselen hip-hop\u2019\u00e7u gen\u00e7li\u011fin yapt\u0131klar\u0131n\u0131 ba\u015fka bir yaz\u0131ya b\u0131rak\u0131p, memlekete d\u00f6nelim.<\/p>\n
K\u00f6m\u00fcr\u00fcn ate\u015fi<\/p>\n
T\u00fcrkiye\u2019de her daim ya\u015fad\u0131\u011f\u0131m\u0131z maden kazalar\u0131, \u201870\u2019li y\u0131llar\u0131n ba\u015f\u0131ndan beri \u015fark\u0131lara ve filmlere konu olmu\u015f; maden i\u015f\u00e7ilerinin dram\u0131 plaklar, kasetler, CD\u2019ler arac\u0131l\u0131\u011f\u0131yla insanlara ula\u015fm\u0131\u015f. Bu konuda ilk \u00f6rneklerden biri, R\u0131fat \u00d6zsara\u00e7\u2019\u0131n \u201ca\u011flamal\u0131\/konu\u015fmal\u0131\u201d a\u011f\u0131t\u0131 Zonguldak Facias\u0131 adl\u0131 45\u2019li\u011fi. 1977\u2019de yay\u0131mlanan Cem Karaca-Dervi\u015fan alb\u00fcm\u00fc Yoksulluk Kader Olamaz\u2019da yer alan L\u00fctf\u00fc G\u00fcltekin \u015fark\u0131s\u0131 Maden Oca\u011f\u0131n\u0131n Dibinde, en iyi \u00f6rneklerden:<\/p>\n
Maden oca\u011f\u0131n\u0131n dibinde
Hava yok \u0131\u015f\u0131k yok
Besin yok kar\u0131n yok
O\u011flun bile yok<\/p>\n
Bir sen vars\u0131n direnen\u2026<\/p>\n
Ankaral\u0131 rock grubu \u0130stasyon\u2019un G\u00f6rmedin Ki alb\u00fcm\u00fcnde duydu\u011fumuz Karad\u0131r Ellerim, yeni d\u00f6nemde yap\u0131lm\u0131\u015f ilgin\u00e7 madenci \u015fark\u0131lar\u0131ndan:<\/p>\n
Ge\u00e7en her g\u00fcn yava\u015f yava\u015f kurutur bizi
Kan t\u00fck\u00fcrsek bilen olmaz yery\u00fcz\u00fcnde
Bir nefeste biter \u00f6mr\u00fcn belki de burada
\u00d6zleriz g\u00fcne\u015fi gizli gizli\u2026<\/p>\n
Selda\u2019n\u0131n Maden \u0130\u015f\u00e7ileri ise 1970\u2019li y\u0131llardan g\u00fcn\u00fcm\u00fcze ula\u015fan bir ba\u015fka g\u00fczel \u00f6rnek:<\/p>\n
Umutsuz bir sonbahar g\u00fcn\u00fcyd\u00fc
\u00c7ocuklar\u0131 uyurken \u00e7\u0131kt\u0131lar Ere\u011fli sokaklar\u0131na
\u00dcz\u00fclmez\u2019e gidiyorlard\u0131
K\u0131r d\u00fc\u015fm\u00fc\u015ft\u00fc kemikten \u015fakaklar\u0131na<\/p>\n
(…)
Y\u00fcr\u00fcd\u00fcler elele
Giriyorlard\u0131 cennet bah\u00e7elerine
Her y\u0131l \u015fehit d\u00fc\u015fen k\u00f6m\u00fcr i\u015f\u00e7ilerine
Kavu\u015fmak inanc\u0131 i\u00e7inde<\/p>\n
Y\u00fcr\u00fcd\u00fcler y\u00fcr\u00fcd\u00fcler
Dilaver k\u00f6m\u00fcr oca\u011f\u0131na geldiler<\/p>\n
Hakk\u0131 dedi Ali, Sat\u0131lm\u0131\u015f dedi Hakk\u0131
\u00d6nleri toz dumand\u0131 derdi karanl\u0131kt\u0131
Sars\u0131ld\u0131 topraklar k\u00f6m\u00fcr oldu canavar<\/p>\n
(…)
Verdiler el ele g\u00f6n\u00fcller g\u00f6n\u00fcle
Sonra sar\u0131ld\u0131lar
K\u00f6m\u00fcr\u00fcn ate\u015fine kibrit oldular\u2026<\/p>\n
Grup Yorum taraf\u0131ndan Yeni\u00e7eltek kazas\u0131 \u00fczerine bestelenen Madenciye A\u011f\u0131t, K\u0131z\u0131l\u0131rmak\u2019\u0131n ilk alb\u00fcm\u00fcnde yer alan enstr\u00fcmantal G\u00f6\u00e7\u00fck Alt\u0131nda, Emre Salt\u0131k\u2019\u0131n Maden \u0130\u015f\u00e7ileri ve Mahzuni\u2019nin Madenciler\u2019i bu minvalde bestelenmi\u015f \u015fark\u0131lar.<\/p>\n
Ali Asker\u2019in \u201cZonguldak\u2019ta madendeyiz \/ \u00d6l\u00fcmle bir araday\u0131z \/ Sosyalizm i\u00e7in sava\u015ftay\u0131z \/ Devrimler i\u00e7in kurstay\u0131z\u201d gibi s\u00f6zler i\u00e7eren Maden Ocaklar\u0131 da \u00f6yle.<\/p>\n
Bu d\u00f6nemde yap\u0131lm\u0131\u015f en g\u00fczel \u015fark\u0131lardan biri, Grup Yorum\u2019un 1991 tarihli alb\u00fcm\u00fc Y\u00fcrek \u00c7a\u011fr\u0131s\u0131\u2019n\u0131n a\u00e7\u0131l\u0131\u015f\u0131nda yer alan Madenci\u2019den:<\/p>\n
Bug\u00fcn maden oca\u011f\u0131na
Kara elmas diyar\u0131na
\u0130nmedik selam olsun sana dost<\/p>\n
\u00d6lesiye \u0131\u015f\u0131k hasretiyle solmu\u015f bu y\u00fczlere
Grev grev g\u00fcne\u015f do\u011fmu\u015f dost<\/p>\n
(…)
Yeralt\u0131nda ezilenler
Yery\u00fcz\u00fcne seslenirler
Madenler bizim derler
Gerekirse \u00f6l\u00fcm derler
G\u00fcn\u00fc geldi grev derler
Art\u0131k kaybedecek bir \u015fey yok<\/p>\n
Grev hakk\u0131m\u0131 isterim, grev!<\/p>\n
Grup Yorum \u015fark\u0131lar\u0131yla devam edelim\u2026 1989 tarihli Cemo alb\u00fcm\u00fcnde yer alan ve Hasan H\u00fcseyin Korkmazgil\u2019den bestelenen Bor\u00e7lusun\u2019da \u015fu s\u00f6zlere rastl\u0131yoruz:<\/p>\n
Kolay gelsin dememi\u015fsen
Ta\u015f k\u0131ran i\u015f\u00e7ilere
G\u00fcnayd\u0131ns\u0131z b\u0131rakm\u0131\u015fsan
Bah\u00e7e bezeyenleri<\/p>\n
Pankartl\u0131 y\u00fcr\u00fcy\u00fc\u015flere
Ve halayl\u0131 grevlere
Kat\u0131lmay\u0131 bir a\u015fk gibi
Ta \u015furanda duymam\u0131\u015fsan<\/p>\n
Sende i\u015f yok be karde\u015fim
Aln\u0131ndaki \u00e7izgilere
Y\u00fcz\u00fcndeki \u0131\u015f\u0131lt\u0131ya
Bor\u00e7lusun sen ya\u015fam\u0131n kendisine\u2026<\/p>\n
Ayn\u0131 alb\u00fcmde yer alan ve bu \u015fark\u0131n\u0131n hemen arkas\u0131ndan gelen G\u00fcn Gelir ise \u201cBug\u00fcn grev g\u00fcn\u00fcd\u00fcr dostlar \/ El ele t\u00fcrk\u00fclerle co\u015fal\u0131m \/ Emek ile ter d\u00f6kenler \/ Hep birlikte halaya dural\u0131m\u201d s\u00f6zleriyle bitiyor. Alb\u00fcm\u00fcn sonunda yer alan \u00c7a\u011fr\u0131, fabrikadan meydanlara bir davet: \u201cAl y\u00fcre\u011fini \/ \u00d6fkeni ku\u015fan da gel \/ Eme\u011fin kavgas\u0131 var\u2026\u201d<\/p>\n
Geliyoruz alb\u00fcm\u00fcnde yer alan \u0130\u015f\u00e7i Halay\u0131\u2019n\u0131 ve Feda alb\u00fcm\u00fcndeki Emek\u00e7i Halay\u0131\u2019n\u0131 bu \u015fark\u0131lara ekler, anmad\u0131klar\u0131m\u0131z\u0131 da hesaba katarsak, Grup Yorum k\u00fclliyat\u0131ndan bir alb\u00fcm dolduracak kadar grev \u015fark\u0131s\u0131 \u00e7\u0131kt\u0131\u011f\u0131n\u0131 g\u00f6r\u00fcyoruz\u2026<\/p>\n
K\u0131z\u0131l\u0131rmak\u2019\u0131n kimi \u015fark\u0131lar\u0131nda, Kutup Y\u0131ld\u0131z\u0131\u2019n\u0131n Y\u00fcr\u00fcy\u00fc\u015f Mar\u015f\u0131\u2019nda, Arif Kemal\u2019in Vardiya\u2019s\u0131nda da bu tarz \u00e7a\u011fr\u0131lara rastlamak m\u00fcmk\u00fcn. Yenig\u00fcn M\u00fczik Toplulu\u011fu\u2019nun yeniden yorumlad\u0131\u011f\u0131 Halk\u0131z Biz, \u201870\u2019lerde Vur Ulan K\u00f6pek D\u00f6l\u00fc diye bilinen, 1997\u2019de Grup Yorum taraf\u0131ndan da s\u00f6ylenen bir \u015eanar Yurdatapan bestesi: \u201cBiz bir g\u00fcn \u00e7al\u0131\u015fmasak \/ \u00c7arklar durur sular kurur\u2026\u201d<\/p>\n
Bir \u015fark\u0131s\u0131nda, \u201cTop t\u00fcfek tabanca de\u011fil, \u015fark\u0131lar\u0131m\u0131 sald\u0131m \u00fcst\u00fcne\u201d diyen Yurdatapan, o d\u00f6nemdeki e\u015fi (plaklarda \u201cbir avu\u00e7 mutlu az\u0131nl\u0131\u011f\u0131n de\u011fil, halk\u0131n sanat\u00e7\u0131s\u0131\u201d diye tarif edilen) Melike Demira\u011f\u2019la birlikte pek \u00e7ok \u015fark\u0131 yapt\u0131. 1977 se\u00e7imlerinden hemen \u00f6nce \u00e7\u0131kart\u0131lan ve CHP taraf\u0131ndan meydanlarda kullan\u0131lan Elele, bunlardan biri: \u201cBirken iki \u00fc\u00e7 d\u00f6rt be\u015f on \/ \u0130\u015fte bug\u00fcn tam k\u0131rk milyon \/ \u00c7arklar bizim toprak bizim \/ Bir tek v\u00fccut olmak bizim\u2026\u201d<\/p>\n
Pla\u011f\u0131n arkas\u0131nda yer alan Ni\u00e7in ise, bir konu\u015fma; \u201cBen Melike Demira\u011f, 21 ya\u015f\u0131nday\u0131m\u201d diye ba\u015fl\u0131yor ve \u015f\u00f6yle devam ediyor:<\/p>\n
Ben bu se\u00e7imde ilk kez oy kullanaca\u011f\u0131m ve bir milyon oyum olsa, bir tekini bile, kendilerine s\u00f6z\u00fcm ona \u2018milliyet\u00e7i\u2019 ad\u0131n\u0131 takan partilere vermeyece\u011fim. Ni\u00e7in? (..) Sizin i\u00e7in i\u015f\u00e7i karde\u015flerim; sendika, grev, toplu s\u00f6zle\u015fme ve sosyal g\u00fcvenlik haklar\u0131n\u0131zla daha fazla alay edilmesine engel olmak i\u00e7in.<\/p>\n
1970\u2019li y\u0131llarda yap\u0131lm\u0131\u015f baz\u0131 45\u2019liklere kulak verelim \u015fimdi de. (…) \u0130skender Do\u011fan onu bize tan\u0131tan Kan ve G\u00fcl 45\u2019li\u011finin arka y\u00fcz\u00fcnde (\u00c2\u015f\u0131k \u0130hsani\u2019nin a\u011fz\u0131ndan) \u015f\u00f6yle laflar ediyor:<\/p>\n
Meydanlara dolu\u015f bizim
El ele bir olu\u015f bizim
Dayan\u0131\u015f kurtulu\u015f bizim
Bizim dostlar hepsi bizim\u2026<\/p>\n
O d\u00f6nem \u0130skender Do\u011fan d\u00e2hil pek \u00e7ok sanat\u00e7\u0131ya plaklar\u0131nda e\u015flik eden D\u00fcn Bug\u00fcn Yar\u0131n Orkestras\u0131\u2019n\u0131n 1972 y\u0131l\u0131nda yapt\u0131\u011f\u0131 \u201csolo\u201d 45\u2019li\u011fin arka y\u00fcz\u00fcnde yer alan Makine ve \u0130nsan, bir trenin makine dairesinde ge\u00e7iyor ve \u201cy\u0131llar\u0131n\u0131 ate\u015f ve k\u00f6m\u00fcrle kucak kuca\u011fa ge\u00e7irmi\u015f iki dost\u201dun, lokomotif ve makinistin \u00f6yk\u00fcs\u00fcn\u00fc anlat\u0131yor. \u015eanar Yurdatapan, makinistin a\u011fz\u0131ndan seslendiriyor bu \u201cm\u00fczikli \u015fiir\u201di: \u201cK\u00f6m\u00fcr, ate\u015f, sen ve ben \/ Evlenmi\u015f gibiyiz imza atmadan\u2026\u201d<\/p>\n
\u00d6nce 36. Paralel grubunun, sonradan Arif Kemal\u2019n seslendirdi\u011fi Reyman Eray\u2019\u0131n Yorgun Adam\u2019\u0131 da \u201870\u2019lerde yap\u0131lm\u0131\u015f ilgin\u00e7 plaklardan:<\/p>\n
G\u00fcne\u015f alt\u0131nda b\u00fct\u00fcn g\u00fcn
\u00dcst\u00fc ba\u015f\u0131 solgun adam
\u00c7al\u0131\u015fmaktan i\u015ften de\u011fil
Ya\u015famaktan yorgun adam<\/p>\n
(…)
Kolundaki zincirden
Ba\u015fka hi\u00e7bir kayb\u0131 yok
Bug\u00fcn art\u0131k sava\u015fmaktan
Ba\u015fka bir se\u00e7ene\u011fi yok (1)<\/p>\n
Timur Sel\u00e7uk, 1977\u2019de yay\u0131mlanan ve kendi ad\u0131n\u0131 ta\u015f\u0131yan alb\u00fcm\u00fcnde, Nuran Atak\u0131r\u2019\u0131n piyanosu e\u015fli\u011finde, \u00c7i\u011fdem Talu\u2019nun s\u00f6zlerini seslendiriyor:<\/p>\n
Nereye payidar nereye
Seninkiler direni\u015fte
Bir sen yoksun i\u00e7lerinde
\u00c7\u0131kmaz bu yol bir yere<\/p>\n
Nereye payidar nereye
G\u00f6nl\u00fcn yoksa ezilmeye
Sen de kat\u0131l direni\u015fe
\u0130\u015f\u00e7ilerle el ele\u2026<\/p>\n
(Nereye Payidar) ve \u201cGeldi vakit g\u00fcn do\u011facak \/ Selam olsun t\u00fcm illere \/ Hele hele hele hele \/ \u00d6rg\u00fctlenen i\u015f\u00e7ilere \/\/ \u00c7ald\u0131 saat s\u00f6kt\u00fc \u015fafak \/ Selam olsun hepimize \/ Hele hele hele hele \/ Grevdeki karde\u015flere\u2026\u201d (Direni\u015f T\u00fcrk\u00fcs\u00fc) Ankara Sanat Tiyatrosu\u2019nun sergiledi\u011fi Bilgesu Erenus\u2019un Nereye Payidar m\u00fczikli oyunundan al\u0131nan bu \u015fark\u0131lar\u0131n yan\u0131na \u00c2\u015f\u0131k \u0130hsani\u2019nin 15-16 Haziran i\u00e7in yazd\u0131\u011f\u0131 s\u00f6zleri de ekleyelim:<\/p>\n
D\u00fc\u015f de\u011fil bu hayal de\u011fil he hey be hey
Yetmi\u015f bin dev i\u015f\u00e7im kalkt\u0131 y\u00fcr\u00fcd\u00fc<\/p>\n
(…)
Nas\u0131rl\u0131 elinde g\u00fcrz gibi kini
G\u00fcne\u015f tepesinde k\u0131z\u0131l bir sini
Sa\u011f\u0131r beyinlere ayak sesini
Pasl\u0131 \u00e7ivi gibi \u00e7akt\u0131 y\u00fcr\u00fcd\u00fc<\/p>\n
Yeter demek i\u00e7in patron kar\u0131na
Dev ad\u0131mlar selam \u00e7akt\u0131 yar\u0131na
\u0130\u015fba\u015f\u0131ndan cadde ortalar\u0131na
K\u00fckreyen sel gibi akt\u0131 y\u00fcr\u00fcd\u00fc\u2026<\/p>\n
N\u00e2z\u0131m Hikmet\u2019in dizelerine \u00c7i\u011fdem Talu\u2019nun yapt\u0131\u011f\u0131 eklerle kotar\u0131lm\u0131\u015f T\u00fcrkiye \u0130\u015f\u00e7i S\u0131n\u0131f\u0131na Selam ise bug\u00fcne dek yap\u0131lm\u0131\u015f en g\u00fczel i\u015f\u00e7i \u015fark\u0131lar\u0131ndan:<\/p>\n
Sel\u00e2m yaratana sel\u00e2m
Tohumlar\u0131n tohumuna sel\u00e2m
Serpilip geli\u015fene sel\u00e2m
T\u00fcrkiye i\u015f\u00e7i s\u0131n\u0131f\u0131na sel\u00e2m<\/p>\n
Madenden at\u00f6lyeden
Tezgahtan tersaneden
Hakk\u0131n\u0131 almak i\u00e7in
Yola \u00e7\u0131kan devrimci i\u015f\u00e7iye bin sel\u00e2m<\/p>\n
G\u00fcc\u00fcyle bilinciyle
Korkusuz y\u00fcre\u011fiyle
D\u00fc\u015fman\u0131 yenmek i\u00e7in
\u0130lerleyen devrimci i\u015f\u00e7iye bin selam<\/p>\n
Bir de, Attil\u00e2 \u0130lhan dizelerini seslendiren Ahmet Kaya\u2019ya kulak verelim:<\/p>\n
Oy bilesin ki ben ha
Ta\u015f d\u00f6ven demir d\u00f6ven
Toz toprak i\u00e7inde \u015fanl\u0131
S\u0131fat\u0131m kat\u2019i \u00e7amur
Ellerim ma\u011frur ya\u011fl\u0131<\/p>\n
Oy bilesin ki ben ha
Yerden cevahir s\u00f6ken
Zincirin yitirmi\u015f dev
Erkan \u00fczredir feryad\u0131m
Grev hakk\u0131m\u0131 isterim
Grev hakk\u0131m\u0131 grev!<\/p>\n
\u201cMahir\u2019in T\u00fcrk\u00fcs\u00fc\u201d<\/p>\n
Can Y\u00fccel\u2019in \u0130\u015f\u00e7i Mar\u015f\u0131, bug\u00fcne dek defalarca bestelendi. 1979 y\u0131l\u0131nda yay\u0131mlanan ilk Yeni T\u00fcrk\u00fc alb\u00fcm\u00fcnde (me\u015fhur Bu\u011fday\u0131n T\u00fcrk\u00fcs\u00fc) Selim Atakan bestesiyle yer ald\u0131 bu \u015fark\u0131 ve o g\u00fcnlerde Yeni D\u00fcnya Korosu taraf\u0131ndan da seslendirildi.<\/p>\n
1977\u2019de, Cem Karaca, Taner \u00d6ng\u00fcr bestesiyle s\u00f6ylemi\u015fti. 1995\u2019te de Kutup Y\u0131ld\u0131z\u0131, Hava D\u00f6nd\u00fc \u0130\u015f\u00e7iden Yana ad\u0131yla yorumlad\u0131. \u201cHava d\u00f6nd\u00fc i\u015f\u00e7iden esiyor yel\u201d dizesiyle ba\u015flayan mar\u015f, memleketin \u201cyerli\u201d mar\u015flar\u0131ndan.<\/p>\n
Bir de \u201cadapte\u201d mar\u015flar var: \u201cHayat denilen kavgaya girdik \/ \u00c7elik ad\u0131mlarla y\u00fcr\u00fcyoruz\u201d s\u00f6zleriyle ba\u015flayan Avusturya \u0130\u015f\u00e7i Mar\u015f\u0131; de\u011fi\u015fik zamanlarda ba\u015fka s\u00f6zlerle seslendirilen \u00c7av Bella ve Venseremos; \u201cEge denizi karar\u0131nca\u201d diye de bilinen Yunanistan \u0130\u015f\u00e7i Mar\u015f\u0131; T\u00fcrk\u00e7e ve K\u00fcrt\u00e7e s\u00f6ylenen \u0130talyan \u0130\u015f\u00e7i Mar\u015f\u0131 (Avanti Populo) ve elbette Enternasyonal, bunlar\u0131n sadece birka\u00e7\u0131.<\/p>\n
1968\u2019de Avrupa\u2019daki i\u015f\u00e7i \u00f6rg\u00fctlerinin kurdu\u011fu Avrupa T\u00fcrkiyeli Toplumcular Federasyonu (ATTF) b\u00fcnyesinde 1973 ocak ay\u0131nda kurulan ATTF \u0130\u015f\u00e7i Korosu, bu mar\u015flar\u0131 toplu halde ilk s\u00f6yleyen ekip. 1974 y\u0131l\u0131n\u0131n Temmuz ay\u0131nda plak olarak Almanya\u2019da yay\u0131mlanan ve bug\u00fcne kadar T\u00fcrkiye\u2019de bas\u0131lamam\u0131\u015f \u0130\u015f\u00e7i \u015eark\u0131 ve Mar\u015flar\u0131, yap\u0131lm\u0131\u015f ilk derli toplu alb\u00fcm. Bu alb\u00fcmde, \u201cd\u00fcnya i\u015f\u00e7i hareketinin en tan\u0131nm\u0131\u015f \u015fark\u0131 ve mar\u015flar\u0131, koro taraf\u0131ndan T\u00fcrk\u00e7eye \u00e7evrilmi\u015f, devrimci ozanlar\u0131m\u0131zdan al\u0131nan \u015fiirler bestelenmi\u015f\u201d.<\/p>\n
Bu alb\u00fcm\u00fcn yan\u0131na, \u201870\u2019lerin sonunda yay\u0131mlanan Yeni Bir D\u00fcnya \u0130\u00e7in kasetlerini; K\u0131z\u0131l\u0131rmak\u2019\u0131n Gidenlerin Ard\u0131ndan, Grup Yorum\u2019un Mar\u015flar\u0131m\u0131z, Sevin\u00e7 Eratalay\u2019\u0131n Mahir\u2019in T\u00fcrk\u00fcs\u00fc alb\u00fcmlerini de koyabiliriz.<\/p>\n
Yepyeni bir g\u00fcne\u015f do\u011far da\u011flar\u0131n doruklar\u0131ndan
1 May\u0131s 1977\u2019de Taksim Meydan\u0131\u2019nda toplanan kalabal\u0131\u011f\u0131n i\u00e7inde bulunan ve Dostlar Korosu\u2019ndan duydu\u011fu mar\u015f\u0131 plak yapmak isteyen Cem Karaca, bu pla\u011f\u0131n\u0131 1977\u2019nin son g\u00fcnlerinde \u00e7\u0131kartt\u0131.<\/p>\n
Bu, onun T\u00fcrkiye\u2019de \u00e7\u0131kartt\u0131\u011f\u0131 son 45\u2019likti ve Sarper \u00d6zsan\u2019\u0131n bestesi 1 May\u0131s\u2019\u0131 s\u00f6yl\u00fcyordu. \u015eark\u0131, ayn\u0131 y\u0131l Timur Sel\u00e7uk taraf\u0131ndan da plak yap\u0131lm\u0131\u015ft\u0131; sonras\u0131nda da defalarca yorumland\u0131, ama Cem Karaca\u2019n\u0131n yorumu, hep ak\u0131lda kalan oldu. D\u00fcnyan\u0131n b\u00fct\u00fcn i\u015f\u00e7ileri i\u00e7in, bir kez daha d\u00f6nd\u00fcrelim o pla\u011f\u0131:<\/p>\n
G\u00fcnlerin bug\u00fcn getirdi\u011fi bask\u0131 zul\u00fcm ve kand\u0131r
Ancak bu b\u00f6yle gitmez s\u00f6m\u00fcr\u00fc devam etmez
Yepyeni bir hayat gelir bizde ve her yerde<\/p>\n
Sait Faik\u2019le a\u00e7t\u0131k yaz\u0131y\u0131, Orhan Veli\u2019nin bir \u015fiiriyle sonuna yollanal\u0131m. Mehmet Ali Sel m\u00fcstear ad\u0131yla yay\u0131mlatt\u0131\u011f\u0131 \u015fiirlerden biri bu; 1938 tarihli Quantitatif:<\/p>\n
G\u00fczel kad\u0131nlar\u0131 severim,
\u0130\u015f\u00e7i kad\u0131nlar\u0131 da severim;
G\u00fczel i\u015f\u00e7i kad\u0131nlar\u0131
Daha \u00e7ok severim.<\/p>\n
Son s\u00f6z\u00fc, Sezen Aksu ve Rahmi Saltuk\u2019un besteledi\u011fi G\u00fcl\u00fcmse\u2019nin \u015fairi Kemal Burkay s\u00f6ylesin ve Aksu\u2019nun atlad\u0131\u011f\u0131, Rahmi Saltuk\u2019un g\u00f6rd\u00fc\u011f\u00fc dize, bu yaz\u0131n\u0131n finali olsun: \u201cHadi g\u00fcl\u00fcmse bulutlar gitsin \/ \u0130\u015f\u00e7iler iyi \u00e7al\u0131\u015fs\u0131n g\u00fcl\u00fcmse\u201d (2)<\/p>\n
Dipnotlar:
(1) Bu s\u00f6zler, \u015fark\u0131n\u0131n Arif Kemal versiyonundan. 36. Paralel, son b\u00f6l\u00fcm\u00fc \u015f\u00f6yle s\u00f6ylemi\u015f: “Kolundaki kuvvetten \/ Ba\u015fka sermayesi yok \/ Bug\u00fcn art\u0131k ya\u015famaktan \/ Ba\u015fka hi\u00e7bir gayesi yok\u201d
(2) Memlekette yap\u0131lm\u0131\u015f i\u015f\u00e7i \u015fark\u0131lar\u0131na dair b\u00fcy\u00fck bir k\u00fclliyat var ortada ve bu yaz\u0131da \u00f6rneklediklerimiz, bunlar\u0131n k\u00fc\u00e7\u00fck bir k\u0131sm\u0131. De\u011fi\u015fik meslekler i\u00e7in yaz\u0131lm\u0131\u015f ve ba\u015fka bir yaz\u0131n\u0131n konusu olabilecek nice \u015fark\u0131 var: Dursun Kaptan (Selda), Polis Haydar (Ersen), \u015eof\u00f6r Mehmet (Erol Evgin), \u015eof\u00f6r (Bergen), Taksici (M\u00fcsl\u00fcm G\u00fcrses), Arabac\u0131 (Korkut Koray), Sandalc\u0131 (Erkin Koray), Garson (Ferdi Tayfur) Bal\u0131k\u00e7\u0131n\u0131n \u00d6yk\u00fcs\u00fc (Haramiler), Konfeksiyoncular (K\u0131z\u0131l\u0131rmak), Yaz Gazeteci (Selda) ve hatta Sanat\u00e7\u0131n\u0131n Kaderi (Esin Af\u015far) bunlara \u00f6rnek g\u00f6sterilebilir. Yurdumun G\u00fczel \u0130nsan\u0131 (657), 9-6 Yollar\u0131 (Efkan \u015ee\u015fen) ve Memurun \u015eark\u0131s\u0131 (B\u00fclent Orta\u00e7gil) gibi memurlar i\u00e7in yaz\u0131lm\u0131\u015f \u015fark\u0131lar; \u0130lk\u00f6\u011fretmen (Ali R\u0131za Binbo\u011fa), \u00d6\u011fretmenim (\u0130stanbul Geli\u015fim Orkestras\u0131), D\u00fcnyan\u0131n B\u00fct\u00fcn \u00c7i\u00e7eklerini Getirin Bana (Selda), Bir \u00d6\u011fretmene A\u011f\u0131t (Cem Karaca-Dervi\u015fan) gibi \u00f6\u011fretmen \u015fark\u0131lar\u0131 var. Kimi meslekleri anlatan \u00e7ocuk \u015fark\u0131lar\u0131n\u0131, de\u011firmencisinden dondurmac\u0131s\u0131na akla gelmeyecek meslekler i\u00e7in yaz\u0131lm\u0131\u015f kantolar\u0131 ve boyac\u0131dan limoncusuna oyun havalar\u0131n\u0131 da bunlara eklersek, ba\u015fka t\u00fcr bir k\u00fclliyata ula\u015f\u0131r\u0131z. Modern Folk \u00dc\u00e7l\u00fcs\u00fc \u015fark\u0131s\u0131 Saat bile farkl\u0131 bir boyuttan bu yaz\u0131ya eklenebilir: \u201cTrik trak trik trak \/ Olur mu hi\u00e7 \u00e7al\u0131\u015fmamak\u2026\u201d \u0130yisi mi, daha fazla uzatmayal\u0131m, Adnan Menderes\u2019in kendi sesinden plakla\u015ft\u0131r\u0131lan \u201cT\u00fcrk \u0130\u015f\u00e7ilerine Hitabe\u201dsini (Menderes\u2019in ba\u015fbakanl\u0131\u011f\u0131 d\u00f6neminden kalma resm\u00ee bir 1 May\u0131s mesaj\u0131) anal\u0131m ve Ezginin G\u00fcnl\u00fc\u011f\u00fc solisti H\u00fcsn\u00fc Arkan\u2019\u0131n y\u0131llar \u00f6nce yapt\u0131\u011f\u0131 solo alb\u00fcm\u00fcnde yer alan Nereye U\u00e7ar Turnalar \u015fark\u0131s\u0131yla bu mevzuyu kapatal\u0131m:<\/p>\n
\u00d6lenlerin ad\u0131n\u0131 unutma
T\u00fcrk\u00fclerin, meydanlar\u0131n
B\u0131rakmas\u0131n onlar seni<\/p>\n
Ne de \u00e7abuk y\u0131kt\u0131n kendini
Sar\u0131ld\u0131n yalanlara bo\u015flu\u011fa
Bak i\u015f\u00e7i tulumu giymi\u015f umut\u2026<\/p>\n
Al\u0131nt\u0131: Al\u0131nteri \u0130\u015f\u00e7i Gazetesi<\/p>\n
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\u00d6lenlerin ad\u0131n\u0131 unutma \/ T\u00fcrk\u00fclerin, meydanlar\u0131n \/ B\u0131rakmas\u0131n onlar seni Sait Faik, 1935\u2019te yazd\u0131\u011f\u0131 Semaver\u2019e, anas\u0131n\u0131n Ali\u2019ye sesleni\u015fiyle ba\u015flar: \u201cSabah ezan\u0131 okundu. Kalk yavrum, i\u015fe ge\u00e7 kalacaks\u0131n.\u201d Ali, hik\u00e2yenin ba\u015f ki\u015fisidir ve \u201cnihayet\u201d i\u015f bulmu\u015ftur: Fabrikada \u00e7al\u0131\u015fmaktad\u0131r. Anas\u0131, o sabah da semaveri \u00e7oktan kaynatm\u0131\u015ft\u0131r: \u201cAli semaveri, i\u00e7inde ne \u0131st\u0131rap, ne grev, ne de kaza olan […]<\/p>\n","protected":false},"author":1,"featured_media":0,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[127],"tags":[],"class_list":["post-4229","post","type-post","status-publish","format-standard","category-muzik-gruplari"],"yoast_head":"\n