{"id":4304,"date":"2010-03-02T17:03:28","date_gmt":"2010-03-02T14:03:28","guid":{"rendered":"http:\/\/localhost\/wordpress\/2010\/03\/02\/anadolu-rockin-en-onemli-seslerinden-biri-cem-karaca-ve-sarkilari\/"},"modified":"2010-03-02T17:03:28","modified_gmt":"2010-03-02T14:03:28","slug":"anadolu-rockin-en-onemli-seslerinden-biri-cem-karaca-ve-sarkilari","status":"publish","type":"post","link":"https:\/\/narteks.net\/index.php\/2010\/03\/02\/anadolu-rockin-en-onemli-seslerinden-biri-cem-karaca-ve-sarkilari\/","title":{"rendered":"Anadolu Rock’\u0131n en \u00f6nemli seslerinden biri | Cem Karaca ve \u015fark\u0131lar\u0131"},"content":{"rendered":"
Muhtar Cem Karaca (d. Antakya, 5 Nisan 1945 – \u00f6. \u0130stanbul, 8 \u015eubat 2004) T\u00fcrk m\u00fczi\u011finin en \u00f6nemli sanat\u00e7\u0131lar\u0131ndan biri olan Cem Karaca ,Anadolu Rock’\u0131n ve Anadolu Pop’\u0131n kurucular\u0131 aras\u0131nda yerini alm\u0131\u015ft\u0131r. Bu m\u00fczik tarzlar\u0131n\u0131 uygulayan bir \u00e7ok grupla \u00e7al\u0131\u015fm\u0131\u015f (Apa\u015flar, Karda\u015flar, Mo\u011follar ve Dervi\u015fan) kurucusu ve y\u00f6neticisi olmu\u015f g\u00fc\u00e7l\u00fc bir rock ve pop k\u00fclt\u00fc yaratm\u0131\u015ft\u0131r. Her tarzda rock ve pop m\u00fczi\u011fini anadolu insan\u0131na T\u00fcrk\u00e7e s\u00f6zlerle tan\u0131tan ve sevdiren ki\u015fidir.Eserlerinde sosyal ve politik i\u00e7erikli konulara de\u011finmesiyle daha b\u00fcy\u00fck sorumluluklar \u00fcstlenen Karaca, \u00f6zg\u00fcn stiliylede anadolu m\u00fczi\u011finin efsane sanat\u00e7\u0131lar\u0131 aras\u0131nda yer al\u0131r.<\/p>\n
Annesi Ermeni as\u0131ll\u0131 Toto Karaca ve babas\u0131 Azeri as\u0131ll\u0131 Mehmet Karaca olan Cem Karaca, sanatla hep i\u00e7 i\u00e7e b\u00fcy\u00fcd\u00fc. Orta\u00f6\u011frenimini Robert Kolej’de yapan Cem Karaca sanat\u00e7\u0131 bi \u00e7iftin \u00e7ocu\u011fu oldu\u011fundan m\u00fczi\u011fe do\u011fustan yetenekliydi.M\u00fczik ile ilk tan\u0131\u015fmas\u0131 annesinin teyzesi Rosa Felegyan’\u0131n Cem Karaca’ya piyano notalar\u0131 ve piyano na\u011fmeleri \u00f6\u011fretmesi ile olmu\u015ftur. Kolej y\u0131llar\u0131ndayken d\u00fcnyadaki pop\u00fcleritesini artt\u0131ran rock m\u00fczi\u011fine ilgi duyar ve k\u0131z arkada\u015flar\u0131n\u0131 etkilemek i\u00e7in d\u00f6nemin rock starlar\u0131n\u0131n \u015fark\u0131lar\u0131n\u0131 s\u00f6yler.Karaca’n\u0131n sesinin ke\u015ffedilmesi ise annesi Toto Karaca taraf\u0131ndan olmu\u015ftur. \u0130lk d\u00f6nemlerde Jaguarlar, Dinamitler gibi gruplarla amat\u00f6rce \u00e7al\u0131\u015fmalar yapan Cem Karaca pop\u00fcler rock’n roll par\u00e7alar\u0131n\u0131 s\u00f6yl\u00fcyordu. O d\u00f6nemlerde kendisinin en b\u00fcy\u00fck destek\u00e7ilerinden biri de \u0130lham Gencer’di ve onun orkestras\u0131nda m\u00fczikal deneyimini olduk\u00e7a ilerletmi\u015fti. Bu y\u0131llarda ayn\u0131 zamanda tiyatro ile de ilgilenen Cem Karaca \u00e7e\u015fitli oyunlarda da g\u00f6rev ald\u0131.<\/p>\n
Askerli\u011fi s\u0131ras\u0131nda Anadolu’nun ilkokul kitaplar\u0131nda anlat\u0131ld\u0131\u011f\u0131 gibi olmad\u0131\u011f\u0131n\u0131 fark etti. Asker arkada\u015f\u0131n\u0131n \u00e7ald\u0131\u011f\u0131 ba\u011flama ise onu bamba\u015fka diyarlara ta\u015f\u0131d\u0131. Bir zamanlar ilkel ve s\u0131k\u0131c\u0131 buldu\u011fu m\u00fczi\u011fin kendi duygular\u0131n\u0131 anlatt\u0131\u011f\u0131n\u0131 ke\u015ffetti…<\/p>\n
1967’de askerlik d\u00f6n\u00fc\u015f\u00fc Apa\u015flar grubuna kat\u0131ld\u0131. Bu grupla H\u00fcrriyet’in d\u00fczenledi\u011fi Alt\u0131n Mikrofon yar\u0131\u015fmas\u0131nda Emrah isimli par\u00e7alayla ikinci oldular ve do\u011fu-bat\u0131 m\u00fczi\u011fi sentezinde \u015fark\u0131lar \u00fcretmeye \u00e7al\u0131\u015ft\u0131lar. ‘Resimdeki G\u00f6zya\u015flar\u0131’ isimli par\u00e7ayla b\u00fcy\u00fck ba\u015far\u0131 elde eden Apa\u015flar’la Bat\u0131 Almanya’ya gitti. Apa\u015flar’la olan beraberli\u011fi 1969’un sonlar\u0131na kadar s\u00fcrd\u00fc. Grupta gitarist Mehmet Soyarslan ve Cem Karaca aras\u0131nda do\u011fan baz\u0131 politik anla\u015fmazl\u0131klardan \u00f6t\u00fcr\u00fc Apa\u015flar da\u011f\u0131ld\u0131.<\/p>\n
Apa\u015flar’\u0131n bas\u00e7\u0131s\u0131 Seyhan Karabay ile birlikte Karda\u015flar grubunu kurdu. Bu s\u0131rada Almanya’ya giderek Ferdy Klein Orkestras\u0131’yla d\u00f6rt tane 45’lik doldurdu. Amac\u0131 maddi s\u0131k\u0131nt\u0131 ya\u015famadan \u00e7al\u0131\u015fmalar yapmakt\u0131. \u0130lk 45’likleri ‘Dadalo\u011flu’ ile b\u00fcy\u00fck bir ba\u015far\u0131 elde ettiler. Fakat 1972’de Seyhan Karabay aras\u0131ndaki tart\u0131\u015fmalar nedeniyle Karda\u015flar’la yollar\u0131 ayr\u0131ld\u0131. Bu s\u0131rada e\u015fi benzeri g\u00f6r\u00fclmemi\u015f bir de\u011fi\u015f-toku\u015f meydana geldi. Cem Karaca, Karda\u015flar’dan ayr\u0131l\u0131p Anadolu Rock’\u0131n g\u00fc\u00e7l\u00fc sesi Mo\u011follar’la birle\u015firken Karda\u015flar da Mo\u011follar’la anla\u015famayan Ersen Dinleten’i gruplar\u0131na dahil etti.<\/p>\n
\u00dc\u00e7 45’lik \u00e7\u0131karan Karaca, Mo\u011follar’\u0131n da\u011f\u0131lmas\u0131yla kariyerinin en \u00f6nemli d\u00f6nemini ya\u015fayaca\u011f\u0131 Dervi\u015fan grubunu kurdu. Dervi\u015fan politik rock’\u0131n yan\u0131s\u0131ra progressive rock’\u0131n T\u00fcrkiye ile tan\u0131\u015fmas\u0131nda \u00f6nemli rol oynad\u0131. Ayn\u0131 zamanda tam anlam\u0131yla ilk st\u00fcdyo alb\u00fcm\u00fcn\u00fc bu grupla \u00e7\u0131kard\u0131: ‘Yoksulluk Kader Olamaz’. Dervi\u015fan’\u0131n da\u011f\u0131lmas\u0131ndan sonra Edirdahan isimli grubu kurdu. Yeni alb\u00fcm\u00fc ‘Safinaz’la eski ba\u015far\u0131s\u0131n\u0131 elde edemedi. Bu alb\u00fcmden sonra Almanya’ya gitti ve 1987’ye kadar s\u00fcrg\u00fcn hayat\u0131 ya\u015famak zorunda kald\u0131. Bu d\u00f6nemdeki \u00e7al\u0131\u015fmalar\u0131nda s\u0131k s\u0131k gurbet ac\u0131s\u0131 gibi temalar\u0131 i\u015fledi. Bu s\u00fcre i\u00e7indeki en iyi alb\u00fcm\u00fcn\u00fc Almanca olarak \u00e7\u0131kard\u0131: ‘Die Kanaken’. Bu alb\u00fcmde yabanc\u0131 d\u00fc\u015fmanl\u0131\u011f\u0131, gurbet\u00e7ilerin ya\u015fam\u0131 gibi konular\u0131 i\u015fledi. Alb\u00fcmdeki baz\u0131 par\u00e7alar\u0131n T\u00fcrk\u00e7esini sonraki alb\u00fcmlerinde kaydetti. ‘Die Kanaken’ alb\u00fcm\u00fcn\u00fcn arka kapa\u011f\u0131nda kendisiyle ilgili \u015funlar yaz\u0131l\u0131yd\u0131:<\/p>\n
Cem Karaca \u00fclkesi olan T\u00fcrkiye’de bir rock y\u0131ld\u0131z\u0131. \u00dclkesinde 50’ye yak\u0131n 45’lik ve LP yay\u0131nlayan Karaca’n\u0131n par\u00e7alar\u0131n\u0131n \u00e7o\u011fu sosyal i\u00e7erikli s\u00f6zlere sahip. 1981’in ocak ay\u0131nda Almanya’dayken son alb\u00fcm\u00fc y\u00fcz\u00fcnden \u00fclkesinde aranmaya ba\u015flad\u0131. Bunun \u00fczerine Karaca, \u00fclkesine geri d\u00f6nmedi. Mallar\u0131na el konan \u015fark\u0131c\u0131 200 y\u0131l hapis cezas\u0131na \u00e7arpt\u0131r\u0131ld\u0131 ve 1983’te de darbeci generaller onu T\u00fcrk vatanda\u015fl\u0131\u011f\u0131ndan att\u0131lar. Almanya’da daha \u00e7ok Naz\u0131m Hikmet’in \u015fiirlerini seslendirmesiyle tan\u0131nan Karaca, ilk olarak 1983’\u00fcn ba\u015flar\u0131nda Almanca s\u00f6zlerle ve do\u011fu-bat\u0131 sentezinden olu\u015fan bir m\u00fczikle seyirci \u00f6n\u00fcne \u00e7\u0131kt\u0131. Amac\u0131 T\u00fcrkiye’de olan biteni anlatmak de\u011fil, burada olup bitenleri anlatmak ve Alman-T\u00fcrk ili\u015fkilerini d\u00fczeltmeye \u00e7al\u0131\u015fmak.<\/p>\n
Yurda d\u00f6nd\u00fc\u011f\u00fc zaman Turgut \u00d6zal’\u0131n elini \u00f6pt\u00fc\u011f\u00fc iddia edildi ve d\u00f6neklikle su\u00e7land\u0131. Hem Cem Karaca hem de \u00d6zal ailesi bu iddian\u0131n ger\u00e7ek olmad\u0131\u011f\u0131n\u0131 \u0131srarla belirttikleri halde, sanat\u00e7\u0131 yine de 12 Eyl\u00fcl bozgununa sorumlu arayan eski solcular\u0131n g\u00fcnah ke\u00e7isi olmaktan ve d\u0131\u015flanmaktan kurtulamad\u0131. Bu ayd\u0131n sapmas\u0131n\u0131 hicvetti\u011fi ‘Yar\u0131m Porsiyon Ayd\u0131nl\u0131k’ adl\u0131 \u015fark\u0131s\u0131nda ‘hi\u00e7 bir \u015fey \u00fcretemeden sadece ele\u015ftirirsiniz’ diyerek k\u0131rg\u0131nl\u0131\u011f\u0131n\u0131 dile getirdi. Seksen sonras\u0131 d\u00f6nemde m\u00fczik yap\u0131mc\u0131lar\u0131n\u0131n deste\u011fini alamadan \u00e7\u0131kard\u0131\u011f\u0131 alb\u00fcmler o y\u0131llar b\u00fcy\u00fck ses getirmemesine kar\u015f\u0131n, y\u0131llar i\u00e7inde \u015fark\u0131lar de\u011ferini buldu. Oh Be, Kahya Yahya,Hep Kah\u0131r gibi hit \u015fark\u0131lar bu d\u00f6nemde \u00e7\u0131kt\u0131.<\/p>\n
\u00dclkesine yeniden d\u00f6n\u00fc\u015f\u00fcnden sonra ilk alb\u00fcm\u00fcn\u00fc 1987’de eski arkada\u015f\u0131 Cahit Berkay’la birlikte yapt\u0131lar. ‘Merhaba Gen\u00e7ler ve Her Zaman Gen\u00e7 Kalanlar’. Bundan bir sene sonra 1988’de, aranj\u00f6r O\u011fuz Abadan’la birlikte 60’l\u0131 y\u0131llar\u0131n sonunda yapt\u0131\u011f\u0131 \u00e7al\u0131\u015fmalarda da oldu\u011fu gibi, orkestrasyona a\u011f\u0131rl\u0131k vererek, yayl\u0131 varyasyonlar\u0131n\u0131n hakim oldu\u011fu bir ba\u015fka \u00e7al\u0131\u015fmay\u0131 ger\u00e7ekle\u015ftirirler: ‘T\u00f6re’. 1990 ve 1992’de U\u011fur Dikmen ve Cahit Berkay’la ‘Yiyin Efendiler’ ve ‘Nerde Kalm\u0131\u015ft\u0131k’ alb\u00fcmleriyle biraz da olsa eski g\u00fcnlerine d\u00f6nd\u00fc. 1997’de \u00e7ekilen ‘A\u011f\u0131r Roman’ filminde seslendirdi\u011fi ‘Resimdeki G\u00f6zya\u015flar\u0131’ ile yeniden pop\u00fcler oldu.<\/p>\n
1999’da Cahit Berkay, Engin Y\u00f6r\u00fcko\u011flu, Ahmet G\u00fcven\u00e7 ve U\u011fur Dikmen’in deste\u011fiyle ‘Bindik Bir Alamete…’ isimli alb\u00fcm\u00fcn\u00fc \u00e7\u0131kard\u0131. Son alb\u00fcm\u00fc de say\u0131labilecek olan bu alb\u00fcm eski g\u00fcnlerin g\u00fcr\u00fcl g\u00fcr\u00fcl Cem Karaca’s\u0131n\u0131n yeniden geri d\u00f6nd\u00fc\u011f\u00fc ba\u015far\u0131l\u0131 bir \u00e7al\u0131\u015fmad\u0131r. ‘Kahpe Bizans’ filmi i\u00e7in \u00fc\u00e7 par\u00e7a kaydedip, filmde k\u00fc\u00e7\u00fck bir rol ald\u0131. 2000’li y\u0131llarda \u00e7e\u015fitli \u015fiir \u00e7al\u0131\u015fmalar\u0131 da yapt\u0131. Bar\u0131\u015f Man\u00e7o’nun efsanevi grubu Kurtalan Ekspres’le birle\u015ferek konserler verdi. Son olarak Yol Arkada\u015flar\u0131 isimli grubuyla sahneye \u00e7\u0131kan ve bu grupla son alb\u00fcm\u00fc Hayvan Terli ve Murathan Mungan alb\u00fcm\u00fcndeki G\u00f6\u00e7 Yollar\u0131 isimli \u015fark\u0131y\u0131 kaydeden Cem Karaca, 8 \u015eubat 2004’de 59 ya\u015f\u0131nda hayata g\u00f6zlerini yumdu. Karacaahmet Mezarl\u0131\u011f\u0131’na defnedildi.<\/p>\n
![](\"images\/stories\/cem-karaca.jpg\")
Muhtar Cem Karaca (d. Antakya, 5 Nisan 1945 – \u00f6. \u0130stanbul, 8 \u015eubat 2004) T\u00fcrk m\u00fczi\u011finin en \u00f6nemli sanat\u00e7\u0131lar\u0131ndan biri olan Cem Karaca ,Anadolu Rock’\u0131n ve Anadolu Pop’\u0131n kurucular\u0131 aras\u0131nda yerini alm\u0131\u015ft\u0131r. Bu m\u00fczik tarzlar\u0131n\u0131 uygulayan bir \u00e7ok grupla \u00e7al\u0131\u015fm\u0131\u015f (Apa\u015flar, Karda\u015flar, Mo\u011follar ve Dervi\u015fan) kurucusu ve y\u00f6neticisi olmu\u015f g\u00fc\u00e7l\u00fc bir rock ve pop k\u00fclt\u00fc yaratm\u0131\u015ft\u0131r. Her tarzda rock ve pop m\u00fczi\u011fini anadolu insan\u0131na T\u00fcrk\u00e7e s\u00f6zlerle tan\u0131tan ve sevdiren ki\u015fidir.Eserlerinde sosyal ve politik i\u00e7erikli konulara de\u011finmesiyle daha b\u00fcy\u00fck sorumluluklar \u00fcstlenen Karaca, \u00f6zg\u00fcn stiliylede anadolu m\u00fczi\u011finin efsane sanat\u00e7\u0131lar\u0131 aras\u0131nda yer al\u0131r.<\/p>\n