{"id":4310,"date":"2010-03-05T11:12:00","date_gmt":"2010-03-05T08:12:00","guid":{"rendered":"http:\/\/localhost\/wordpress\/2010\/03\/05\/yaratici-aydinlar-toplantisindaki-tartisma-1946-jv-stalin\/"},"modified":"2010-03-05T11:12:00","modified_gmt":"2010-03-05T08:12:00","slug":"yaratici-aydinlar-toplantisindaki-tartisma-1946-jv-stalin","status":"publish","type":"post","link":"https:\/\/narteks.net\/index.php\/2010\/03\/05\/yaratici-aydinlar-toplantisindaki-tartisma-1946-jv-stalin\/","title":{"rendered":"Yarat\u0131c\u0131 Ayd\u0131nlar Toplant\u0131s\u0131ndaki Tart\u0131\u015fma (1946) | J.V. Stalin"},"content":{"rendered":"

\u0130nsanl\u0131k,\u00a0 g\u00fcr\u00fclt\u00fcs\u00fcz ve \u015fatafats\u0131z,\u00a0 en zor \u015fartlar alt\u0131nda sanayile\u015fmeyi ve kolektivizasyonu ba\u015faran, savunma sistemini canlar\u0131 pahas\u0131na kuvvetlendirip kom\u00fcnistlerin liderli\u011fiyle d\u00fc\u015fman\u0131 yenen s\u0131radan Sovyet halk\u0131 taraf\u0131ndan kurtar\u0131lm\u0131\u015ft\u0131r.
<\/em>
J.V. Stalin<\/strong><\/p>\n

Yarat\u0131c\u0131 Ayd\u0131nlar Toplant\u0131s\u0131ndaki Tart\u0131\u015fma (1946)<\/strong><\/em><\/p>\n

Stalin<\/strong>: Benimle neyi konu\u015fmak istiyordunuz yolda\u015f Fadeyev?<\/p>\n

Fadeyev <\/strong>(Aleksandr Aleksandrovi\u00e7 Fadeyev. 1946\u20131954 aras\u0131 Yazarlar Birli\u011fi Genel Sekreteri): Yolda\u015f Stalin, size dan\u0131\u015fmak i\u00e7in geldik. Bir\u00e7oklar\u0131 edebiyat\u0131m\u0131z\u0131n ve sanat\u0131m\u0131z\u0131n bir \u00e7\u0131kmaza girdi\u011fini d\u00fc\u015f\u00fcn\u00fcyor ve biz b\u00f6yle d\u00fc\u015f\u00fcnenleri hangi yola y\u00f6nlendirece\u011fimizi bilmiyoruz. Bug\u00fcn bir sinemaya gidiyorsunuz, ate\u015f ediliyor,bir ba\u015fka sinemaya gidiyorsunuz, yine ate\u015f ediliyor: sinema salonlar\u0131m\u0131zda, kahraman\u0131n dur durak bilmeden d\u00fc\u015fmanla sava\u015ft\u0131\u011f\u0131 ve \u0131rmaklardan insan kan\u0131n\u0131n akt\u0131\u011f\u0131 filmler oynuyor. Her yerde yokluklar ve zorluklar g\u00f6steriliyor. \u0130nsanlar sava\u015f ve kan g\u00f6rmekten b\u0131kt\u0131.<\/p>\n

Eserlerimizde ba\u015fka bir hayat\u0131 nas\u0131l g\u00f6sterece\u011fimize ili\u015fkin tavsiyenizi almak istiyoruz:\u00a0 kan\u0131n ve \u015fiddetin olmad\u0131\u011f\u0131, \u00fclkemizin kar\u015f\u0131la\u015ft\u0131\u011f\u0131 say\u0131s\u0131z zorluklar\u0131n olmad\u0131\u011f\u0131 gelece\u011fin hayat\u0131n\u0131.\u00a0 Ba\u015fka bir deyi\u015fle, mutlu ve bulutsuz bir gelece\u011fi resmetmenin zorunlulu\u011fu kendini hissettiriyor.<\/p>\n

Stalin: <\/strong> Konu\u015fman\u0131zda, hayat\u0131n, edebiyat i\u015f\u00e7ilerinin, sanat\u00e7\u0131lar\u0131n \u00f6n\u00fcne koydu\u011fu temel g\u00f6rev, Marksist-Leninist \u00e7\u00f6z\u00fcmleme yapma g\u00f6revi eksik Fadayev yolda\u015f.<\/p>\n

Bir zamanlar I. Petro, Avrupa\u2019ya kap\u0131lar\u0131 a\u00e7m\u0131\u015ft\u0131. Ama 1917\u2019den sonra emperyalistler, sosyalizmin \u00fclkelerine yay\u0131lmas\u0131ndan korkarak o kap\u0131y\u0131 uzunca bir s\u00fcreli\u011fine s\u0131k\u0131ca kapatt\u0131lar. \u0130kinci D\u00fcnya Sava\u015f\u0131ndan \u00f6nce radyolar,filmler,gazeteler ve dergiler arac\u0131l\u0131\u011f\u0131yla bizler d\u00fcnyaya di\u015fleri aras\u0131na kanl\u0131 b\u0131\u00e7aklar s\u0131k\u0131\u015ft\u0131rm\u0131\u015f kuzeyli barbarlar gibi tan\u0131t\u0131ld\u0131k. Proletarya diktat\u00f6rl\u00fc\u011f\u00fcn\u00fc b\u00f6yle resmettiler.\u00a0 Halk\u0131m\u0131z aya\u011f\u0131nda has\u0131r terlikler, eski p\u00fcsk\u00fc giysiler i\u00e7inde, semaverden votka i\u00e7en insanlar olarak g\u00f6sterildi.\u00a0 Birden bire,\u00a0 bu \u201chas\u0131r terlikli\u201d Rusya,\u00a0 bu ma\u011fara adamlar\u0131,\u00a0 d\u00fcnya burjuvazisinin alt insanlar olarak tasvir etti\u011fi bu insanlar, kar\u015f\u0131lar\u0131nda t\u00fcm d\u00fcnyan\u0131n korkuyla titredi\u011fi iki b\u00fcy\u00fck g\u00fcc\u00fc \u2013 Almanya\u2019daki fa\u015fistleri ve Japonya\u2019daki emperyalistleri ezip ge\u00e7ti.<\/p>\n

Bug\u00fcn d\u00fcnya,\u00a0 b\u00f6ylesi bir kahramanl\u0131\u011f\u0131 kimin ba\u015fard\u0131\u011f\u0131n\u0131 ve insanl\u0131\u011f\u0131 kimin kurtard\u0131\u011f\u0131n\u0131 bilmek istiyor.<\/p>\n

\u0130nsanl\u0131k,\u00a0 g\u00fcr\u00fclt\u00fcs\u00fcz ve \u015fatafats\u0131z,\u00a0 en zor \u015fartlar alt\u0131nda sanayile\u015fmeyi ve kolektivizasyonu ba\u015faran,\u00a0 savunma sistemini canlar\u0131 pahas\u0131na kuvvetlendirip kom\u00fcnistlerin liderli\u011fiyle d\u00fc\u015fman\u0131 yenen s\u0131radan Sovyet halk\u0131 taraf\u0131ndan kurtar\u0131lm\u0131\u015ft\u0131r.\u00a0 Yaln\u0131zca sava\u015f\u0131n ilk alt\u0131 ay\u0131nda cephede en az be\u015f y\u00fcz bin ve toplamda \u00fc\u00e7 milyondan fazla kom\u00fcnist hayat\u0131n\u0131 kaybetti.\u00a0 Onlar aram\u0131zdaki en iyilerdi;\u00a0 onurlu, tertemiz, \u00f6zverili, sosyalizm i\u00e7in, halk\u0131n mutlulu\u011fu i\u00e7in m\u00fccadele eden fedakar sava\u015f\u00e7\u0131lard\u0131. \u015eimdi onlar\u0131 \u00f6zl\u00fcyoruz. E\u011fer hayatta olsalard\u0131, bir\u00e7ok g\u00fcncel sorunumuz art\u0131k geride kalm\u0131\u015f olurdu. Bug\u00fcn, yarat\u0131c\u0131 Sovyet ayd\u0131nlar\u0131m\u0131z\u0131n as\u0131l g\u00f6revi, eserlerinde bu sade, muhte\u015fem Sovyet insan\u0131n\u0131 t\u00fcm y\u00f6nleriyle yans\u0131tmak ve bu karakterin en iyi \u00f6zelliklerini bulup g\u00f6zler \u00f6n\u00fcne sermektir. Bug\u00fcn edebiyat\u0131n ve sanat\u0131n geli\u015fimindeki genel ilke budur.<\/p>\n

Nikolay Ostrovski\u2019nin \u201cVe \u00c7eli\u011fe Su Verildi\u201d roman\u0131ndaki kahraman Pavel Kor\u00e7agin bizim i\u00e7in neden de\u011ferlidir?<\/p>\n

Bunun sebebi her \u015feyden \u00f6nce, o kahraman\u0131n kendini devrime, halka, sosyalizme s\u0131n\u0131rs\u0131zca adamas\u0131d\u0131r, fedakarl\u0131\u011f\u0131d\u0131r.<\/p>\n

Zaman\u0131m\u0131z\u0131n b\u00fcy\u00fck pilotu Valeri Chkalova\u2019n\u0131n sinemadaki sanatsal imgesi, B\u00fcy\u00fck Anavatan Sava\u015f\u0131nda \u00f6l\u00fcms\u00fcz bir \u015fan kazanan, binlerce korkusuz Sovyet \u015fahin-pilotun e\u011fitimini kolayla\u015ft\u0131rm\u0131\u015ft\u0131r. \u2018Kentimizden \u00c7\u0131kan Gen\u00e7 Adam\u2019 filmindeki tank\u00e7\u0131 Albay Sergey Lukonim, y\u00fcz bin kahraman tank\u00e7\u0131n\u0131n karakteristik kahraman\u0131d\u0131r.<\/p>\n

Bu gelenekle devam etmek gerekir. Sovyet halk\u0131n\u0131n kendini k\u0131yaslayaca\u011f\u0131 ve \u00f6rnek alaca\u011f\u0131 kom\u00fcnizm sava\u015f\u00e7\u0131lar\u0131ndan b\u00f6yle edebi kahramanlar yarat\u0131n.<\/p>\n

Elimde, bana yarat\u0131c\u0131 Sovyet ayd\u0131nlar\u0131n\u0131 ilgilendirdi\u011fi s\u00f6ylenen sorular\u0131n bir listesi var. Bir itiraz\u0131 olan yoksa bu sorular\u0131 yan\u0131tlayaca\u011f\u0131m.<\/p>\n

Salondan y\u00fckselen sesler:<\/strong> \u00c7ok soru var Stalin yolda\u015f! L\u00fctfen yan\u0131tlay\u0131n!<\/p>\n

Soru:<\/strong> Size g\u00f6re, \u00e7a\u011fda\u015f\u00a0 Sovyet nesir ve oyun yazarlar\u0131 ile film yap\u0131mc\u0131lar\u0131n\u0131n eserlerindeki ba\u015fl\u0131ca eksiklikler nelerdir?<\/p>\n

Stalin:<\/strong> Ne yaz\u0131k ki son derece \u00f6nemli eksiklikler var. Son zamanlarda, pek \u00e7ok edebiyat eserinde, \u00e7\u00fcr\u00fcmekte olan bat\u0131n\u0131n zararl\u0131 etkileri alt\u0131nda geli\u015fen bir e\u011filim a\u00e7\u0131k\u00e7a g\u00f6r\u00fcl\u00fcyor ve bu e\u011filim, yabanc\u0131 istihbaratlar yoluyla hayat\u0131n i\u00e7ine giriyor. Sovyet edebiyat dergilerinin sayfalar\u0131nda, s\u0131kl\u0131kla, Sovyet halk\u0131n\u0131n, kom\u00fcnizmin kurucular\u0131n\u0131n, zavall\u0131 ve karakat\u00fcrize edilmi\u015f bir bi\u00e7imde tasvir edildi\u011fi eserler g\u00f6r\u00fcl\u00fcyor. Olumlu kahramanla alay ediliyor, yabanc\u0131 olana dalkavukluk savunuluyor, toplumun politik art\u0131klar\u0131na \u00f6zg\u00fc kosmopolitizm \u00f6v\u00fcl\u00fcyor.<\/p>\n

Tiyatro repertuarlar\u0131nda yabanc\u0131 burjuva yazarlar\u0131n utan\u00e7 verici oyunlar\u0131 Sovyet oyunlar\u0131n\u0131 geri planda b\u0131rak\u0131yor.<\/p>\n

Filmlerde \u00f6nemsiz temalar a\u011f\u0131r bas\u0131yor ve cesur Rus halk\u0131n\u0131n kahramanca tarihi \u00e7arp\u0131t\u0131l\u0131yor.<\/p>\n

Soru:<\/strong> M\u00fczikteki avangart (yenilik\u00e7i) e\u011filimler ile resim ve heykel sanat\u0131ndaki soyut ekol ideolojik olarak ne kadar tehlikelidir?<\/p>\n

Stalin:<\/strong> Bug\u00fcn, yenilik kisvesi alt\u0131nda Sovyet m\u00fczi\u011finde bi\u00e7imcilik ak\u0131m\u0131n\u0131, resim sanat\u0131nda da soyut resmi hakim k\u0131lmaya \u00e7al\u0131\u015f\u0131yorlar. Zaman zaman \u015fu soruyu duymak m\u00fcmk\u00fcn: \u2018Bol\u015fevikler ve Leninistler gibi b\u00fcy\u00fck adamlar\u0131n b\u00f6ylesi \u00f6nemsiz ayr\u0131nt\u0131larla u\u011fra\u015fmalar\u0131; soyut resim ve bi\u00e7imcili\u011fi ele\u015ftirerek zaman harcamalar\u0131 gerekli midir? Bunlarla psikiyatristler u\u011fra\u015fs\u0131n.\u2019<\/p>\n

Bu t\u00fcrden sorular, \u00fclkemize ve \u00f6zellikle de gen\u00e7li\u011fimize kar\u015f\u0131 ger\u00e7ekle\u015ftirilen ideolojik sabotaj\u0131n rol\u00fcn\u00fcn anla\u015f\u0131lmad\u0131\u011f\u0131n\u0131 a\u00e7\u0131\u011fa vuruyor. Bu sabotaj sayesinde, edebiyat ve sanattaki sosyalist ger\u00e7ek\u00e7ilik ilkelerine kar\u015f\u0131 eyleme ge\u00e7meye \u00e7al\u0131\u015f\u0131yorlar. Bu ilkelere kar\u015f\u0131 a\u00e7\u0131ktan a\u00e7\u0131\u011fa konu\u015famayacaklar\u0131 i\u00e7in, bunu s\u0131\u011f\u0131naklar\u0131n ard\u0131na gizlenerek yap\u0131yorlar. Halklar\u0131n\u0131n mutlulu\u011fu i\u00e7in, kom\u00fcnizm i\u00e7in ve ilerlemek istedikleri yol i\u00e7in sava\u015fan o \u00f6rnek al\u0131nacak insanlar\u0131n imgesi soyut denilen bu resimlere yans\u0131maz. Bu betimlemenin yerini kapitalizme kar\u015f\u0131 sosyalizmin s\u0131n\u0131f sava\u015f\u0131n\u0131 bulan\u0131kla\u015ft\u0131ran soyut gizemcilik al\u0131r. Sava\u015f zaman\u0131nda ka\u00e7 insan K\u0131z\u0131l Meydandaki muhte\u015fem Minin ve Pojarski an\u0131t\u0131na gelip ilham ald\u0131! Peki ya b\u00fck\u00fclm\u00fc\u015f demirden yap\u0131lma, \u201cyenilik\u201d sembol\u00fc bir b\u00fcst, bir sanat eseri olarak bize nas\u0131l ilham verebilir? Soyut bir resim nas\u0131l ilham verebilir?<\/p>\n

s13-13<\/p>\n

Tam da bu nedenledir ki, g\u00fcn\u00fcm\u00fcz\u00fcn Amerikan finans kodamanlar\u0131 modernizm propagandas\u0131 yapar, bu t\u00fcrden eserlere, ger\u00e7ek\u00e7i ak\u0131m\u0131n b\u00fcy\u00fck ustalar\u0131n\u0131n r\u00fcyalar\u0131nda g\u00f6remeyece\u011fi, ola\u011fan\u00fcst\u00fc miktarda para verirler.<\/p>\n

S\u00f6z\u00fcm ona pop\u00fcler bat\u0131 m\u00fczi\u011finin ve bi\u00e7imci denilen e\u011filimlerin s\u0131n\u0131fsal arka plan\u0131 vard\u0131r. Bu m\u00fczik, tabii buna m\u00fczik denilebilirse, ritmlerini \u201cshakers\u201d tarikat\u0131ndan alm\u0131\u015ft\u0131r; bu m\u00fczik e\u015fli\u011finde edilen \u201cdans\u201d insanlar\u0131n kendinden ge\u00e7mesine neden olur, onlar\u0131 \u015firazesinden \u00e7\u0131km\u0131\u015f, her t\u00fcrl\u00fc vah\u015fili\u011fi yapabilecek hayvanlara d\u00f6n\u00fc\u015ft\u00fcr\u00fcr. Bu t\u00fcr ritmler insanlar\u0131n beynini ve ruh halini etkilemek i\u00e7in psikiyatrlar\u0131n yard\u0131m\u0131yla yarat\u0131lmaktad\u0131r. Bu, bir t\u00fcr m\u00fcziksel uyu\u015fturucu ba\u011f\u0131ml\u0131l\u0131\u011f\u0131d\u0131r ve bunun etkisi alt\u0131na giren ki\u015fi parlak fikirler \u00fcretemez, bir hayvana d\u00f6n\u00fc\u015f\u00fcr, bu insan\u0131 devrime, kom\u00fcnizmi kurmaya \u00e7a\u011f\u0131rmak faydas\u0131zd\u0131r. G\u00f6rd\u00fc\u011f\u00fcn\u00fcz gibi, m\u00fczik de sava\u015f\u0131r.<\/p>\n

1944 y\u0131l\u0131nda, Britanya istihbarat\u0131ndan bir g\u00f6revlinin kaleme ald\u0131\u011f\u0131, \u2018d\u00fc\u015fman ordusunu \u00e7\u00f6kertmede bi\u00e7imci m\u00fczi\u011fin kullan\u0131m\u0131\u2019 ba\u015fl\u0131kl\u0131 bir y\u00f6nergeyi okuma f\u0131rsat\u0131m oldu.<\/p>\n

Soru:<\/strong> Yabanc\u0131 istihbarat ajanlar\u0131n\u0131n sanat ve edebiyat alanlar\u0131ndaki y\u0131k\u0131c\u0131 faaliyetleri somut olarak nelerdir?<\/p>\n

Stalin:<\/strong> Sovyet sanat\u0131n\u0131n gelecekteki geli\u015fiminden s\u00f6z ederken bu geli\u015fimin, emperyalist \u00e7evrelerin \u00fclkemize kar\u015f\u0131 geli\u015ftirdikleri, sanat ve edebiyat alanlar\u0131n\u0131 da kapsayacak bi\u00e7imde a\u00e7\u0131lan tarihte e\u015fi g\u00f6r\u00fclmemi\u015f \u00f6l\u00e7ekteki gizli sava\u015f ko\u015fullar\u0131n\u0131 g\u00f6zden ka\u00e7\u0131rmamak gerekir. Yabanc\u0131 ajanlar\u0131n \u00fclkemizdeki g\u00f6revi, k\u00fclt\u00fcrden sorumlu Sovyet kurumlar\u0131na s\u0131zmak, b\u00fcy\u00fck gazete ve dergilerin edit\u00f6rl\u00fc\u011f\u00fcn\u00fc ele ge\u00e7irmek, tiyatro ve sineman\u0131n repertuarlar\u0131n\u0131 ve edebi eserlerin yay\u0131nlar\u0131n\u0131 mutlaka etkilemektir. Yurtseverli\u011fi canland\u0131ran ve kom\u00fcnizmi yaratmada Sovyet halk\u0131na \u00f6nc\u00fcl\u00fck eden devrimci eserlerin g\u00fcn \u0131\u015f\u0131\u011f\u0131na \u00e7\u0131kmas\u0131n\u0131 her yolu deneyerek durdurmak, kom\u00fcnist in\u015fan\u0131n zaferine inan\u00e7s\u0131zl\u0131\u011f\u0131 yayan, kapitalist \u00fcretim tarz\u0131n\u0131 ve burjuva ya\u015fam bi\u00e7imini y\u00fccelten eserlerin ortaya \u00e7\u0131kmas\u0131n\u0131 sa\u011flamakt\u0131r. Ayn\u0131 zamanda yabanc\u0131 ajanlardan karamsarl\u0131k, \u00e7\u00f6k\u00fc\u015f ve ahlaki yozla\u015fma duygular\u0131n\u0131n sanat ve edebiyat alanlar\u0131nda yaymalar\u0131 talep ediliyor.<\/p>\n

Co\u015fkulu bir Amerikan senat\u00f6r\u00fc \u201cBol\u015fevik Rusya\u2019y\u0131 korku filmlerimizde g\u00f6sterebiliyor olsayd\u0131k, kom\u00fcnist in\u015fay\u0131 mutlaka s\u00f6k\u00fcp atard\u0131k\u201d diyordu. Lev Tolstoy sanat ve edebiyat beyin y\u0131kaman\u0131n en g\u00fc\u00e7l\u00fc bi\u00e7imidir diye bo\u015funa dememi\u015ftir. Bug\u00fcn sanat ve edebiyat\u0131n yard\u0131m\u0131yla kimin ve neyin beynimizi y\u0131kad\u0131\u011f\u0131 \u00fcst\u00fcnde ciddiyetle d\u00fc\u015f\u00fcnmeli, bu alandaki ideolojik sapmaya bir son vermeliyiz. Bence, k\u00fclt\u00fcr\u00fcn, toplumsal ideolojideki \u00f6nemli bir egemenlik \u00f6\u011fesi oldu\u011funu, onun her zaman s\u0131n\u0131fsal oldu\u011funu ve egemen s\u0131n\u0131f\u0131n k\u00fclt\u00fcr\u00fc \u00e7\u0131karlar\u0131 i\u00e7in kulland\u0131\u011f\u0131n\u0131, k\u00fclt\u00fcr\u00fc bizim i\u00e7in \u00e7al\u0131\u015fanlar\u0131n \u00e7\u0131karlar\u0131n\u0131, proletarya diktat\u00f6rl\u00fc\u011f\u00fcn\u00fcn \u00e7\u0131karlar\u0131n\u0131 korumak i\u00e7in kullanmak gerekti\u011fini anlaman\u0131n ve i\u00e7selle\u015ftirmenin zaman\u0131 gelmi\u015ftir.<\/p>\n

Sanat i\u00e7in sanat yoktur. Toplumdan ba\u011f\u0131ms\u0131z, bu toplumun \u00fcst\u00fcnde duran \u201c\u00f6zg\u00fcr\u201d sanat\u00e7\u0131lar, yazarlar, \u015fairler, oyun yazarlar\u0131, y\u00f6netmenler ve gazeteciler yoktur, olamaz. Kimsenin onlara ihtiyac\u0131 yoktur. B\u00f6yle insanlar var olamazlar.<\/p>\n

Eski kar\u015f\u0131 devrimci burjuvazi geleneklerinin kal\u0131nt\u0131lar\u0131 Sovyet halk\u0131na hizmet etmek istemiyorlarsa ya da kendini Sovyet halk\u0131na hizmet etmeye adam\u0131\u015f i\u015f\u00e7i s\u0131n\u0131f\u0131 iktidar\u0131n\u0131n kar\u015f\u0131s\u0131nda duruyorlarsa, \u00fclkeyi terk etmeleri ve d\u0131\u015far\u0131da ya\u015famalar\u0131 i\u00e7in onlara izin veriyoruz. B\u0131rakal\u0131m her \u015feyin al\u0131n\u0131p sat\u0131labildi\u011fi, yarat\u0131c\u0131 ayd\u0131nlar\u0131n yaratma eylemlerinde finansal \u00e7ekim merkezlerine tamamen ba\u011f\u0131ml\u0131 oldu\u011fu, k\u00f6t\u00fc \u00fcnl\u00fc burjuva toplumundaki \u201c\u00f6zg\u00fcr yarat\u0131c\u0131l\u0131k\u201d kavram\u0131 onlar\u0131 ikna etsin.<\/p>\n

Ne yaz\u0131k ki, zaman\u0131m\u0131z\u0131n azl\u0131\u011f\u0131 dolay\u0131s\u0131yla tart\u0131\u015fmam\u0131z\u0131 sonland\u0131rmam\u0131z gerekiyor. Sorular\u0131n\u0131z\u0131n tamam\u0131n\u0131 cevaplam\u0131\u015f olmay\u0131 umuyorum. San\u0131r\u0131m, Sovyet edebiyat\u0131n\u0131n daha ileri geli\u015fimi sorununa SBKP (B) MK\u2019s\u0131n\u0131n ve Sovyet h\u00fck\u00fcmetinin yakla\u015f\u0131m\u0131 herkes i\u00e7in a\u00e7\u0131kt\u0131r.<\/p>\n

Zhukhrai V. \u2018Stalin: pravda i lozh\u2019, Moskova, 1996, sf. 245-251; I.V.
Stalin, \u2018Sochineniya\u2019, Vol. 16, 1946-1952, Izdatelstvo \u2018Picatel\u2019,
Moskova, 1997, sf. 49-53.<\/p>\n

Rus\u00e7a orijinalinden \u00e7eviren Stalin Ar\u015fivi \u00c7eviri Grubu.<\/p>\n

\u00a0<\/p>\n","protected":false},"excerpt":{"rendered":"

\u0130nsanl\u0131k,\u00a0 g\u00fcr\u00fclt\u00fcs\u00fcz ve \u015fatafats\u0131z,\u00a0 en zor \u015fartlar alt\u0131nda sanayile\u015fmeyi ve kolektivizasyonu ba\u015faran, savunma sistemini canlar\u0131 pahas\u0131na kuvvetlendirip kom\u00fcnistlerin liderli\u011fiyle d\u00fc\u015fman\u0131 yenen s\u0131radan Sovyet halk\u0131 taraf\u0131ndan kurtar\u0131lm\u0131\u015ft\u0131r.J.V. Stalin Yarat\u0131c\u0131 Ayd\u0131nlar Toplant\u0131s\u0131ndaki Tart\u0131\u015fma (1946) Stalin: Benimle neyi konu\u015fmak istiyordunuz yolda\u015f Fadeyev? Fadeyev (Aleksandr Aleksandrovi\u00e7 Fadeyev. 1946\u20131954 aras\u0131 Yazarlar Birli\u011fi Genel Sekreteri): Yolda\u015f Stalin, size dan\u0131\u015fmak i\u00e7in geldik. […]<\/p>\n","protected":false},"author":1,"featured_media":0,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[58],"tags":[],"class_list":{"0":"post-4310","1":"post","2":"type-post","3":"status-publish","4":"format-standard","6":"category-josef-stalin"},"yoast_head":"\nYarat\u0131c\u0131 Ayd\u0131nlar Toplant\u0131s\u0131ndaki Tart\u0131\u015fma (1946) | J.V. Stalin - narteks.net<\/title>\n<meta name=\"robots\" content=\"index, follow, max-snippet:-1, max-image-preview:large, max-video-preview:-1\" \/>\n<link rel=\"canonical\" href=\"https:\/\/narteks.net\/index.php\/2010\/03\/05\/yaratici-aydinlar-toplantisindaki-tartisma-1946-jv-stalin\/\" \/>\n<meta property=\"og:locale\" content=\"tr_TR\" \/>\n<meta property=\"og:type\" content=\"article\" \/>\n<meta property=\"og:title\" content=\"Yarat\u0131c\u0131 Ayd\u0131nlar Toplant\u0131s\u0131ndaki Tart\u0131\u015fma (1946) | J.V. Stalin\" \/>\n<meta property=\"og:description\" content=\"\u0130nsanl\u0131k,\u00a0 g\u00fcr\u00fclt\u00fcs\u00fcz ve \u015fatafats\u0131z,\u00a0 en zor \u015fartlar alt\u0131nda sanayile\u015fmeyi ve kolektivizasyonu ba\u015faran, savunma sistemini canlar\u0131 pahas\u0131na kuvvetlendirip kom\u00fcnistlerin liderli\u011fiyle d\u00fc\u015fman\u0131 yenen s\u0131radan Sovyet halk\u0131 taraf\u0131ndan kurtar\u0131lm\u0131\u015ft\u0131r.J.V. Stalin Yarat\u0131c\u0131 Ayd\u0131nlar Toplant\u0131s\u0131ndaki Tart\u0131\u015fma (1946) Stalin: Benimle neyi konu\u015fmak istiyordunuz yolda\u015f Fadeyev? Fadeyev (Aleksandr Aleksandrovi\u00e7 Fadeyev. 1946\u20131954 aras\u0131 Yazarlar Birli\u011fi Genel Sekreteri): Yolda\u015f Stalin, size dan\u0131\u015fmak i\u00e7in geldik. 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