{"id":4318,"date":"2010-03-08T13:27:28","date_gmt":"2010-03-08T10:27:28","guid":{"rendered":"http:\/\/localhost\/wordpress\/2010\/03\/08\/kucuk-seylerin-tanrisi-arundhati-roy\/"},"modified":"2010-03-08T13:27:28","modified_gmt":"2010-03-08T10:27:28","slug":"kucuk-seylerin-tanrisi-arundhati-roy","status":"publish","type":"post","link":"https:\/\/narteks.net\/index.php\/2010\/03\/08\/kucuk-seylerin-tanrisi-arundhati-roy\/","title":{"rendered":"K\u00fc\u00e7\u00fck \u015eeylerin Tanr\u0131s\u0131 | Arundhati ROY"},"content":{"rendered":"

\u0130ngiliz d\u00fc\u015f\u00fcn\u00fcr Bertrand Russell, bug\u00fcn ya\u015f\u0131yor olsayd\u0131, \u0130kinci Russell Mahkemesi \u00e7oktan toplanm\u0131\u015ft\u0131. Russell Mahkemesi’ni ya da resm\u00ee ad\u0131yla Uluslararas\u0131 Sava\u015f Su\u00e7lar\u0131 Mahkemesi’ni an\u0131ms\u0131yor musunuz? 1960’larda ABD’nin Vietnam politikas\u0131na \u015fiddetle kar\u015f\u0131 \u00e7\u0131kan Russell, Frans\u0131z varolu\u015f\u00e7u d\u00fc\u015f\u00fcn\u00fcr Jean-Paul Sartre, Yugoslav tarih\u00e7i Vladimir Dedijer, Polonya as\u0131ll\u0131 yazar Isaac Deutscher ve daha ba\u015fka \u00fcnl\u00fclerin de kat\u0131l\u0131m\u0131yla uluslararas\u0131 nitelikte bir sava\u015f su\u00e7lar\u0131 mahkemesi toplam\u0131\u015f, Vietnam’da ba\u015flatt\u0131\u011f\u0131 sava\u015fla y\u00fcz binlerce insan\u0131n \u00f6l\u00fcm\u00fcne yol a\u00e7an ABD y\u00f6netimini yarg\u0131lam\u0131\u015f, insanl\u0131\u011f\u0131n vicdan\u0131nda mahk\u00fbm etmi\u015fti. Evet, Russell bug\u00fcn sa\u011f olsayd\u0131, yaln\u0131zca insano\u011flunun ilk uygarl\u0131k merkezlerinden birini bar\u0131nd\u0131ran topraklar \u00fcst\u00fcndeki Irak’a t\u00fcm d\u00fcnyay\u0131 hi\u00e7e sayarak sald\u0131ran ‘dubl v’ Bush y\u00f6netimini de\u011fil, onun yan\u0131nda yer alan \u00fclkesinin ba\u015fbakan\u0131 Blair’i de yarg\u0131layacak bir vicdan mahkemesini \u00e7oktan kurmu\u015ftu Londra’n\u0131n g\u00f6be\u011finde.
Russell \u00f6leli otuz be\u015f y\u0131l oldu. Ne ki, Russell’\u0131n ‘torunlar\u0131’, ge\u00e7en hafta \u0130stanbul’un g\u00f6be\u011finde, Darphane-i \u00c2mire’de Irak D\u00fcnya Mahkemesi’ni toplad\u0131lar. \u00dc\u00e7 g\u00fcn s\u00fcren oturumlar\u0131n ard\u0131ndan a\u00e7\u0131klanan karar metninde, “Bush ve Blair, d\u00fcnyan\u0131n d\u00f6rt bir yan\u0131ndaki milyonlarca insan\u0131n tepkisine kulaklar\u0131n\u0131 t\u0131kam\u0131\u015f, tarihin en haks\u0131z, ahl\u00e2ks\u0131z ve korkak\u00e7a sava\u015flar\u0131ndan birini ger\u00e7ekle\u015ftirmi\u015f,” denildi.<\/p>\n

Booker \u00f6d\u00fcl\u00fc<\/strong>
On \u00fclkeden elli d\u00f6rt ayd\u0131n\u0131n bir araya gelmesiyle olu\u015fan Irak D\u00fcnya Mahkemesi’nin Vicdan J\u00fcrisi Ba\u015fkan\u0131 ise Hintli yazar ve insan haklar\u0131 eylemcisi Arundhati Roy’du. Roy, yoksullar\u0131n ve ezilenlerin haklar\u0131n\u0131 savunan, k\u00fcreselle\u015fmeye ve sava\u015fa kar\u015f\u0131 \u00e7\u0131kan, ba\u015fta ABD olmak \u00fczere b\u00fcy\u00fck devletlerin bask\u0131 politikalar\u0131na kafa tutan, \u00e7okuluslu \u015firketlerin tutumlar\u0131n\u0131 \u015fiddetle ele\u015ftiren bir eylemci olarak tan\u0131nmadan, bizde de Agora Kitapl\u0131\u011f\u0131’ndan \u00e7\u0131kan Ya \u00c7ek Defteri Ya Cruise F\u00fczesi ve Sokaktaki \u0130nsan\u0131n ‘\u0130mparatorluk’ Defteri gibi politik kitaplar yay\u0131mlamadan \u00f6nce, 1997’de Britanya’n\u0131n en sayg\u0131n edebiyat \u00f6d\u00fcl\u00fc Booker’a de\u011fer g\u00f6r\u00fclen K\u00fc\u00e7\u00fck \u015eeylerin Tanr\u0131s\u0131 (Can Yay\u0131nlar\u0131) adl\u0131 roman\u0131yla duyurmu\u015ftu ad\u0131n\u0131. Duyurmak ne s\u00f6z, tam otuz \u00fc\u00e7 dile \u00e7evrilen bu soluk kesici ilk roman ele\u015ftirmenlerden b\u00fcy\u00fck \u00f6vg\u00fcler alm\u0131\u015f, be\u015f milyondan fazla satm\u0131\u015f, gazeteler ve televizyon kanallar\u0131 Roy’la s\u00f6yle\u015fi yapabilmek i\u00e7in kuyru\u011fa girmi\u015fti.
Booker \u00d6d\u00fcl\u00fc, en az\u0131ndan \u0130ngilizce konu\u015fulan \u00fclkelerin g\u00f6z\u00fcnde ger\u00e7ekten de yabana at\u0131lamayacak bir bir edebiyat \u00f6d\u00fcl\u00fcyd\u00fc. 1969 y\u0131l\u0131ndan bu yana verilen \u00f6d\u00fcl\u00fc alan yazarlar aras\u0131nda V. S. Naipaul, John Berger, Nadine Gordimer, Iris Murdoch, Salman Rushdie, J. M. Coetzee, Anita Brookner, Kingsley Amis, Margaret Atwood, Ben Okri, A. S. Byatt, Kazuo \u0130\u015figuro gibi ustalar vard\u0131.
Ne var ki, Booker \u00d6d\u00fcl\u00fc’n\u00fc ald\u0131ktan sonra, “Benim g\u00f6z\u00fcmde bu \u00f6d\u00fcl ge\u00e7mi\u015fimle ilgili, gelece\u011fimle ilgili de\u011fil…” diyordu Arundhati Roy. “Bir ba\u015fka kitap daha yazar m\u0131y\u0131m, bilmiyorum… Bir kitap yazd\u0131m diye on kitap daha yazmam gerekti\u011fine inanm\u0131yorum… Bu kitab\u0131, yazmak istedi\u011fim i\u00e7in yazd\u0131m, ya\u015fam\u0131m\u0131 de\u011fi\u015ftirmek istedi\u011fim i\u00e7in de\u011fil…”<\/p>\n

Benzersiz duruluk<\/strong>
Peki, nas\u0131l bir romand\u0131 K\u00fc\u00e7\u00fck \u015eeylerin Tanr\u0131s\u0131? Booker \u00d6d\u00fcl\u00fc’n\u00fcn se\u00e7ici kurul ba\u015fkan\u0131 Profes\u00f6r Gillian Beer, kitab\u0131n \u00f6d\u00fcle de\u011fer bulunmas\u0131n\u0131 \u015f\u00f6yle a\u00e7\u0131klam\u0131\u015ft\u0131: “Roy, ola\u011fan\u00fcst\u00fc bir dilsel yarat\u0131c\u0131l\u0131kla G\u00fcney Hindistan’\u0131n tarihini bir k\u0131z \u00e7ocu\u011funun g\u00f6z\u00fcnden g\u00f6zler \u00f6n\u00fcne seriyor. K\u00fc\u00e7\u00fck \u015eeylerin Tanr\u0131s\u0131’nda anlat\u0131lan \u00f6yk\u00fc, yerel olmakla kalm\u0131yor, t\u00fcm insanl\u0131k i\u00e7in temel bir nitelik kazan\u0131yor. K\u00fc\u00e7\u00fck \u015eeylerin Tanr\u0131s\u0131, a\u015fk ve \u00f6l\u00fcmle ilgili bir roman, ama \u00f6yk\u00fcs\u00fcn\u00fc benzersiz bir durulukla anlat\u0131yor…”
Roy’un \u00e7ocuklu\u011fu ve ilkgen\u00e7li\u011fi Hindistan’\u0131n Kerala eyaletinde ge\u00e7mi\u015f. Kerala, \u00e7ok farkl\u0131 dinlerin kesi\u015fti\u011fi ve birbirine s\u00fcrt\u00fcnerek ya\u015fad\u0131\u011f\u0131 bir b\u00f6lge. H\u0131ristiyanl\u0131k, \u0130sl\u00e2miyet, Hindu dini ve Marksizmin (Roy’un g\u00f6z\u00fcnde Marksizm de bir inan\u00e7) bir arada ya\u015fad\u0131\u011f\u0131 bir y\u00f6re. Nitekim, “\u00c7ocukluk y\u0131llar\u0131mda Marksizm oralarda \u00e7ok g\u00fc\u00e7l\u00fcyd\u00fc, sanki ertesi hafta devrim olacakm\u0131\u015f gibi ya\u015fan\u0131yordu,” diyordu Roy. “Yeti\u015fmekte oldu\u011fum y\u0131llarda farkl\u0131 k\u00fclt\u00fcrlerin ay\u0131rd\u0131ndayd\u0131m, h\u00e2l\u00e2 da ay\u0131rd\u0131nday\u0131m. T\u00fcm inan\u00e7lar\u0131n ayn\u0131 temel \u00fcst\u00fcnde birbirleriyle yar\u0131\u015ft\u0131klar\u0131n\u0131 g\u00f6rd\u00fc\u011f\u00fcn\u00fczde, birbirlerini nas\u0131l t\u00fckettiklerini fark ediyorsunuz. San\u0131r\u0131m, insanlarla ilgili bir roman i\u00e7in Kerala’dan daha iyi bir mek\u00e2n bulamazd\u0131m…”
K\u00fc\u00e7\u00fck \u015eeylerin Tanr\u0131s\u0131, 1960’lar\u0131n Hindistan’\u0131nda ge\u00e7iyor. Zengin Hindu ailenin k\u0131z\u0131yla toplumun en alt kesiminden bir i\u015f\u00e7inin yasak a\u015fk\u0131n\u0131n \u00e7arp\u0131c\u0131 \u00f6yk\u00fcs\u00fc. Gen\u00e7 kad\u0131n\u0131n ayr\u0131ld\u0131\u011f\u0131 kocas\u0131ndan olan biri k\u0131z biri erkek \u00e7ift yumurta ikizleri Rahel ve Estha, \u00f6yk\u00fcn\u00fcn tan\u0131klar\u0131; romandaki nerdeyse t\u00fcm olaylar onlar\u0131n \u00e7evresinde olup bitiyor ve k\u0131z\u0131n g\u00f6z\u00fcnden anlat\u0131l\u0131yor. Geriye d\u00f6n\u00fc\u015flerle \u00f6r\u00fclen roman, \u00fcrk\u00fcn\u00e7 bir sonla noktalan\u0131yor. Roman\u0131n artalan\u0131nda, ba\u011f\u0131ms\u0131zl\u0131\u011f\u0131n\u0131 yeni kazanm\u0131\u015f, siyasal \u00e7alkant\u0131lar i\u00e7inde bir Hindistan yer al\u0131yor. Kast d\u00fczeninin usd\u0131\u015f\u0131 ko\u015fullar\u0131n\u0131n, insanlar\u0131n kar\u015f\u0131s\u0131na dikilen tabular\u0131n egemen oldu\u011fu bir toplumda, H\u0131ristiyan bir Hindu kad\u0131nla en alt kasttan bir erke\u011fin kural tan\u0131maz a\u015fk\u0131n\u0131n \u00f6yk\u00fcs\u00fcn\u00fc okuyoruz.
Ama K\u00fc\u00e7\u00fck \u015eeylerin Tanr\u0131s\u0131, anlat\u0131m\u0131n\u0131n \u00f6zg\u00fcnl\u00fc\u011f\u00fc, dilinin m\u00fczi\u011fi \u015fiirselli\u011fi ve insanl\u0131k durumlar\u0131na bilgece yakla\u015f\u0131m\u0131yla yerel bir yap\u0131t olmaktan \u00e7\u0131k\u0131yor, evrensel boyutlara eri\u015fiyor, son d\u00f6nem d\u00fcnya edebiyat\u0131n\u0131n en g\u00fczel romanlar\u0131ndan biri oluyor. Arundhati Roy da, “Bu Hindistan’la ilgili bir kitap de\u011fil,” diyor zaten, “insan do\u011fas\u0131yla ilgili bir kitap…” Edebiyat, Roy i\u00e7in, d\u00fcnyay\u0131 anlaml\u0131 k\u0131lmaya \u00e7al\u0131\u015fman\u0131n yollar\u0131ndan biri.
Arundhati Roy, ikinci roman\u0131n\u0131 yazma konusunda hi\u00e7 de aceleci g\u00f6r\u00fcnm\u00fcyor. Son y\u0131llarda ya\u015fam\u0131n\u0131n b\u00fcy\u00fck bir b\u00f6l\u00fcm\u00fcn\u00fc insan haklar\u0131 u\u011frundaki eylemlere, siyasal makalelere, k\u00fcreselle\u015fme ve sava\u015f kar\u015f\u0131t\u0131 konu\u015fmalara adam\u0131\u015f durumda. Ama K\u00fc\u00e7\u00fck \u015eeylerin Tanr\u0131s\u0131’yla b\u00fcy\u00fclenenler, onun ikinci roman\u0131n\u0131 sab\u0131rs\u0131zl\u0131kla bekliyorlar.<\/p>\n

Arundhati Roy Kimdir ?<\/strong>
1961’de Hindistan’\u0131n g\u00fcneyindeki Kerala eyaletinde do\u011fdu. Annesi S\u00fcryani, babas\u0131 Bengalli bir Hinduydu. Annesi Mary Roy’un kurdu\u011fu \u00f6zel bir okulda e\u011fitim g\u00f6rd\u00fc. Resm\u00ee okullar\u0131n bask\u0131s\u0131ndan uzak kald\u0131\u011f\u0131 bu okulda ilk yaz\u0131nsal ve d\u00fc\u015f\u00fcnsel yetilerini edindi. On alt\u0131 ya\u015f\u0131nda gitti\u011fi Yeni Delhi’de bohem bir ya\u015fam s\u00fcrd\u00fc, teneke daml\u0131 bir kul\u00fcbede ya\u015fad\u0131, ge\u00e7imini bo\u015f \u015fi\u015feleri satarak sa\u011flad\u0131. Daha sonra Delhi Mimarl\u0131k Okulu’na girdi ve orada ilk kocas\u0131 mimar Gerard Da Cunha ile tan\u0131\u015ft\u0131. 1984’te ikinci kocas\u0131 sinema y\u00f6netmeni Pradeep Kishen’le tan\u0131\u015ft\u0131ktan sonra baz\u0131 filmlerde oynad\u0131 ve senaryolar yazd\u0131. 1992’de yazmaya ba\u015flad\u0131\u011f\u0131 K\u00fc\u00e7\u00fck \u015eeylerin Tanr\u0131s\u0131 adl\u0131 roman\u0131n\u0131 1996’da tamamlad\u0131 ve bu yap\u0131t\u0131yla 1997 Booker \u00d6d\u00fcl\u00fc’ne de\u011fer g\u00f6r\u00fcld\u00fc. Daha sonra, Hindistan’daki n\u00fckleer sil\u00e2h denemelerine tepki olarak D\u00fc\u015fg\u00fcc\u00fcn\u00fcn Sonu adl\u0131 kitab\u0131n\u0131 kaleme ald\u0131. Hindistan h\u00fck\u00fcmetinin hidroelektrik santral\u0131 projelerini \u015fiddetle ele\u015ftiren yaz\u0131lar\u0131 Ya\u015faman\u0131n Bedeli adl\u0131 kitab\u0131nda toplad\u0131. O g\u00fcnlerden bu yana k\u00fcreselle\u015fme, sava\u015f ve s\u00f6m\u00fcr\u00fc kar\u015f\u0131t\u0131 eylemlere \u00f6nderlik ediyor, bu konularda kitaplar yay\u0131ml\u0131yor. 2004’te, toplumsal kampanyalarda \u00f6nderli\u011fi ve \u015fiddet kar\u015f\u0131t\u0131 \u00e7al\u0131\u015fmalar\u0131 nedeniyle Sydney Bar\u0131\u015f \u00d6d\u00fcl\u00fc’ne de\u011fer g\u00f6r\u00fcld\u00fc. Son olarak, \u0130stanbul’da toplanan Irak D\u00fcnya Mahkemesi’nin Vicdan J\u00fcrisi Ba\u015fkanl\u0131\u011f\u0131n\u0131 \u00fcstlendi.<\/p>\n

M\u00dcREKKEB\u0130 KURUMADAN<\/p>\n

\u00c7ift yumurta ikizleri
Arundhati Roy’un K\u00fc\u00e7\u00fck \u015eeylerin Tanr\u0131s\u0131 adl\u0131 roman\u0131, Hindistan’\u0131n toplumsal ve s\u0131n\u0131fsal sorunlar\u0131na g\u00f6z\u00fcpek bir yakla\u015f\u0131m getirmesinin yan\u0131 s\u0131ra dilinin \u015fiirselli\u011fi, anlat\u0131m tekni\u011finin ustal\u0131\u011f\u0131yla dikkati \u00e7eken bir ilk roman. Roman\u0131n ba\u015flang\u0131\u00e7 b\u00f6l\u00fcm\u00fcnden sundu\u011fum sat\u0131rlar da bunu kan\u0131tlar nitelikte:
“Ayemenem’de may\u0131s, s\u0131cak ve bungun ge\u00e7er. G\u00fcnd\u00fczler uzun ve nemlidir. Irmak ufal\u0131r, kara kargalar sessiz, toz ye\u015fili a\u011fa\u00e7larda, parlak margolardan kar\u0131nlar\u0131n\u0131 doyurur. K\u0131rm\u0131z\u0131 muzlar olgunla\u015f\u0131r. Ekmeka\u011fac\u0131n\u0131n meyveleri patlay\u0131p a\u00e7\u0131l\u0131r. Utanmaz etsinekleri meyve kokulu havada tekd\u00fcze v\u0131z\u0131ldarlar. G\u00fcne\u015fte adamak\u0131ll\u0131 sersemler, sonra parlak pencere camlar\u0131na \u00e7arp\u0131p \u00f6l\u00fcrler.
Geceler bulutsuzdur, ama uyu\u015fuk ve g\u00f6n\u00fcls\u00fcz bir beklentiyle doludur. Haziran ba\u015f\u0131nda g\u00fcneybat\u0131dan musonlar esmeye ba\u015flar, tam \u00fc\u00e7 ay r\u00fczg\u00e2r ve ya\u011fmur eksilmez, arada yak\u0131c\u0131, p\u0131r\u0131l p\u0131r\u0131l bir g\u00fcne\u015fin bir g\u00f6r\u00fcn\u00fcp bir kayboldu\u011fu olur; co\u015fan \u00e7ocuklar bu g\u00fcne\u015ften yararlan\u0131p oynarlar. K\u0131rl\u0131k yerler ars\u0131z bir ye\u015file b\u00fcr\u00fcn\u00fcr. \u00c7itlerdeki tapiokalar k\u00f6k sal\u0131p \u00e7i\u00e7ek a\u00e7arken s\u0131n\u0131rlar birbirine kar\u0131\u015f\u0131r. Tu\u011fla duvarlar yosun ye\u015filine d\u00f6ner. Biber asmalar\u0131 elektrik direklerine dolan\u0131p uzar. Irma\u011f\u0131n k\u0131rm\u0131z\u0131 killi k\u0131y\u0131lar\u0131nda yaban sarma\u015f\u0131klar\u0131 yerden f\u0131\u015fk\u0131r\u0131r ve sular\u0131n kaplad\u0131\u011f\u0131 yollara yay\u0131l\u0131r. Pazar yerlerinde tekneler i\u015fler. Karayollar\u0131ndaki \u00e7ukurlar\u0131 dolduran su birikintilerinde k\u00fc\u00e7\u00fck bal\u0131klar \u00fcrer.
Rahel’in Ayemenem’e d\u00f6nd\u00fc\u011f\u00fc g\u00fcn ya\u011fmur ya\u011f\u0131yordu. E\u011fik d\u00fc\u015fen g\u00fcm\u00fc\u015fs\u00fc ipler yumu\u015fam\u0131\u015f topra\u011fa \u00e7arp\u0131yor, t\u00fcfek mermisi gibi d\u00f6v\u00fcyordu onu. Tepedeki eski evin dik inen, \u00fc\u00e7gen \u00e7at\u0131s\u0131, kulaklara kadar indirilmi\u015f bir \u015fapka gibi duruyordu. Yol yol yosun ba\u011flayan duvarlar yumu\u015fam\u0131\u015f, topraktan y\u00fckselen nem y\u00fcz\u00fcnden hafif\u00e7e b\u00fck\u00fclm\u00fc\u015flerdi. Bitkilerle dolup ta\u015fan, yaban\u0131l bah\u00e7eyi k\u00fc\u00e7\u00fck canl\u0131lar\u0131n f\u0131s\u0131lt\u0131s\u0131 ve ko\u015fu\u015fturmas\u0131 kaplam\u0131\u015ft\u0131. Y\u00fcksek a\u011fa\u00e7lar\u0131n dibindeki \u00e7al\u0131l\u0131klar\u0131n aras\u0131nda bir \u00e7\u0131ng\u0131rakl\u0131 y\u0131lan par\u0131ldayan bir ta\u015fa s\u00fcrt\u00fcnd\u00fc. Ne\u015feli iri, sar\u0131 kurba\u011falar kendilerine e\u015f arayarak k\u00f6p\u00fckl\u00fc havuzda dola\u015f\u0131yorlard\u0131. Evin \u00f6n\u00fcndeki, yapraklarla kaplanm\u0131\u015f bah\u00e7e yolundan s\u0131r\u0131ls\u0131klam bir fare \u015fim\u015fek gibi ge\u00e7ti.
Ev terk edilmi\u015f gibiydi.
Kap\u0131lar ve pencereler kilitliydi. \u00d6ndeki veranda bombo\u015ftu.
Hi\u00e7bir e\u015fya yoktu. Ancak krom kuyruklu g\u00f6k mavisi Plymouth h\u00e2l\u00e2 kap\u0131n\u0131n \u00f6n\u00fcnde duruyordu, evin i\u00e7indeki Bebek Kochamma da h\u00e2l\u00e2 ya\u015f\u0131yordu.
Bebek Kochamma, Rahel’in b\u00fcy\u00fck halas\u0131, b\u00fcy\u00fckbabas\u0131n\u0131n k\u0131z karde\u015fiydi. As\u0131l ad\u0131 Navomi’ydi, Navomi Ipe, ama herkes ona Bebek derdi. Hala olacak ya\u015fa geldi\u011finde Bebek Kochamma denir oldu. Rahel onu g\u00f6rmeye gelmemi\u015fti.Ne bebek b\u00fcy\u00fck hala ne de ye\u011feni bu konuda hayal kurmazlard\u0131. Rahel erkek karde\u015fi Estha’y\u0131 g\u00f6rmeye gelmi\u015fti. \u00c7ift yumurta ikiziydiler. T\u0131p dilinde ‘dizygot’ dediklerinden. Ayn\u0131 anda d\u00f6llenen iki ayr\u0131 yumurtadan do\u011fmu\u015flard\u0131. Estha -Esthappen-on sekiz dakika daha b\u00fcy\u00fckt\u00fc.
Estha ile Rahel birbirlerine pek benzemezlerdi; s\u0131ska, tahta g\u00f6\u011f\u00fcsl\u00fc, ba\u011f\u0131rsaklar\u0131 kurtlu ve Elvis Presley bukleli olduklar\u0131 y\u0131llarda bile, Ayemenem’deki eve ba\u011f\u0131\u015f toplamaya gelen S\u00fcryani piskoposlar\u0131n ya da s\u0131r\u0131tan akrabalar\u0131n aras\u0131ndan hi\u00e7, ‘Hangisi hangisiydi?’ ya da ‘Kim kimdi?’ t\u00fcr\u00fcnden soru soran \u00e7\u0131kmam\u0131\u015ft\u0131.”<\/p>\n

CEL\u00c2L \u00dcSTER-Radikal<\/p>\n

K\u0130TAPTAN BA\u015eKA B\u0130R B\u00d6L\u00dcM<\/p>\n

\u201cChacko \u00e7ocuklara, kendisi bundan ne kadar nefret etse de hepsinin de Anglofil oldu\u011funu a\u00e7\u0131klad\u0131. Anglofillerden olu\u015fan bir aileydiler. Yanl\u0131\u015f y\u00f6ne g\u00f6t\u00fcr\u00fclm\u00fc\u015fler, kendi tarihlerinin d\u0131\u015f\u0131nda kapana k\u0131s\u0131lm\u0131\u015flard\u0131; ayak izleri silindi\u011finden onlar\u0131 izleyip geriye d\u00f6nemiyorlard\u0131. \u00c7ocuklara, Tarih\u2019in, gecenin i\u00e7indeki eski bir ev gibi oldu\u011funu s\u00f6yledi. B\u00fct\u00fcn \u0131\u015f\u0131klar\u0131 yanan. \u0130\u00e7inde atalar\u0131n f\u0131s\u0131lda\u015ft\u0131\u011f\u0131. \u201cTarihi anlamak i\u00e7in\u201d dedi Chacko, \u201ci\u00e7eri girip konu\u015fmalar\u0131na kulak vermeliyiz. Kitaplara ve duvardaki foto\u011fraflara bakmal\u0131y\u0131z. Kokular\u0131 koklamal\u0131y\u0131z\u201d (\u2026) \u201cAma i\u00e7eri giremeyiz\u201d diye a\u00e7\u0131klad\u0131 Chacko, \u201c\u00e7\u00fcnk\u00fc kap\u0131lar kilitli. Pencerelerden i\u00e7eri bakt\u0131\u011f\u0131m\u0131zda g\u00f6lgelerden ba\u015fka bir \u015fey g\u00f6remeyiz. Dinlemeye \u00e7al\u0131\u015ft\u0131\u011f\u0131m\u0131zda bir f\u0131s\u0131lt\u0131dan ba\u015fka bir \u015fey gelmez kula\u011f\u0131m\u0131za. Bu f\u0131s\u0131lt\u0131y\u0131 da anlayamay\u0131z, \u00e7\u00fcnk\u00fc zihinlerimizi bir sava\u015f doldurmu\u015ftur. Kazand\u0131\u011f\u0131m\u0131z ve yitirdi\u011fimiz bir sava\u015f. Sava\u015flar\u0131n en k\u00f6t\u00fcs\u00fc. D\u00fc\u015fleri ele ge\u00e7iren ve onlar\u0131 yeniden g\u00f6ren bir sava\u015f. Bizi fethedenlere hayran olmam\u0131za ve kendimizi hakir g\u00f6rmemize yol a\u00e7an bir sava\u015f\u201d. (\u2026) \u201cBiz sava\u015f tutsaklar\u0131y\u0131z\u201d dedi. \u201cD\u00fc\u015flerimiz had\u0131m edildi. Hi\u00e7bir yere ait de\u011filiz. Demir alm\u0131\u015f, dalgal\u0131 denizlere yelken a\u00e7m\u0131\u015f\u0131z. Hi\u00e7bir k\u0131y\u0131ya \u00e7\u0131kmam\u0131za izin verilmeyebilir. Kederlerimiz asla yeteri kadar \u00fcz\u00fcnt\u00fc vermeyebilir, sevin\u00e7lerimiz asla yeteri kadar mutluluk vermeyebilir, d\u00fc\u015flerimiz yeteri kadar b\u00fcy\u00fck olmayabilir, hayatlar\u0131m\u0131z da asla yeteri kadar \u00f6nemli olmayabilir. Hi\u00e7 \u00f6nemli olmayabilir.\u201d (\u2026) \u201cAkranlar\u0131 ba\u015fka \u015feyler \u00f6\u011frenirken Estha ve Rahel, Tarih\u2019in kendi ko\u015fullar\u0131n\u0131 nas\u0131l tart\u0131\u015ft\u0131\u011f\u0131n\u0131 ve yasalar\u0131na kar\u015f\u0131 gelenleri nas\u0131l cezaland\u0131rd\u0131\u011f\u0131n\u0131 \u00f6\u011frendiler. Onun tiksindirici tok sesini duydular. Kokusunu koklay\u0131p asla unutmad\u0131lar. Tarih\u2019in kokusu. T\u0131pk\u0131 r\u00fczg\u00e2rla gelen bayat g\u00fcl kokusu gibi. S\u0131radan \u015feylerin i\u00e7inde sonsuza dek gizlenecekti. Elbise ask\u0131lar\u0131nda. Domateslerde. Yoldaki asfaltta. Baz\u0131 renklerde. Bir lokantadaki tabaklarda. S\u00f6zc\u00fcklerin yoklu\u011funda. Ve g\u00f6zlerdeki bo\u015flukta.\u201d[1]<\/p>\n

Arundhati Roy, K\u00fc\u00e7\u00fck \u015eeylerin Tanr\u0131s\u0131, s. 66-69<\/p>\n","protected":false},"excerpt":{"rendered":"

\u0130ngiliz d\u00fc\u015f\u00fcn\u00fcr Bertrand Russell, bug\u00fcn ya\u015f\u0131yor olsayd\u0131, \u0130kinci Russell Mahkemesi \u00e7oktan toplanm\u0131\u015ft\u0131. Russell Mahkemesi’ni ya da resm\u00ee ad\u0131yla Uluslararas\u0131 Sava\u015f Su\u00e7lar\u0131 Mahkemesi’ni an\u0131ms\u0131yor musunuz? 1960’larda ABD’nin Vietnam politikas\u0131na \u015fiddetle kar\u015f\u0131 \u00e7\u0131kan Russell, Frans\u0131z varolu\u015f\u00e7u d\u00fc\u015f\u00fcn\u00fcr Jean-Paul Sartre, Yugoslav tarih\u00e7i Vladimir Dedijer, Polonya as\u0131ll\u0131 yazar Isaac Deutscher ve daha ba\u015fka \u00fcnl\u00fclerin de kat\u0131l\u0131m\u0131yla uluslararas\u0131 nitelikte bir […]<\/p>\n","protected":false},"author":1,"featured_media":0,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[138],"tags":[],"class_list":{"0":"post-4318","1":"post","2":"type-post","3":"status-publish","4":"format-standard","6":"category-edebiyat-dunya"},"yoast_head":"\nK\u00fc\u00e7\u00fck \u015eeylerin Tanr\u0131s\u0131 | Arundhati ROY - narteks.net<\/title>\n<meta name=\"robots\" content=\"index, follow, max-snippet:-1, max-image-preview:large, max-video-preview:-1\" \/>\n<link rel=\"canonical\" href=\"https:\/\/narteks.net\/index.php\/2010\/03\/08\/kucuk-seylerin-tanrisi-arundhati-roy\/\" \/>\n<meta property=\"og:locale\" content=\"tr_TR\" \/>\n<meta property=\"og:type\" content=\"article\" \/>\n<meta property=\"og:title\" content=\"K\u00fc\u00e7\u00fck \u015eeylerin Tanr\u0131s\u0131 | Arundhati ROY\" \/>\n<meta property=\"og:description\" content=\"\u0130ngiliz d\u00fc\u015f\u00fcn\u00fcr Bertrand Russell, bug\u00fcn ya\u015f\u0131yor olsayd\u0131, \u0130kinci Russell Mahkemesi \u00e7oktan toplanm\u0131\u015ft\u0131. Russell Mahkemesi’ni ya da resm\u00ee ad\u0131yla Uluslararas\u0131 Sava\u015f Su\u00e7lar\u0131 Mahkemesi’ni an\u0131ms\u0131yor musunuz? 1960’larda ABD’nin Vietnam politikas\u0131na \u015fiddetle kar\u015f\u0131 \u00e7\u0131kan Russell, Frans\u0131z varolu\u015f\u00e7u d\u00fc\u015f\u00fcn\u00fcr Jean-Paul Sartre, Yugoslav tarih\u00e7i Vladimir Dedijer, Polonya as\u0131ll\u0131 yazar Isaac Deutscher ve daha ba\u015fka \u00fcnl\u00fclerin de kat\u0131l\u0131m\u0131yla uluslararas\u0131 nitelikte bir […]\" \/>\n<meta property=\"og:url\" content=\"https:\/\/narteks.net\/index.php\/2010\/03\/08\/kucuk-seylerin-tanrisi-arundhati-roy\/\" \/>\n<meta property=\"og:site_name\" content=\"narteks.net\" \/>\n<meta property=\"article:published_time\" content=\"2010-03-08T10:27:28+00:00\" \/>\n<meta property=\"og:image\" content=\"http:\/\/alternaif.files.wordpress.com\/2009\/06\/arundhati_roy.jpg\" \/>\n<meta name=\"author\" content=\"Tar\u0131k\" \/>\n<meta name=\"twitter:card\" content=\"summary_large_image\" \/>\n<meta name=\"twitter:creator\" content=\"@narteks\" \/>\n<meta name=\"twitter:site\" content=\"@narteks\" \/>\n<meta name=\"twitter:label1\" content=\"Yazan:\" \/>\n\t<meta name=\"twitter:data1\" content=\"Tar\u0131k\" \/>\n\t<meta name=\"twitter:label2\" content=\"Tahmini okuma s\u00fcresi\" \/>\n\t<meta name=\"twitter:data2\" content=\"12 dakika\" \/>\n<script type=\"application\/ld+json\" class=\"yoast-schema-graph\">{\"@context\":\"https:\/\/schema.org\",\"@graph\":[{\"@type\":\"Article\",\"@id\":\"https:\/\/narteks.net\/index.php\/2010\/03\/08\/kucuk-seylerin-tanrisi-arundhati-roy\/#article\",\"isPartOf\":{\"@id\":\"https:\/\/narteks.net\/index.php\/2010\/03\/08\/kucuk-seylerin-tanrisi-arundhati-roy\/\"},\"author\":{\"name\":\"Tar\u0131k\",\"@id\":\"https:\/\/narteks.net\/#\/schema\/person\/61f37d9834294b72d31d274e7ed79bca\"},\"headline\":\"K\u00fc\u00e7\u00fck \u015eeylerin Tanr\u0131s\u0131 | Arundhati ROY\",\"datePublished\":\"2010-03-08T10:27:28+00:00\",\"mainEntityOfPage\":{\"@id\":\"https:\/\/narteks.net\/index.php\/2010\/03\/08\/kucuk-seylerin-tanrisi-arundhati-roy\/\"},\"wordCount\":2373,\"commentCount\":0,\"publisher\":{\"@id\":\"https:\/\/narteks.net\/#organization\"},\"image\":{\"@id\":\"https:\/\/narteks.net\/index.php\/2010\/03\/08\/kucuk-seylerin-tanrisi-arundhati-roy\/#primaryimage\"},\"thumbnailUrl\":\"http:\/\/alternaif.files.wordpress.com\/2009\/06\/arundhati_roy.jpg\",\"articleSection\":[\"Edebiyat ( D\u00fcnya )\"],\"inLanguage\":\"tr\",\"potentialAction\":[{\"@type\":\"CommentAction\",\"name\":\"Comment\",\"target\":[\"https:\/\/narteks.net\/index.php\/2010\/03\/08\/kucuk-seylerin-tanrisi-arundhati-roy\/#respond\"]}]},{\"@type\":\"WebPage\",\"@id\":\"https:\/\/narteks.net\/index.php\/2010\/03\/08\/kucuk-seylerin-tanrisi-arundhati-roy\/\",\"url\":\"https:\/\/narteks.net\/index.php\/2010\/03\/08\/kucuk-seylerin-tanrisi-arundhati-roy\/\",\"name\":\"K\u00fc\u00e7\u00fck \u015eeylerin Tanr\u0131s\u0131 | Arundhati ROY - narteks.net\",\"isPartOf\":{\"@id\":\"https:\/\/narteks.net\/#website\"},\"primaryImageOfPage\":{\"@id\":\"https:\/\/narteks.net\/index.php\/2010\/03\/08\/kucuk-seylerin-tanrisi-arundhati-roy\/#primaryimage\"},\"image\":{\"@id\":\"https:\/\/narteks.net\/index.php\/2010\/03\/08\/kucuk-seylerin-tanrisi-arundhati-roy\/#primaryimage\"},\"thumbnailUrl\":\"http:\/\/alternaif.files.wordpress.com\/2009\/06\/arundhati_roy.jpg\",\"datePublished\":\"2010-03-08T10:27:28+00:00\",\"breadcrumb\":{\"@id\":\"https:\/\/narteks.net\/index.php\/2010\/03\/08\/kucuk-seylerin-tanrisi-arundhati-roy\/#breadcrumb\"},\"inLanguage\":\"tr\",\"potentialAction\":[{\"@type\":\"ReadAction\",\"target\":[\"https:\/\/narteks.net\/index.php\/2010\/03\/08\/kucuk-seylerin-tanrisi-arundhati-roy\/\"]}]},{\"@type\":\"ImageObject\",\"inLanguage\":\"tr\",\"@id\":\"https:\/\/narteks.net\/index.php\/2010\/03\/08\/kucuk-seylerin-tanrisi-arundhati-roy\/#primaryimage\",\"url\":\"http:\/\/alternaif.files.wordpress.com\/2009\/06\/arundhati_roy.jpg\",\"contentUrl\":\"http:\/\/alternaif.files.wordpress.com\/2009\/06\/arundhati_roy.jpg\"},{\"@type\":\"BreadcrumbList\",\"@id\":\"https:\/\/narteks.net\/index.php\/2010\/03\/08\/kucuk-seylerin-tanrisi-arundhati-roy\/#breadcrumb\",\"itemListElement\":[{\"@type\":\"ListItem\",\"position\":1,\"name\":\"Anasayfa\",\"item\":\"https:\/\/narteks.net\/\"},{\"@type\":\"ListItem\",\"position\":2,\"name\":\"K\u00fc\u00e7\u00fck \u015eeylerin Tanr\u0131s\u0131 | Arundhati ROY\"}]},{\"@type\":\"WebSite\",\"@id\":\"https:\/\/narteks.net\/#website\",\"url\":\"https:\/\/narteks.net\/\",\"name\":\"narteks.net\",\"description\":\"K\u00fclt\u00fcr Sanat Edebiyat Felsefe\",\"publisher\":{\"@id\":\"https:\/\/narteks.net\/#organization\"},\"alternateName\":\"K\u00fclt\u00fcr Sanat Edebiyat Felsefe\",\"potentialAction\":[{\"@type\":\"SearchAction\",\"target\":{\"@type\":\"EntryPoint\",\"urlTemplate\":\"https:\/\/narteks.net\/?s={search_term_string}\"},\"query-input\":{\"@type\":\"PropertyValueSpecification\",\"valueRequired\":true,\"valueName\":\"search_term_string\"}}],\"inLanguage\":\"tr\"},{\"@type\":\"Organization\",\"@id\":\"https:\/\/narteks.net\/#organization\",\"name\":\"narteks.net\",\"url\":\"https:\/\/narteks.net\/\",\"logo\":{\"@type\":\"ImageObject\",\"inLanguage\":\"tr\",\"@id\":\"https:\/\/narteks.net\/#\/schema\/logo\/image\/\",\"url\":\"https:\/\/narteks.net\/wp-content\/uploads\/narteks.png\",\"contentUrl\":\"https:\/\/narteks.net\/wp-content\/uploads\/narteks.png\",\"width\":300,\"height\":90,\"caption\":\"narteks.net\"},\"image\":{\"@id\":\"https:\/\/narteks.net\/#\/schema\/logo\/image\/\"},\"sameAs\":[\"https:\/\/x.com\/narteks\",\"https:\/\/instagram.com\/narteksnet\"]},{\"@type\":\"Person\",\"@id\":\"https:\/\/narteks.net\/#\/schema\/person\/61f37d9834294b72d31d274e7ed79bca\",\"name\":\"Tar\u0131k\",\"image\":{\"@type\":\"ImageObject\",\"inLanguage\":\"tr\",\"@id\":\"https:\/\/narteks.net\/#\/schema\/person\/image\/\",\"url\":\"https:\/\/secure.gravatar.com\/avatar\/50865afb55632c4ae467e0af0930f6510aa2297d8014be502a55b14f3b7550cf?s=96&d=mm&r=g\",\"contentUrl\":\"https:\/\/secure.gravatar.com\/avatar\/50865afb55632c4ae467e0af0930f6510aa2297d8014be502a55b14f3b7550cf?s=96&d=mm&r=g\",\"caption\":\"Tar\u0131k\"},\"sameAs\":[\"http:\/\/narteks.net\"],\"url\":\"https:\/\/narteks.net\/index.php\/author\/narbak\/\"}]}<\/script>\n<!-- \/ Yoast SEO Premium plugin. -->","yoast_head_json":{"title":"K\u00fc\u00e7\u00fck \u015eeylerin Tanr\u0131s\u0131 | Arundhati ROY - narteks.net","robots":{"index":"index","follow":"follow","max-snippet":"max-snippet:-1","max-image-preview":"max-image-preview:large","max-video-preview":"max-video-preview:-1"},"canonical":"https:\/\/narteks.net\/index.php\/2010\/03\/08\/kucuk-seylerin-tanrisi-arundhati-roy\/","og_locale":"tr_TR","og_type":"article","og_title":"K\u00fc\u00e7\u00fck \u015eeylerin Tanr\u0131s\u0131 | Arundhati ROY","og_description":"\u0130ngiliz d\u00fc\u015f\u00fcn\u00fcr Bertrand Russell, bug\u00fcn ya\u015f\u0131yor olsayd\u0131, \u0130kinci Russell Mahkemesi \u00e7oktan toplanm\u0131\u015ft\u0131. Russell Mahkemesi’ni ya da resm\u00ee ad\u0131yla Uluslararas\u0131 Sava\u015f Su\u00e7lar\u0131 Mahkemesi’ni an\u0131ms\u0131yor musunuz? 1960’larda ABD’nin Vietnam politikas\u0131na \u015fiddetle kar\u015f\u0131 \u00e7\u0131kan Russell, Frans\u0131z varolu\u015f\u00e7u d\u00fc\u015f\u00fcn\u00fcr Jean-Paul Sartre, Yugoslav tarih\u00e7i Vladimir Dedijer, Polonya as\u0131ll\u0131 yazar Isaac Deutscher ve daha ba\u015fka \u00fcnl\u00fclerin de kat\u0131l\u0131m\u0131yla uluslararas\u0131 nitelikte bir […]","og_url":"https:\/\/narteks.net\/index.php\/2010\/03\/08\/kucuk-seylerin-tanrisi-arundhati-roy\/","og_site_name":"narteks.net","article_published_time":"2010-03-08T10:27:28+00:00","og_image":[{"url":"http:\/\/alternaif.files.wordpress.com\/2009\/06\/arundhati_roy.jpg","type":"","width":"","height":""}],"author":"Tar\u0131k","twitter_card":"summary_large_image","twitter_creator":"@narteks","twitter_site":"@narteks","twitter_misc":{"Yazan:":"Tar\u0131k","Tahmini okuma s\u00fcresi":"12 dakika"},"schema":{"@context":"https:\/\/schema.org","@graph":[{"@type":"Article","@id":"https:\/\/narteks.net\/index.php\/2010\/03\/08\/kucuk-seylerin-tanrisi-arundhati-roy\/#article","isPartOf":{"@id":"https:\/\/narteks.net\/index.php\/2010\/03\/08\/kucuk-seylerin-tanrisi-arundhati-roy\/"},"author":{"name":"Tar\u0131k","@id":"https:\/\/narteks.net\/#\/schema\/person\/61f37d9834294b72d31d274e7ed79bca"},"headline":"K\u00fc\u00e7\u00fck \u015eeylerin Tanr\u0131s\u0131 | Arundhati ROY","datePublished":"2010-03-08T10:27:28+00:00","mainEntityOfPage":{"@id":"https:\/\/narteks.net\/index.php\/2010\/03\/08\/kucuk-seylerin-tanrisi-arundhati-roy\/"},"wordCount":2373,"commentCount":0,"publisher":{"@id":"https:\/\/narteks.net\/#organization"},"image":{"@id":"https:\/\/narteks.net\/index.php\/2010\/03\/08\/kucuk-seylerin-tanrisi-arundhati-roy\/#primaryimage"},"thumbnailUrl":"http:\/\/alternaif.files.wordpress.com\/2009\/06\/arundhati_roy.jpg","articleSection":["Edebiyat ( D\u00fcnya )"],"inLanguage":"tr","potentialAction":[{"@type":"CommentAction","name":"Comment","target":["https:\/\/narteks.net\/index.php\/2010\/03\/08\/kucuk-seylerin-tanrisi-arundhati-roy\/#respond"]}]},{"@type":"WebPage","@id":"https:\/\/narteks.net\/index.php\/2010\/03\/08\/kucuk-seylerin-tanrisi-arundhati-roy\/","url":"https:\/\/narteks.net\/index.php\/2010\/03\/08\/kucuk-seylerin-tanrisi-arundhati-roy\/","name":"K\u00fc\u00e7\u00fck \u015eeylerin Tanr\u0131s\u0131 | Arundhati ROY - narteks.net","isPartOf":{"@id":"https:\/\/narteks.net\/#website"},"primaryImageOfPage":{"@id":"https:\/\/narteks.net\/index.php\/2010\/03\/08\/kucuk-seylerin-tanrisi-arundhati-roy\/#primaryimage"},"image":{"@id":"https:\/\/narteks.net\/index.php\/2010\/03\/08\/kucuk-seylerin-tanrisi-arundhati-roy\/#primaryimage"},"thumbnailUrl":"http:\/\/alternaif.files.wordpress.com\/2009\/06\/arundhati_roy.jpg","datePublished":"2010-03-08T10:27:28+00:00","breadcrumb":{"@id":"https:\/\/narteks.net\/index.php\/2010\/03\/08\/kucuk-seylerin-tanrisi-arundhati-roy\/#breadcrumb"},"inLanguage":"tr","potentialAction":[{"@type":"ReadAction","target":["https:\/\/narteks.net\/index.php\/2010\/03\/08\/kucuk-seylerin-tanrisi-arundhati-roy\/"]}]},{"@type":"ImageObject","inLanguage":"tr","@id":"https:\/\/narteks.net\/index.php\/2010\/03\/08\/kucuk-seylerin-tanrisi-arundhati-roy\/#primaryimage","url":"http:\/\/alternaif.files.wordpress.com\/2009\/06\/arundhati_roy.jpg","contentUrl":"http:\/\/alternaif.files.wordpress.com\/2009\/06\/arundhati_roy.jpg"},{"@type":"BreadcrumbList","@id":"https:\/\/narteks.net\/index.php\/2010\/03\/08\/kucuk-seylerin-tanrisi-arundhati-roy\/#breadcrumb","itemListElement":[{"@type":"ListItem","position":1,"name":"Anasayfa","item":"https:\/\/narteks.net\/"},{"@type":"ListItem","position":2,"name":"K\u00fc\u00e7\u00fck \u015eeylerin Tanr\u0131s\u0131 | Arundhati ROY"}]},{"@type":"WebSite","@id":"https:\/\/narteks.net\/#website","url":"https:\/\/narteks.net\/","name":"narteks.net","description":"K\u00fclt\u00fcr Sanat Edebiyat Felsefe","publisher":{"@id":"https:\/\/narteks.net\/#organization"},"alternateName":"K\u00fclt\u00fcr Sanat Edebiyat Felsefe","potentialAction":[{"@type":"SearchAction","target":{"@type":"EntryPoint","urlTemplate":"https:\/\/narteks.net\/?s={search_term_string}"},"query-input":{"@type":"PropertyValueSpecification","valueRequired":true,"valueName":"search_term_string"}}],"inLanguage":"tr"},{"@type":"Organization","@id":"https:\/\/narteks.net\/#organization","name":"narteks.net","url":"https:\/\/narteks.net\/","logo":{"@type":"ImageObject","inLanguage":"tr","@id":"https:\/\/narteks.net\/#\/schema\/logo\/image\/","url":"https:\/\/narteks.net\/wp-content\/uploads\/narteks.png","contentUrl":"https:\/\/narteks.net\/wp-content\/uploads\/narteks.png","width":300,"height":90,"caption":"narteks.net"},"image":{"@id":"https:\/\/narteks.net\/#\/schema\/logo\/image\/"},"sameAs":["https:\/\/x.com\/narteks","https:\/\/instagram.com\/narteksnet"]},{"@type":"Person","@id":"https:\/\/narteks.net\/#\/schema\/person\/61f37d9834294b72d31d274e7ed79bca","name":"Tar\u0131k","image":{"@type":"ImageObject","inLanguage":"tr","@id":"https:\/\/narteks.net\/#\/schema\/person\/image\/","url":"https:\/\/secure.gravatar.com\/avatar\/50865afb55632c4ae467e0af0930f6510aa2297d8014be502a55b14f3b7550cf?s=96&d=mm&r=g","contentUrl":"https:\/\/secure.gravatar.com\/avatar\/50865afb55632c4ae467e0af0930f6510aa2297d8014be502a55b14f3b7550cf?s=96&d=mm&r=g","caption":"Tar\u0131k"},"sameAs":["http:\/\/narteks.net"],"url":"https:\/\/narteks.net\/index.php\/author\/narbak\/"}]}},"_links":{"self":[{"href":"https:\/\/narteks.net\/index.php\/wp-json\/wp\/v2\/posts\/4318","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/narteks.net\/index.php\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/narteks.net\/index.php\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/narteks.net\/index.php\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/narteks.net\/index.php\/wp-json\/wp\/v2\/comments?post=4318"}],"version-history":[{"count":0,"href":"https:\/\/narteks.net\/index.php\/wp-json\/wp\/v2\/posts\/4318\/revisions"}],"wp:attachment":[{"href":"https:\/\/narteks.net\/index.php\/wp-json\/wp\/v2\/media?parent=4318"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/narteks.net\/index.php\/wp-json\/wp\/v2\/categories?post=4318"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/narteks.net\/index.php\/wp-json\/wp\/v2\/tags?post=4318"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}