{"id":4339,"date":"2010-03-13T14:03:12","date_gmt":"2010-03-13T11:03:12","guid":{"rendered":"http:\/\/localhost\/wordpress\/2010\/03\/13\/de-te-fabula-narratur-senin-hikayeni-anlatiyorlar-bandista-ve-sarkilari\/"},"modified":"2010-03-13T14:03:12","modified_gmt":"2010-03-13T11:03:12","slug":"de-te-fabula-narratur-senin-hikayeni-anlatiyorlar-bandista-ve-sarkilari","status":"publish","type":"post","link":"https:\/\/narteks.net\/index.php\/2010\/03\/13\/de-te-fabula-narratur-senin-hikayeni-anlatiyorlar-bandista-ve-sarkilari\/","title":{"rendered":"De te fabula narratur | Senin hikayeni anlat\u0131yorlar – Bandista ve \u015fark\u0131lar\u0131"},"content":{"rendered":"

Bandista bir aral\u0131k, bu darl\u0131k bu basmakal\u0131p, bu ay\u0131k kafayla esrik taklitleri, bu aram\u0131zda ya\u015fayan katilleri te\u015fhir etmek gerek dedi evde uyuklarken. Uyanmak gerek dedi \u00f6nce kendi kendine, evde bir gitar \u00e7ald\u0131 manu\u015f, klarnet akt\u0131 meyanl\u0131, kayd\u0131rmal\u0131, akordeon zaten doldurmu\u015ftu k\u00f6\u015fe bucak, vurmal\u0131lar haz\u0131rd\u0131 “mar\u015f”a, ba\u015flad\u0131 ev’in hik\u00e2yesi, varyetesi s\u00f6k\u00fcp s\u00f6k\u00fcp yapman\u0131n.<\/p>\n

Bandista evi \u015fenlik k\u0131yamet bir eylem bandosu \u015fimdi ses vermekte ska, balkan, vertov, reggae, e\u015fitlik, \u00f6zg\u00fcrl\u00fck, cango, votka, adalet, k\u00f6kler sular\u0131ndan… Bandista evinde geceler g\u00fcnd\u00fcz g\u00fcnd\u00fczler denktir geceye, bu evde g\u00fcne\u015f batsa da dinlenir ev hece heceye. Bu evin odalar\u0131 geni\u015f uzun dar hayal; bu evde mebzul miktar kap\u0131lar kilitsiz g\u0131c\u0131rdar. Bu evde koridorlar, sokaklar ve meydanlar, sahneler salonlar dansla sesle h\u0131n\u00e7la \u00e7\u0131\u011fl\u0131klar… Bu ev bir da\u011f ba\u015f\u0131nda bir gettoda ya da down-town’da, bu ev dev bir karavan bu evi bulur arayan. Bu evin sakinleri kara k\u0131z\u0131l mor renkleri, ye\u015fil sar\u0131 turun\u00e7 ve nar, bu ev binbir bedenle var. Bu ev d\u00f6ker al\u0131nteri, bu ev rahim yang\u0131n yeri; s\u00f6nd\u00fcr\u00fcr kandilleri nice esrik sever evi. Bu evde ge\u00e7mi\u015f h\u00fcz\u00fcnle de\u011fil h\u00fcsn\u00fc kabulle, bu evde gelecek yokla de\u011fil beklenir tela\u015fla. Bu ev tenha bu ev dar-maduman kanma yalan, g\u00f6zya\u015flar\u0131 a\u011f\u0131tlar destanlar epik tasalar, bu evde yasalar de\u011fil ses verir yolda\u015f maison’lar!<\/p>\n

Bandista is a music collective established in May 2006 in Istanbul, Turkey. Bandista has its roots in the cultural diversity of Anatolia; though the band’s presence clearly declares its internationalist approach. The sound of Bandista varies from Django to Reggae, from Bratsch to Ska, Dub and Afro-Beat. The basic formula of the band is to deconstruct whatever sound, text and image possible in favour of a border and class free world. Every Bandista performance is a situationist experiment of rage and rapture. Bandista has performed in several festivals, demonstrations and clubs in Turkey and abroad.<\/p>\n

kay\u0131t \/ recording: Bandista, Kad\u0131k\u00f6y | miksaj \/ mixing: BeatBox Pro-Lab Sound, Napoli
mastering: Studio Soulfingers, Napoli | kapak \/ cover: Bandista | nisan\/april 2009<\/p>\n

* …Sollte jedoch der deutsche Leser pharis\u00e4isch die Achseln zucken \u00fcber die Zust\u00e4nde der englischen Industrie und Ackerbauarbeiter, oder sich optimistisch dabei beruhigen, dass in Deutschland die Sachen noch lange nicht so schlimm stehn, so muss ich ihm zurufen: De te fabula narratur!
…ama e\u011fer Alman okur, \u0130ngiliz sanayi ve tar\u0131m i\u015f\u00e7ilerinin durumuna omuz silker, ya da iyimser bir bi\u00e7imde Almanya’da i\u015flerin bu kadar k\u00f6t\u00fc olmad\u0131\u011f\u0131 d\u00fc\u015f\u00fcncesiyle kendini avutursa, ona a\u00e7\u0131k\u00e7a \u015funu s\u00f6ylemeliyim: “De te fabula narratur!’
Karl Marx, Das Kapital, Vorwort \/ \u00d6ns\u00f6z, 1867<\/p>\n

“De te fabula narratur, senin hik\u00e2yeni anlat\u0131yorlar… bize s\u00f6yleyece\u011fi bir \u015fey daha vard\u0131r: Warensprache’nin [meta dola\u015f\u0131m\u0131n\u0131n dili], metalar\u0131n dilinden telaffuz edilmi\u015f anlat\u0131s\u0131n\u0131 (biteviye kapitalizmin konu\u015fmas\u0131) terc\u00fcmesi yeterli de\u011fildir: onun yerine ba\u015fka bir anlat\u0131n\u0131n, yepyeni bir anlam\u0131n konulmas\u0131, k\u0131sacas\u0131 “ba\u015fka bir hik\u00e2yenin anlat\u0131lmas\u0131” gerekir. Bu “yeni hik\u00e2yeyi dinlemek” i\u00e7in bir\u00e7ok kula\u011f\u0131n dikilmi\u015f oldu\u011funu biliyoruz. Ama diller kendi kendilerine konu\u015famazlar. Farkl\u0131 hik\u00e2yelerin \u2013neredeyse say\u0131s\u0131zca\u2013 nas\u0131l olanakl\u0131 olduklar\u0131n\u0131 anlam\u0131\u015f olmak pek \u015fa\u015f\u0131rt\u0131c\u0131 gelebilir.”
Ulus Baker, Marx’\u0131n Bir \u00c7ift S\u00f6z\u00fc Var, 1996<\/p>\n

kalplerimizde, karde\u015flerimizde, karde\u015flerimize…<\/p>\n

bir oppa tzupa zound zystem hareketidir. | an oppa tzupa zound zystem move.
copyleft, bandista, 2009 | arma\u011fand\u0131r. \u00e7o\u011falt\u0131n\u0131z! da\u011f\u0131t\u0131n\u0131z! | copy! distribute!
www.tayfabandista.org | www.opzzz.org<\/p>\n

\u00a0<\/p>\n

\u00a0<\/p>\n

haydi barikata<\/strong>
kara f\u0131rt\u0131nalar sars\u0131yor g\u00f6\u011f\u00fc, kara bulutlar k\u00f6r eder g\u00f6zleri, \u00f6l\u00fcm ve ac\u0131 beklese de bizleri, onlar\u0131 yenmek i\u00e7in y\u00fcr\u00fcmeliyiz ve en de\u011ferli varl\u0131\u011f\u0131m\u0131z \u00f6zg\u00fcrl\u00fck, cesaret ve inan\u00e7la savunmal\u0131y\u0131z, haydi barikata haydi barikata, ekmek, adalet ve \u00f6zg\u00fcrl\u00fck i\u00e7in, kalplerimizde, karde\u015flerimizle, t\u00fcm d\u00fcnyada b\u00fcy\u00fcyor direni\u015f, haydi barikata haydi barikata, ekmek, adalet ve \u00f6zg\u00fcrl\u00fck i\u00e7in!<\/p>\n

s\u00f6z: Bandista
m\u00fczik: ilk d\u00fczenleni\u015fi 1879\u2019a dayanan, ancak 1905 May\u0131s\u0131nda Polonya\u2019da i\u015f\u00e7i kortejlerinin yar\u0131 resmi mar\u015f\u0131na d\u00f6n\u00fc\u015f\u00fcp akabinde uluslararas\u0131 yayg\u0131nl\u0131k kazanan, Polonya\u2019n\u0131n kadim h\u00fcrriyet ezgilerine dayanan Warszawianka mar\u015f\u0131, 36 \u0130spanyas\u0131nda A Las Barricadas ad\u0131yla CNT\u2019nin alamet-i farikas\u0131na d\u00f6n\u00fc\u015ft\u00fc.<\/p>\n

Temelde Valeriano Orob\u00f3n Fern\u00e1nez\u2019in \u0130spanyolca s\u00f6zlerinin T\u00fcrk\u00e7e s\u00f6yleni\u015fine dayanan s\u00f6z blo\u011fu, ayn\u0131 zamanda bu mar\u015f\u0131n T\u00fcrk\u00e7e\u2019deki ilk b\u00fct\u00fcnl\u00fckl\u00fc ve asl\u0131na sad\u0131k dile getirili\u015fidir. T\u00fcrkiye devrimci hareketinde \u2013esinlenlemeler ve belli b\u00f6l\u00fcmlerin ba\u011flamd\u0131\u015f\u0131 s\u00f6zlerle baz\u0131 anar\u015fistler taraf\u0131ndan s\u00f6ylenmesi d\u0131\u015f\u0131nda- daha \u00f6nce kay\u0131t alt\u0131na al\u0131nmam\u0131\u015f ve mar\u015f b\u00fct\u00fcnl\u00fc\u011f\u00fcnde s\u00f6ylenmemi\u015ftir; ayr\u0131ca Avrupa devrimci hareketi taraf\u0131ndan da unutulmu\u015f ve Bandista repertuar\u0131n\u0131n beynelmilel dinleyici taraf\u0131ndan en \u00e7ok talep alan mar\u015flar\u0131ndan biri haline gelmi\u015ftir.<\/p>\n

\u00f6zg\u00fcrl\u00fc\u011fe manu\u015f<\/strong>
ne seattle ne cenova ne latin amerika\u2019da, ne hindistan\u2019da bir aray\u0131\u015fta, \u00f6zg\u00fcrl\u00fck i\u00e7inde \u00f6zg\u00fcrl\u00fck kafanda \u00f6zg\u00fcrl\u00fck, \u00f6zg\u00fcrl\u00fck sen nerdeysen orada, ne sokakta ne meydanda ne kamp\u00fcste ne yolda, ne mahpusta ne torna tezg\u00e2h\u0131nda, \u00f6zg\u00fcrl\u00fck i\u00e7inde \u00f6zg\u00fcrl\u00fck kafanda \u00f6zg\u00fcrl\u00fck, \u00f6zg\u00fcrl\u00fck sen nerdeysen orada, hem seattle hem cenova hem latin amerika\u2019da, hem hindistan\u2019da bir aray\u0131\u015fta, \u00f6zg\u00fcrl\u00fck elinde \u00f6zg\u00fcrl\u00fck seninle \u00f6zg\u00fcrl\u00fck, \u00f6zg\u00fcrl\u00fck sen ordaysan orada, hem sokakta hem meydanda hem kamp\u00fcste hem yolda, hem mapusta hem torna tezg\u00e2h\u0131nda, \u00f6zg\u00fcrl\u00fck elinde \u00f6zg\u00fcrl\u00fck seninle \u00f6zg\u00fcrl\u00fck, \u00f6zg\u00fcrl\u00fck sen ordaysan orada!<\/p>\n

s\u00f6z: Bandista
m\u00fczik: \u0130kinci D\u00fcnya Sava\u015f\u0131 Yunan Direni\u015finin anonim ezgilerinden olan San Atsalino Teixos’un Django Reinhardt tarz\u0131nda ve Manu\u015f m\u00fczi\u011fe bir sayg\u0131 olarak icras\u0131.<\/p>\n

Bandista\u2019n\u0131n bir varyete olarak icra etti\u011fi iki benzer, ancak anlamda taban tabana z\u0131t s\u00f6z blo\u011fu \u00fczerine kurulu bu \u015fark\u0131, m\u00fczikal formu itibariyle de e\u011flenceli bir mar\u015f olarak ilk kez T\u00fcrk\u00e7e\u2019de s\u00f6ylenmektedir.\fille de rumba
dalgalar\u0131 kar\u015f\u0131layan, (rumbara rumbara rumbamba) gemileri and\u0131rarak, (rumbara rumbara rumbamba) g\u00f6vdemizle karanl\u0131\u011f\u0131 yara yara, ay carmela. \u00e7\u0131kt\u0131k r\u00fczgarlar\u0131 serin, (rumbara rumbara rumbamba) u\u00e7urumlar\u0131 en derin, (rumbara rumbara rumbamba) havalar\u0131 en \u0131\u015f\u0131kl\u0131 s\u0131rada\u011fa, ay carmela. arkam\u0131zda d\u00fc\u015fman g\u00f6z\u00fc, (rumbara rumbara rumbamba) gibi karanl\u0131\u011f\u0131n y\u00fcz\u00fc, (rumbara rumbara rumbamba) \u00f6n\u00fcm\u00fczde bak\u0131r taslar g\u00fcne\u015f dolu, ay carmela.. dostlar\u0131n aras\u0131nday\u0131z, (rumbara rumbara rumbamba) g\u00fcne\u015fin sofras\u0131nday\u0131z, (rumbara rumbara rumbamba) dostlar\u0131n aras\u0131nday\u0131z, (rumbara rumbara rumbamba) g\u00fcne\u015fin sofras\u0131nday\u0131z, (rumbara rumbara rumbamba) dostlar\u0131n aras\u0131nday\u0131z, g\u00fcne\u015fin sofras\u0131nday\u0131z. dostlar\u0131n aras\u0131nday\u0131z, (rumbara rumbara rumbamba) g\u00fcne\u015fin sofras\u0131nday\u0131z, (rumbara rumbara rumbamba) dostlar\u0131n aras\u0131nday\u0131z, (rumbara rumbara rumbamba) g\u00fcne\u015fin sofras\u0131nday\u0131z, (rumbara rumbara rumbamba)<\/p>\n

s\u00f6z: Naz\u0131m Hikmet-G\u00fcne\u015fin Sofras\u0131nda S\u00f6ylenen T\u00fcrk\u00fc\u2019den (1949) detay.
m\u00fczik: K\u00f6kleri 19. yy\u2019a dayanan bir halk ezgisi \u00fczerine 36 \u0130spanyas\u0131nda yaz\u0131lan s\u00f6zlerden m\u00fcte\u015fekkil bu \u015fark\u0131 bug\u00fcn art\u0131k unutulmaya y\u00fcz tutmu\u015ftur; \u0130spanyolca s\u00f6zler baz\u0131 kaynaklarda Lorca\u2019ya mal edilir.<\/p>\n

El Paso del Ebro veya Viva la Quince Brigada adlar\u0131yla da bilinen Ay Carmela \u015fark\u0131s\u0131, mar\u015f formu i\u00e7inde olmasa bile fa\u015fizme kar\u015f\u0131 sava\u015fan \u0130spanyol anar\u015fistleri ve sosyalistleri \u00fczerinde \u015fevk ve umut verici bir etkiye sahipti. Bandista bu \u015fark\u0131y\u0131 T\u00fcrk\u00e7e s\u00f6ylemek isterken, \u00fczerimizde \u00f6nemli bir etkisi olan ba\u015fka bir \u015fark\u0131 ve s\u00f6z blo\u011fu, yani Timur Sel\u00e7uk ve G\u00fcne\u015fin Sofras\u0131nda S\u00f6ylenen T\u00fcrk\u00fc\u2019y\u00fc an\u0131msad\u0131 ve bir yap\u0131 s\u00f6k\u00fcp takma faaliyeti sonras\u0131nda iki \u015fark\u0131y\u0131 birbiri i\u00e7ine \u00f6rd\u00fc.<\/p>\n

her \u015feyin \u015fark\u0131s\u0131<\/strong>
her \u015fey herkesle\u015fiyordu, herkes her \u015feyle\u015fiyordu, tarih durmadan yaz\u0131l\u0131yordu, birden olanlar oldu, bir k\u0131rm\u0131z\u0131 koltukta yatarken, ekranda dziga vertov d\u00f6nerken, psinoza mavlad\u0131 birden, \u015fa\u015fk\u0131nl\u0131k h\u00e2s\u0131l oldu, bir \u00e7apa bir votka bir \u0131l\u0131k meltem, k\u0131br\u0131s\u2019ta d\u00f6rt ceset bir baker\u2019ken, havariler mitler yazarken, uyku bast\u0131r\u0131yordu, menevi\u015f\u2019ten glorya\u2019ya sokak\u2019ta bir votka, kad\u0131k\u00f6y evinde jacques brel \u00e7almakta, temmuz oldu yaz bitti hoca kalk haydi, tayfa marquiz yolunda, g\u00f6rd\u00fc\u011f\u00fcne inanma, g\u00f6rd\u00fc\u011f\u00fcne inanma, g\u00f6rd\u00fc\u011f\u00fcne inanma, sen!<\/p>\n

s\u00f6z: Bandista
m\u00fczik: Bandista<\/p>\n

Hocam\u0131z, ev arkada\u015f\u0131m\u0131z, bize m\u00fczi\u011fi anlamay\u0131 \u00f6\u011freten insana dair bir kolaj.<\/p>\n

m\u00e2y\u00e2<\/strong>
albenisi albeni, albenisi sanki bir, \u015fa lala lala lala la, d\u00fc\u015fk\u00fcn bir d\u00fc\u015fe benzer, hevesk\u00e2r e\u011flenceler, burjuvazi b\u00fcy\u00fcler, tema\u015fa verir hu\u015fu, sanki bir tavusku\u015fu, ga gaga gaga gaga ga, gagas\u0131nda pembe toz, uyku ink\u00e2r ve hipnoz, dolce vita ah ne ho\u015f, uyan art\u0131k ey uyan, uyan \u00e2lem-i reayan, pa papa papa papa pa, patlayan bir volkan ol, \u015fol zul\u00fcmden \u00e7\u0131kar yol, mevcudiyet kavgas\u0131!<\/p>\n

s\u00f6z: Bandista
m\u00fczik: Amaritzi<\/p>\n

Bandista\u2019n\u0131n son d\u00f6nemine ait bu Balkan ezgisi, kabare formuna yak\u0131n ve bunu m\u00fcmk\u00fcn k\u0131lan s\u00f6z blo\u011funun tekrar\u0131 ve nihayetinde Enternasyonel mar\u015f\u0131na yap\u0131lan bir g\u00f6ndermeyi i\u00e7ermektedir. Hint mitolojisinde d\u00fcnyan\u0131n aldatmacas\u0131 anlam\u0131na gelen m\u00e2y\u00e2 kavram\u0131, burjuvazinin ayart\u0131c\u0131 \u00e7ekicili\u011fi, haf\u0131zas\u0131zl\u0131k, duygular d\u00fcnyas\u0131na hitap eden sanatsal \u00fcretimler ve g\u00f6steri toplumuna dair bir beyan\u0131 kapsayacak \u015fekilde kullan\u0131lm\u0131\u015ft\u0131r, yine bu mitologya m\u00e2y\u00e2\u2019n\u0131n b\u00fcy\u00fcs\u00fcnden kurtulu\u015fu bir uykudan uyunmakla \u00f6zde\u015fle\u015ftirmektedir, buradan da Enternasyonel\u2019in \u2018uyanmak\u2019 g\u00f6ndermeli giri\u015f b\u00f6l\u00fcm\u00fcn\u00fcn kendimizce tekrar\u0131n\u0131 sunmam\u0131z\u0131n imk\u00e2n\u0131 do\u011fmu\u015ftur. <\/p>\n

aim<\/strong>
hayat denilen kavgaya girdik, emin ad\u0131mlarla y\u00fcr\u00fcyoruz, biz bu karanl\u0131k yolun sonunda, do\u011facak g\u00fcne\u015fi g\u00f6r\u00fcyoruz, da\u011flar\u0131 a\u015f\u0131yor, bak yak\u0131nla\u015f\u0131yor, k\u0131z\u0131l y\u0131ld\u0131z, zafer ku\u015fu, bu bir r\u00fcya de\u011fil, bu bir h\u00fclya de\u011fil, y\u0131ld\u0131z\u0131d\u0131r kurtulu\u015fun, kara deryalarda bir fenersin, senin \u0131\u015f\u0131\u011f\u0131nla y\u00fcr\u00fcyoruz, biz bu karanl\u0131k yolun sonunda, do\u011facak g\u00fcne\u015fi g\u00f6r\u00fcyoruz, fabrikalarda biz, tarlalarda biziz, biziz hayat\u0131 yaratan, dil fark\u0131 bilmeyiz, din fark\u0131 bilmeyiz, sanki do\u011fduk bir anadan, anam\u0131z amele s\u0131n\u0131f\u0131d\u0131r, yurdumuz b\u00fct\u00fcn cihand\u0131r bizim, haz\u0131rland\u0131k o b\u00fcy\u00fck kavgaya, ba\u015fta bayra\u011f\u0131m\u0131z sosyalizm, bayra\u011f\u0131n\u0131 y\u00fckselt, daha daha y\u00fckselt, y\u00fckselt bayra\u011f\u0131 yukar\u0131, bug\u00fcne vural\u0131m, yar\u0131n\u0131 kural\u0131m, kald\u0131ral\u0131m s\u0131n\u0131rlar\u0131, bug\u00fcne vural\u0131m, yar\u0131n\u0131 kural\u0131m, kald\u0131ral\u0131m s\u0131n\u0131flar\u0131!<\/p>\n

s\u00f6z: Yolda\u015flar\u0131m\u0131z
m\u00fczik: 1920 y\u0131l\u0131nda K\u0131z\u0131l Ordu\u2019nun Beyazlara kar\u015f\u0131 verdi\u011fi m\u00fccadeleye dair bir \u00f6vg\u00fc olarak Samuel Pokrass taraf\u0131ndan d\u00fczenlenen Belaia armiia, chiornyj baron [Beyaz Ordu, Kara Baron] mar\u015f\u0131, 1927 y\u0131l\u0131nda Temmuz Ayaklanmas\u0131 g\u00fcnlerinde Die Arbeiter von Wien ad\u0131yla Avusturya sosyalistleri aras\u0131nda yayg\u0131nla\u015ft\u0131 ve ilerleyen y\u0131llarda \u00f6zellikle fa\u015fizme kar\u015f\u0131 m\u00fccadelenin simgelerinden birine d\u00f6n\u00fc\u015ft\u00fc.<\/p>\n

Avusturya \u0130\u015f\u00e7i Mar\u015f\u0131’n\u0131n T\u00fcrk\u00e7e’ye ne zaman ve kim taraf\u0131ndan aktar\u0131ld\u0131\u011f\u0131 bilinmemektedir. Bandista aim [niyetimiz] olarak and\u0131\u011f\u0131 bu mar\u015f\u0131 k\u00f6klere bir sayg\u0131 ve m\u00fccadelenin ve kendimizi ifade tarz\u0131m\u0131z\u0131n y\u0131llar ge\u00e7mesine ra\u011fmen nas\u0131l da esasta ayn\u0131 kald\u0131\u011f\u0131n\u0131 vurgulamak i\u00e7in en bilindik haliyle icra etmekte, yeni muhalefet ku\u015fa\u011f\u0131 ile ge\u00e7mi\u015f aras\u0131nda bir ba\u011f kurmay\u0131 ama\u00e7lamaktad\u0131r.<\/p>\n

kara \u00e7ocuk raks\u0131<\/strong>
djelem, djelem, lungone dromensa, maladilem baxtale romensa, ay, romale, ay, chavale, nice nice y\u0131llar boyunca, nice y\u00fczler g\u00f6rd\u00fcm \u00f6mr\u00fcm boyunca, bir barda\u011fa \u015farap dolunca, bir bah\u00e7ede ah o ate\u015f yan\u0131nca, bak o \u00e7ocuklar, bak raksa ba\u015flar, kara deri ve uzun elleri, o \u00e7ocuklar kuytusunda \u015fehirlerin, \u00f6tesinde g\u00fcnd\u00fcz\u00fcn ve gecelerin, menzil bizim ah o cennet bah\u00e7eleri, bak o \u00e7ocuklar, bak raksa ba\u015flar!<\/p>\n

s\u00f6z: Bandista
m\u00fczik: Roman geleneksel<\/p>\n

1971\u2019de ilk D\u00fcnya Roman Kongresi\u2019nde ulusal mar\u015f olarak kabul edilen bu \u015fark\u0131, y\u00fczlerce Roman grubu ve toplulu\u011fu taraf\u0131ndan temelde Jarko Jovonovic s\u00f6zleriyle yorumlanm\u0131\u015f, \u00e7e\u015fitlenmi\u015f ve s\u0131n\u0131rlar a\u015fm\u0131\u015ft\u0131r. \u0130lk kez T\u00fcrk\u00e7e s\u00f6zlere sahip olan \u015fark\u0131 bizim i\u00e7in \u2018yolcu\u2019lu\u011fa ve topraks\u0131zl\u0131\u011fa dair bir \u00f6vg\u00fcd\u00fcr, mar\u015f\u0131m\u0131zd\u0131r. <\/p>\n

hi\u00e7bir \u015feyin \u015fark\u0131s\u0131<\/strong>
bir soka\u011f\u0131n ortas\u0131nda yat\u0131yor, yolda\u015flar\u0131 kenti alt\u00fcst ediyor, carlo kalk\u0131yor hesap soruyor, g\u00fcne\u015f g\u00fcne\u015f yine do\u011fuyor, sabah oluyor sabah oluyor, \u015fimdi bayrak \u00fcst\u00fcnde sal\u0131nyor, bize miti de\u011fil fikri yetiyor, mahir kalk\u0131yor hesap soruyor, g\u00fcne\u015f g\u00fcne\u015f yine do\u011fuyor, sabah oluyor sabah oluyor, bir kimsesiz mezar\u0131nda yat\u0131yor, katilleri \u015fimdi resim yap\u0131yor, veysel kalk\u0131yor hesap soruyor, g\u00fcne\u015f g\u00fcne\u015f yine do\u011fuyor, sabah oluyor sabah oluyor, bir kald\u0131r\u0131m ortas\u0131nda yat\u0131yor, yaras\u0131ndan yalan\u0131n\u0131z s\u0131z\u0131yor, hrant kalk\u0131yor hesap soruyor, g\u00fcne\u015f g\u00fcne\u015f yine do\u011fuyor, sabah oluyor sabah oluyor, h\u00fcrriyet ve adalet aran\u0131yor, onlar kanun, biz tarihi yaz\u0131yor, halklar kalk\u0131yor hesap soruyor, g\u00fcne\u015f g\u00fcne\u015f yine do\u011fuyor, sabah oluyor sabah oluyor!<\/p>\n

s\u00f6z: Bandista
m\u00fczik: \u0130kinci D\u00fcnya Sava\u015f\u0131 K\u0131z\u0131l Ordu ezgisi+Ines, Boikot.<\/p>\n

Bandista\u2019n\u0131n daralan\u0131na, kay\u0131plar\u0131m\u0131za ve hesap sormaya olan inanc\u0131m\u0131za, sabaha, uyanmaya ve \u201co\u201d g\u00fcnlere dair bir heveslendirici, a\u011f\u0131t ve \u015fehitler miti k\u00fclt\u00fcr\u00fcne kar\u015f\u0131, ba\u015fka t\u00fcrl\u00fc bir anman\u0131n m\u00fcmk\u00fcnl\u00fc\u011f\u00fcne dair bir son s\u00f6zd\u00fcr.<\/p>\n

\n<\/object><\/p>\n","protected":false},"excerpt":{"rendered":"

Bandista bir aral\u0131k, bu darl\u0131k bu basmakal\u0131p, bu ay\u0131k kafayla esrik taklitleri, bu aram\u0131zda ya\u015fayan katilleri te\u015fhir etmek gerek dedi evde uyuklarken. Uyanmak gerek dedi \u00f6nce kendi kendine, evde bir gitar \u00e7ald\u0131 manu\u015f, klarnet akt\u0131 meyanl\u0131, kayd\u0131rmal\u0131, akordeon zaten doldurmu\u015ftu k\u00f6\u015fe bucak, vurmal\u0131lar haz\u0131rd\u0131 “mar\u015f”a, ba\u015flad\u0131 ev’in hik\u00e2yesi, varyetesi s\u00f6k\u00fcp s\u00f6k\u00fcp yapman\u0131n. Bandista evi \u015fenlik […]<\/p>\n","protected":false},"author":1,"featured_media":0,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[127],"tags":[],"class_list":{"0":"post-4339","1":"post","2":"type-post","3":"status-publish","4":"format-standard","6":"category-muzik-gruplari"},"yoast_head":"\nDe te fabula narratur | Senin hikayeni anlat\u0131yorlar - Bandista ve \u015fark\u0131lar\u0131 - narteks.net<\/title>\n<meta name=\"robots\" content=\"index, follow, max-snippet:-1, max-image-preview:large, max-video-preview:-1\" \/>\n<link rel=\"canonical\" href=\"https:\/\/narteks.net\/index.php\/2010\/03\/13\/de-te-fabula-narratur-senin-hikayeni-anlatiyorlar-bandista-ve-sarkilari\/\" \/>\n<meta property=\"og:locale\" content=\"tr_TR\" \/>\n<meta property=\"og:type\" content=\"article\" \/>\n<meta property=\"og:title\" content=\"De te fabula narratur | Senin hikayeni anlat\u0131yorlar - Bandista ve \u015fark\u0131lar\u0131\" \/>\n<meta property=\"og:description\" content=\"Bandista bir aral\u0131k, bu darl\u0131k bu basmakal\u0131p, bu ay\u0131k kafayla esrik taklitleri, bu aram\u0131zda ya\u015fayan katilleri te\u015fhir etmek gerek dedi evde uyuklarken. Uyanmak gerek dedi \u00f6nce kendi kendine, evde bir gitar \u00e7ald\u0131 manu\u015f, klarnet akt\u0131 meyanl\u0131, kayd\u0131rmal\u0131, akordeon zaten doldurmu\u015ftu k\u00f6\u015fe bucak, vurmal\u0131lar haz\u0131rd\u0131 “mar\u015f”a, ba\u015flad\u0131 ev’in hik\u00e2yesi, varyetesi s\u00f6k\u00fcp s\u00f6k\u00fcp yapman\u0131n. 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