{"id":4472,"date":"2010-04-13T09:36:33","date_gmt":"2010-04-13T06:36:33","guid":{"rendered":"http:\/\/localhost\/wordpress\/2010\/04\/13\/william-shakespearein-oyunlarnda-siyaset-alexander-billet\/"},"modified":"2010-04-13T09:36:33","modified_gmt":"2010-04-13T06:36:33","slug":"william-shakespearein-oyunlarnda-siyaset-alexander-billet","status":"publish","type":"post","link":"https:\/\/narteks.net\/index.php\/2010\/04\/13\/william-shakespearein-oyunlarnda-siyaset-alexander-billet\/","title":{"rendered":"William Shakespeare’in Oyunlar\u0131nda Siyaset | Alexander Billet"},"content":{"rendered":"

Shakespeare. \u015e\u00fcphesiz d\u00fcnyan\u0131n en bilinen isimlerinden biri. Oyunlar\u0131 gezegenin d\u00f6rt bir yan\u0131nda \u00e7e\u015fitli dillerde oynan\u0131yor ve toplu eserlerini milyonlarca (belki de milyarlarca) insan okuyor. D\u00fcnya \u00e7ap\u0131nda onun eserlerini sahneleyen binlerce tiyatro kumpanyas\u0131 var ve eserleri d\u00fcnyan\u0131n d\u00f6rt bir yan\u0131nda edebiyat derslerinde temel metin olarak okutuluyor. Stratford-Upon-Avon\u2019un Ozan\u0131\u2019n\u0131n \u201cb\u00fcy\u00fck\u201d oldu\u011fu malum, ama onu b\u00fcy\u00fck ya da g\u00fcncel yapan\u0131n ne oldu\u011fundan pek bahsedilmiyor. Shakespeare ara\u015ft\u0131rmac\u0131lar\u0131n\u0131n gelenek\u00e7ili\u011fine g\u00f6re, \u201cbir dahi\u201d oldu\u011fu i\u00e7in incelenmeye de\u011ferdir, o kadar. Bunda trajik bir \u015fey var. E\u011fer a\u00e7\u0131klama burada kesilirse kendimizi Shakespeare ile \u00f6zde\u015fle\u015ftirmemizi sa\u011flayan pek \u00e7ok \u015fey kaybolup gidiyor. 21\u2019inci y\u00fczy\u0131ldaki her \u015fey gibi, Shakespeare de \u201ct\u00fcketime uygun\u201d hale getirildi ve bu ger\u00e7e\u011fi yans\u0131tm\u0131yor. Shakespeare\u2019in oyunlar\u0131 Scooter Libby\u2019i utand\u0131racak \u00f6l\u00e7\u00fcde m\u00fcstehcen cinsellik, \u015fiddet ve siyasi entrikalarla doludur.<\/p>\n

Sava\u015f\u0131n, yoksullu\u011fun ve yolsuzlu\u011fun g\u00f6lgesinde kalan d\u00fcnyam\u0131zda Shakespeare\u2019e siyasi g\u00f6zle bakmamak giderek imk\u00e2ns\u0131zla\u015f\u0131yor. Bu Londra\u2019daki Globe Tiyatrosu i\u00e7in de ge\u00e7erli. 5 May\u0131s\u2019ta a\u00e7\u0131lan \u201cRoma\u2019n\u0131n U\u00e7lar\u0131\u201d ba\u015fl\u0131kl\u0131 yeni sezon, a\u00e7\u0131k bir \u015fekilde tiyatronun dokuz y\u0131ll\u0131k k\u0131sa tarihi i\u00e7inde en siyasi olan\u0131. Yeni sanat y\u00f6netmeni Dominic Dromgoole\u2019un idaresinde sahnelenen \u201cCoriolanus, Antonius ve Kleopatra, Yanl\u0131\u015fl\u0131klar Komedyas\u0131 ve Titus Andronicus\u201d ozan\u0131n en y\u0131k\u0131c\u0131, imparatorlu\u011fun sald\u0131rganl\u0131\u011f\u0131na, ekonomik e\u015fitsizli\u011fine ve kontrols\u00fcz mutlak iktidar\u0131n tehlikelerine en \u00e7ok y\u00fcklenen oyunlar\u0131 aras\u0131nda. Globe\u2019un program\u0131nda ilk kez sahnelenen iki yeni oyun da var: Simon Bent\u2019in Cumhuriyet \u0130ngiltere\u2019sindeki korsanl\u0131\u011f\u0131 ve s\u0131n\u0131f kinini inceledi\u011fi \u201cKara Bayra\u011f\u0131n Alt\u0131nda\u201d adl\u0131 oyunu ve sosyalist oyun yazar\u0131 Howard Brenton\u2019\u0131n klasik a\u015fk hikayesi \u201cAbelard ve Heloise\u201dden yapt\u0131\u011f\u0131 uyarlama.<\/p>\n

<\/p>\n

Ama\u00e7l\u0131 olsa da olmasa da, bu sezonun radikal karakteri olduk\u00e7a a\u015fik\u00e2r. Sahnelenen oyunlar bize ozan\u0131n al\u0131\u015fk\u0131n olmad\u0131\u011f\u0131m\u0131z, farkl\u0131 bir y\u00fcz\u00fcn\u00fc g\u00f6steriyor. Shakespeare radikal biri miydi? Ya da en az\u0131ndan siyasal m\u0131yd\u0131? Bunu bilmek zor. Ya\u015fam\u0131 hakk\u0131ndaki bilgimiz belirsiz detaylardan ibaret. Ancak \u015funu biliyoruz ki Shakespeare b\u00fcy\u00fck ekonomik ve siyasal de\u011fi\u015fimlere sahne olan bir \u00e7a\u011fda ya\u015fad\u0131. Eski d\u00fczen yeni g\u00fc\u00e7ler taraf\u0131ndan s\u00fcp\u00fcr\u00fcl\u00fcrken, \u0130ngiliz taht\u0131n\u0131n me\u015fruiyeti bile sorgulan\u0131yordu.<\/p>\n

Eski gidiyor, yeni geliyor<\/strong><\/p>\n

Shakesperare 1564\u2019te do\u011fdu\u011funda ilkel kapitalizm \u0130ngiltere\u2019ye ad\u0131m\u0131n\u0131 atm\u0131\u015ft\u0131. 1492\u2019de Yeni D\u00fcnya\u2019y\u0131 \u201cke\u015ffeden\u201d Columbus, t\u00fcccarlara s\u00f6m\u00fcrmeleri i\u00e7in yeni pazarlar a\u00e7m\u0131\u015ft\u0131. Bu t\u00fcccarlar, toprak a\u011falar\u0131 ve k\u00f6yl\u00fcl\u00fc\u011f\u00fcn varl\u0131kl\u0131 kesimleri yeni f\u0131rsatlar\u0131 de\u011ferlendirdiler. Mallara talebin artmas\u0131yla birlikte k\u00e2rlar da t\u0131rman\u0131\u015fa ge\u00e7ti. Yeni sanayi kollar\u0131 mantar gibi biterken, taze bir orta s\u0131n\u0131f semirmekteydi. G\u00fcc\u00fc ve etkisi h\u0131zla artan bu s\u0131n\u0131f, kraliyetin ve aristokrasinin y\u00fczy\u0131llard\u0131r s\u00fcregelen konumunu tehlikeye d\u00fc\u015f\u00fcrd\u00fc. Yeni burjuvazi, mahkemeler ve yarg\u0131 organlar\u0131n\u0131 kontrol\u00fcnde tutan aristokrasiye ticaret k\u0131s\u0131tlar\u0131 ve vergi kanunlar\u0131 dolay\u0131s\u0131yla di\u015f biliyordu.<\/p>\n

Ortaya \u00e7\u0131kan ba\u015fka bir \u00e7at\u0131\u015fma daha vard\u0131: (ezici bir yoksullukla cebelle\u015fen, ama g\u00f6rece emniyetli bir konumda bulunan) yoksul k\u00f6yl\u00fcler \u015fimdi daha fazla kira \u00f6demek veya efendilerinin yeni pazar ekonomisinde rekabet edebilmesi i\u00e7in daha fazla \u00fcr\u00fcn sa\u011flamak zorundayd\u0131lar. Talepleri kar\u015f\u0131layamayanlar ac\u0131mas\u0131zca topraklar\u0131ndan tahliye ediliyorlard\u0131. Bir\u00e7o\u011fu i\u015f bulmak i\u00e7in \u015fehirlere g\u00f6\u00e7 etmek zorunda kald\u0131. Ayn\u0131 y\u00fck\u00fcml\u00fcl\u00fckler kentli t\u00fcccarlar i\u00e7in \u00fcretim yapan k\u00fc\u00e7\u00fck zanaatk\u00e2rlardan da bekleniyordu. Emek giderek daha fazla kolektifle\u015firken, burjuvazinin yan\u0131nda yeni bir s\u0131n\u0131f \u015fekilleniyordu: \u0130\u015f\u00e7i s\u0131n\u0131f\u0131.<\/p>\n

D\u00f6rt bir yanda her \u015feyin \u201cdo\u011fal d\u00fczen\u201di bozuluyordu. \u201cTudor Efsanesi\u201d eski d\u00fczeni me\u015frula\u015ft\u0131rmak i\u00e7in kullan\u0131l\u0131rken, yeni burjuvazinin y\u00fckseli\u015fi tanr\u0131n\u0131n iradesiyle \u00e7eli\u015fiyordu. D\u00fcnyan\u0131n d\u00f6rt bir yan\u0131nda fetih ve k\u00e2r i\u00e7in sava\u015flar yap\u0131l\u0131yordu. Yeni bir proletaryan\u0131n olu\u015fumu hem eski hem de yeni d\u00fczendeki s\u00f6m\u00fcr\u00fcn\u00fcn g\u00f6r\u00fcn\u00fcr hale gelmesini sa\u011flad\u0131. \u0130ngiltere\u2019nin Shakespeare\u2019in \u00f6l\u00fcm\u00fcnden yaln\u0131zca 25 y\u0131l sonra siyasi ve toplumsal bir devrim s\u00fcrecine girdi\u011fini unutmak kolay. Bu devrim krall\u0131\u011f\u0131 y\u0131k\u0131p k\u0131sa bir s\u00fcreli\u011fine cumhuriyeti getirerek tarihin y\u00f6n\u00fcn\u00fc de\u011fi\u015ftirdi. Gerek bu gidi\u015fat\u0131n, gerek Shakespeare\u2019in \u00fc\u00e7 s\u0131n\u0131f aras\u0131ndaki sert m\u00fccadelenin ortas\u0131nda bulunmas\u0131n\u0131n, Shakespeare\u2019in eserleri \u00fczerinde etkisi olmad\u0131\u011f\u0131n\u0131 s\u00f6ylemek k\u00f6rl\u00fckt\u00fcr<\/p>\n

Shakespeare\u2019in oyunlar\u0131 t\u00fcm bu s\u0131n\u0131flardan iyi betimlenmi\u015f karakterlerle doludur. Zirveye \u00e7\u0131kmak i\u00e7in her \u015feyi yapmaya raz\u0131 h\u0131rsl\u0131 Makyavellistler, umutsuzca iktidar\u0131 ele ge\u00e7irmeye \u00e7al\u0131\u015fan \u00e7\u00fcr\u00fcm\u00fc\u015f zorbalar ve yaln\u0131zca ya\u015fam\u0131n\u0131 s\u00fcrd\u00fcrmeye \u00e7al\u0131\u015fan s\u0131radan insanlar. Shakespeare\u2019in eski ve yeni d\u00fczene bak\u0131\u015f\u0131 herhangi bir oyunu dikkatlice okundu\u011funda fark edilebilir. Marksist edebiyat ele\u015ftirmeni Aleksandr Smirnov \u015f\u00f6yle der: \u201c\u0130ki \u00e7a\u011f\u0131n -\u00e7oktan \u00f6lmekte olan feodalizmin ve halen do\u011fum a\u015famas\u0131ndaki kapitalizmin- s\u0131n\u0131r\u0131nda duran Shakespeare, iki d\u00fczeni de etkin bir \u015fekilde ele\u015ftirmi\u015ftir. Bir yanda a\u00e7g\u00f6zl\u00fcl\u00fc\u011f\u00fc, alt\u0131n\u0131n g\u00fcc\u00fcn\u00fc ve haz\u0131r para k\u00fclt\u00fcn\u00fc te\u015fhir eden Shakespeare, (…) \u00f6te yandan hikayelerinde koca bir \u00fclkenin vah\u015fi, kanunsuz feodal beylerce y\u00f6netilmesinin tehlikesini ve vahametini g\u00f6sterir\u2026\u201d<\/p>\n

Roma\u2019n\u0131n u\u00e7lar\u0131<\/strong><\/p>\n

Tarihsel a\u00e7\u0131dan bak\u0131ld\u0131\u011f\u0131nda Shakespeare\u2019in oyunlar\u0131 yaln\u0131zca a\u015fk, onur ve insanl\u0131k halleri ile ilgili hik\u00e2yeler de\u011fil, ama m\u00fccadele i\u00e7indeki toplumsal g\u00fc\u00e7leri konu alan eserlerdir. Juliet Romeo ile evlenemez, \u00e7\u00fcnk\u00fc orta s\u0131n\u0131f ailesi onu bir prensle s\u00f6zlemi\u015ftir (o zamanlarda y\u00fckselmek isteyen insanlar i\u00e7in tipik bir hareket). Hamlet kendisiyle ve gasp\u00e7\u0131 amcas\u0131yla m\u00fccadele etmekle kalmaz, bunu bir siyasi kar\u015f\u0131l\u0131\u011f\u0131n ortas\u0131nda yapar. Toplumdan d\u0131\u015flanan Kral Lear t\u00fcm hayat\u0131 boyunca ayakta tuttu\u011fu sistemin adaletsizli\u011fine s\u00f6ver: \u201cBu zavall\u0131lar\u0131n \u00e7ektiklerini siz de \u00e7ekin ki, \/ \u0130htiyac\u0131n\u0131zdan fazlas\u0131n\u0131 onlara verip \/ Tanr\u0131lar\u0131n \u015fimdikinden daha adil oldu\u011funu g\u00f6sterebilesiniz.\u201d<\/p>\n

Ayn\u0131 tarihsel perspektif h\u00e2lihaz\u0131rda Globe\u2019da oynayan oyunlar i\u00e7in de ge\u00e7erli. Bu sezonun \u201cRoma\u2019n\u0131n u\u00e7lar\u0131\u201d olarak adland\u0131r\u0131lm\u0131\u015f olmas\u0131 \u00f6nemli. Roma \u0130mparatorlu\u011fu, Elizabeth \u0130ngiltere\u2019sinde b\u00fcy\u00fck ilgi oda\u011f\u0131yd\u0131. Zira t\u0131pk\u0131 \u0130ngiltere gibi Roma da bilinen d\u00fcnyan\u0131n \u00e7o\u011funu yutan fetihlerle muazzam bir servet kazanm\u0131\u015f, senat\u00f6rler ve imparatorlar aras\u0131nda sert m\u00fccadelelere sahne olan, k\u00f6le ordular\u0131nca kurulmu\u015f devasa saraylara sahip bir toplumdu.<\/p>\n

Shakespeare\u2019in \u00e7\u00f6ken Roma\u2019s\u0131 pek \u00e7ok a\u00e7\u0131dan \u0130ngiltere\u2019ye bir uyar\u0131yd\u0131. Bizim de bu oyunlardan \u00f6\u011frenece\u011fimiz \u00e7ok \u015fey var.<\/p>\n

D\u00fcnyay\u0131 etkileyen onca karar\u0131n ayr\u0131cal\u0131kl\u0131 bir az\u0131nl\u0131\u011f\u0131n kaprislerine ba\u011fl\u0131 oldu\u011fu bir zamanda, Antonius ve Kleopatra\u2019daki gizli kapakl\u0131 pazarl\u0131klar yank\u0131lan\u0131yor. Gelir e\u015fitsizli\u011fi g\u00f6r\u00fclmemi\u015f bir seviyeye ula\u015ft\u0131\u011f\u0131nda, Yanl\u0131\u015fl\u0131klar Komedyas\u0131\u2019nda \u00f6fkelerini k\u00f6lelerinden \u00e7\u0131karan ikiz efendilerin k\u00fcstahl\u0131\u011f\u0131 ( her ne kadar vahim bir kimlik karma\u015fas\u0131 ya\u015famalar\u0131 komikse de) \u00e7arp\u0131c\u0131. Ve kibirli liderlerin kendilerine kar\u015f\u0131 \u00e7\u0131kan her ulusa k\u0131l\u0131\u00e7 sallad\u0131klar\u0131 bir d\u00fcnyada, i\u015fgalci Titus Andronicus\u2019un ba\u015f\u0131na gelen y\u0131k\u0131m ve \u00fcz\u00fcnt\u00fcden bir \u015feyler \u00f6\u011frenmemiz faydal\u0131 olacakt\u0131r.<\/p>\n

Ancak Shakespeare\u2019in oyunlar\u0131ndan hi\u00e7biri, Globe\u2019un bu sezonki a\u00e7\u0131l\u0131\u015f oyunu olan Coriolanus kadar siyasi de\u011fildir. Hamlet veya Macbeth kadar me\u015fhur olmasa da, \u015f\u00fcphesiz en ustaca oyunlar\u0131ndan biri. Roma ordusunda bir general olan ba\u015fkahraman, Volkerler\u2019e kar\u015f\u0131 sava\u015ftaki liderli\u011fiyle nam salm\u0131\u015ft\u0131r. Ancak sava\u015f\u0131n bedelini Roma\u2019n\u0131n a\u00e7l\u0131ktan \u00f6len ve fakirlikten bitap d\u00fc\u015fm\u00fc\u015f s\u0131radan vatanda\u015flar\u0131 \u00f6demektedir. Olduk\u00e7a tan\u0131d\u0131k bir durum. Bir imparatorlu\u011fun u\u00e7suz bucaks\u0131z serveti askeri i\u015fgallerle ayr\u0131cal\u0131kl\u0131 bir az\u0131nl\u0131\u011f\u0131 zenginle\u015ftirmek i\u00e7in kullan\u0131l\u0131yor. Tah\u0131l y\u0131\u011f\u0131nlar\u0131 kullan\u0131lmadan \u00f6ylece y\u0131\u011f\u0131l\u0131 dururken, yoksullar a\u00e7l\u0131ktan \u00f6l\u00fcyor. Oyun, b\u00fcy\u00fck bir karga\u015fa sahnesiyle a\u00e7\u0131l\u0131yor ve vatanda\u015flar silah niyetine ellerine ge\u00e7irdikleri alet edevatla ba\u015fkente y\u00fcr\u00fcyorlar. \u00d6fkelerini generale ve temsil etti\u011fi zengin kli\u011fe y\u00f6nlendiren vatanda\u015flar, sava\u015fa son verilmesini ve depolanan tah\u0131l\u0131n da\u011f\u0131t\u0131lmas\u0131n\u0131 talep ediyorlar. Co\u015fkulu bir konu\u015fma yapan \u00f6fkeli bir vatanda\u015f imparatorlu\u011fun b\u00fcy\u00fck servetinin yoksullar\u0131n s\u0131rt\u0131ndan kazan\u0131ld\u0131\u011f\u0131na i\u015faret ediyor: \u201cBizi kederlendiren zay\u0131fl\u0131k, sefaletimizin nedeni, onlar\u0131n servetini zikretmek i\u00e7in bir d\u00f6k\u00fcm; bizim ac\u0131 \u00e7ekmemiz onlar i\u00e7in kazan\u00e7. Gelin, belimiz b\u00fck\u00fclmeden m\u0131zraklar\u0131m\u0131zla intikam\u0131m\u0131z\u0131 alal\u0131m: Tanr\u0131 biliyor ki bunu s\u00f6ylerken intikama susamad\u0131m, yaln\u0131zca ekme\u011fe a\u00e7\u0131m.\u201d<\/p>\n

S\u0131rf bu replik i\u00e7in sahneye \u00e7\u0131kmas\u0131na kar\u015f\u0131n, Shakespeare bu ads\u0131z emek\u00e7iye oyunun i\u00e7indeki en zekice ve k\u0131\u015fk\u0131rt\u0131c\u0131 konu\u015fmay\u0131 yapt\u0131rm\u0131\u015f. Kitleler a\u00e7l\u0131ktan \u00f6l\u00fcrken servet biriktirmekle me\u015fgul olan t\u00fcm toplumlar i\u00e7in ge\u00e7erli olduk\u00e7a sert bir ele\u015ftiri. S\u0131radan insanlar\u0131 hor g\u00f6ren \u201ckahraman\u201d Coriolanus ise s\u00fcrekli onlar\u0131 yan\u0131na \u00e7ekmeye \u00e7al\u0131\u015f\u0131r. Seyirci i\u00e7in \u00e7at\u0131\u015fma halindeki s\u0131n\u0131flar aras\u0131nda ge\u00e7en, d\u00fcnyan\u0131n nas\u0131l idare edilmesi gerekti\u011fine dair bir tart\u0131\u015fmaya m\u00fcdahil olabilmek i\u00e7in ender bir f\u0131rsat. Seyircilerin aktif kat\u0131l\u0131m\u0131n\u0131 sa\u011flamak i\u00e7in Globe bu oyunda sahneyi seyircilerin i\u00e7ine uzanan platformlarla geni\u015fletmi\u015f, askerler ve vatanda\u015flar seyircilerin aras\u0131na yerle\u015ftirilmi\u015f, b\u00f6ylece tart\u0131\u015fma canl\u0131 ve ka\u00e7\u0131n\u0131lmaz hale getirilmi\u015f.<\/p>\n

Coriolanus\u2019ta sahneye ta\u015f\u0131nan tart\u0131\u015fma ger\u00e7ek d\u00fcnyada halen devam ediyor. Edebi kaymak tabakas\u0131n\u0131n istemedi\u011fi \u015fey ise bunun fark\u0131na varmam\u0131z. Ancak bu ka\u00e7\u0131n\u0131lmaz bir \u015fey. Shakespeare\u2019in dersleri hala g\u00fcncel ve solun bu eserlerin bilgeli\u011fine ve ilham\u0131na her zamankinden daha fazla ihtiyac\u0131 var.<\/p>\n

ALEXANDER B\u0130LLET \/ \u00c7EV.: S\u0130NAN D\u0130N\u00c7E<\/p>\n","protected":false},"excerpt":{"rendered":"

Shakespeare. \u015e\u00fcphesiz d\u00fcnyan\u0131n en bilinen isimlerinden biri. Oyunlar\u0131 gezegenin d\u00f6rt bir yan\u0131nda \u00e7e\u015fitli dillerde oynan\u0131yor ve toplu eserlerini milyonlarca (belki de milyarlarca) insan okuyor. D\u00fcnya \u00e7ap\u0131nda onun eserlerini sahneleyen binlerce tiyatro kumpanyas\u0131 var ve eserleri d\u00fcnyan\u0131n d\u00f6rt bir yan\u0131nda edebiyat derslerinde temel metin olarak okutuluyor. Stratford-Upon-Avon\u2019un Ozan\u0131\u2019n\u0131n \u201cb\u00fcy\u00fck\u201d oldu\u011fu malum, ama onu b\u00fcy\u00fck ya da […]<\/p>\n","protected":false},"author":1,"featured_media":0,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[64],"tags":[],"class_list":{"0":"post-4472","1":"post","2":"type-post","3":"status-publish","4":"format-standard","6":"category-tiyatro-uzerine"},"yoast_head":"\nWilliam Shakespeare'in Oyunlar\u0131nda Siyaset | Alexander Billet - narteks.net<\/title>\n<meta name=\"robots\" content=\"index, follow, max-snippet:-1, max-image-preview:large, max-video-preview:-1\" \/>\n<link rel=\"canonical\" href=\"https:\/\/narteks.net\/index.php\/2010\/04\/13\/william-shakespearein-oyunlarnda-siyaset-alexander-billet\/\" \/>\n<meta property=\"og:locale\" content=\"tr_TR\" \/>\n<meta property=\"og:type\" content=\"article\" \/>\n<meta property=\"og:title\" content=\"William Shakespeare'in Oyunlar\u0131nda Siyaset | Alexander Billet\" \/>\n<meta property=\"og:description\" content=\"Shakespeare. \u015e\u00fcphesiz d\u00fcnyan\u0131n en bilinen isimlerinden biri. Oyunlar\u0131 gezegenin d\u00f6rt bir yan\u0131nda \u00e7e\u015fitli dillerde oynan\u0131yor ve toplu eserlerini milyonlarca (belki de milyarlarca) insan okuyor. D\u00fcnya \u00e7ap\u0131nda onun eserlerini sahneleyen binlerce tiyatro kumpanyas\u0131 var ve eserleri d\u00fcnyan\u0131n d\u00f6rt bir yan\u0131nda edebiyat derslerinde temel metin olarak okutuluyor. Stratford-Upon-Avon\u2019un Ozan\u0131\u2019n\u0131n \u201cb\u00fcy\u00fck\u201d oldu\u011fu malum, ama onu b\u00fcy\u00fck ya da […]\" \/>\n<meta property=\"og:url\" content=\"https:\/\/narteks.net\/index.php\/2010\/04\/13\/william-shakespearein-oyunlarnda-siyaset-alexander-billet\/\" \/>\n<meta property=\"og:site_name\" content=\"narteks.net\" \/>\n<meta property=\"article:published_time\" content=\"2010-04-13T06:36:33+00:00\" \/>\n<meta property=\"og:image\" content=\"http:\/\/etc.usf.edu\/clipart\/700\/794\/shakespeare_2_lg.gif\" \/>\n<meta name=\"author\" content=\"Tar\u0131k\" \/>\n<meta name=\"twitter:card\" content=\"summary_large_image\" \/>\n<meta name=\"twitter:creator\" content=\"@narteks\" \/>\n<meta name=\"twitter:site\" content=\"@narteks\" \/>\n<meta name=\"twitter:label1\" content=\"Yazan:\" \/>\n\t<meta name=\"twitter:data1\" content=\"Tar\u0131k\" \/>\n\t<meta name=\"twitter:label2\" content=\"Tahmini okuma s\u00fcresi\" \/>\n\t<meta name=\"twitter:data2\" content=\"9 dakika\" \/>\n<script type=\"application\/ld+json\" class=\"yoast-schema-graph\">{\"@context\":\"https:\/\/schema.org\",\"@graph\":[{\"@type\":\"Article\",\"@id\":\"https:\/\/narteks.net\/index.php\/2010\/04\/13\/william-shakespearein-oyunlarnda-siyaset-alexander-billet\/#article\",\"isPartOf\":{\"@id\":\"https:\/\/narteks.net\/index.php\/2010\/04\/13\/william-shakespearein-oyunlarnda-siyaset-alexander-billet\/\"},\"author\":{\"name\":\"Tar\u0131k\",\"@id\":\"https:\/\/narteks.net\/#\/schema\/person\/61f37d9834294b72d31d274e7ed79bca\"},\"headline\":\"William Shakespeare’in Oyunlar\u0131nda Siyaset | Alexander Billet\",\"datePublished\":\"2010-04-13T06:36:33+00:00\",\"mainEntityOfPage\":{\"@id\":\"https:\/\/narteks.net\/index.php\/2010\/04\/13\/william-shakespearein-oyunlarnda-siyaset-alexander-billet\/\"},\"wordCount\":1788,\"commentCount\":0,\"publisher\":{\"@id\":\"https:\/\/narteks.net\/#organization\"},\"image\":{\"@id\":\"https:\/\/narteks.net\/index.php\/2010\/04\/13\/william-shakespearein-oyunlarnda-siyaset-alexander-billet\/#primaryimage\"},\"thumbnailUrl\":\"http:\/\/etc.usf.edu\/clipart\/700\/794\/shakespeare_2_lg.gif\",\"articleSection\":[\"Tiyatro \u00dczerine\"],\"inLanguage\":\"tr\",\"potentialAction\":[{\"@type\":\"CommentAction\",\"name\":\"Comment\",\"target\":[\"https:\/\/narteks.net\/index.php\/2010\/04\/13\/william-shakespearein-oyunlarnda-siyaset-alexander-billet\/#respond\"]}]},{\"@type\":\"WebPage\",\"@id\":\"https:\/\/narteks.net\/index.php\/2010\/04\/13\/william-shakespearein-oyunlarnda-siyaset-alexander-billet\/\",\"url\":\"https:\/\/narteks.net\/index.php\/2010\/04\/13\/william-shakespearein-oyunlarnda-siyaset-alexander-billet\/\",\"name\":\"William Shakespeare'in Oyunlar\u0131nda Siyaset | Alexander Billet - 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