{"id":4489,"date":"2010-04-19T10:32:22","date_gmt":"2010-04-19T07:32:22","guid":{"rendered":"http:\/\/localhost\/wordpress\/2010\/04\/19\/dogunun-limanlari-ve-amin-maalouf-biyografisi\/"},"modified":"2010-04-19T10:32:22","modified_gmt":"2010-04-19T07:32:22","slug":"dogunun-limanlari-ve-amin-maalouf-biyografisi","status":"publish","type":"post","link":"https:\/\/narteks.net\/index.php\/2010\/04\/19\/dogunun-limanlari-ve-amin-maalouf-biyografisi\/","title":{"rendered":"‘Do\u011funun Limanlar\u0131 ‘ ve Amin Maalouf Biyografisi"},"content":{"rendered":"

“Do\u011funun Limanlar\u0131” bir vakitler Avrupal\u0131lar\u0131n do\u011fuya giri\u015f yapt\u0131klar\u0131, tespih taneleri gibi s\u0131ralanan ticaret kentlerine verilen add\u0131r. “Do\u011funun Limanlar\u0131” kelime anlam\u0131 olarak “Do\u011funun Merdivenleri” olup, baz\u0131 Akdeniz limanlar\u0131na Frans\u0131zlar\u0131n takt\u0131\u011f\u0131 add\u0131r.<\/p>\n

Olay 1976 Haziran\u0131nda bir metroda ge\u00e7mektedir. Yazar, romana tablodaki bir resimden s\u00f6z ederek ba\u015flamaktad\u0131r. Tabloda, deniz ve o mavili\u011fin \u00fcst\u00fcndeki gemi bulunmaktad\u0131r. Yazar, bu tabloya hayran kalm\u0131\u015ft\u0131r. Metroda bu tabloyu hayran bir \u015fekilde seyrederken g\u00f6zleri, son derece ilgi \u00e7eken bir adama tak\u0131l\u0131r ve o, bu adam\u0131 takip etmeye ba\u015flar. Bu takip neticesinde her ikisi Hubert Hugles soka\u011f\u0131nda kar\u015f\u0131 kar\u015f\u0131ya gelirler. Yazar, t\u00fcrl\u00fc yollarla bu adama yana\u015fmaya ba\u015flar. Adam\u0131n yabanc\u0131 oldu\u011funu sezer ve ona yard\u0131mc\u0131 olmaya \u00e7al\u0131\u015f\u0131r. Bu yard\u0131mla\u015fma sonucunda her ikisi dost olurlar. Adam\u0131n amac\u0131, Paris’te direni\u015f\u00e7ilerin ad\u0131n\u0131 ta\u015f\u0131yan 39 cadde veya soka\u011f\u0131 gezmektir. Bu arada yazar ile yabanc\u0131 aras\u0131nda koyu bir muhabbet ba\u015flar. Yabanc\u0131 adam, yazar\u0131n sorular\u0131na da yan\u0131t vermeye \u00e7al\u0131\u015f\u0131r ve ona, Paris’te d\u00f6rt g\u00fcn kalaca\u011f\u0131n\u0131 s\u00f6yler. Yazar ile adam\u0131n tan\u0131\u015fmas\u0131, \u00e7ar\u015famba ak\u015fam\u0131na rastlamaktad\u0131r.<\/p>\n

Yazar ile olay\u0131n anlat\u0131c\u0131s\u0131 geceyi bir otelde ge\u00e7irirler. Ertesi g\u00fcn yazar, ondan kendi hayat hik\u00e2yesini anlatmas\u0131n\u0131 ister. Yabanc\u0131 adam bunu memnuniyetle kar\u015f\u0131lar yaln\u0131z, s\u00f6z\u00fcn\u00fcn kesilmemesini yazardan istirham eder. Adam\u0131n ad\u0131: \u0130syan. \u0130syan, annesinin Ermeni, babas\u0131n\u0131n ise T\u00fcrk oldu\u011funu s\u00f6yler. Osmanl\u0131 torunu olan babas\u0131 ayn\u0131 zamanda \u00e7ok zengin birisiymi\u015f. \u0130syan, Adana’da d\u00fcnyaya gelmi\u015f ve daha sonra ailesiyle birlikte L\u00fcbnan’a ta\u015f\u0131nm\u0131\u015flard\u0131r. Babas\u0131n\u0131n evlili\u011finden annesinin \u00f6l\u00fcm\u00fcne kadar olan hayat\u0131 bu (birinci) b\u00f6l\u00fcmde anlat\u0131lmaktad\u0131r.<\/p>\n

\u0130syan’\u0131n s\u00f6ylediklerini yazar defterine not eder ve onun s\u00f6z\u00fcn\u00fc kesmemeye gayret eder. \u0130syan, Kitapdar Ailesi’ne mensup oldu\u011fu i\u00e7in ayn\u0131 zamanda bu ad ile tan\u0131nmaktad\u0131r. O, Paris’te ge\u00e7en \u00f6\u011frencilik g\u00fcnlerinden de s\u00f6z etmektedir. Ne kadar ba\u015far\u0131l\u0131 bir \u00f6\u011frenci oldu\u011funu vurgulamaktan da geri kalm\u0131yor. Ayr\u0131ca, burada i\u00e7 d\u00fcnyas\u0131n\u0131 da g\u00f6zler \u00f6n\u00fcne sermektedir.<\/p>\n

Kitapdar, Paris’te Direni\u015f \u00d6rg\u00fct\u00fc’ne girer ve birka\u00e7 ay sonra “\u00d6zg\u00fcrl\u00fck” adl\u0131 gazeteyi arkada\u015flar\u0131yla beraber \u00e7\u0131kar\u0131r. Son derece m\u00fclayim ve kimsenin etlisine, s\u00fctl\u00fcs\u00fcne kar\u0131\u015fmayan bir insan\u0131n nas\u0131l de\u011fi\u015fti\u011fini \u00e7ok g\u00fczel bir \u015fekilde g\u00f6zler \u00f6n\u00fcne sermektedir. Kitapdar, bu b\u00f6l\u00fcmde \u00fcyesi oldu\u011fu \u00f6rg\u00fct i\u00e7in nas\u0131l \u00e7al\u0131\u015ft\u0131\u011f\u0131n\u0131 anlatmaktad\u0131r. 1914-1918’li y\u0131llarda yap\u0131lan sava\u015flardan da hat\u0131rlatmalarda bulunur. Bilin\u00e7siz bir \u015fekilde \u00fcyesi oldu\u011fu \u00f6rg\u00fctten kendisini kurtarmay\u0131 tasavvur eder. Kendi mahallesine d\u00f6nd\u00fc\u011f\u00fcnde ne kadar \u00fcnl\u00fc biri oldu\u011funu kom\u015fusundan \u00f6\u011frenir. Nam\u0131 \u00fcniversiteye de yay\u0131lm\u0131\u015ft\u0131r. Yani o, tam anlam\u0131yla bir kahraman olmu\u015ftur.<\/p>\n

Yazar \u00fc\u00e7\u00fcnc\u00fc b\u00f6l\u00fcmde, \u0130syan’\u0131n hayat\u0131 hakk\u0131nda baz\u0131 incelemelerde bulunur. Fakat incelemeden \u00f6te onun anlatt\u0131klar\u0131yla yetinerek bunlar\u0131 okuyucusunun, bizlerin, \u00f6n\u00fcne sunar. \u0130syan’\u0131n \u00f6rg\u00fctteki l\u00e2kab\u0131 Bak\u00fc (gelecek, ati)’d\u00fcr. O, gemiyle ya\u015fad\u0131\u011f\u0131 yer olan Beyrut’a d\u00f6ner. Limanda, aralar\u0131nda babas\u0131n\u0131n da bulundu\u011fu b\u00fcy\u00fck bir kitle taraf\u0131ndan co\u015fkuyla kar\u015f\u0131lan\u0131r. Herkes onu \u00f6vmektedir. Babas\u0131 d\u00f6rt y\u0131l zarf\u0131nda olan biteni kendisine anlat\u0131r. Ailesi da\u011f\u0131lm\u0131\u015f; annesi, day\u0131s\u0131yla birlikte Avrupa’ya ka\u00e7m\u0131\u015f, k\u0131z karde\u015fi de yabanc\u0131 biriyle evlenmi\u015ftir. \u0130syan, babas\u0131na \u00f6rg\u00fctte tan\u0131\u015ft\u0131\u011f\u0131 k\u0131z arkada\u015f\u0131 Clara’dan s\u00f6z eder.<\/p>\n

Yazar, otel odas\u0131nda Kitapdar ile ba\u015f ba\u015fad\u0131r. Onun s\u00f6ylediklerini kaydetmeye devam eder. Bu b\u00f6l\u00fcmde \u0130syan, Clara ile olan evlili\u011finden bahsetmektedir. 1947 y\u0131l\u0131nda Filistin’in, Araplar ile Yahudiler aras\u0131nda payla\u015f\u0131lmas\u0131 h\u00e2disesinin g\u00fcndemde oldu\u011funu; Clara ile olan evliliklerinin de Yahudiler ile Araplar\u0131n kayna\u015fmalar\u0131n\u0131 sa\u011flad\u0131\u011f\u0131n\u0131 belirtir. \u0130syan, gen\u00e7lik d\u00f6nemindeki gen\u00e7lere nasihatler vermektedir. \u0130nsan\u0131n gen\u00e7 iken hi\u00e7bir \u015feyi dert etmedi\u011fini belirtir. Yaln\u0131z, y\u0131llar ge\u00e7ince gen\u00e7lik d\u00f6nemindeki ate\u015fleri, heyecanlar\u0131 da beraberinde g\u00f6t\u00fcrd\u00fc\u011f\u00fcn\u00fc dile getirir. Gen\u00e7lerin gelecekleri hakk\u0131nda iyi pl\u00e2nlar yapmalar\u0131n\u0131 tavsiye eder. Ayr\u0131ca aile i\u00e7indeki uyu\u015fmazl\u0131klardan da yer yer bahsetmektedir.<\/p>\n

O, be\u015finci b\u00f6l\u00fcmde babas\u0131n\u0131n hastal\u0131\u011f\u0131 dolay\u0131s\u0131yla Beyrut’a d\u00f6n\u00fc\u015f\u00fcn\u00fc ve babas\u0131n\u0131n \u00f6l\u00fcm\u00fcnden s\u00f6z etmektedir. Babas\u0131n\u0131n \u00f6l\u00fcm\u00fc ve e\u015finden ayr\u0131l\u0131\u015f\u0131 \u0130syan’da ruh\u00ee bunal\u0131mlara sebep olur. Herkesin deli diye niteledi\u011fi \u0130syan’\u0131, karde\u015fi Salem t\u0131marhaneye atar. B\u00f6ylece ailedeki tek v\u00e2ris Salem olur.<\/p>\n

\u0130syan, otel odas\u0131nda bekleyen yazara son ak\u015fam\u0131n\u0131n oldu\u011funu s\u00f6yler. Anlatacaklar\u0131n\u0131n son olabilece\u011fini de ona hat\u0131rlat\u0131r. Karde\u015fi Salem, d\u00f6rt y\u0131l sonra kendisini ziyarete gelir ve onu eve g\u00f6t\u00fcr\u00fcr. \u00dclkenin zenginlerinden biri olan karde\u015fi, bir zamanlar kendisini hapse atmaya \u00e7al\u0131\u015fanlarla yat\u0131p kalkmaktad\u0131r. Hayattan b\u0131kan, e\u015fine ve k\u0131z\u0131na kavu\u015famayan ve deli diye nitelendirilen \u0130syan, intihar etmek ister fakat arkada\u015f\u0131 Labo buna engel olur. Labo, \u015fu s\u00f6zleriyle \u0130syan’\u0131 hayata ba\u011flar:<\/p>\n

“\u00d6l\u00fcme son \u00e7are olarak bakmal\u0131s\u0131n. Hi\u00e7 kimsenin seni al\u0131koyamayaca\u011f\u0131n\u0131 bil. Ama \u00f6l\u00fcme gidebilece\u011fin i\u00e7in onu yedekte tut; sonuna kadar.<\/p>\n

Diyelim ki gece bir k\u00e2bus g\u00f6rd\u00fcn. Bunun bir k\u00e2bus oldu\u011funu bilirsin ve kurtulmak i\u00e7in ba\u015f\u0131n\u0131 biraz oynatman yeter. Her \u015fey daha basit, daha dayan\u0131l\u0131r h\u00e2le gelir ve bir bakars\u0131n en korktu\u011fun \u015feyden zevk al\u0131r olmu\u015fsun. Hayat seni korkutuyorsa, i\u00e7ini yak\u0131yorsa, en yak\u0131nlar\u0131n \u00e7irkin maskeler takm\u0131\u015fsa…<\/p>\n

Hayat budur de, ikinci kez \u00e7a\u011fr\u0131laca\u011f\u0131n bir oyun oldu\u011funu s\u00f6yle. Zevk verici ve ac\u0131 \u00e7ektirici bir oyun, inan\u00e7 ve aldatmaca oyunu, maskeler oyunu. Onu sonuna kadar oyna, ister oyuncu olarak, ister izleyici olarak. \u0130zleyici olman daha iyi, i\u00e7inden kolay \u00e7\u0131kars\u0131n. “Son Kurtulu\u015f \u00c7aresi” ya\u015famama hep yard\u0131mc\u0131 olmu\u015ftur. Elimin alt\u0131nda oldu\u011fu i\u00e7in, bu \u00e7areye hi\u00e7 ba\u015fvurmad\u0131m.<\/p>\n

Ama ahretin direksiyonu elimin alt\u0131nda olmasayd\u0131, kendimi tuza\u011fa d\u00fc\u015fm\u00fc\u015f hisseder ve bir an \u00f6nce ka\u00e7maya bakard\u0131m.”<\/p>\n

\u0130syan’\u0131n yirmi y\u0131ll\u0131k t\u0131marhane hayat\u0131 vard\u0131r. Karde\u015fi son se\u00e7imlerde ba\u015fkan olmu\u015ftur. K\u0131z\u0131 Nadya, babas\u0131n\u0131 kurtarmak i\u00e7in giri\u015fimlerde bulunur. Nadya, babas\u0131n\u0131 t\u0131marhanede ziyaret eder ve ona kitap i\u00e7inde bir mektup verir. Bu mektup \u0130syan’\u0131 ikinci kez hayata ba\u011flar. O, buradan kurtulma hayallerini kurar. Nadya ise \u00e7al\u0131\u015fmalar\u0131na aral\u0131ks\u0131z devam eder. Direni\u015f\u00e7ilerin eylemlerinden sonra \u0130syan, t\u0131marhaneden ka\u00e7ar, eski arkada\u015f\u0131 Bertrand’\u0131 g\u00f6r\u00fcr ve ondan Clara’n\u0131n adresini al\u0131r.<\/p>\n

Bu son g\u00fcnde yazar ile \u0130syan vedala\u015f\u0131rlar. \u0130syan, Clara ile Horloge R\u0131ht\u0131m\u0131’nda bulu\u015faca\u011f\u0131n\u0131 ona s\u00f6yler. Yazar ise r\u0131ht\u0131m\u0131n tam kar\u015f\u0131s\u0131nda bulunan bir kafenin birinci kat\u0131nda oturup onlar\u0131n bulu\u015facaklar\u0131 an\u0131 beklemeye ba\u015flar. Yazar elindeki d\u00fcrb\u00fcn ile \u0130syan’\u0131 g\u00f6zetler. Sonunda beklenen an gelir. Sevdi\u011finin yani Clara’n\u0131n kar\u015f\u0131dan geldi\u011fini g\u00f6ren \u0130syan’da titremeler ba\u015flar. Yazar, Clara ile \u0130syan’\u0131n bulu\u015fmalar\u0131na \u015fahitlik eder. \u0130syan ile Clara uzun bir m\u00fcddet birbirlerine sar\u0131l\u0131 kal\u0131rlar. Bu durum kar\u015f\u0131s\u0131nda \u00e7ok etkilenen yazar, g\u00f6z ya\u015flar\u0131n\u0131 tutamad\u0131\u011f\u0131n\u0131 ve h\u00fcng\u00fcr h\u00fcng\u00fcr a\u011flad\u0131\u011f\u0131n\u0131 da itiraf eder.<\/p>\n

\u00a0<\/p>\n

\u00a0<\/p>\n

Amin Maalouf Kimdir ?<\/strong><\/p>\n

1949’da Beyrut, L\u00fcbnan’da do\u011fdu. Ekonomi ve toplumbilim okuduktan sonra gazetecili\u011fe\u00a0 ba\u015flad\u0131. L\u00fcbnan’da i\u00e7 sava\u015f\u0131n \u00e7\u0131kt\u0131\u011f\u0131 1975’e kadar L\u00fcbnan’da gazetecilik yapt\u0131. Bu tarihte Paris’e g\u00f6\u00e7 etti. Yazar halen Paris’te ya\u015famaktad\u0131r. \u00c7e\u015fitli yay\u0131n organlar\u0131nda y\u00f6neticilik ve k\u00f6\u015fe yazarl\u0131\u011f\u0131 yapm\u0131\u015f olan Maalouf, bug\u00fcn vaktinin \u00e7o\u011funu kitaplar\u0131n\u0131 yazmaya ay\u0131rmaktad\u0131r.<\/p>\n

Yap\u0131tlar\u0131nda \u00e7ok iyi bildi\u011fi Asya ve Akdeniz \u00e7evresi k\u00fclt\u00fcrlerinin s\u00f6ylencelerini ba\u015far\u0131yla i\u015fleyen Maalouf, 1983 y\u0131l\u0131nda yay\u0131mlanan ilk kitab\u0131 Araplar\u0131n G\u00f6z\u00fcyle Ha\u00e7l\u0131lar (Les Croisades vues par les Arabes) ile tan\u0131nd\u0131. Bu kitap, \u00e7evrildi\u011fi dillerde de b\u00fcy\u00fck bir ba\u015far\u0131 kazand\u0131. 1986’da yay\u0131mlanan ve ayn\u0131 y\u0131l Frans\u0131z – Arap Dostluk \u00d6d\u00fcl\u00fc’n\u00fc kazanan ikinci kitab\u0131 ve ilk roman\u0131 Afrikal\u0131 Leo (L\u00e9on l’Africain) bug\u00fcn bir “klasik” olarak kabul edilmektedir.<\/p>\n

Maalouf’un 1988’de yay\u0131mlanan ikinci roman\u0131 Semerkant (Samarcande) da co\u015fkuyla kar\u015f\u0131land\u0131 ve pek \u00e7ok dile \u00e7evrildi. Maalouf’un sonraki kitaplar\u0131 da yine roman tarz\u0131ndayd\u0131: 1991’de yay\u0131mlanan I\u015f\u0131k Bah\u00e7eleri (Les Jardins de Lumi\u00e9re) ve 1992’de yay\u0131mlanan Beatrice’den Sonra Birinci Y\u00fczy\u0131l (Le premier si\u00e8cle apr\u00e8s B\u00e9atrice).<\/p>\n

Amin Maalouf, 1993’te yay\u0131mlanan roman\u0131 Tanios Kayas\u0131 (Le Rocher de Tanios) ile Goncourt Akademisi Edebiyat \u00d6d\u00fcl\u00fc’n\u00fc kazand\u0131. 1996’da Do\u011funun Limanlar\u0131 (Les Echelles du Levant) adl\u0131 roman\u0131 ve 1998’de ise \u00d6l\u00fcmc\u00fcl Kimlikler (Les Identit\u00e9s Meurtri\u00e8res) adl\u0131 deneme kitab\u0131 piyasaya \u00e7\u0131kt\u0131. Maalouf 2000’de Y\u00fcz\u00fcnc\u00fc Ad – “Baldassare’nin Yolculu\u011fu” (Le P\u00e9riple de Baldassare) adl\u0131 roman\u0131n\u0131 yay\u0131mlad\u0131.<\/p>\n

Ayr\u0131ca 2002’de opera i\u00e7in yazd\u0131\u011f\u0131 ve Finlandiyal\u0131 m\u00fczisyen Kaija Saariaho’nun besteledi\u011fi Uzaktan A\u015fk (L’Amour de loin) Maalouf’un ilk librettosudur. 2004’de yay\u0131mlanan Yollar\u0131n Ba\u015flang\u0131c\u0131 (Origines) adl\u0131 roman\u0131ndan sonra, 2006 y\u0131l\u0131nda Adriana Mater adl\u0131 ikinci librettosunu yay\u0131nlad\u0131.<\/p>\n

Kitaplar\u0131nda genellikle do\u011fuya ait \u00f6\u011feleri \u00e7ok iyi i\u015flemektedir. Do\u011fuya ait gelenek ve g\u00f6renekleri kitaplar\u0131nda mutlaka tan\u0131t\u0131r. Bir \u00e7ok kitab\u0131nda Osmanl\u0131-T\u00fcrkiye \u00fczerine yorumlara da rastlanmaktad\u0131r. Kitaplar\u0131nda do\u011fu halklar\u0131n\u0131n neden geri kalm\u0131\u015f oldu\u011fu konusunda s\u00fcrekli analizler ve tespitler yapmaktad\u0131r. Do\u011fu halklar\u0131 ile ilgilenen ki\u015filerin mutlaka okumas\u0131 gereken kitaplard\u0131r bunlar. Kitaplar\u0131 roman tarz\u0131nda yaz\u0131lm\u0131\u015f da olsa sosyolojik temalar kitaplar\u0131nda s\u00fcrekli olarak i\u015flenir.<\/p>\n

Kitaplar\u0131 T\u00fcrkiye’de YKY taraf\u0131ndan yay\u0131mlanmaktad\u0131r.<\/p>\n

Kurgusal eserleri\u00a0 <\/p>\n

* Semerkant (1988)
* Afrikal\u0131 Leo (1986)
* I\u015f\u0131k Bah\u00e7eleri (1991)
* Beatrice’den Sonra Birinci Y\u00fczy\u0131l (1992)
* Tanios Kayas\u0131 (1993)
* Do\u011funun Limanlar\u0131 (1996)
* \u00d6l\u00fcmc\u00fcl Kimlikler (1998)
* Y\u00fcz\u00fcnc\u00fc Ad – “Baldassare’nin Yolculu\u011fu” (2000)
* Yollar\u0131n Ba\u015flang\u0131c\u0131 (2004)
* \u00c7ivisi \u00c7\u0131km\u0131\u015f D\u00fcnya(2009)<\/p>\n

Opera librettolar\u0131 <\/p>\n

* Uzaktan A\u015fk (2002)
* Adriana Mater (2006)<\/p>\n

Kurgusal olmayan eserleri<\/p>\n

* Araplar\u0131n G\u00f6z\u00fcyle Ha\u00e7l\u0131 Seferleri (1983)<\/p>\n","protected":false},"excerpt":{"rendered":"

“Do\u011funun Limanlar\u0131” bir vakitler Avrupal\u0131lar\u0131n do\u011fuya giri\u015f yapt\u0131klar\u0131, tespih taneleri gibi s\u0131ralanan ticaret kentlerine verilen add\u0131r. “Do\u011funun Limanlar\u0131” kelime anlam\u0131 olarak “Do\u011funun Merdivenleri” olup, baz\u0131 Akdeniz limanlar\u0131na Frans\u0131zlar\u0131n takt\u0131\u011f\u0131 add\u0131r. Olay 1976 Haziran\u0131nda bir metroda ge\u00e7mektedir. Yazar, romana tablodaki bir resimden s\u00f6z ederek ba\u015flamaktad\u0131r. Tabloda, deniz ve o mavili\u011fin \u00fcst\u00fcndeki gemi bulunmaktad\u0131r. Yazar, bu tabloya […]<\/p>\n","protected":false},"author":1,"featured_media":0,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[138],"tags":[],"class_list":{"0":"post-4489","1":"post","2":"type-post","3":"status-publish","4":"format-standard","6":"category-edebiyat-dunya"},"yoast_head":"\n'Do\u011funun Limanlar\u0131 ' ve Amin Maalouf Biyografisi - narteks.net<\/title>\n<meta name=\"robots\" content=\"index, follow, max-snippet:-1, max-image-preview:large, max-video-preview:-1\" \/>\n<link rel=\"canonical\" href=\"https:\/\/narteks.net\/index.php\/2010\/04\/19\/dogunun-limanlari-ve-amin-maalouf-biyografisi\/\" \/>\n<meta property=\"og:locale\" content=\"tr_TR\" \/>\n<meta property=\"og:type\" content=\"article\" \/>\n<meta property=\"og:title\" content=\"'Do\u011funun Limanlar\u0131 ' ve Amin Maalouf Biyografisi\" \/>\n<meta property=\"og:description\" content=\"“Do\u011funun Limanlar\u0131” bir vakitler Avrupal\u0131lar\u0131n do\u011fuya giri\u015f yapt\u0131klar\u0131, tespih taneleri gibi s\u0131ralanan ticaret kentlerine verilen add\u0131r. “Do\u011funun Limanlar\u0131” kelime anlam\u0131 olarak “Do\u011funun Merdivenleri” olup, baz\u0131 Akdeniz limanlar\u0131na Frans\u0131zlar\u0131n takt\u0131\u011f\u0131 add\u0131r. Olay 1976 Haziran\u0131nda bir metroda ge\u00e7mektedir. Yazar, romana tablodaki bir resimden s\u00f6z ederek ba\u015flamaktad\u0131r. Tabloda, deniz ve o mavili\u011fin \u00fcst\u00fcndeki gemi bulunmaktad\u0131r. 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