***
<\/strong><\/p>\nMektubun g\u00f6nl\u00fcme nas\u0131l ho\u015f g\u00f6r\u00fcnd\u00fc, Mey, bilsen nas\u0131l ho\u015f g\u00f6r\u00fcnd\u00fc. Be\u015f g\u00fcn \u00f6nce kent d\u0131\u015f\u0131na \u00e7\u0131kt\u0131m ve bu be\u015f g\u00fcn\u00fc sevdi\u011fim sonbahara veda etmekle ge\u00e7irdim, bu “vadiye” d\u00f6neli hen\u00fcz iki saat oldu. Nas\u0131ra’yla Be\u015fari aras\u0131ndaki yoldan daha fazlas\u0131n\u0131 \u00fcst\u00fc a\u00e7\u0131k bir arabada ald\u0131\u011f\u0131mdan buraya donmu\u015f ve t\u00fckenmi\u015f bir halde d\u00f6nd\u00fcm…Ama… D\u00f6nd\u00fc\u011f\u00fcmde bir mektup y\u0131\u011f\u0131n\u0131n\u0131n \u00fcst\u00fcnde senin mektubunu buldum ve tabi biliyorsun ki k\u00fc\u00e7\u00fck sevdi\u011fimin mektubunu g\u00f6r\u00fcnce di\u011fer b\u00fct\u00fcn mektuplar g\u00f6z\u00fcm\u00fcn \u00f6n\u00fcnden siliniverdi. Oturup mektubunu okudum, i\u00e7im \u0131s\u0131nd\u0131. Sonra \u00fcst\u00fcm\u00fc de\u011fi\u015ftirip ikinci bir kez okudum ve sonra \u00fc\u00e7\u00fcnc\u00fc bir kez daha ve ba\u015fka her \u015feyi unutana kadar durmadan okudum. Kutsal \u015farab\u0131 ba\u015fka hi\u00e7bir i\u00e7kiyle kar\u0131\u015ft\u0131rmam, Mary. <\/p>\n
\u015eu an benimlesin; benimlesin, Mey Buradas\u0131n, buradas\u0131n ve seninle konu\u015fuyorum, ama bu s\u00f6zc\u00fcklerden \u00e7ok daha iyisiyle. Bu lisandan daha b\u00fcy\u00fck bir lisanla y\u00fcce y\u00fcre\u011finle konu\u015fuyorum, beni duydu\u011funu biliyorum, birbirimizi a\u00e7\u0131k\u00e7a anlad\u0131\u011f\u0131m\u0131z\u0131 biliyorum, bu gece Tanr\u0131’n\u0131n taht\u0131na ge\u00e7mi\u015fte oldu\u011fumuzdan \u00e7ok daha yak\u0131n oldu\u011fumuzu biliyorum. Tanr\u0131’ya \u015f\u00fckrediyorum, Tanr\u0131’ya \u015f\u00fckrediyorum; \u00e7\u00fcnk\u00fc bu garip ki\u015fi s\u0131las\u0131na, bu gezgin, anababas\u0131n\u0131n evine d\u00f6nd\u00fc. Tam \u015fu anda, harika, \u00e7ok harika bir \u015fey geldi akl\u0131ma. <\/p>\n
Dinle, tatl\u0131 k\u00fc\u00e7\u00fc\u011f\u00fcm: bundan sonraki her kavgam\u0131zda (kavga ka\u00e7\u0131n\u0131lmazsa, tabi) \u00f6nceki “\u00e7at\u0131\u015fmalar\u0131m\u0131zdan” sonra yapt\u0131\u011f\u0131m\u0131z gibi her birimiz kendi yoluna gitmemeli. Kavga etmekten s\u0131k\u0131l\u0131p g\u00fclmeye ba\u015flayana kadar, farkl\u0131l\u0131klar\u0131m\u0131za ra\u011fmen, ayn\u0131 \u00e7at\u0131 alt\u0131nda kalmal\u0131y\u0131z; ya da kavga bizden s\u0131k\u0131l\u0131p ba\u015f\u0131n\u0131 sallayarak bizi b\u0131rak\u0131r gider belki. Bu fikrime ne diyorsun? Can\u0131m\u0131z\u0131n \u00e7ekti\u011fi ya da kavga bize izin verdi\u011fi s\u00fcrece kavga edelim, sen \u0130hdin’li, ben Biserri’liyim \u00e7\u00fcnk\u00fc, aram\u0131zda kavga olmas\u0131 adettendir. Ama ne olursa olsun, bulutlar da\u011f\u0131l\u0131nca birbirimizin y\u00fcz\u00fcne bakabilmeliyiz. Ve e\u011fer senin ya da benim sekreterim i\u00e7eri girerse kavgalar\u0131m\u0131z\u0131n nedeni onlar \u00e7\u00fcnk\u00fc , onlar\u0131 kibarca, ama hemen d\u0131\u015far\u0131 \u00e7\u0131karal\u0131m. <\/p>\n
T\u00fcm insanlar i\u00e7inde ruhuma en yak\u0131n olan\u0131, y\u00fcre\u011fime en yak\u0131n olan\u0131 sensin, ruhlar\u0131m\u0131z ve y\u00fcreklerimiz asla kavga etmez. Sadece d\u00fc\u015f\u00fcncelerimiz kavga eder ve d\u00fc\u015f\u00fcnceler sonradan edinilir, \u00e7evreden, \u00e7evremizde g\u00f6rd\u00fcklerimizden, g\u00fcnlerin bize getirdiklerinden kazan\u0131l\u0131r; oysa ruh ve y\u00fcrek d\u00fc\u015f\u00fcncelerimizden \u00e7ok \u00f6nce i\u00e7imizde y\u00fcce bir \u00f6z olu\u015fturdu. D\u00fc\u015f\u00fcncenin i\u015flevi d\u00fczenlemedir, bu i\u015flev iyidir ve sosyal ya\u015fant\u0131m\u0131z i\u00e7in gereklidir, ama y\u00fcre\u011fin ve ruhun ya\u015fam\u0131nda yeri yoktur. “Bundan sonra kavga edersek ayr\u0131 yollara gitmemeliyiz.” B\u00fct\u00fcn kavgalar\u0131n nedeni olsa da d\u00fc\u015f\u00fcnce bunu s\u00f6yl\u00fcyor, ama ne sevgi ad\u0131na bir s\u00f6z edebilir, ne s\u00f6zc\u00fcklerle ruhu \u00f6l\u00e7ebilir, ne de mant\u0131k terazisinde y\u00fcre\u011fi tartabilir. K\u00fc\u00e7\u00fc\u011f\u00fcm\u00fc seviyorum, ama akl\u0131mda onu neden sevdi\u011fimi bilmiyorum. Akl\u0131mda bilmek de istemiyorum, \u00e7\u00fcnk\u00fc onu sevmem yeterli. \u00dczg\u00fcn, yaln\u0131z ve tek ba\u015f\u0131ma oldu\u011fumda, ya da mutlu, co\u015fkulu olup kendimi harika hissetti\u011fimde ba\u015f\u0131m\u0131 omzunda dinlendirmem bana yeter. <\/p>\n
Da\u011f\u0131n doru\u011funda yan\u0131nda y\u00fcr\u00fcy\u00fcp ona \u015fimdi ve sonra, “Sen benim yolda\u015f\u0131ms\u0131n, yolda\u015f\u0131ms\u0131n,” demek bana yeter. Mey, bana insanlar\u0131 \u00e7ok sevdi\u011fimi s\u00f6yl\u00fcyorlar, hatta baz\u0131lar\u0131 herkesi sevdi\u011fim i\u00e7in sitem ediyor. Evet, b\u00fct\u00fcn insanlar\u0131 seviyorum, hi\u00e7bir ayr\u0131m ya da tercih yapmadan hepsini seviyorum, onlar\u0131 bir b\u00fct\u00fcnm\u00fc\u015fler gibi seviyorum, onlar\u0131 seviyorum, \u00e7\u00fcnk\u00fc onlar Tanr\u0131’n\u0131n ruhu; ama her y\u00fcre\u011fin \u00f6zel bir k\u0131blesi vard\u0131r, b\u00fct\u00fcn y\u00fcrekler tamamen yaln\u0131z olduklar\u0131nda belli bir y\u00f6ne d\u00f6ner. Her y\u00fcre\u011fin rahatlamak, huzur bulmak i\u00e7in \u00e7ekildi\u011fi bir k\u00f6\u015fesi vard\u0131r. Her y\u00fcrek ya\u015fam\u0131n nimetleriyle keyiflenmek ve huzura ermek ya da ya\u015fam\u0131n ac\u0131lar\u0131n\u0131 unutmak i\u00e7in ba\u015fka bir y\u00fcrekle birle\u015fmeye hasrettir. Y\u0131llard\u0131r y\u00fcre\u011fimin d\u00f6nmek istedi\u011fi y\u00f6n\u00fc buldu\u011fumu hissediyordum. Ve bu duygum ger\u00e7ek, yal\u0131n, berrak ve g\u00fczeldi BU y\u00fczden beni ku\u015fku ve sorularla ziyaret eden ku\u015fkucu Thomas’a isyan ettim. <\/p>\n
Bizi Tanr\u0131 vergisi\u00a0\u00a0 a sevinece\u011fimiz g\u00f6ksel iman\u0131m\u0131zla yapayaln\u0131z b\u0131rakabilecek olan Aziz Thomas’a ve ku\u015fkucu eline her zaman isyan edece\u011fim, aln\u0131n\u0131 yakla\u015ft\u0131r, i\u015fte b\u00f6yle Tanr\u0131 seni korusun ve sak\u0131ns\u0131n.<\/p>\n
New York, 13 Aral\u0131k 1923<\/p>\n
***<\/strong><\/p>\n“Ke\u015fke sesimi kanatland\u0131rmak ve m\u0131r\u0131lt\u0131lar\u0131m\u0131 \u015fark\u0131lara d\u00f6nd\u00fcrmek i\u00e7in burada olsayd\u0131n. Yine de “yabanc\u0131lar” aras\u0131ndayken g\u00f6r\u00fcnmez bir “dostum” beni dinleyip tatl\u0131l\u0131k ve duyarl\u0131l\u0131kla g\u00fcl\u00fcmsedi\u011fini bilerek konu\u015faca\u011f\u0131m.”<\/p>\n
“Sana kar\u015f\u0131 ta\u015fmalar\u0131m – ne demek bu? B\u00fct\u00fcn bunlarla ne demek istedi\u011fimi ger\u00e7ekten bilmiyorum. Ama senin sevdi\u011fim oldu\u011funu ve sevgiye sayg\u0131 duydu\u011fumu biliyorum. \u015eunu tamamen bilerek s\u00f6yl\u00fcyorum ki, a\u015fk en az\u0131ndan b\u00fcy\u00fckt\u00fcr. A\u015fk\u0131n e\u015flik etti\u011fi yoksulluk ve s\u0131k\u0131nt\u0131lar sevgisiz zengilikten \u00e7ok daha iyidir. Bu d\u00fc\u015f\u00fcnceleri sana itiraf etmeye nas\u0131l cesaret edebiliyorum? B\u00f6yle yaparak onlar\u0131 yitiriyorum… yine de bunu yapmaya cesaret ediyorum. Tanr\u0131’ya \u015f\u00fck\u00fcrler olsun ki bunlar\u0131 s\u00f6ylemeyip yaz\u0131yorum, \u00e7\u00fcnk\u00fc \u015fu anda burada olsan, hemen geri \u00e7ekilip uzunca bir s\u00fcre senden ka\u00e7ar\u0131m ve s\u00f6ylediklerimi unutuncaya kadar da beni g\u00f6rmene izin vermem. … G\u00fcne\u015f ufukta kayboldu, harika \u015fekilli g\u00fczel bulutlar\u0131n aras\u0131ndan parlak tek bir y\u0131ld\u0131z belirdi, Ven\u00fcs, A\u015fk Tanr\u0131\u00e7as\u0131. Bu y\u0131ld\u0131zda bizim gibi a\u015fk ve arzuyla dolu insanlar m\u0131 oturur acaba? Acaba Ven\u00fcs de benim gibimi ve kendi Cibran’\u0131 m\u0131 var -kendi uzakta ama asl\u0131nda \u00e7ok yak\u0131nda olan g\u00fczel varl\u0131k- ve acaba o da \u015fu anda, ufukta titreyen alacakaranl\u0131kta, alacakaranl\u0131\u011f\u0131 karanl\u0131\u011f\u0131n izleyece\u011fini ve karanl\u0131\u011f\u0131 \u0131\u015f\u0131\u011f\u0131n izleyece\u011fini ve g\u00fcn\u00fc gecenin izleyece\u011fini ve geceyi g\u00fcn\u00fcn izleyece\u011fini ve sevdi\u011fini g\u00f6rmeden \u00f6nce bunun defalarca tekrarlanaca\u011f\u0131n\u0131 bilerek ona mektup mu yaz\u0131yor? Ve b\u00f6ylece alacakaranl\u0131\u011f\u0131n ve gecenin b\u00fct\u00fcn yanl\u0131zl\u0131\u011f\u0131 hi\u00e7 sezdirmeden ona yana\u015f\u0131yor. O zaman o anda elindeki kalemi alacak ve karanl\u0131ktan, bir ad\u0131m kalkan\u0131na s\u0131\u011f\u0131nacak: Cibran<\/p>\n
Bazen uzakta olan bir dost, yak\u0131nda elinizin alt\u0131nda olan bir arkada\u015ftan daha iyidir.<\/p>\n
Her ruhun bir mevsimi vard\u0131r. Ruhun k\u0131\u015f\u0131 ne bahar\u0131 gibidir ne de yaz\u0131 sonbahar\u0131 gibi…<\/p>\n
Benli\u011fin t\u00fcm \u00f6zellikleri i\u00e7inde karamsarl\u0131ktan daha k\u00f6t\u00fcs\u00fc yok. Hayatta hi\u00e7bir \u015fey ki\u015finin kendisine “sen yenildin” demesinden daha zor bir \u015fey olamaz.
…karamsarl\u0131k sesi olmayan, sessiz bir histir.<\/p>\n
\u00a0<\/p>\n
***<\/p>\n
D\u00fc\u015f\u00fcncede, kalben ve ruhen yaln\u0131z olup olmad\u0131\u011f\u0131m\u0131 soruyorsunuz, han\u0131mefendi. Sana ne yan\u0131t verebilirim ki? Yaln\u0131zl\u0131\u011f\u0131m\u0131n ba\u015fkalar\u0131n\u0131n yaln\u0131zl\u0131\u011f\u0131ndan daha derin ya da daha belirgin oldu\u011funu sanm\u0131yorum. Herkes yaln\u0131z ve herkes kendi ba\u015f\u0131na. Her birimiz bir bilmeceyiz. Her birimiz binlerce \u00f6rt\u00fcyle \u00f6rt\u00fclm\u00fc\u015f\u00fcz ve yaln\u0131z bir insan\u0131n di\u011ferinden, birinin yaln\u0131zl\u0131\u011f\u0131n\u0131 anlatmas\u0131 ve di\u011ferinin kendine saklamas\u0131 d\u0131\u015f\u0131nda, ne fark\u0131 var? Konu\u015fmada biraz rahatl\u0131k, sessizlikte biraz erdem var.<\/p>\n
Yaln\u0131zl\u0131\u011f\u0131m\u0131n, b\u00fct\u00fcn h\u00fczn\u00fcyle birlikte, “ki\u015fili\u011fimin kaprisleri mi” yoksa “ben” dedi\u011fim \u015feyin ki\u015filiksiz oldu\u011funun g\u00f6stergesi mi oldu\u011funu bilmiyorum, han\u0131mefendi. Yo, bilmiyorum. Ancak, yaln\u0131zl\u0131k bir g\u00fc\u00e7s\u00fczl\u00fck belirtisiyse, o zaman ben kesinlikle insanlar\u0131n en g\u00fc\u00e7s\u00fcz\u00fcy\u00fcm.<\/p>\n
“Kendi Meyveleriyle Y\u00fckl\u00fc Benli\u011fim” adl\u0131 makaleme gelince, “bir \u015fairin kederli bir andaki i\u00e7 \u00e7eki\u015fi” de\u011fil o; “pek \u00e7oklar\u0131n\u0131n ya\u015fad\u0131\u011f\u0131 ve ya\u015famaya devam etti\u011fi s\u0131radan, eski, belirli bir duygunun yank\u0131s\u0131.” Ve siz, han\u0131mefendi, bunun bazen gurur ve kibirden kurtulamayan ama yine de do\u011fal bir \u00f6zellik oldu\u011funu bilirsiniz.<\/p>\n
\u0130yi vurgulam\u0131\u015fs\u0131n: “Kalabal\u0131\u011f\u0131n ortas\u0131nda yaln\u0131zl\u0131\u011f\u0131n ac\u0131s\u0131 s\u0131z\u0131s\u0131 hi\u00e7 anla\u015f\u0131lmaz.” Bu temel bir ger\u00e7eklik. \u00c7\u00fcnk\u00fc insan kendini s\u0131k s\u0131k dostlar\u0131n\u0131n ve onu d\u00fc\u015f\u00fcnenlerin aras\u0131nda bulur, onlarla konu\u015fur, d\u00fc\u015f\u00fcnd\u00fcklerini ve yapt\u0131klar\u0131n\u0131 payla\u015f\u0131r ve g\u00f6r\u00fcnt\u00fc d\u00fcnyas\u0131nda edinilmi\u015f benli\u011finin k\u0131s\u0131tlamalar\u0131n\u0131 a\u015famasa da b\u00fct\u00fcn bunlar\u0131 i\u00e7tenlikle ve t\u00fcm y\u00fcre\u011fiyle yapar; di\u011fer Benli\u011fe, gizli Ben’e gelince, kaynakland\u0131\u011f\u0131 kendi d\u00fcnyas\u0131nda yaln\u0131z ve sessiz kalmaya devam eder.<\/p>\n
\u0130nsanlar\u0131n \u00e7o\u011fu, onlara ben de dahilim, dumana ve k\u00fcle d\u00fc\u015fk\u00fcnd\u00fcr; ama ate\u015ften korkar, \u00e7\u00fcnk\u00fc ate\u015f g\u00f6zleri suland\u0131r\u0131r ve elleri yakar. \u0130nsanlar\u0131n \u00e7o\u011fu, ben yine dahilim, ba\u015fkalar\u0131yla sadece y\u00fczeysel ili\u015fki kurar, ger\u00e7e\u011fi g\u00f6z ard\u0131 eder, \u00e7\u00fcnk\u00fc alg\u0131lama yeteneklerinin d\u0131\u015f\u0131ndad\u0131r. Bir insan\u0131n i\u00e7inde gizli olanlar\u0131 ba\u015fkalar\u0131na g\u00f6stermek \u00fczere y\u00fcre\u011fini par\u00e7alamas\u0131 kolay de\u011fildir. Ve bu, han\u0131mefendi, yaln\u0131zl\u0131kt\u0131r, h\u00fcz\u00fcnd\u00fcr.<\/p>\n
Ge\u00e7en yaz sonunda, “Alt\u0131 haftad\u0131r sana yazmaya \u00e7al\u0131\u015f\u0131yorum,” derken, kendimi mahsustan yanl\u0131\u015f ifade ettim. \u015e\u00f6yle demeliydim: “Alt\u0131 haftad\u0131r mektuplar\u0131m\u0131 yazacak birilerini tutuyorum, \u00e7\u00fcnk\u00fc sa\u011f elimin sinirleri yazmama izin vermiyor.” Ama “\u00e7al\u0131\u015fmak” s\u00f6zc\u00fc\u011f\u00fcn\u00fcn dostumun ellerinde bir han\u00e7er haline gelece\u011fini akl\u0131ma getirmemi\u015ftim. Kanatl\u0131 ruhun s\u00f6zlerin kafesine sokulamayaca\u011f\u0131 ve sisin asla bir ta\u015fa d\u00f6n\u00fc\u015femeyece\u011fi gibi bir yan\u0131lg\u0131 i\u00e7indeydim. Durmadan d\u00fc\u015f kuruyordum, dal\u0131p gitmelerimde bir rahatl\u0131k buluyordum. Ama \u015fafak s\u00f6k\u00fcp de uyand\u0131\u011f\u0131mda hi\u00e7bir zaman kendimi bir k\u00fcl y\u0131\u011f\u0131n\u0131n\u0131n \u00fcst\u00fcnde elimde bir asa, ba\u015f\u0131mda dikenlerden bir ta\u00e7la oturur bulmam\u0131\u015ft\u0131m….Yine de, benim su\u00e7um. Ay\u0131planmas\u0131 gereken ki\u015fi benim, May.<\/p>\n
Umar\u0131m Avrupa gezisi hayalin tamam\u0131na erer. Sanat ve teknoloji memleketinde, \u00f6zellikle \u0130talya ve Fransa’da ho\u015funa gidecek, seni mutlu edecek \u00e7ok \u015fey bulacaks\u0131n. M\u00fczeler, akademiler var, eski gotik katedraller var, R\u00f6nesans’\u0131n iki asr\u0131n\u0131n, on d\u00f6rd\u00fcnc\u00fc ve on be\u015finci y\u00fczy\u0131llar\u0131n an\u0131lar\u0131 var ve d\u00fcnyan\u0131n o fethedilmi\u015f ve unutulmu\u015f uluslar\u0131ndan ard\u0131m\u0131zda b\u0131rakt\u0131klar\u0131m\u0131z var. Avrupa, han\u0131mefendi, bir h\u0131rs\u0131zlar-o de\u011ferli \u015feylerin de\u011ferinden ve onlar\u0131 pazarlama yollar\u0131ndan tamamen haberdar uzmanlar-ini.<\/p>\n
\u00d6n\u00fcm\u00fczdeki y\u0131l Do\u011fu’ya gitme niyetindeydim, ama biraz d\u00fc\u015f\u00fcn\u00fcnce yabanc\u0131lar aras\u0131nda bir yabanc\u0131 olman\u0131n, kendi akrabalar\u0131n aras\u0131nda bir yabanc\u0131 olmaktan daha kolay oldu\u011funu anlad\u0131m. Kolay yollara sapan bir insan de\u011filim, kederde ve delilikte bile izlenecek yollar olmal\u0131.<\/p>\n
L\u00fctfen en i\u00e7ten dileklerimle g\u00f6nderdi\u011fim selamlar\u0131m\u0131 kabul et, Tanr\u0131 seni korusun.<\/p>\n
\u0130\u00e7tenlikle<\/p>\n
***<\/p>\n
Kitaptan baz\u0131 al\u0131nt\u0131lar<\/strong><\/p>\n“Bizi anlayanlar, bizim i\u00e7imizdeki bir \u015feylere de h\u00fckmederler” Sayfa:30<\/p>\n
E\u011fer i\u00e7inde ho\u015funuza giden bir \u015feyler olursa, o zaman sizin be\u011feniniz zarif bir ger\u00e7ekli\u011fe d\u00f6n\u00fc\u015febilecek; ama yoksa tamam\u0131yla pus haline d\u00f6necek. Sayfa:31<\/p>\n
…sizden gelen ikinci mektupta okudu\u011fum baz\u0131 g\u00f6zlemlerinizi kabul edebilseydim, bu mutlu benli\u011fimi mutsuz bir hale getirmi\u015f olacakt\u0131m.Sayfa:32<\/p>\n
..kalbimin i\u00e7inde m\u00fcrekkebe d\u00f6kemedi\u011fim \u015feyler varken diyalo\u011fumuza nas\u0131l devam edebilirim? Sayfa:33<\/p>\n
Bazen uzakta olan bir dost, yak\u0131nda elinizin alt\u0131nda olan bir arkada\u015ftan daha iyidir. Sayfa:37<\/p>\n
Zirveye \u00e7\u0131kmam\u0131z\u0131 sa\u011flayan merdiven ancak ve ancak \u00e7abalar\u0131m\u0131zd\u0131r. Sayfa:44<\/p>\n
Her ruhun bir mevsimi vard\u0131r. Ruhun k\u0131\u015f\u0131 ne bahar\u0131 gibidir ne de yaz\u0131 sonbahar\u0131 gibi.Sayfa:51<\/p>\n
Yetenekli bir gen\u00e7 bayan her zaman bin tane erkekten daha iyi idi, iyidir ve iyi olacakt\u0131r. Sayfa:55<\/p>\n
Bir \u015feyden haz ald\u0131\u011f\u0131 zaman o hazz\u0131 uzatmaya \u00e7al\u0131\u015f\u0131r insan.<\/p>\n
Daha \u00f6nemli sorular\u0131 daha sonraki mektuplar\u0131ma -ba\u015fka bir geceye- saklayaca\u011f\u0131m, \u00e7\u00fcnk\u00fc ak\u015fam\u0131m ‘eskidi’ ve size ‘eskiyen’ bir gecenin g\u00f6lgelerinde yazmay\u0131 arzulam\u0131yorum. Sayfa:56<\/p>\n
…sizi sessizli\u011fimin ve incinmi\u015f hislerimin sebepleri ile tan\u0131\u015ft\u0131raca\u011f\u0131m. Sayfa:57<\/p>\n
Benli\u011fin t\u00fcm \u00f6zellikleri i\u00e7inde karamsarl\u0131ktan daha k\u00f6t\u00fcs\u00fc yok. Hayatta hi\u00e7bir \u015fey ki\u015finin kendisine “sen yenildin” demesinden daha zor bir \u015fey olamaz.<\/p>\n
…karamsarl\u0131k sesi olmayan, sessiz bir histir.Sayfa:58<\/p>\n
…bu d\u00fcnyada ruhunuzun dilinden anlayabilen \u00e7ok insan var m\u0131? Sayfa:59<\/p>\n
Bu mektubunuz, hayat\u0131m\u0131n ipindeki bin d\u00fc\u011f\u00fcm\u00fc daha \u00e7\u00f6zd\u00fc ve “beklemenin” \u00e7\u00f6l\u00fcn\u00fc bir orkideler bah\u00e7esine \u00e7evirdi. Sayfa:67<\/p>\n
…m\u00fckemmel bir kad\u0131n, erkek vurdumduymaz olsa bile, erke\u011fin ruhunda bir iyili\u011fin varolmas\u0131n\u0131 istemelidir. Sayfa:72<\/p>\n
“Kalabal\u0131\u011f\u0131n aras\u0131nda, yaln\u0131zl\u0131\u011f\u0131n ac\u0131s\u0131 ve zulm\u00fc hi\u00e7 g\u00f6z\u00fckmez.” Sayfa:76<\/p>\n
Her g\u00f6n\u00fcl, hayat\u0131n verdiklerini ve huzuru bulmak veya hayat\u0131n ac\u0131lar\u0131n\u0131 ve \u0131st\u0131raplar\u0131n\u0131 unutmak i\u00e7in di\u011fer bir g\u00f6n\u00fclle birle\u015fmek ister. Sayfa:88<\/p>\n","protected":false},"excerpt":{"rendered":"
L\u00fcbnan as\u0131ll\u0131 ABD\u2019li felsefe yazar\u0131, romanc\u0131, mistik \u015fair ve ressam olan Halil Cibran, (1883-1931) \u00e7a\u011fda\u015f Arap edebiyat\u0131n\u0131n en g\u00fc\u00e7l\u00fc kalemlerinden biridir. Bu eserde, Halil Cibran\u2019\u0131n 20. y\u00fczy\u0131l\u0131n ilk yar\u0131s\u0131nda Arap edebiyat d\u00fcnyas\u0131n\u0131n \u00f6nde gelen kad\u0131n yazarlar\u0131ndan L\u00fcbnan\u2019l\u0131 Mey Ziy\u00e2de\u2019ye olan mektuplar\u0131 derlenmi\u015ftir. Eserde ayr\u0131ca, Halil Cibran\u2019\u0131n Kendi Portresi ve Kronolojik Hayat Hik\u00e2yesi gibi b\u00f6l\u00fcmler de […]<\/p>\n","protected":false},"author":1,"featured_media":0,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[138],"tags":[],"class_list":{"0":"post-4577","1":"post","2":"type-post","3":"status-publish","4":"format-standard","6":"category-edebiyat-dunya"},"yoast_head":"\n
A\u015fk Mektuplar\u0131 | Halil Cibran - narteks.net<\/title>\n<meta name=\"robots\" content=\"index, follow, max-snippet:-1, max-image-preview:large, max-video-preview:-1\" \/>\n<link rel=\"canonical\" href=\"https:\/\/narteks.net\/index.php\/2010\/05\/02\/ask-mektuplari-halil-cibran\/\" \/>\n<meta property=\"og:locale\" content=\"tr_TR\" \/>\n<meta property=\"og:type\" content=\"article\" \/>\n<meta property=\"og:title\" content=\"A\u015fk Mektuplar\u0131 | Halil Cibran\" \/>\n<meta property=\"og:description\" content=\"L\u00fcbnan as\u0131ll\u0131 ABD\u2019li felsefe yazar\u0131, romanc\u0131, mistik \u015fair ve ressam olan Halil Cibran, (1883-1931) \u00e7a\u011fda\u015f Arap edebiyat\u0131n\u0131n en g\u00fc\u00e7l\u00fc kalemlerinden biridir. 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