{"id":4591,"date":"2010-05-12T14:09:52","date_gmt":"2010-05-12T11:09:52","guid":{"rendered":"http:\/\/localhost\/wordpress\/2010\/05\/12\/filistin-direnisinde-ve-edebiyatinda-onemli-bir-figur-ghassan-kanafani\/"},"modified":"2010-05-12T14:09:52","modified_gmt":"2010-05-12T11:09:52","slug":"filistin-direnisinde-ve-edebiyatinda-onemli-bir-figur-ghassan-kanafani","status":"publish","type":"post","link":"https:\/\/narteks.net\/index.php\/2010\/05\/12\/filistin-direnisinde-ve-edebiyatinda-onemli-bir-figur-ghassan-kanafani\/","title":{"rendered":"Filistin direni\u015finde ve edebiyat\u0131nda \u00f6nemli bir fig\u00fcr | Ghassan Kanafani"},"content":{"rendered":"![](\"http:\/\/www.kanafani.dk\/images\/ghassan_writing.jpg\")
Filistin\u2019in kuzeyinde bulunan tarihi \u015fehir Akka\u2019da 1936 y\u0131l\u0131nda do\u011fan Kanafani, 8 Temmuz 1972\u2019de 36 ya\u015f\u0131nda \u00f6ld\u00fcr\u00fcld\u00fc. Filistin\u00a0 devrimci m\u00fccadelesinin neden \u0130srail\u2019in ilk hedefleri aras\u0131nda yer ald\u0131\u011f\u0131 bu yaz\u0131n\u0131n sonunda daha iyi anla\u015f\u0131lacakt\u0131r. \u0130srail \u0130\u015f\u00e7i Partisi\u2019nin lideri ve uzun zaman ba\u015fbakanl\u0131k yapan Golda Mair\u2019in Gassan Kanafani\u2019yi anlatan s\u00f6zlerini okumam\u0131z yeterlidir: \u201cE\u011fer Filistin halk\u0131n\u0131n kamplarda ve sokaklarda, insanlar\u0131n\u0131n ruh halini ve ya\u015fad\u0131klar\u0131n\u0131 ve devrimin halini anlamak istersek, Gassan Kanafani\u2019nin yaz\u0131lar\u0131n\u0131 takip etmemiz yeterlidir\u2026\u201d<\/p>\n
Gazeteci olan ve 11 Aral\u0131k 1967\u2019de FHKC (Filistin Halk Kurtulu\u015f Cephesi) \u00f6rg\u00fct\u00fcn\u00fcn kurucular\u0131ndan ve ayn\u0131 zamanda Polit B\u00fcro \u00fcyesi olan Gassan Kanafani, Filistin\u2019in \u00f6zg\u00fcrl\u00fck m\u00fccadelesinde George Habba\u015f, Vadi Haddad, Abu Ali Mustafa ile birlikte, sa\u011f\u0131n (El Fetih) m\u00fccadele anlay\u0131\u015f\u0131n\u0131 reddederek feodal ve gerici Arap \u00fclkelerinin liderleriyle ittifak yap\u0131larak bir yere var\u0131lamayaca\u011f\u0131na inand\u0131. Kanafani, Filistin m\u00fccadelesi i\u00e7in ger\u00e7ek anlamda Marksist-Leninist devrimci yolu ve i\u015fgale kar\u015f\u0131 direni\u015f anlay\u0131\u015f\u0131n\u0131 benimseyen\u00a0 insanlardand\u0131. Filistin devrimci hareketinin ilk ve temel ta\u015flar\u0131n\u0131 olu\u015fturan FHKC\u2019nin i\u00e7inde, k\u00fclt\u00fcrel\/siyasi bilin\u00e7 devriminin silahla birlikte ayn\u0131 zamanda ve ayn\u0131 yo\u011funlukta y\u00fcr\u00fct\u00fclmesi gerekti\u011fini hem \u00f6rg\u00fct i\u00e7inde hem de kendisinin kurdu\u011fu El\u2019hadef dergisinde inan\u00e7la savundu. El\u2019hadef ilk sayfas\u0131nda -ayn\u0131 Lenin\u2019in Pravda\u2019s\u0131 gibi- \u201c\u00d6yle bir gazete d\u00fc\u015f\u00fcn\u00fcn bir k\u0131v\u0131lc\u0131ma benzesin, o k\u0131v\u0131lc\u0131m b\u00fcy\u00fck bir ate\u015fe d\u00f6necektir\u201d diyordu.<\/p>\n
Devrimin edebiyat\u0131 \u201cdireni\u015fin edebiyat\u0131\u201d temelini kuran\/ara\u015ft\u0131ran Kanafani, \u00f6rg\u00fct\u00fcn i\u00e7inde bir sa\u011flam b\u00f6lgesel\/enternasyonalist k\u00fclt\u00fcrel e\u011fitimin her devrimcinin ruh g\u0131das\u0131 olmas\u0131 gerekti\u011fini hep savundu. Devrimci silah ta\u015f\u0131yorsa, ayn\u0131 silah\u0131n\u0131n g\u00fcc\u00fc oldu\u011fu gibi k\u00fclt\u00fcr ve bilin\u00e7 g\u00fcc\u00fcyle ku\u015fat\u0131lmas\u0131 gerekti\u011fini hep dile getirdi. B\u00fcy\u00fck eser nitelindeki k\u0131sa hik\u00e2yeleri, romanlar\u0131 ve tiyatro eserleri, Filistin halk\u0131n\u0131n derin yaras\u0131n\u0131 anlat\u0131yordu. Yarat\u0131c\u0131l\u0131\u011f\u0131 ve aram\u0131zdan erken ayr\u0131l\u0131\u015f\u0131, onun hakk\u0131nda yap\u0131lan ara\u015ft\u0131rmalara da kaynak oldu. \u201cNeden \u0130srail\u2019in ilk hedefleri aras\u0131na girdi?\u201d sorusunun cevab\u0131 onun ya\u015fam\u0131nda gizliydi.<\/p>\n
Onun yarat\u0131c\u0131l\u0131\u011f\u0131n\u0131 g\u00f6steren en \u00f6nemli k\u0131sa romanlar\u0131ndan biri olan \u201cG\u00fcne\u015fin Alt\u0131ndaki Adamlar\u201d\u0131n hik\u00e2yesinde Kanafani; \u201cneden tank\u0131n duvar\u0131na vurmad\u0131lar?\u201dsorusuyla i\u015fgal edilen bir \u00fclkenin ya\u015fama hakk\u0131 elinden al\u0131nm\u0131\u015f halk\u0131n\u0131n psikolojisini t\u00fcm a\u00e7\u0131kl\u0131\u011f\u0131yla g\u00f6zler \u00f6n\u00fcne seriyordu. O hik\u00e2yede zengin Arap petrol \u00fclkesine giden \u00fc\u00e7 ayr\u0131 nesilden ka\u00e7ak Filistinlinin durumunu ve ya\u015fad\u0131klar\u0131n\u0131 anlat\u0131yordu. Filistinliler, vize alamad\u0131klar\u0131 i\u00e7in bir petrol tankerinin \u015fof\u00f6r\u00fcyle – o da Filistinli!!!- onlar i\u00e7in b\u00fcy\u00fck bir rakam say\u0131labilecek bir paraya anla\u015f\u0131yorlard\u0131. Ama\u00e7lar\u0131 petrol \u00fclkesine gizlice girebilmekti. Hayatlar\u0131 de\u011fi\u015fsin diye ka\u00e7\u0131yorlard\u0131, s\u0131n\u0131rda \u015fof\u00f6r\u00fcn fazla durmas\u0131 ve s\u0131n\u0131r bek\u00e7isinin sorgulamay\u0131 uzatmas\u0131 ve gevezeli\u011fi y\u00fcz\u00fcnden tankerin i\u00e7inde bo\u011fularak \u00f6lmeleri, \u015fof\u00f6r\u00fcn tankerin kap\u0131s\u0131n\u0131 a\u00e7t\u0131\u011f\u0131nda ve cesetlerle kar\u015f\u0131la\u015ft\u0131\u011f\u0131nda\u00a0 y\u00fcksek sesle tekrar tekrar kendine sormas\u0131: \u201cNeden tankerin duvar\u0131na vurmad\u0131lar nefessiz kald\u0131klar\u0131nda?\u201d Neden bo\u011fularak \u00f6lmeyi tercih ettiler? Korktular… Ya\u015fad\u0131klar\u0131 s\u0131k\u0131nt\u0131lar\u0131 giderebilmek i\u00e7in zengin bir d\u00fcnya hayal ederek mi? Ayn\u0131 s\u0131k\u0131nt\u0131ya tekrar d\u00f6nmemek i\u00e7in mi? Bo\u011fularak gelen bir \u00f6l\u00fcm\u00fcn, bo\u011fularak ya\u015famaktan daha kolay gelmesinden mi? Kendi ger\u00e7eklerinden ka\u00e7\u0131yor, umutlar\u0131n\u0131 kolayca hi\u00e7e sayabilecek bir adama teslim ediyorlard\u0131. Korku\u2026 \u0130\u015fte bu korkunun yaratt\u0131\u011f\u0131 derin endi\u015feler \u0130srail liderlerinin i\u00e7indeydi. Sadece silah\u0131n\u0131 de\u011fil, kalemini de ku\u015fanan bir insand\u0131 Gassan Kanafani…<\/p>\n
Hayatta k\u0131sa bir s\u00fcre kalan\/\u00f6yle g\u00f6z\u00fcken, 36 ya\u015f\u0131nda \u015fehit d\u00fc\u015fen bir devrimcinin uzun ya\u015fam\u0131na\/m\u00fccadelesine bir g\u00f6z atal\u0131m ve sizinle payla\u015fal\u0131m…<\/p>\n
DEVR\u0130MC\u0130 EDEB\u0130YAT\u00c7I OLARAK GASSAN KANAFANi…<\/p>\n
Yukar\u0131da bahsetti\u011fimiz gibi, direni\u015finin edebiyat\u0131n\u0131 ara\u015ft\u0131r\u0131rken, bilimsel bir ara\u015ft\u0131rma olarak yakla\u015fmak gerekti\u011finin bilincindeydi. Sadece edebiyat olarak ya da k\u00fclt\u00fcr olarak da yetinmemek gerekti\u011fini biliyordu. 1919\u2019da \u0130ngilizlerin i\u015fgali alt\u0131nda bulunan Filistin halk\u0131n\u0131n direni\u015fi ve \u00f6zellikle 1936\u2019da \u201c1936 devrimi sorunu\u201d alt\u0131nda yapt\u0131\u011f\u0131 uzun ara\u015ft\u0131rma\/okuma niteli\u011findeki kitaplar\u0131 devrimci insanlar\u0131n dikkate almalar\u0131 gerekti\u011fini ve FHKC\u2019nin i\u00e7inde okutulmas\u0131\/e\u011fitilmesi ve tart\u0131\u015f\u0131lmas\u0131 gerekti\u011fini bir ilke olarak koydu. FHKC\u2019nin ilk genel kurulunda ve program\u0131nda yer almas\u0131n\u0131 \u00fcst\u00fcne basa basa savundu. Filistin tarihini sorgularken do\u011fru ve bilimsel saptama yapmak gere\u011fini \u015fiddetle savundu, tarihi yaz\u0131lmam\u0131\u015f ya da sapt\u0131r\u0131lm\u0131\u015f olarak -ki, normal bir sonu\u00e7 bu, bir \u00fclke i\u015fgal alt\u0131nda uzun bir s\u00fcre i\u00e7inde ya\u015farsa 1919\u20131948-<\/p>\n
O d\u00f6nem i\u015fgalciler taraf\u0131ndan ya ge\u00e7i\u015ftirilir\u00a0 ya da sapt\u0131r\u0131l\u0131r. Neden 1936\u2019da \u0130ngilizlere kar\u015f\u0131 direni\u015fin doruk noktas\u0131na geldi\u011fi belirtilmez.\u00a0 \u0130ngilizlere kar\u015f\u0131 d\u00fcnyada ilk defa ve rekor d\u00fczeyde olarak tarihe ge\u00e7en 6 ayl\u0131k bir genel grev vard\u0131r bu tarihte Filistin\u2019de. Bu s\u00fcre i\u00e7inde grevi ba\u015flatan ve \u00f6nderlik yapan \u0130zzeddin El-Kassam (\u015fu anda HAMAS\u2019\u0131n askeri kanad\u0131n\u0131n ad\u0131 buradan ilham alm\u0131\u015ft\u0131r) bir cami imam\u0131yd\u0131 ve Filistin topra\u011f\u0131n\u0131n kutsal olmas\u0131ndan dolay\u0131, halk \u0130ngilizlere kar\u015f\u0131 bu imama sad\u0131k kal\u0131p\u00a0 takip etmi\u015ftir. Yine ayn\u0131 lider (El-Kassam) \u0130ngilizlerle oturup anla\u015farak grevi bitirmi\u015ftir. Sonras\u0131nda ise anla\u015fma yapt\u0131\u011f\u0131 i\u015fgalci \u0130ngilizler taraf\u0131ndan s\u0131n\u0131rd\u0131\u015f\u0131 edilmi\u015ftir. Filistin halk\u0131 1919-1948 tarihleri aras\u0131nda \u0130ngiliz i\u015fgali alt\u0131nda ya\u015fam\u0131\u015f ve bu uzun s\u00fcre boyunca direni\u015f g\u00f6stermi\u015ftir. Bu direni\u015fin neden ba\u015far\u0131l\u0131 bir sonu\u00e7 getirmedi\u011fini – bunca kitleyi arkas\u0131na alm\u0131\u015f olmas\u0131na ra\u011fmen (Filistin halk\u0131n\u0131n t\u00fcm\u00fc diyebiliriz!!) ve halk\u0131n tamam\u0131na yak\u0131n\u0131 genel grevin oldu\u011fu 6 ay boyunca hi\u00e7bir ticaret yerini a\u00e7mamas\u0131na ra\u011fmen- \u015fehirlerde, kasabalarda, k\u00f6ylerde, Filistinlilerin dillerinde, hikaye, \u015fiirler, halk m\u00fczi\u011finin zengin bir tablo olu\u015fturdu\u011fu halde ve neden bunca ac\u0131ya ra\u011fmen ba\u015far\u0131lmam\u0131\u015f olmas\u0131n\u0131, Gassan Kanafani basit ama ayn\u0131 zamanda derin bir saptamayla i\u015faret etti; din ve feodalizm, gerici Arap liderlerinin rol\u00fc de \u00e7ok etkiliydi bu direni\u015f s\u00fcresinde.<\/p>\n
Yazd\u0131\u011f\u0131 ara\u015ft\u0131rmalarda ve eserlerinde hem zengin direni\u015fin izlerini, hem de ba\u015far\u0131s\u0131zl\u0131\u011f\u0131 ve bunun bilimsel nedenlerini ele ald\u0131.<\/p>\n
\u201cK\u00f6r Adamla Sa\u011f\u0131r Adam\u201d hik\u00e2yesinde topluma zeki ve derin bir yakla\u015f\u0131mda bulunuyordu, halk\u0131n hurafelere inanc\u0131n\u0131 ve dini farkl\u0131 bir ele al\u0131\u015f\u0131 vard\u0131. O hik\u00e2yede iki adam\u0131n toplumun zorlamas\u0131yla \u201cermi\u015f\u201d san\u0131lan bir \u015feyhin t\u00fcrbesinde bulu\u015ftuklar\u0131 anlar\u0131 ve aralar\u0131nda ge\u00e7en konu\u015fmalar\u0131 anlat\u0131yordu: \u201cSa\u011f\u0131r olan, k\u00f6r adama neden oraya geldi\u011fini sorar ba\u011f\u0131rarak. K\u00f6r adam anlatmaya ba\u015flar ama sa\u011f\u0131r olan onu duyamayaca\u011f\u0131n\u0131 s\u00f6yler. \u00c7\u00fcnk\u00fc kendisi sa\u011f\u0131rd\u0131r. K\u00f6r adam i\u015faretle ailesini ve \u00e7al\u0131\u015ft\u0131\u011f\u0131 i\u015f yerini anlat\u0131r, -f\u0131r\u0131n i\u015f\u00e7isi olarak \u00e7al\u0131\u015fmaktad\u0131r- sonra k\u00f6r sorar i\u015faret diliyle sa\u011f\u0131r\u0131n neden geldi\u011fini, ba\u011f\u0131rarak da olsa anlat\u0131r; Birle\u015fmi\u015f Milletler\u2019in insani yard\u0131m kurulu\u015funda \u00e7al\u0131\u015ft\u0131\u011f\u0131n\u0131 ve sa\u011f\u0131rl\u0131\u011f\u0131n tek g\u00fczel taraf\u0131n\u0131n, o az\u0131c\u0131k yard\u0131m\u0131 alabilmek i\u00e7in insanlar\u0131n olu\u015fturdu\u011fu kalabal\u0131k selinin sesini duymamak oldu\u011funu s\u00f6yler. Zorla ve i\u015faret diliyle ona buraya gelmesinin, ailesinin tekrar i\u015fitme hissine kavu\u015faca\u011f\u0131n\u0131 \u0131srarla anlatmalar\u0131ndan kaynakland\u0131\u011f\u0131n\u0131 belirtir. Ermi\u015f ki\u015finin kendisinin mezar\u0131n\u0131n ba\u015f\u0131ndaki a\u011fa\u00e7ta y\u00fcz\u00fcn\u00fcn belirdi\u011fini ve herkesin bundan medet umdu\u011funu ve herkesin hastal\u0131\u011f\u0131n\u0131 iyile\u015ftirdi\u011fini – t\u0131pk\u0131 kendisininki gibi- gelme nedenini de anlat\u0131r k\u00f6r olana. K\u00f6r ona sorar: \u201cPeki ne g\u00f6r\u00fcyorsun orada?\u201d. Sa\u011f\u0131r olan\u0131 pek net g\u00f6remedi\u011fini s\u00f6yler. K\u00f6r adam; gel omzuma \u00e7\u0131k diye teklif eder, sa\u011f\u0131r kabul eder ve g\u00fclmeye ba\u015flar. K\u00f6r olan\u0131 ne g\u00f6rd\u00fc\u011f\u00fcn\u00fc sorar merakla, sa\u011f\u0131r dur bir dokunay\u0131m der ve alayc\u0131, g\u00fcr, keskin bir sesle mezarda hayk\u0131r\u0131r: \u201cSadece mantar… Sadece mantar…\u201d K\u00f6r adamla sa\u011f\u0131r olan\u0131, ikisinin birle\u015fiminin bir tam adam etti\u011fini topluma i\u015faret eder; \u00f6z\u00fcrl\u00fcl\u00fcklerini tamamlayarak, b\u00f6ylece uzun ve sa\u011flam bir dostluk kurarak, topluma kar\u015f\u0131 bat\u0131l inan\u0131\u015flara kar\u015f\u0131, i\u015fgale kar\u015f\u0131 direni\u015fin i\u00e7inde yer al\u0131r. Bu k\u0131sa hik\u00e2yeyle farkl\u0131 bir bak\u0131\u015f a\u00e7\u0131s\u0131 yakalar Gassan Kanafani.<\/p>\n
\u0130kinci b\u00fcy\u00fck damgay\u0131 ise Filistin Halk Edebiyat\u0131nda 1948\u2019de \u0130srail taraf\u0131ndan i\u015fgal edilen topraklarda yeti\u015fen Filistinli edebiyat\u00e7\u0131lar\u0131n eserlerine dikkat \u00e7eken devrimci\/edebiyat\u00e7\u0131 olarak Filistin tarihinde yer ald\u0131\u011f\u0131nda vurur. Ciddi ara\u015ft\u0131rmalar yapar, sadece bununla da yetinmez, orada halkevleri, k\u00fct\u00fcphaneler ve FHKC\u2019nin kollar\u0131na ba\u011fl\u0131 olan gazete, dergi ve k\u00fclt\u00fcrel yay\u0131nlara maddi manevi destek sa\u011flanmas\u0131n\u0131 kendine g\u00f6rev bilir. Bu \u015fekilde orada yeti\u015fen ve Filistin kimli\u011fiyle b\u00fct\u00fcnle\u015fen edebiyat\u00e7\u0131lar\u0131n ve Filistin halk\u0131n\u0131n\u00a0 d\u00fcnya taraf\u0131ndan tan\u0131nmas\u0131n\u0131 sa\u011flar. \u00c7\u00fcnk\u00fc Filistin\u2019in 1948 i\u015fgali alt\u0131nda, Filistin edebiyat\u0131nda \u00f6nemli rol oynayan ve tarih niteli\u011finde eserler yazan bir nesil vard\u0131 .<\/p>\n
Bunlardan birka\u00e7\u0131 d\u00fcnya ve Arap edebiyat\u0131nda \u00f6nemli rol oynad\u0131; Mahmud Dervi\u015f, Samih El Kassem, Leyla Tokan, Tevik Zeyad…<\/p>\n
Eserleri 20 dile \u00e7evirilen bu b\u00fcy\u00fck dava adam\u0131 ve edebiyat\u00e7\u0131n\u0131n ne yaz\u0131k ki T\u00fcrk\u00e7e’ye \u00e7evirilmi\u015f bir kitab\u0131 bulunmamakta.<\/p>\n
\u00a0<\/p>\n
Kaynak: Arap\u00e7adan \u00e7eviri – \u0130\u015f\u00e7i K\u00f6yl\u00fc gazetesi<\/p>\n
\u00a0<\/p>\n
Vikipedi ye yans\u0131yan hayat\u0131<\/strong><\/p>\n\u00a0<\/p>\n
Gen\u00e7li\u011fi<\/p>\n
Ghassan Fayiz Kanafani 1936 y\u0131l\u0131nda Akka\u2019da do\u011fdu. S\u00fcnni mezhebinden olmas\u0131na kar\u015f\u0131n avukat olan babas\u0131 onu misyoner okuluna g\u00f6nderir. 1948 Arap \u0130srail sava\u015f\u0131na kadar Yafa\u2019da ya\u015far sonra ailesi ile birlikte s\u00fcrg\u00fcne gitmek zorunda kal\u0131r. \u00d6nce L\u00fcbnan\u2019a giderler sonra ise m\u00fclteci olarak Suriye\u2019de ya\u015farlar. Kanafani liseyi 1952 y\u0131l\u0131nda tamamlar.<\/p>\n
Politika<\/p>\n
Ayn\u0131 y\u0131l \u015eam \u00dcniversitesi\u2019nin Arap Edebiyat\u0131 b\u00f6l\u00fcm\u00fcne kaydolur. Fakat, 1955 y\u0131l\u0131nda Arap Ulusal Hareketi i\u00e7erisindeki politik etkinli\u011fi nedeniyle s\u00fcr\u00fcl\u00fcr. Bu talihsizliklerden sonra, Kuveyt\u2019e yerle\u015fir. Kuveyt\u2019te profes\u00f6r olarak \u00e7al\u0131\u015fmaya ba\u015flar ve politik olarak daha fazla aktif olur. AUH\u2019ne ba\u011fl\u0131, George Haba\u015f taraf\u0131ndan kurulan Al-Ra\u2019i ( D\u00fc\u015f\u00fcnce) adl\u0131 gazeteyi \u00e7\u0131kar\u0131r. Bu gazetede, Marksizm ile ilgilenmeye ba\u015flar.<\/p>\n
1960 y\u0131l\u0131nda Beyrut\u2019a d\u00f6ner ve AUH\u2019ye ba\u011fl\u0131 Al-Hurriya gazetesini \u00e7\u0131kart\u0131r. 1961 y\u0131l\u0131nda \u00e7ocuk haklar\u0131 eylemcisi Danimarkal\u0131 Anni H\u00f8ver\u2019la tan\u0131\u015f\u0131r ve iki \u00e7ocuklar\u0131 olur. 1962 y\u0131l\u0131nda, Nas\u0131rc\u0131 gazete, Al-Muharrir (Kurtar\u0131c\u0131)\u2019de \u00e7al\u0131\u015f\u0131r. 1967 y\u0131l\u0131nda bir di\u011fer Nas\u0131rc\u0131 gazete, Al-Anwar (Ayd\u0131nlanma)\u2019da redakt\u00f6r olarak \u00e7al\u0131\u015f\u0131r.<\/p>\n
Filistin Halk Kurtulu\u015f Cephesi<\/p>\n
AUH\u2019nin Filistinli kanad\u0131 1967 y\u0131l\u0131nda Filistin Halk Kurtulu\u015f Cephesi olur. Kanafani \u00f6rg\u00fct\u00fcn s\u00f6zc\u00fcl\u00fc\u011f\u00fcn\u00fc yapar. 1969 y\u0131l\u0131nda FHKC\u2019nin parti program\u0131n\u0131 yazar. Bu programla FHKC kendisini resmi \u015fekilde, Marksist-Leninist olarak tan\u0131mlar. Ayn\u0131 d\u00f6nemde, i\u00e7lerinde Al-Hadaf (Hedef)\u2019in de bulundu\u011fu \u00e7e\u015fitli gazeteler \u00e7\u0131kar\u0131r. Bu s\u0131rada, politik, k\u00fclt\u00fcrel ve tarihsel bir \u00e7ok deneme ve makale yay\u0131nlar. Temmuz 1972\u2019de, ye\u011feniyle birlikte arac\u0131nda yerle\u015ftirilen bomban\u0131n patlamas\u0131 sonucu \u00f6l\u00fcr.Filistinliler, Kanafani\u2019nin \u00f6ld\u00fcr\u00fclmesinden \u0130srail gizli servislerini sorumlu tutarlar. Bu suikast M\u00fcnih\u2019in intikam\u0131 eylemlerini hat\u0131rlatsa da, M\u00fcnih Olimpiyatlar\u0131 Rehine Olay\u0131 Kaffani\u2019nin \u00f6ld\u00fcr\u00fclmesinden sonra ger\u00e7ekle\u015fmi\u015ftir.<\/p>\n
Edebi Eserleri<\/p>\n
Kanafani, 18 kitap yazm\u0131\u015ft\u0131r. Ayn\u0131 zamanda k\u00fclt\u00fcr, politika ve Filistin halk\u0131n\u0131n m\u00fccadelesi \u00fczerine y\u00fczlerce makalesi vard\u0131r. Kanafani\u2019nin Arap edebiyat\u0131n\u0131n modernle\u015fmesinde \u00f6nemli bir etkisi vard\u0131r ve Filistin edebiyat\u0131n\u0131n \u00f6nemli bir fig\u00fcr\u00fcd\u00fcr. Kitaplar\u0131 genellikle Filistin ve Filistin halk\u0131 \u00fczerinedir ve s\u0131k s\u0131k m\u00fclteci olarak \u00f6zg\u00fcn tecr\u00fcbelerinden bahsetmektedir.<\/p>\n
Eserleri<\/p>\n
* Ard al-burtuqal al-hazin, 1963
* rijal fi-sh-shams, 1963
* al-bab, 1964
* ‘aalam laysa lana, 1965
* ‘adab al-muqawamah fi filastin al-muhtalla 1948-1966, 1966
* ma tabaqqa lakum, 1966
* fi al-adab al-sahyuni, 1967
* al-adab al-filastini al-muqawim taht al-ihtilal: 1948-1968, 1968
* ‘an ar-rijal wa-l-banadiq, 1968
* umm sa’d, 1969
* a’id ila Hayfa, 1970
* al-a’ma wa-al-atrash, 1972
* Barquq Naysan, 1972
* al-qubba’ah wa-l-nabi, 1973
* thawra 1936-39 fi filastin, 1974
* jisr ila-al-abad, 1978
* al-qamis al-masruq wa-qisas ukhra, 1982
* ‘The Slave Fort’ in Arabic Short Stories, 1983<\/p>\n","protected":false},"excerpt":{"rendered":"
Filistin\u2019in kuzeyinde bulunan tarihi \u015fehir Akka\u2019da 1936 y\u0131l\u0131nda do\u011fan Kanafani, 8 Temmuz 1972\u2019de 36 ya\u015f\u0131nda \u00f6ld\u00fcr\u00fcld\u00fc. Filistin\u00a0 devrimci m\u00fccadelesinin neden \u0130srail\u2019in ilk hedefleri aras\u0131nda yer ald\u0131\u011f\u0131 bu yaz\u0131n\u0131n sonunda daha iyi anla\u015f\u0131lacakt\u0131r. \u0130srail \u0130\u015f\u00e7i Partisi\u2019nin lideri ve uzun zaman ba\u015fbakanl\u0131k yapan Golda Mair\u2019in Gassan Kanafani\u2019yi anlatan s\u00f6zlerini okumam\u0131z yeterlidir: \u201cE\u011fer Filistin halk\u0131n\u0131n kamplarda ve sokaklarda, […]<\/p>\n","protected":false},"author":1,"featured_media":0,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[138],"tags":[],"class_list":{"0":"post-4591","1":"post","2":"type-post","3":"status-publish","4":"format-standard","6":"category-edebiyat-dunya"},"yoast_head":"\n
Filistin direni\u015finde ve edebiyat\u0131nda \u00f6nemli bir fig\u00fcr | Ghassan Kanafani - narteks.net<\/title>\n<meta name=\"robots\" content=\"index, follow, max-snippet:-1, max-image-preview:large, max-video-preview:-1\" \/>\n<link rel=\"canonical\" href=\"https:\/\/narteks.net\/index.php\/2010\/05\/12\/filistin-direnisinde-ve-edebiyatinda-onemli-bir-figur-ghassan-kanafani\/\" \/>\n<meta property=\"og:locale\" content=\"tr_TR\" \/>\n<meta property=\"og:type\" content=\"article\" \/>\n<meta property=\"og:title\" content=\"Filistin direni\u015finde ve edebiyat\u0131nda \u00f6nemli bir fig\u00fcr | Ghassan Kanafani\" \/>\n<meta property=\"og:description\" content=\"Filistin\u2019in kuzeyinde bulunan tarihi \u015fehir Akka\u2019da 1936 y\u0131l\u0131nda do\u011fan Kanafani, 8 Temmuz 1972\u2019de 36 ya\u015f\u0131nda \u00f6ld\u00fcr\u00fcld\u00fc. Filistin\u00a0 devrimci m\u00fccadelesinin neden \u0130srail\u2019in ilk hedefleri aras\u0131nda yer ald\u0131\u011f\u0131 bu yaz\u0131n\u0131n sonunda daha iyi anla\u015f\u0131lacakt\u0131r. \u0130srail \u0130\u015f\u00e7i Partisi\u2019nin lideri ve uzun zaman ba\u015fbakanl\u0131k yapan Golda Mair\u2019in Gassan Kanafani\u2019yi anlatan s\u00f6zlerini okumam\u0131z yeterlidir: \u201cE\u011fer Filistin halk\u0131n\u0131n kamplarda ve sokaklarda, […]\" \/>\n<meta property=\"og:url\" content=\"https:\/\/narteks.net\/index.php\/2010\/05\/12\/filistin-direnisinde-ve-edebiyatinda-onemli-bir-figur-ghassan-kanafani\/\" \/>\n<meta property=\"og:site_name\" content=\"narteks.net\" \/>\n<meta property=\"article:published_time\" content=\"2010-05-12T11:09:52+00:00\" \/>\n<meta property=\"og:image\" content=\"http:\/\/www.kanafani.dk\/images\/ghassan_writing.jpg\" \/>\n<meta name=\"author\" content=\"Tar\u0131k\" \/>\n<meta name=\"twitter:card\" content=\"summary_large_image\" \/>\n<meta name=\"twitter:creator\" content=\"@narteks\" \/>\n<meta name=\"twitter:site\" content=\"@narteks\" \/>\n<meta name=\"twitter:label1\" content=\"Yazan:\" \/>\n\t<meta name=\"twitter:data1\" content=\"Tar\u0131k\" \/>\n\t<meta name=\"twitter:label2\" content=\"Tahmini okuma s\u00fcresi\" \/>\n\t<meta name=\"twitter:data2\" content=\"11 dakika\" \/>\n<script type=\"application\/ld+json\" class=\"yoast-schema-graph\">{\"@context\":\"https:\/\/schema.org\",\"@graph\":[{\"@type\":\"Article\",\"@id\":\"https:\/\/narteks.net\/index.php\/2010\/05\/12\/filistin-direnisinde-ve-edebiyatinda-onemli-bir-figur-ghassan-kanafani\/#article\",\"isPartOf\":{\"@id\":\"https:\/\/narteks.net\/index.php\/2010\/05\/12\/filistin-direnisinde-ve-edebiyatinda-onemli-bir-figur-ghassan-kanafani\/\"},\"author\":{\"name\":\"Tar\u0131k\",\"@id\":\"https:\/\/narteks.net\/#\/schema\/person\/61f37d9834294b72d31d274e7ed79bca\"},\"headline\":\"Filistin direni\u015finde ve edebiyat\u0131nda \u00f6nemli bir fig\u00fcr | Ghassan Kanafani\",\"datePublished\":\"2010-05-12T11:09:52+00:00\",\"mainEntityOfPage\":{\"@id\":\"https:\/\/narteks.net\/index.php\/2010\/05\/12\/filistin-direnisinde-ve-edebiyatinda-onemli-bir-figur-ghassan-kanafani\/\"},\"wordCount\":2186,\"commentCount\":0,\"publisher\":{\"@id\":\"https:\/\/narteks.net\/#organization\"},\"image\":{\"@id\":\"https:\/\/narteks.net\/index.php\/2010\/05\/12\/filistin-direnisinde-ve-edebiyatinda-onemli-bir-figur-ghassan-kanafani\/#primaryimage\"},\"thumbnailUrl\":\"http:\/\/www.kanafani.dk\/images\/ghassan_writing.jpg\",\"articleSection\":[\"Edebiyat ( D\u00fcnya )\"],\"inLanguage\":\"tr\",\"potentialAction\":[{\"@type\":\"CommentAction\",\"name\":\"Comment\",\"target\":[\"https:\/\/narteks.net\/index.php\/2010\/05\/12\/filistin-direnisinde-ve-edebiyatinda-onemli-bir-figur-ghassan-kanafani\/#respond\"]}]},{\"@type\":\"WebPage\",\"@id\":\"https:\/\/narteks.net\/index.php\/2010\/05\/12\/filistin-direnisinde-ve-edebiyatinda-onemli-bir-figur-ghassan-kanafani\/\",\"url\":\"https:\/\/narteks.net\/index.php\/2010\/05\/12\/filistin-direnisinde-ve-edebiyatinda-onemli-bir-figur-ghassan-kanafani\/\",\"name\":\"Filistin direni\u015finde ve edebiyat\u0131nda \u00f6nemli bir fig\u00fcr | Ghassan Kanafani - narteks.net\",\"isPartOf\":{\"@id\":\"https:\/\/narteks.net\/#website\"},\"primaryImageOfPage\":{\"@id\":\"https:\/\/narteks.net\/index.php\/2010\/05\/12\/filistin-direnisinde-ve-edebiyatinda-onemli-bir-figur-ghassan-kanafani\/#primaryimage\"},\"image\":{\"@id\":\"https:\/\/narteks.net\/index.php\/2010\/05\/12\/filistin-direnisinde-ve-edebiyatinda-onemli-bir-figur-ghassan-kanafani\/#primaryimage\"},\"thumbnailUrl\":\"http:\/\/www.kanafani.dk\/images\/ghassan_writing.jpg\",\"datePublished\":\"2010-05-12T11:09:52+00:00\",\"breadcrumb\":{\"@id\":\"https:\/\/narteks.net\/index.php\/2010\/05\/12\/filistin-direnisinde-ve-edebiyatinda-onemli-bir-figur-ghassan-kanafani\/#breadcrumb\"},\"inLanguage\":\"tr\",\"potentialAction\":[{\"@type\":\"ReadAction\",\"target\":[\"https:\/\/narteks.net\/index.php\/2010\/05\/12\/filistin-direnisinde-ve-edebiyatinda-onemli-bir-figur-ghassan-kanafani\/\"]}]},{\"@type\":\"ImageObject\",\"inLanguage\":\"tr\",\"@id\":\"https:\/\/narteks.net\/index.php\/2010\/05\/12\/filistin-direnisinde-ve-edebiyatinda-onemli-bir-figur-ghassan-kanafani\/#primaryimage\",\"url\":\"http:\/\/www.kanafani.dk\/images\/ghassan_writing.jpg\",\"contentUrl\":\"http:\/\/www.kanafani.dk\/images\/ghassan_writing.jpg\"},{\"@type\":\"BreadcrumbList\",\"@id\":\"https:\/\/narteks.net\/index.php\/2010\/05\/12\/filistin-direnisinde-ve-edebiyatinda-onemli-bir-figur-ghassan-kanafani\/#breadcrumb\",\"itemListElement\":[{\"@type\":\"ListItem\",\"position\":1,\"name\":\"Anasayfa\",\"item\":\"https:\/\/narteks.net\/\"},{\"@type\":\"ListItem\",\"position\":2,\"name\":\"Filistin direni\u015finde ve edebiyat\u0131nda \u00f6nemli bir fig\u00fcr | Ghassan Kanafani\"}]},{\"@type\":\"WebSite\",\"@id\":\"https:\/\/narteks.net\/#website\",\"url\":\"https:\/\/narteks.net\/\",\"name\":\"narteks.net\",\"description\":\"K\u00fclt\u00fcr Sanat Edebiyat Felsefe\",\"publisher\":{\"@id\":\"https:\/\/narteks.net\/#organization\"},\"alternateName\":\"K\u00fclt\u00fcr Sanat Edebiyat Felsefe\",\"potentialAction\":[{\"@type\":\"SearchAction\",\"target\":{\"@type\":\"EntryPoint\",\"urlTemplate\":\"https:\/\/narteks.net\/?s={search_term_string}\"},\"query-input\":{\"@type\":\"PropertyValueSpecification\",\"valueRequired\":true,\"valueName\":\"search_term_string\"}}],\"inLanguage\":\"tr\"},{\"@type\":\"Organization\",\"@id\":\"https:\/\/narteks.net\/#organization\",\"name\":\"narteks.net\",\"url\":\"https:\/\/narteks.net\/\",\"logo\":{\"@type\":\"ImageObject\",\"inLanguage\":\"tr\",\"@id\":\"https:\/\/narteks.net\/#\/schema\/logo\/image\/\",\"url\":\"https:\/\/narteks.net\/wp-content\/uploads\/narteks.png\",\"contentUrl\":\"https:\/\/narteks.net\/wp-content\/uploads\/narteks.png\",\"width\":300,\"height\":90,\"caption\":\"narteks.net\"},\"image\":{\"@id\":\"https:\/\/narteks.net\/#\/schema\/logo\/image\/\"},\"sameAs\":[\"https:\/\/x.com\/narteks\",\"https:\/\/instagram.com\/narteksnet\"]},{\"@type\":\"Person\",\"@id\":\"https:\/\/narteks.net\/#\/schema\/person\/61f37d9834294b72d31d274e7ed79bca\",\"name\":\"Tar\u0131k\",\"image\":{\"@type\":\"ImageObject\",\"inLanguage\":\"tr\",\"@id\":\"https:\/\/narteks.net\/#\/schema\/person\/image\/\",\"url\":\"https:\/\/secure.gravatar.com\/avatar\/50865afb55632c4ae467e0af0930f6510aa2297d8014be502a55b14f3b7550cf?s=96&d=mm&r=g\",\"contentUrl\":\"https:\/\/secure.gravatar.com\/avatar\/50865afb55632c4ae467e0af0930f6510aa2297d8014be502a55b14f3b7550cf?s=96&d=mm&r=g\",\"caption\":\"Tar\u0131k\"},\"sameAs\":[\"http:\/\/narteks.net\"],\"url\":\"https:\/\/narteks.net\/index.php\/author\/narbak\/\"}]}<\/script>\n<!-- \/ Yoast SEO Premium plugin. -->","yoast_head_json":{"title":"Filistin direni\u015finde ve edebiyat\u0131nda \u00f6nemli bir fig\u00fcr | Ghassan Kanafani - narteks.net","robots":{"index":"index","follow":"follow","max-snippet":"max-snippet:-1","max-image-preview":"max-image-preview:large","max-video-preview":"max-video-preview:-1"},"canonical":"https:\/\/narteks.net\/index.php\/2010\/05\/12\/filistin-direnisinde-ve-edebiyatinda-onemli-bir-figur-ghassan-kanafani\/","og_locale":"tr_TR","og_type":"article","og_title":"Filistin direni\u015finde ve edebiyat\u0131nda \u00f6nemli bir fig\u00fcr | Ghassan Kanafani","og_description":"Filistin\u2019in kuzeyinde bulunan tarihi \u015fehir Akka\u2019da 1936 y\u0131l\u0131nda do\u011fan Kanafani, 8 Temmuz 1972\u2019de 36 ya\u015f\u0131nda \u00f6ld\u00fcr\u00fcld\u00fc. Filistin\u00a0 devrimci m\u00fccadelesinin neden \u0130srail\u2019in ilk hedefleri aras\u0131nda yer ald\u0131\u011f\u0131 bu yaz\u0131n\u0131n sonunda daha iyi anla\u015f\u0131lacakt\u0131r. \u0130srail \u0130\u015f\u00e7i Partisi\u2019nin lideri ve uzun zaman ba\u015fbakanl\u0131k yapan Golda Mair\u2019in Gassan Kanafani\u2019yi anlatan s\u00f6zlerini okumam\u0131z yeterlidir: \u201cE\u011fer Filistin halk\u0131n\u0131n kamplarda ve sokaklarda, […]","og_url":"https:\/\/narteks.net\/index.php\/2010\/05\/12\/filistin-direnisinde-ve-edebiyatinda-onemli-bir-figur-ghassan-kanafani\/","og_site_name":"narteks.net","article_published_time":"2010-05-12T11:09:52+00:00","og_image":[{"url":"http:\/\/www.kanafani.dk\/images\/ghassan_writing.jpg","type":"","width":"","height":""}],"author":"Tar\u0131k","twitter_card":"summary_large_image","twitter_creator":"@narteks","twitter_site":"@narteks","twitter_misc":{"Yazan:":"Tar\u0131k","Tahmini okuma s\u00fcresi":"11 dakika"},"schema":{"@context":"https:\/\/schema.org","@graph":[{"@type":"Article","@id":"https:\/\/narteks.net\/index.php\/2010\/05\/12\/filistin-direnisinde-ve-edebiyatinda-onemli-bir-figur-ghassan-kanafani\/#article","isPartOf":{"@id":"https:\/\/narteks.net\/index.php\/2010\/05\/12\/filistin-direnisinde-ve-edebiyatinda-onemli-bir-figur-ghassan-kanafani\/"},"author":{"name":"Tar\u0131k","@id":"https:\/\/narteks.net\/#\/schema\/person\/61f37d9834294b72d31d274e7ed79bca"},"headline":"Filistin direni\u015finde ve edebiyat\u0131nda \u00f6nemli bir fig\u00fcr | Ghassan Kanafani","datePublished":"2010-05-12T11:09:52+00:00","mainEntityOfPage":{"@id":"https:\/\/narteks.net\/index.php\/2010\/05\/12\/filistin-direnisinde-ve-edebiyatinda-onemli-bir-figur-ghassan-kanafani\/"},"wordCount":2186,"commentCount":0,"publisher":{"@id":"https:\/\/narteks.net\/#organization"},"image":{"@id":"https:\/\/narteks.net\/index.php\/2010\/05\/12\/filistin-direnisinde-ve-edebiyatinda-onemli-bir-figur-ghassan-kanafani\/#primaryimage"},"thumbnailUrl":"http:\/\/www.kanafani.dk\/images\/ghassan_writing.jpg","articleSection":["Edebiyat ( D\u00fcnya )"],"inLanguage":"tr","potentialAction":[{"@type":"CommentAction","name":"Comment","target":["https:\/\/narteks.net\/index.php\/2010\/05\/12\/filistin-direnisinde-ve-edebiyatinda-onemli-bir-figur-ghassan-kanafani\/#respond"]}]},{"@type":"WebPage","@id":"https:\/\/narteks.net\/index.php\/2010\/05\/12\/filistin-direnisinde-ve-edebiyatinda-onemli-bir-figur-ghassan-kanafani\/","url":"https:\/\/narteks.net\/index.php\/2010\/05\/12\/filistin-direnisinde-ve-edebiyatinda-onemli-bir-figur-ghassan-kanafani\/","name":"Filistin direni\u015finde ve edebiyat\u0131nda \u00f6nemli bir fig\u00fcr | Ghassan Kanafani - narteks.net","isPartOf":{"@id":"https:\/\/narteks.net\/#website"},"primaryImageOfPage":{"@id":"https:\/\/narteks.net\/index.php\/2010\/05\/12\/filistin-direnisinde-ve-edebiyatinda-onemli-bir-figur-ghassan-kanafani\/#primaryimage"},"image":{"@id":"https:\/\/narteks.net\/index.php\/2010\/05\/12\/filistin-direnisinde-ve-edebiyatinda-onemli-bir-figur-ghassan-kanafani\/#primaryimage"},"thumbnailUrl":"http:\/\/www.kanafani.dk\/images\/ghassan_writing.jpg","datePublished":"2010-05-12T11:09:52+00:00","breadcrumb":{"@id":"https:\/\/narteks.net\/index.php\/2010\/05\/12\/filistin-direnisinde-ve-edebiyatinda-onemli-bir-figur-ghassan-kanafani\/#breadcrumb"},"inLanguage":"tr","potentialAction":[{"@type":"ReadAction","target":["https:\/\/narteks.net\/index.php\/2010\/05\/12\/filistin-direnisinde-ve-edebiyatinda-onemli-bir-figur-ghassan-kanafani\/"]}]},{"@type":"ImageObject","inLanguage":"tr","@id":"https:\/\/narteks.net\/index.php\/2010\/05\/12\/filistin-direnisinde-ve-edebiyatinda-onemli-bir-figur-ghassan-kanafani\/#primaryimage","url":"http:\/\/www.kanafani.dk\/images\/ghassan_writing.jpg","contentUrl":"http:\/\/www.kanafani.dk\/images\/ghassan_writing.jpg"},{"@type":"BreadcrumbList","@id":"https:\/\/narteks.net\/index.php\/2010\/05\/12\/filistin-direnisinde-ve-edebiyatinda-onemli-bir-figur-ghassan-kanafani\/#breadcrumb","itemListElement":[{"@type":"ListItem","position":1,"name":"Anasayfa","item":"https:\/\/narteks.net\/"},{"@type":"ListItem","position":2,"name":"Filistin direni\u015finde ve edebiyat\u0131nda \u00f6nemli bir fig\u00fcr | Ghassan Kanafani"}]},{"@type":"WebSite","@id":"https:\/\/narteks.net\/#website","url":"https:\/\/narteks.net\/","name":"narteks.net","description":"K\u00fclt\u00fcr Sanat Edebiyat Felsefe","publisher":{"@id":"https:\/\/narteks.net\/#organization"},"alternateName":"K\u00fclt\u00fcr Sanat Edebiyat Felsefe","potentialAction":[{"@type":"SearchAction","target":{"@type":"EntryPoint","urlTemplate":"https:\/\/narteks.net\/?s={search_term_string}"},"query-input":{"@type":"PropertyValueSpecification","valueRequired":true,"valueName":"search_term_string"}}],"inLanguage":"tr"},{"@type":"Organization","@id":"https:\/\/narteks.net\/#organization","name":"narteks.net","url":"https:\/\/narteks.net\/","logo":{"@type":"ImageObject","inLanguage":"tr","@id":"https:\/\/narteks.net\/#\/schema\/logo\/image\/","url":"https:\/\/narteks.net\/wp-content\/uploads\/narteks.png","contentUrl":"https:\/\/narteks.net\/wp-content\/uploads\/narteks.png","width":300,"height":90,"caption":"narteks.net"},"image":{"@id":"https:\/\/narteks.net\/#\/schema\/logo\/image\/"},"sameAs":["https:\/\/x.com\/narteks","https:\/\/instagram.com\/narteksnet"]},{"@type":"Person","@id":"https:\/\/narteks.net\/#\/schema\/person\/61f37d9834294b72d31d274e7ed79bca","name":"Tar\u0131k","image":{"@type":"ImageObject","inLanguage":"tr","@id":"https:\/\/narteks.net\/#\/schema\/person\/image\/","url":"https:\/\/secure.gravatar.com\/avatar\/50865afb55632c4ae467e0af0930f6510aa2297d8014be502a55b14f3b7550cf?s=96&d=mm&r=g","contentUrl":"https:\/\/secure.gravatar.com\/avatar\/50865afb55632c4ae467e0af0930f6510aa2297d8014be502a55b14f3b7550cf?s=96&d=mm&r=g","caption":"Tar\u0131k"},"sameAs":["http:\/\/narteks.net"],"url":"https:\/\/narteks.net\/index.php\/author\/narbak\/"}]}},"_links":{"self":[{"href":"https:\/\/narteks.net\/index.php\/wp-json\/wp\/v2\/posts\/4591","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/narteks.net\/index.php\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/narteks.net\/index.php\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/narteks.net\/index.php\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/narteks.net\/index.php\/wp-json\/wp\/v2\/comments?post=4591"}],"version-history":[{"count":0,"href":"https:\/\/narteks.net\/index.php\/wp-json\/wp\/v2\/posts\/4591\/revisions"}],"wp:attachment":[{"href":"https:\/\/narteks.net\/index.php\/wp-json\/wp\/v2\/media?parent=4591"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/narteks.net\/index.php\/wp-json\/wp\/v2\/categories?post=4591"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/narteks.net\/index.php\/wp-json\/wp\/v2\/tags?post=4591"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}