{"id":4737,"date":"2010-10-23T11:31:52","date_gmt":"2010-10-23T08:31:52","guid":{"rendered":"http:\/\/localhost\/wordpress\/2010\/10\/23\/varolmanin-dayanilmaz-hafifligi-milan-kundera\/"},"modified":"2010-10-23T11:31:52","modified_gmt":"2010-10-23T08:31:52","slug":"varolmanin-dayanilmaz-hafifligi-milan-kundera","status":"publish","type":"post","link":"https:\/\/narteks.net\/index.php\/2010\/10\/23\/varolmanin-dayanilmaz-hafifligi-milan-kundera\/","title":{"rendered":"Varolman\u0131n Dayan\u0131lmaz Hafifli\u011fi | Milan Kundera"},"content":{"rendered":"![](\"http:\/\/static.ideefixe.com\/images\/25\/25640_2.jpg\")
Sabina i\u00e7in ya\u015famak g\u00f6rmek demekti. G\u00f6rmek ise iki \u00e7izgiyle s\u0131n\u0131rlanm\u0131\u015ft\u0131r: G\u00f6zleri kama\u015ft\u0131ran g\u00fc\u00e7l\u00fc \u0131\u015f\u0131k ve zifiri karanl\u0131k. Belki de Sabina\u2019n\u0131n her t\u00fcrl\u00fc a\u015f\u0131r\u0131l\u0131\u011f\u0131 tats\u0131z bulmas\u0131n\u0131n alt\u0131nda yatan neden buydu. A\u015f\u0131r\u0131 u\u00e7lar, ard\u0131nda ya\u015fam\u0131n sona erdi\u011fi s\u0131n\u0131rlar demektir ve sanatta da politikada da, a\u015f\u0131r\u0131l\u0131\u011fa duyulan tutku, \u00f6l\u00fcme duyulan \u00f6rt\u00fck bir \u00f6zlemdir asl\u0131nda.<\/p>\n
Franz i\u00e7in \u2018\u0131\u015f\u0131k\u2019 s\u00f6zc\u00fc\u011f\u00fc yumu\u015fac\u0131k g\u00fcn \u0131\u015f\u0131\u011f\u0131nda uzan\u0131p giden bir do\u011fa g\u00f6r\u00fcn\u00fcm\u00fcn\u00fc getirmiyordu akla, \u0131\u015f\u0131k kayna\u011f\u0131n\u0131n kendisini getiriyordu; g\u00fcne\u015fi, bir ampul\u00fc, bir projekt\u00f6r\u00fc. Franz\u2019\u0131n \u00e7a\u011fr\u0131\u015f\u0131mlar\u0131 tan\u0131d\u0131k e\u011fretilemelerdi; adaletin g\u00fcne\u015fi, akl\u0131n d\u00f6rt bir yana yay\u0131lan alevi ve benzerleri.<\/p>\n
Karanl\u0131k da \u0131\u015f\u0131k kadar kendine \u00e7ekiyordu onu. G\u00fcn\u00fcm\u00fczde sevi\u015fmeden \u00f6nce \u0131\u015f\u0131\u011f\u0131 s\u00f6nd\u00fcrmenin g\u00fcl\u00fcnecek bir davran\u0131\u015f oldu\u011funu biliyor ve bu nedenle de yata\u011f\u0131n ba\u015fucundaki lambay\u0131 hep yan\u0131k b\u0131rak\u0131yordu. Oysa Sabina\u2019n\u0131n i\u00e7ine girdi\u011fi an g\u00f6zlerini kap\u0131yordu. T\u00fcm bedenini kaplayan zevk, karanl\u0131\u011f\u0131 gerektiriyordu, o karanl\u0131k an\u0131, kusursuz, d\u00fc\u015f\u00fcncesiz, g\u00f6r\u00fcnt\u00fcs\u00fczd\u00fc; o karanl\u0131k sonsuz, s\u0131n\u0131rs\u0131zd\u0131; o karanl\u0131k her birimizin i\u00e7inde ta\u015f\u0131d\u0131\u011f\u0131 sonsuzdu.<\/p>\n
(Evet, istedi\u011fin sonsuzluksa, kapat\u0131ver g\u00f6zlerini!)<\/p>\n
******<\/p>\n
\u2026<\/p>\n
Sabina i\u00e7in ger\u00e7ek ya\u015famak, ne kendi kendimize ne de ba\u015fkalar\u0131na yalan s\u00f6ylememek, ancak insanlardan uzak olundu\u011funda m\u00fcmk\u00fcnd\u00fc; yapt\u0131\u011f\u0131m\u0131z i\u015flere ba\u015fkas\u0131n\u0131n g\u00f6z\u00fc de\u011fdi\u011fi an; ister istemez\u00a0 o g\u00f6ze ho\u015f g\u00f6r\u00fcnmeye \u00e7al\u0131\u015f\u0131r\u0131z ve yapt\u0131\u011f\u0131m\u0131z hi\u00e7bir \u015fey d\u00fcr\u00fcst\u00e7e olmaz. Bizi seyreden birilerinin olmas\u0131, bizi seyredenleri bir t\u00fcrl\u00fc akl\u0131m\u0131zdan \u00e7\u0131karamamak, yalanlar i\u00e7inde ya\u015famak demektir. Sabina, ki\u015filerin kendilerine ve dostlar\u0131na ili\u015fkin b\u00fct\u00fcn s\u0131rlar\u0131 eleverdikleri edebiyat t\u00fcr\u00fcn\u00fc a\u015fa\u011f\u0131l\u0131k bulurdu. Gizlili\u011fini kaybeden her \u015feyini kaybetmi\u015f demektir, diye d\u00fc\u015f\u00fcn\u00fcrd\u00fc Sabina. Hele bundan kendi iradesiyle vazge\u00e7en ki\u015fi canavard\u0131. Sabina\u2019n\u0131n ya\u015fad\u0131\u011f\u0131 a\u015fk\u0131 gizli tutmaktan en ufak bir ac\u0131 duymamas\u0131 da bundand\u0131 i\u015fte. Tam tersine, ancak b\u00f6yle davranarak ger\u00e7ek ya\u015fayabilirdi o.<\/p>\n
\u00d6te yandan Franz, ya\u015fam\u0131n\u0131n \u00f6zel ve kamusal olarak ikiye b\u00f6l\u00fcnmesinin b\u00fct\u00fcn yalanlar\u0131n kayna\u011f\u0131 oldu\u011funa emindi; ki\u015fi \u00f6zel ya\u015fam\u0131nda ba\u015fka bir \u015feydi, ba\u015fkalar\u0131yla birlikteyken bamba\u015fka bir \u015fey. Franz i\u00e7in, ger\u00e7ek ya\u015famak, \u00f6zel ile kamusal aras\u0131ndaki engelleri y\u0131kmak demekti. Andre Breton\u2019un i\u00e7ini herkesin g\u00f6rebilece\u011fi ve s\u0131r nam\u0131na bir \u015fey bar\u0131nd\u0131rmayan camdan bir evde ya\u015faman\u0131n arzulan\u0131rl\u0131\u011f\u0131 \u00fczerine s\u00f6ylediklerini dilinden d\u00fc\u015f\u00fcrmezdi Franz. <\/p>\n
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\u00c7ok say\u0131da kad\u0131n\u0131n pe\u015finde ko\u015fan erkekleri rahatl\u0131kla iki kategoriye ay\u0131rabiliriz. Baz\u0131lar\u0131 b\u00fct\u00fcn kad\u0131nlarda kendi \u00f6znel ve de\u011fi\u015fmez kad\u0131n d\u00fc\u015flerinin ger\u00e7ekle\u015fmesini beklerler. \u00d6tekiler ise nesnel kad\u0131n d\u00fcnyas\u0131n\u0131n sonsuz \u00e7e\u015fitlili\u011fini ele ge\u00e7irme iste\u011fiyle davran\u0131rlar.<\/p>\n
Birincilerin saplant\u0131s\u0131 \u2018lirik\u2019tir; kad\u0131nlarda arad\u0131klar\u0131 \u015fey kendileri, kendi idealleridir ve bir ideal tan\u0131msal olarak hi\u00e7bir zaman bulunamayacak bir \u015fey oldu\u011funa g\u00f6re, tekrar tekrar hayal k\u0131r\u0131kl\u0131\u011f\u0131na u\u011frarlar. Onlar\u0131 kad\u0131ndan kad\u0131na s\u00fcr\u00fckleyen \u015fey, karars\u0131zl\u0131klar\u0131na bir t\u00fcr romantik \u00f6z\u00fcr sa\u011flar; \u00f6yle ki bir\u00e7ok duygusal kad\u0131n onlar\u0131n bu gemi az\u0131ya alm\u0131\u015f \u00e7apk\u0131nl\u0131klar\u0131nda dokunakl\u0131 bir yan bulur.<\/p>\n
\u0130kincilerin saplant\u0131s\u0131 \u2018epik\u2019tir ve kad\u0131nlar bunda en ufak bir dokunakl\u0131 yan g\u00f6rmezler; erkek, kad\u0131nlara \u00f6znel bir ideal yans\u0131tmaz ve onun i\u00e7in her \u015fey ilgin\u00e7 oldu\u011fundan, hi\u00e7bir \u015fey hayal k\u0131r\u0131kl\u0131\u011f\u0131na u\u011fratamaz. Bu hayal k\u0131r\u0131kl\u0131\u011f\u0131na u\u011frayamama \u00f6zelli\u011finde rezilce biryan vard\u0131r. Epik \u00e7apk\u0131n\u0131n saplant\u0131s\u0131nda kefaret yan\u0131n\u0131n (hayal k\u0131r\u0131kl\u0131\u011f\u0131 yoluyla \u00f6denen kefaret) eksik olmas\u0131 insanlar\u0131n g\u00f6z\u00fcne batar.<\/p>\n
Lirik \u00e7apk\u0131n hep ayn\u0131 tip kad\u0131n\u0131n pe\u015finden ko\u015ftu\u011fu i\u00e7in, bir sevgiliyi \u00f6tekinden ay\u0131ran\u0131n ne oldu\u011funu g\u00f6rmeyiz bile. Dostlar\u0131 s\u00fcrekli olarak onun sevgililerini birbiriyle kar\u0131\u015ft\u0131r\u0131p ayn\u0131 adla \u00e7a\u011f\u0131rarak yanl\u0131\u015f anlamalara neden olurlar.<\/p>\n
Bilginin pe\u015finde olan epik \u00e7apk\u0131nl\u0131klar ise \u00e7ar\u00e7abuk b\u0131kt\u0131klar\u0131 al\u0131\u015f\u0131lm\u0131\u015f kad\u0131n g\u00fczelli\u011finden y\u00fcz \u00e7evirirler ve ka\u00e7\u0131n\u0131lmaz olarak birer garabet koleksiyoncusu olup \u00e7\u0131karlar. Bunun fark\u0131ndad\u0131rlar ve biraz da utan\u0131rlar bu durumdan; \u00f6yle ki dostlar\u0131n\u0131 zor durumda b\u0131rakmamak i\u00e7in sevgilileriyle insan i\u00e7ine \u00e7\u0131kmaktan ka\u00e7\u0131n\u0131rlar.<\/p>\n
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Bir \u015feyler olacak gibiydi. Herkes yava\u015flay\u0131p arkaya do\u011fru bak\u0131yordu.<\/p>\n
Sona d\u00fc\u015fen Amerikal\u0131 kad\u0131n oyuncu bunun utanc\u0131na dayanamayarak harekete ge\u00e7meye karar vermi\u015f, y\u00fcr\u00fcy\u00fc\u015f\u00fcn \u00f6n\u00fcne do\u011fru ko\u015fmaya ba\u015flam\u0131\u015ft\u0131. Sanki bir s\u00fcre \u00f6tekilerle birlikte sallanarak g\u00fcc\u00fcn\u00fc harcamam\u0131\u015f bir be\u015f kilometre ko\u015fucusu birden f\u0131rlam\u0131\u015f, rakiplerini bir bir ge\u00e7meye koyulmu\u015ftu.<\/p>\n
Erkekler, \u00fcnl\u00fc ko\u015fucunun zafer ko\u015fusunu bozmamak i\u00e7in mahcup g\u00fcl\u00fcmsemelerle yana \u00e7ekildiler, ama kad\u0131nlar, \u201cGeriye, s\u0131rana d\u00f6n!\u201d diye ba\u011f\u0131rd\u0131lar.<\/p>\n
Kad\u0131n oyuncu bana m\u0131s\u0131n demeden ko\u015fmay\u0131 s\u00fcrd\u00fcrd\u00fc, arkas\u0131ndan be\u015f foto\u011fraf\u00e7\u0131 ve iki kameramandan olu\u015fan bir ekip geliyordu.<\/p>\n
Ans\u0131z\u0131n bir Frans\u0131z kad\u0131n, bir dilbilim profes\u00f6r\u00fc, oyuncuyu bile\u011finden kavrad\u0131 ve (korkun\u00e7 bir \u0130ngilizceyle) \u015funlar\u0131 s\u00f6yledi: \u201c\u00d6l\u00fcmc\u00fcl hasta Kambo\u00e7yal\u0131lar\u0131 iyile\u015ftirmeye giden doktorlar yarar\u0131na g\u00f6steri y\u00fcr\u00fcy\u00fc\u015f\u00fc bu, film y\u0131ld\u0131zlar\u0131 i\u00e7in reklam kampanyas\u0131 de\u011fil!\u201d<\/p>\n
Kad\u0131n oyuncunun bile\u011fi dilbilim profes\u00f6r\u00fcn\u00fcn pen\u00e7esine hapsolmu\u015ftu, ne yapsa kurtaramazd\u0131. \u201cAllah\u0131n belas\u0131, ne yapt\u0131\u011f\u0131n\u0131 san\u0131yorsun sen?\u201d dedi kad\u0131n oyuncu (kusursuz bir \u0130ngilizceyle). \u201cBunun gibi y\u00fcz tane y\u00fcr\u00fcy\u00fc\u015fe kat\u0131ld\u0131m ben! Y\u0131ld\u0131zlar olmadan bir yere varamazs\u0131n\u0131z! Bu bizim i\u015fimiz! Ahlaki g\u00f6revimiz!\u201d<\/p>\n
\u201cMerde\u201d\u00a0 (bok) dedi dilbilim profes\u00f6r\u00fc (kusursuz bir Frans\u0131zcayla).<\/p>\n
Amerikal\u0131 kad\u0131n oyuncu anlad\u0131 ve g\u00f6zya\u015flar\u0131na bo\u011fuldu. Bir foto\u011fraf\u00e7\u0131, \u201cAman bozmay\u0131n l\u00fctfen!\u201d diye ba\u011f\u0131rarak onun \u00f6n\u00fcnde diz \u00e7\u00f6kt\u00fc. G\u00f6zya\u015flar\u0131 yanaklar\u0131nda yuvarlan\u0131rken kad\u0131n oyuncu foto\u011fraf\u00e7\u0131lar\u0131n objektifine uzun uzun bakt\u0131.<\/p>\n
Sonunda, dilbilim profes\u00f6r\u00fc Amerikal\u0131 kad\u0131n oyuncunun bile\u011fini b\u0131rakt\u0131\u011f\u0131nda, kara sakall\u0131 ve beyaz bayrakl\u0131 Alman pop \u015fark\u0131c\u0131s\u0131 onu ad\u0131yla \u00e7a\u011f\u0131rd\u0131.<\/p>\n
Amerikal\u0131 oyuncu onu tan\u0131m\u0131yordu, ama bu kadar hakaretten sonra ilgiye her zamankinden daha \u00e7ok a\u00e7\u0131kt\u0131; Alman \u015fark\u0131c\u0131n\u0131n yan\u0131na ko\u015ftu. \u015eark\u0131c\u0131 bayrak s\u0131r\u0131\u011f\u0131n\u0131 sol eline ge\u00e7irdi ve sa\u011f kolunu Amerikal\u0131 oyuncunun omzuna dolad\u0131.<\/p>\n
Hemen o an yeni foto\u011fraf\u00e7\u0131lar ve kameramanlar sard\u0131 \u00e7evrelerini. Her ikisinin y\u00fcz\u00fcn\u00fc ve ayr\u0131ca \u00e7ok uzun olan bayrak s\u0131r\u0131\u011f\u0131n\u0131 ayn\u0131 kareye s\u0131\u011fd\u0131rmakta zorluk \u00e7eken \u00fcnl\u00fc bir Amerikal\u0131 foto\u011fraf\u00e7\u0131, bir iki ad\u0131m geriye gideyim derken bir pirin\u00e7 tarlas\u0131na girdi. Rastlant\u0131ya bak\u0131n ki may\u0131na bast\u0131. Bir patlama oldu ve parampar\u00e7a olan bedeni havada u\u00e7arken Avrupal\u0131 ayd\u0131nlar bir kan du\u015fu ald\u0131lar.<\/p>\n
\u015eark\u0131c\u0131 ve oyuncu \u00f6ylesine deh\u015fet i\u00e7indeydiler ki, yerlerinden k\u0131p\u0131rdayamad\u0131lar. G\u00f6zlerini kald\u0131r\u0131p bayra\u011fa bakt\u0131lar. Kanla lekelenmi\u015fti bayrak. Yeniden deh\u015fete d\u00fc\u015ft\u00fcler. Sonra \u00fcrkek\u00e7e yeniden yukar\u0131ya, bayra\u011fa \u00e7evirdiler bak\u0131\u015flar\u0131n\u0131 ve dudaklar\u0131nda belli belirsiz bir g\u00fcl\u00fcmseme belirdi. Garip bir gururla, \u00f6nceden hi\u00e7 tan\u0131mad\u0131klar\u0131 bir gururla doluydular; ta\u015f\u0131d\u0131klar\u0131 bayrak kanla kutsanm\u0131\u015ft\u0131. Y\u00fcr\u00fcy\u00fc\u015fe yeniden kat\u0131ld\u0131lar.
******<\/p>\n
Varolman\u0131n Dayan\u0131lmaz Hafifli\u011fi …Milan Kundera<\/strong><\/p>\n","protected":false},"excerpt":{"rendered":"Sabina i\u00e7in ya\u015famak g\u00f6rmek demekti. G\u00f6rmek ise iki \u00e7izgiyle s\u0131n\u0131rlanm\u0131\u015ft\u0131r: G\u00f6zleri kama\u015ft\u0131ran g\u00fc\u00e7l\u00fc \u0131\u015f\u0131k ve zifiri karanl\u0131k. Belki de Sabina\u2019n\u0131n her t\u00fcrl\u00fc a\u015f\u0131r\u0131l\u0131\u011f\u0131 tats\u0131z bulmas\u0131n\u0131n alt\u0131nda yatan neden buydu. A\u015f\u0131r\u0131 u\u00e7lar, ard\u0131nda ya\u015fam\u0131n sona erdi\u011fi s\u0131n\u0131rlar demektir ve sanatta da politikada da, a\u015f\u0131r\u0131l\u0131\u011fa duyulan tutku, \u00f6l\u00fcme duyulan \u00f6rt\u00fck bir \u00f6zlemdir asl\u0131nda. Franz i\u00e7in \u2018\u0131\u015f\u0131k\u2019 s\u00f6zc\u00fc\u011f\u00fc […]<\/p>\n","protected":false},"author":1,"featured_media":0,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[138],"tags":[],"class_list":{"0":"post-4737","1":"post","2":"type-post","3":"status-publish","4":"format-standard","6":"category-edebiyat-dunya"},"yoast_head":"\n
Varolman\u0131n Dayan\u0131lmaz Hafifli\u011fi | Milan Kundera - narteks.net<\/title>\n<meta name=\"robots\" content=\"index, follow, max-snippet:-1, max-image-preview:large, max-video-preview:-1\" \/>\n<link rel=\"canonical\" href=\"https:\/\/narteks.net\/index.php\/2010\/10\/23\/varolmanin-dayanilmaz-hafifligi-milan-kundera\/\" \/>\n<meta property=\"og:locale\" content=\"tr_TR\" \/>\n<meta property=\"og:type\" content=\"article\" \/>\n<meta property=\"og:title\" content=\"Varolman\u0131n Dayan\u0131lmaz Hafifli\u011fi | Milan Kundera\" \/>\n<meta property=\"og:description\" content=\"Sabina i\u00e7in ya\u015famak g\u00f6rmek demekti. G\u00f6rmek ise iki \u00e7izgiyle s\u0131n\u0131rlanm\u0131\u015ft\u0131r: G\u00f6zleri kama\u015ft\u0131ran g\u00fc\u00e7l\u00fc \u0131\u015f\u0131k ve zifiri karanl\u0131k. Belki de Sabina\u2019n\u0131n her t\u00fcrl\u00fc a\u015f\u0131r\u0131l\u0131\u011f\u0131 tats\u0131z bulmas\u0131n\u0131n alt\u0131nda yatan neden buydu. A\u015f\u0131r\u0131 u\u00e7lar, ard\u0131nda ya\u015fam\u0131n sona erdi\u011fi s\u0131n\u0131rlar demektir ve sanatta da politikada da, a\u015f\u0131r\u0131l\u0131\u011fa duyulan tutku, \u00f6l\u00fcme duyulan \u00f6rt\u00fck bir \u00f6zlemdir asl\u0131nda. 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