{"id":4780,"date":"2010-11-13T12:15:46","date_gmt":"2010-11-13T09:15:46","guid":{"rendered":"http:\/\/localhost\/wordpress\/2010\/11\/13\/insanin-anlam-arayisi-viktor-emil-frankl\/"},"modified":"2010-11-13T12:15:46","modified_gmt":"2010-11-13T09:15:46","slug":"insanin-anlam-arayisi-viktor-emil-frankl","status":"publish","type":"post","link":"https:\/\/narteks.net\/index.php\/2010\/11\/13\/insanin-anlam-arayisi-viktor-emil-frankl\/","title":{"rendered":"\u0130nsan\u0131n Anlam Aray\u0131\u015f\u0131 | Viktor Emil Frankl"},"content":{"rendered":"<p style=\"text-align: justify;\"><img loading=\"lazy\" decoding=\"async\" style=\"float: left;\" src=\"images\/stories\/Viktor_E_Frankl.jpg\" width=\"155\" height=\"205\" \/>Mizah duygusu geli\u015ftirme ve olaylar\u0131 mizahi bir \u0131\u015f\u0131k alt\u0131nda g\u00f6rme \u00e7abas\u0131, ya\u015fama sanat\u0131nda ustala\u015f\u0131rken \u00f6\u011frenilen bir hiledir. Ama her an her yerde ac\u0131 bulunmas\u0131na kar\u015f\u0131n bir toplama kamp\u0131nda bile ya\u015fama sanat\u0131n\u0131 uygulamak olas\u0131d\u0131r. Bir benzetme yapacak olursak, bir insan\u0131n ac\u0131 \u00e7ekmesi, bo\u015f bir odadaki gaz\u0131n davran\u0131\u015f\u0131na benzer. Bo\u015f bir odaya belli miktarda gaz verildi\u011fi zaman, oda ne kadar b\u00fcy\u00fck olursa olsun, gaz\u00a0 odan\u0131n tamam\u0131na yay\u0131l\u0131r. Dolay\u0131s\u0131yla insan\u0131n \u00e7ekti\u011fi ac\u0131n\u0131n \u2018b\u00fcy\u00fckl\u00fc\u011f\u00fc\u2019 kesinlikle g\u00f6recelidir.<br \/>\u2026<\/p>\n<p>\u0130nsan onurunu bir toplama kamp\u0131nda bile koruyabilir. Dostoyevski bir keresinde \u015f\u00f6yle demi\u015fti: \u2018Beni korkutan tek bir \u015fey var: Ac\u0131lar\u0131ma de\u011fmemek.\u2019 Kamptaki davran\u0131\u015flar\u0131, ac\u0131lar\u0131 ve \u00f6l\u00fcmleri, son i\u00e7sel \u00f6zg\u00fcrl\u00fc\u011f\u00fcn kaybedilemeyece\u011fi ger\u00e7e\u011fine tan\u0131kl\u0131k eden \u015fahitlerle tan\u0131\u015ft\u0131ktan sonra, bu s\u00f6zler s\u0131k s\u0131k akl\u0131ma geliyordu. Bu insanlar\u0131n \u00e7ektikleri ac\u0131ya de\u011fdikleri s\u00f6ylenebilir; ac\u0131ya katlanma yollar\u0131, ger\u00e7ek bir i\u00e7sel ba\u015far\u0131yd\u0131. Ya\u015fam\u0131 anlaml\u0131 ve ama\u00e7l\u0131 k\u0131lan \u015fey de, insan\u0131n elinden al\u0131namayan i\u015fte bu ruhsal (tinsel) \u00f6zg\u00fcrl\u00fckt\u00fcr.<\/p>\n<p>Aktif bir ya\u015fam, insana, de\u011ferlerini yarat\u0131c\u0131 \u00e7al\u0131\u015fmayla ger\u00e7ekle\u015ftirme f\u0131rsat\u0131 verme amac\u0131na hizmet eder; buna kar\u015f\u0131l\u0131k e\u011flenceden olu\u015fan pasif ya\u015fam ise ona g\u00fczelli\u011fi, sanat\u0131 ya da do\u011fay\u0131 i\u00e7ine alan ya\u015fant\u0131larda doyum bulma f\u0131rsat\u0131 verir. Ama ayr\u0131ca hem yarat\u0131c\u0131 \u00e7al\u0131\u015fmadan hem de e\u011flenceden hemen hemen yoksun olan ve y\u00fcksek ahlaki davran\u0131\u015f olas\u0131l\u0131\u011f\u0131ndan ba\u015fka bir \u015feyi kabul etmeyen bir ya\u015famda da; yani insan\u0131n, d\u0131\u015fsal g\u00fc\u00e7lerle k\u0131s\u0131tl\u0131 varolu\u015funa y\u00f6nelik tutumunda da bir ama\u00e7 vard\u0131r. Yarat\u0131c\u0131 ya\u015fam da, e\u011flence (haz) ya\u015fam\u0131 da ona yasakt\u0131r. Ama anlaml\u0131 olan sadece yarat\u0131c\u0131l\u0131k ve zevk de\u011fildir. E\u011fer ya\u015famda ger\u00e7ekten bir anlam varsa, ac\u0131da da bir anlam olmal\u0131d\u0131r. Ac\u0131 da ya\u015fam\u0131n kader ve \u00f6l\u00fcm kadar silinmez bir par\u00e7as\u0131d\u0131r. Ac\u0131 ve \u00f6l\u00fcm olmaks\u0131z\u0131n insan ya\u015fam\u0131 tamamlanm\u0131\u015f olmaz.<\/p>\n<p> Bir insan\u0131n kendi kaderini ve i\u00e7erdi\u011fi olanca ac\u0131y\u0131 kabul edi\u015f yolu, ona, en a\u011f\u0131r ko\u015fullar alt\u0131nda bile, ya\u015fam\u0131na daha derin bir anlam katma f\u0131rsat\u0131 verir. Ya\u015fam, yi\u011fit\u00e7e, onurlu ve \u00f6zgecil olabilir. Ya da keskin kendini koruma davas\u0131nda ki\u015fi, kendi insan onurunu unutup bir hayvan d\u00fczeyine inebilir. Burada, insan\u0131n, zor bir durumun sundu\u011fu ahlaki de\u011ferlere ula\u015fma f\u0131rsatlar\u0131ndan yararlanma ya da vazge\u00e7me aras\u0131ndaki se\u00e7imi yatmaktad\u0131r. Bu da, o insan\u0131n ac\u0131lar\u0131na de\u011fip de\u011fmedi\u011fini belirler.<\/p>\n<p>\u0130ntiharla sonu\u00e7lanabilecek olan ve belirgin bir benzerlik g\u00f6steren iki olay an\u0131ms\u0131yorum. Her iki adam da intihar niyetinden s\u00f6z etmi\u015fti. Her ikisi de ayn\u0131 tipik arg\u00fcman\u0131 kullan\u0131yordu: Ya\u015famdan bekleyebilecek hi\u00e7bir \u015feyleri yoktu. Her iki olayda da sorun, ya\u015fam\u0131n onlardan hala bir \u015feyler bekledi\u011fini; gelecekte kendilerinden bir \u015feyler beklendi\u011fini kavramalar\u0131n\u0131 sa\u011flamakt\u0131. Asl\u0131nda, adamlardan birisinin, \u00e7ok sevdi\u011fi ve yabanc\u0131 \u00fclkede onu bekleyen bir \u00e7ocu\u011fu oldu\u011funu anlad\u0131m. Di\u011ferinde ise onu bekleyen bir insan de\u011fil, bir \u015feydi. Kendisi bir bilimciydi ve hen\u00fcz tamamlanmay\u0131 bekleyen bir dizi kitap yazm\u0131\u015ft\u0131. T\u0131pk\u0131 bir \u00e7ocu\u011fun duygular\u0131nda hi\u00e7 kimsenin babas\u0131n\u0131n yerini alamamas\u0131 gibi, onun i\u015fini de ondan ba\u015fkas\u0131 yapamazd\u0131.<\/p>\n<p> Her bireyi ay\u0131rdeden ve varolu\u015funa anlam veren e\u015fsizlik ve teklik durumu, insan sevgisi \u00fczerinde oldu\u011fu kadar yarat\u0131c\u0131 \u00e7al\u0131\u015fma \u00fczerinde de bir etkiye sahiptir. Bir insan\u0131n yerine bir ba\u015fkas\u0131n\u0131n konulmas\u0131n\u0131n olanaks\u0131zl\u0131\u011f\u0131 kavrand\u0131\u011f\u0131 zaman, bu, ki\u015finin, o insan\u0131n varolu\u015funa ve olanca yo\u011funlu\u011fuyla s\u00fcrmesine y\u00f6nelik sorumlulu\u011funu olas\u0131 k\u0131lar. Kendisini sevecenlikle bekleyen bir insana ya da tamamlanmam\u0131\u015f bir i\u015fe y\u00f6nelik sorumlulu\u011funun bilincine varan ki\u015fi, ya\u015fam\u0131n\u0131 kesinlikle bir yana itemeyecektir. Varolu\u015funun \u2018nedeni\u2019ni bilecek ve hemen her \u2018nas\u0131l\u2019a dayanabilecektir.<br \/>\u2026<\/p>\n<p> Bir s\u00fcre sonra, bana, yak\u0131n gelecekte \u00f6lecekmi\u015fim gibi geldi\u011fini an\u0131ms\u0131yorum. Ne var ki bu kritik durumda tasam, yolda\u015flar\u0131m\u0131n \u00e7o\u011fundan farkl\u0131yd\u0131. Onlar\u0131n sorusu \u015f\u00f6yleydi: \u2018Bu kampta hayatta kalacak m\u0131y\u0131z? \u00c7\u00fcnk\u00fc kalmayacaksak, b\u00fct\u00fcn bu ac\u0131lar\u0131n hi\u00e7bir anlam\u0131 yok.\u2019 Benim sorumsa \u015fuydu: \u2018B\u00fct\u00fcn bu ac\u0131lar\u0131n \u00e7evremizdeki bunca \u00f6l\u00fcm\u00fcn bir anlam\u0131 var m\u0131? \u00c7\u00fcnk\u00fc e\u011fer yoksa hayatta kalman\u0131n kesinlikle bir anlam\u0131 yok! \u00c7\u00fcnk\u00fc anlam\u0131 b\u00f6yle bir rastlant\u0131ya ba\u011fl\u0131 olan bir ya\u015fam, nihai anlamda ya\u015fanmaya de\u011fmez.\u2019<br \/>\u2026<\/p>\n<p>Nihai anlam zorunluluk gere\u011fi insan\u0131n s\u0131n\u0131rl\u0131 zihinsel yetisini a\u015far; logoterapide bu ba\u011flamda bir nihai anlamdan s\u00f6z ederiz. \u0130nsandan istenen \u015fey, baz\u0131 varolu\u015f\u00e7u felsefecilerin savundu\u011fu gibi ya\u015fam\u0131n anlams\u0131zl\u0131\u011f\u0131na katlanmak de\u011fil, ya\u015fam\u0131n ko\u015fulsuz anlaml\u0131l\u0131\u011f\u0131n\u0131 ussal terimlerle kavrama yetisinden yoksun olu\u015funa dayanmakt\u0131r. Anlam (logos), mant\u0131ktan (logic) daha derindir.<br \/>\u2026<\/p>\n<p> \u0130nsan ya\u015fam\u0131n\u0131 anlamdan yoksun b\u0131rak\u0131yor gibi g\u00f6r\u00fcnen \u015feyler sadece ac\u0131y\u0131 de\u011fil, \u00f6l\u00fcm\u00fc de kaps\u0131yor. Sadece ya\u015fam\u0131n ger\u00e7ekten ge\u00e7ici olan yanlar\u0131n\u0131n potansiyeller oldu\u011funu s\u00f6ylemekten b\u0131kmad\u0131m; ancak bu potansiyeller ger\u00e7ekle\u015fir ger\u00e7ekle\u015fmez, o anda ger\u00e7ekli\u011fe d\u00f6n\u00fc\u015f\u00fcr; bunlar korunur ve ge\u00e7mi\u015fe g\u00f6nderilir ve burada ge\u00e7icilikten kurtar\u0131l\u0131r, \u00e7\u00fcnk\u00fc ge\u00e7mi\u015fteki hi\u00e7bir \u015fey geri kazan\u0131lmaz bi\u00e7imde kaybedilmemi\u015ftir, her \u015fey geri d\u00f6n\u00fclmez bir \u015fekilde kaydedilmi\u015ftir.<\/p>\n<p> Bu nedenle varolu\u015fumuzun ge\u00e7ici olmas\u0131, bunu kesinlikle anlams\u0131z k\u0131lmaz, ama sorumluluklar\u0131m\u0131z\u0131 olu\u015fturur; \u00e7\u00fcnk\u00fc her \u015fey, bizim \u00f6z itibariyle ge\u00e7ici olan olas\u0131l\u0131klar\u0131 ger\u00e7ekle\u015ftirmemize ba\u011fl\u0131d\u0131r. \u0130nsan s\u00fcrekli, mevcut potansiyeller y\u0131\u011f\u0131n\u0131yla ilgili olarak kendi tercihlerini yapar; bunlardan hangisi hi\u00e7li\u011fe mahkum edilecek ve hangileri ger\u00e7ekle\u015ftirilecek? Hangi tercih sonsuza kadar \u00f6l\u00fcms\u00fcz, \u2018zaman\u0131n kumlar\u0131 \u00fczerindeki ayak izi\u2019 k\u0131l\u0131nacak. \u0130nsan\u0131n, her an, \u015f\u00f6yle ya da b\u00f6yle, varolu\u015funun an\u0131t\u0131n\u0131n ne olaca\u011f\u0131na karar vermesi gerekir.<br \/>\u2026<\/p>\n<p style=\"text-align: justify;\"><strong>Viktor Emil Frankl Kimdir?<\/strong><\/p>\n<p>3.viyana okulu olarak bilinen ak\u0131m\u0131n kurucusudur..varolu\u015fcu terapinin en \u00f6nemli ismi olan victor e. frankl kendi geli\u015ftirdi\u011fi kuram\u0131n ad\u0131n\u0131 logoterapi( anlam merkezli terapi) olarak adland\u0131rm\u0131\u015ft\u0131r..kuram\u0131nda ya\u015fam\u0131n anlam\u0131na \u00f6zellikle vurgu yapan frankl , 2.d\u00fcnya sava\u015f\u0131nda polonya i\u00e7erisindeki alman toplama kamplar\u0131nda 4 y\u0131l kadar s\u00fcren bir tutsakl\u0131k ge\u00e7irmi\u015ftir.Burada ya\u015fad\u0131\u011f\u0131 ve g\u00f6rd\u00fc\u011f\u00fc ya\u015fant\u0131lar onun logoterapi adl\u0131 psikoterapi kuram\u0131n\u0131 ger\u00e7ekle\u015ftirmesine yol a\u00e7m\u0131\u015ft\u0131r..ya\u015fam\u0131n anlam\u0131n\u0131 bulabilmek i\u00e7in \u00f6ncelikle bir amac\u0131m\u0131z\u0131n olmas\u0131 gerekti\u011fini vurgulayan frankl ac\u0131n\u0131n vazge\u00e7ilmez oldu\u011fu durumlarda ac\u0131n\u0131n da bir anlam\u0131 olabilece\u011fini vurgular..logoterapide di\u011fer varolu\u015f\u00e7u terapistlerden farkl\u0131 olarak iki teknik geli\u015ftirilmi\u015ftir..paradoksal niyet ve d\u00fc\u015f\u00fcnce oda\u011f\u0131n\u0131 de\u011fi\u015ftirme..bu terapi \u00f6zellikle ac\u0131 \u00e7eken,hayat\u0131n anlam\u0131n\u0131 sorgulayan ki\u015filerde olduk\u00e7a etkili bir terapi y\u00f6ntemidir..bu terapi y\u00f6ntemi ve teknikleri psikolojik dan\u0131\u015fmanlarca ve di\u011fer terapistlerce s\u0131kl\u0131kla kullan\u0131lmaktad\u0131r..<\/p>\n","protected":false},"excerpt":{"rendered":"<p>Mizah duygusu geli\u015ftirme ve olaylar\u0131 mizahi bir \u0131\u015f\u0131k alt\u0131nda g\u00f6rme \u00e7abas\u0131, ya\u015fama sanat\u0131nda ustala\u015f\u0131rken \u00f6\u011frenilen bir hiledir. Ama her an her yerde ac\u0131 bulunmas\u0131na kar\u015f\u0131n bir toplama kamp\u0131nda bile ya\u015fama sanat\u0131n\u0131 uygulamak olas\u0131d\u0131r. Bir benzetme yapacak olursak, bir insan\u0131n ac\u0131 \u00e7ekmesi, bo\u015f bir odadaki gaz\u0131n davran\u0131\u015f\u0131na benzer. Bo\u015f bir odaya belli miktarda gaz verildi\u011fi zaman, [&hellip;]<\/p>\n","protected":false},"author":1,"featured_media":0,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[52],"tags":[],"class_list":["post-4780","post","type-post","status-publish","format-standard","category-psikoloji"],"yoast_head":"<!-- This site is optimized with the Yoast SEO Premium plugin v24.9 (Yoast SEO v24.9) - https:\/\/yoast.com\/wordpress\/plugins\/seo\/ -->\n<title>\u0130nsan\u0131n Anlam Aray\u0131\u015f\u0131 | Viktor Emil Frankl - narteks.net<\/title>\n<meta name=\"robots\" content=\"index, follow, max-snippet:-1, max-image-preview:large, max-video-preview:-1\" \/>\n<link rel=\"canonical\" href=\"https:\/\/narteks.net\/index.php\/2010\/11\/13\/insanin-anlam-arayisi-viktor-emil-frankl\/\" \/>\n<meta property=\"og:locale\" content=\"tr_TR\" \/>\n<meta property=\"og:type\" content=\"article\" \/>\n<meta property=\"og:title\" content=\"\u0130nsan\u0131n Anlam Aray\u0131\u015f\u0131 | Viktor Emil Frankl\" \/>\n<meta property=\"og:description\" content=\"Mizah duygusu geli\u015ftirme ve olaylar\u0131 mizahi bir \u0131\u015f\u0131k alt\u0131nda g\u00f6rme \u00e7abas\u0131, ya\u015fama sanat\u0131nda ustala\u015f\u0131rken \u00f6\u011frenilen bir hiledir. Ama her an her yerde ac\u0131 bulunmas\u0131na kar\u015f\u0131n bir toplama kamp\u0131nda bile ya\u015fama sanat\u0131n\u0131 uygulamak olas\u0131d\u0131r. Bir benzetme yapacak olursak, bir insan\u0131n ac\u0131 \u00e7ekmesi, bo\u015f bir odadaki gaz\u0131n davran\u0131\u015f\u0131na benzer. 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