![](\"http:\/\/rugzo.com\/wp-content\/uploads\/2009\/12\/e2ee_2.jpg\")
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Bedri Rahmi Eyubo\u011flu (1913, G\u00f6rele – 21 Eyl\u00fcl 1975, \u0130stanbul), d\u00fcnyaca \u00fcnl\u00fc T\u00fcrk ressam ve \u015fairdir.<\/p>\n
1927\u2019de Trabzon Lisesinde \u00fcnl\u00fc ressam Zeki Kocamemi\u2019nin \u00f6\u011frencisi oldu. Onun y\u00f6nlendirmesi ile 1929\u2019da \u0130stanbul G\u00fczel Sanatlar Lisesi\u2019ne girdi. \u0130lk \u015fiirlerini de lise y\u0131llar\u0131nda iken yazd\u0131. 1933\u2019ten sonra edebiyat dergilerinde \u015fiirler yay\u0131nlad\u0131, 1941\u2019den sonra \u015fiir kitaplar\u0131 yazd\u0131.<\/p>\n
Geleneksel halk sanatlar\u0131ndan se\u00e7ti\u011fi motifleri ba\u015far\u0131l\u0131 bir bi\u00e7imde kulland\u0131\u011f\u0131 gibi \u015fiirlerinde de halk edebiyat\u0131n\u0131n masal, deyi\u015f gibi t\u00fcrlerine kar\u015f\u0131 duydu\u011fu hayranl\u0131\u011f\u0131 yans\u0131tt\u0131.<\/p>\n
1940\u2019lardan sonra duvar resimlerine y\u00f6nelen Bedri Rahmi, Paris\u2019te \u0130nsan M\u00fczesi\u2019nde ilkel kavimlerin sanat\u0131n\u0131 inceledikten sonra g\u00fczelin yararl\u0131, yararl\u0131n\u0131n g\u00fczel olabilece\u011fi fikrini benimsedi ve eserlerinde bu g\u00f6r\u00fc\u015f\u00fc yans\u0131tt\u0131. 1950\u2019de mozaik \u00e7al\u0131\u015fmalar\u0131na ba\u015flad\u0131 ve bu alanda uluslararas\u0131 ba\u015far\u0131lar elde etti. 1958’de Uluslararas\u0131 Br\u00fcksel Sergisi i\u00e7in 272 m\u00b2’lik bir mozaik pano ger\u00e7ekle\u015ftirdi ve bu eseriyle serginin b\u00fcy\u00fck \u00f6d\u00fcl\u00fc olan alt\u0131n madalyay\u0131 kazand\u0131. Bundan bir y\u0131l sonra Paris’teki NATO yap\u0131s\u0131 i\u00e7in, \u015fimdi Br\u00fcksel’de bulunan, 50 m\u00b2’lik bir mozaik pano haz\u0131rlad\u0131. 1960 ve 1961’de iki kez ABD’ye gitti. Orada bir\u00e7ok geziye kat\u0131ld\u0131, konferanslar verdi ve resim \u00e7al\u0131\u015fmalar\u0131 yapt\u0131. 1969’da Sao Paulo Bienali’nde onur madalyas\u0131 kazand\u0131.<\/p>\n
1927\u2019de ba\u015flad\u0131\u011f\u0131 resim \u00f6\u011fretmenli\u011fini ise \u00f6l\u00fcm\u00fcne kadar s\u00fcrd\u00fcrm\u00fc\u015f ve \u00e7ok say\u0131da \u00f6\u011frenci yeti\u015ftirmi\u015ftir.<\/p>\n
\u015eiirleri ve yaz\u0131lar\u0131<\/p>\n
Bedri Rahmi daha orta okulda \u015fiire ilgi duymu\u015ftur.1928’de Lise \u00f6\u011frencisiyken \u015fiir yazmaya ba\u015flam\u0131\u015ft\u0131r. \u015eiirlerine, 1933’ten sonra Yeditepe, Ses, G\u00fcney, \u0130nsan, \u0130nk\u0131lap\u00e7\u0131 Gen\u00e7lik ve Varl\u0131k1941’den ba\u015flayarak \u00e7e\u015fitli \u015fiir kitaplar\u0131 yay\u0131mlanm\u0131\u015ft\u0131r. Halk edebiyat\u0131n\u0131n masal, \u015fiir, deyi\u015f gibi her t\u00fcr\u00fcne kar\u015f\u0131 duydu\u011fu hayranl\u0131k, \u015fiirlerine de yans\u0131m\u0131\u015ft\u0131r. Halk dilinden ve \u015fiirinden ald\u0131\u011f\u0131 \u00f6\u011feleri kendine \u00f6zg\u00fc bir bi\u00e7imde kullanarak halk diline yakla\u015fma \u00e7abas\u0131n\u0131 sonuna dek g\u00f6t\u00fcrm\u00fc\u015ft\u00fcr. Bu nitelikleriyle \u015fiirleri, resimleriyle b\u00fcy\u00fck bir benzerlik g\u00f6sterir. Ak\u0131c\u0131, rahat bir dille kaleme ald\u0131\u011f\u0131 gezi ve deneme yaz\u0131lar\u0131nda ise s\u00fcrekli g\u00fcndeminde olan halk k\u00fclt\u00fcr\u00fc, halk sanat\u0131 konular\u0131ndaki g\u00f6r\u00fc\u015flerini sergilemi\u015ftir. dergilerinde yer verilmi\u015ftir.<\/p>\n
Ba\u015fl\u0131ca yap\u0131tlar\u0131<\/p>\n
Yap\u0131t\u0131<\/p>\n
* Paris, 1930
* Mustafa Ey\u00fcbo\u011flu, 1933
* Yaz\u0131l\u0131 Nat\u00fcrmort, 1936
* Sal\u0131 Pazar\u0131, 1938
* Eren, 1940
* Nallanan \u00d6k\u00fcz, 1947
* D\u00fc\u015f\u00fcnen Adam, 1953
* K\u00f6yl\u00fc Kad\u0131n (Tren-Yatakl\u0131 Vagon), \u0130stanbul Resim ve Heykel M\u00fczesi
* Karadut Sat\u0131c\u0131s\u0131, 1954
* \u00c7\u00f6melmi\u015f K\u00f6yl\u00fc, 1972
* Ankara’n\u0131n Kavaklar\u0131, 1973
* Han Kahvesi, 1973
* Mor Takkeli Hac\u0131, 1974
* Son Kahve, 1975
* Anadoluhisar\u0131, Ankara Resim ve Heykel M\u00fczesi
* \u00c7\u0131plak
* Ev \u0130\u00e7i, \u0130stanbul Resim ve Heykel M\u00fczesi
* Han, 1975 (son resmi)<\/p>\n
Duvar Resmi<\/p>\n
* Lido Y\u00fczme Havuzu’nda duvar resmi
* \u0130stanbul Hilton Oteli’nde duvar resmi
* Divan Oteli’nde duvar resmi<\/p>\n
Mozaik Pano<\/p>\n
* Uluslararas\u0131 Br\u00fcksel Sergisi i\u00e7in mozaik pano, 1958
* NATO yap\u0131s\u0131nda mozaik pano, 1959, Br\u00fcksel
* \u0130stanbul E\u011fitim ve Ara\u015ft\u0131rma Hastanesi’ndeki seramik pano, 1959, Samatya\/\u0130stanbul
* Etibank yap\u0131s\u0131nda seramik pano, Ankara
* Marmara Oteli’nde mozaik pano, Ankara
* Vakko Fabrikas\u0131’nda mozaik pano, Topkap\u0131\/\u0130stanbul<\/p>\n
Duvar Kabartmas\u0131<\/p>\n
* Manifaturac\u0131lar \u00c7ar\u015f\u0131s\u0131’nda duvar kabartmas\u0131, Unkapan\u0131\/\u0130stanbul
* Aksu \u0130\u015fhan\u0131’nda duvar kabartmas\u0131, Karak\u00f6y\/\u0130stanbul<\/p>\n
\u015eiir<\/p>\n
* Yaradana Mektuplar, 1941
* Karadut, 1948
* Tuz, 1952
* \u00dc\u00e7\u00fc Birden, 1953
* D\u00f6rd\u00fc Birden, 1956
* Karadut 69, 1969
* Dol Karabak\u0131r Dol, 1974
* Ya\u015fad\u0131m, 1977 (\u00f6l\u00fcm\u00fcnden sonra yay\u0131nlanan t\u00fcm \u015fiirleri)
* T\u00fcrk\u00fcler Dolusu
* Sevgi \u00dcst\u00fcne
* \u00dc\u00e7 Dil
* Mavi Gezi
* istida
* \u00c7ak\u0131l
* Bahar ve Biz
* deniz T\u00fcrk\u00fcs\u00fc
* Gel Vur
* sitem
* B\u00fcy\u00fck \u015eehir
* Zindan\u0131 Ta\u015ftan Oyarlar
* Taze Taze<\/p>\n
Gezi ve Deneme<\/p>\n
* C\u00e2n\u0131m Anadolu, 1953
* Tezek, 1975
* Delifi\u015fek, 1975
* Resme Ba\u015flarken, 1977 (\u00f6l\u00fcm\u00fcnden sonra)<\/p>\n
Monografi<\/p>\n
* Nazmi Ziya, 1937
* Resim Alb\u00fcm\u00fc: Binbir Bedros, 1977 (\u00f6l\u00fcm\u00fcnden sonra)
* Karadut, 1979 (\u00f6l\u00fcm\u00fcnden sonra)
* Babatomiler, 1979 (\u00f6l\u00fcm\u00fcnden sonra)
* Babacan mert 1971<\/p>\n
Bedri Rahmi EY\u00dcBO\u011eLU’nun At\u00f6lyesinin Giri\u015finde As\u0131l\u0131 Bulunan Yemini<\/p>\n
Bug\u00fcne kadar resim sanat\u0131 alan\u0131nda Yap\u0131lagelmi\u015f olanlar\u0131 inceleyece\u011fime Kendini b\u00fct\u00fcn d\u00fcnyaya kabul ettirmi\u015fler Aras\u0131nda beni en \u00e7ok saranlar\u0131n\u0131 ay\u0131rarak Onlara kendi aramalar\u0131m\u0131, denemelerimi Kataca\u011f\u0131ma Al\u0131\u015f\u0131la gelmi\u015f, basmakal\u0131p, haz\u0131rlop Kli\u015fele\u015fmi\u015f \u00e7i\u011fnene \u00e7i\u011fnene tad\u0131 tuzu Kalmam\u0131\u015f hi\u00e7bir \u015feyi tekrarlamayaca\u011f\u0131ma Elimden \u00e7\u0131kan her \u00e7izgiye Her lekeye Her renge Her bene\u011fe Kendi akl\u0131m\u0131 Kendi tecr\u00fcbemi Kendi tasam\u0131 Kendi \u00f6mr\u00fcm\u00fc, y\u00fcre\u011fimi basaca\u011f\u0131ma Ald\u0131\u011f\u0131m nefes, i\u00e7ti\u011fim su, bast\u0131\u011f\u0131m toprak G\u00f6z\u00fcm, kula\u011f\u0131m, burnum, Elim, belim, dilim, derim \u00fcst\u00fcne Yemin ederim<\/p>\n
Yemini bozdu\u011fum g\u00fcn Burdan giderim.<\/p>\n","protected":false},"excerpt":{"rendered":"
Bedri Rahmi Eyubo\u011flu (1913, G\u00f6rele – 21 Eyl\u00fcl 1975, \u0130stanbul), d\u00fcnyaca \u00fcnl\u00fc T\u00fcrk ressam ve \u015fairdir. 1927\u2019de Trabzon Lisesinde \u00fcnl\u00fc ressam Zeki Kocamemi\u2019nin \u00f6\u011frencisi oldu. Onun y\u00f6nlendirmesi ile 1929\u2019da \u0130stanbul G\u00fczel Sanatlar Lisesi\u2019ne girdi. \u0130lk \u015fiirlerini de lise y\u0131llar\u0131nda iken yazd\u0131. 1933\u2019ten sonra edebiyat dergilerinde \u015fiirler yay\u0131nlad\u0131, 1941\u2019den sonra \u015fiir kitaplar\u0131 yazd\u0131. Geleneksel halk sanatlar\u0131ndan […]<\/p>\n","protected":false},"author":1,"featured_media":0,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[13],"tags":[],"class_list":{"0":"post-552","1":"post","2":"type-post","3":"status-publish","4":"format-standard","6":"category-b-rahmi-eyuboglu"},"yoast_head":"\n