{"id":594,"date":"2009-04-14T11:40:55","date_gmt":"2009-04-14T08:40:55","guid":{"rendered":"http:\/\/localhost\/wordpress\/2009\/04\/14\/siir-yasami-cepecevre-saran-bir-butunselliktir-can-yucel-biyografisi\/"},"modified":"2009-04-14T11:40:55","modified_gmt":"2009-04-14T08:40:55","slug":"siir-yasami-cepecevre-saran-bir-butunselliktir-can-yucel-biyografisi","status":"publish","type":"post","link":"https:\/\/narteks.net\/index.php\/2009\/04\/14\/siir-yasami-cepecevre-saran-bir-butunselliktir-can-yucel-biyografisi\/","title":{"rendered":"\u015eiir ya\u015fam\u0131 \u00e7epe\u00e7evre saran bir b\u00fct\u00fcnselliktir | Can Y\u00fccel Biyografisi"},"content":{"rendered":"

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Can Y\u00fccel<\/strong> (1926 – 12 A\u011fustos 1999)<\/p>\n

\u015eair, yazar, felsefe hocas\u0131, milletvekili, konservatuar ve k\u00f6y enstit\u00fclerinin kurucusu Hasan Ali Y\u00fccel’in o\u011flu Can Y\u00fccel, 1926’da \u0130stanbul’da d\u00fcnyaya geldi. Ankara ve Cambridge \u00fcniversitelerinde Latince ve Yunanca okudu. 1950 ‘de yurda geri d\u00f6nd\u00fc ve ayn\u0131 y\u0131l babas\u0131n\u0131n \u00f6nerisi ve deste\u011fi ile ilk kitab\u0131 ”yazma”y\u0131 \u00e7\u0131kartt\u0131. 1956 y\u0131l\u0131nda G\u00fcler Y\u00fccel ile evlendi. Bu y\u0131llarda Che Guevera ve Mao’dan \u00e7eviriler yapt\u0131\u011f\u0131 gerek\u00e7esiyle 15 y\u0131la mahkum oldu. \u0130ki y\u0131l sonra genel bir afla d\u0131\u015far\u0131 \u00e7\u0131kt\u0131. D\u0131\u015far\u0131 \u00e7\u0131k\u0131\u015f\u0131n\u0131n ard\u0131ndan ”Bir Siyasinin \u015eiirleri” adl\u0131 kitab\u0131n\u0131 yay\u0131nlad\u0131. \u015eair’in bu kitab\u0131 i\u00e7in ilk kez yo\u011fun ve ciddi \u015fiirle ilgilendi\u011fi d\u00f6nemin \u015fiirlerini i\u00e7erir diyebiliriz. “Bir Siyasinin \u015eiirleri” nin \u00f6ns\u00f6z\u00fcn\u00fc yazan Refik Durba\u015f, kitab\u0131 ”Can Y\u00fccel’i geni\u015f okuyucu kitlesiyle bulu\u015fturan, ki\u015fisel ve toplumsal ya\u015fam\u0131n ac\u0131 bir d\u00f6nemini dile getiren, \u00f6fkeli, alayc\u0131, boyun e\u011fmeyen, siyasal \u015fiirlere a\u011f\u0131rl\u0131k verilen bir kitap” olarak de\u011ferlendirir. Can Y\u00fccel ise yazd\u0131ktan seneler sonra, “ki\u015finin d\u0131\u015f bask\u0131lar\u0131n h\u0131\u015fm\u0131 kar\u015f\u0131s\u0131nda kendi \u00f6z\u00fcn\u00fc h\u0131rpalatt\u0131rmamak i\u00e7in, hatta yitirmemek i\u00e7in kulland\u0131\u011f\u0131 bir savunma mekanizmas\u0131, bask\u0131n\u0131n, ac\u0131n\u0131n \u00fcst\u00fcne gidi\u015f” olarak nitelendirir.<\/p>\n

\u015eair 1973’de “Sevgi Duvar\u0131” kitab\u0131yla kitlelerle daha yayg\u0131n bir \u015fekilde bulu\u015ftu. \u015eiir kitaplar\u0131 ardarda gelmeye ba\u015flad\u0131 : “\u00d6l\u00fcm ve O\u011flum”, “\u015eiir Alay\u0131”, “Rengahenk”, “G\u00f6kyoku\u015f”, “Gece Vardiyas\u0131”, “G\u00fcle G\u00fcle Seslerin Sessizli\u011fi” ….. Bunlardan baz\u0131lar\u0131.<\/p>\n

\u00a0<\/p>\n

Can Y\u00fccel ayr\u0131ca Lorca, Shakespeare, Brecht gibi \u00fcnl\u00fc yazarlar\u0131n oyunlar\u0131ndan \u00e7eviriler yapt\u0131. Bu kendine has \u00e7eviriler kimi zaman be\u011fenilip ayakta alk\u0131\u015flan\u0131rken, kimi zaman ele\u015ftiri konusu oldu. Son y\u0131llarda her hafta “Leman”da her ay “\u00d6k\u00fcz” de yaz\u0131lar\u0131 ve \u015fiirleri yay\u0131nland\u0131. “Mekan\u0131m Dat\u00e7a Olsun” demi\u015fti. 12 A\u011fustos 1999 gecesi yitirdi\u011fimiz \u015fair, \u00e7ok sevdi\u011fi G\u00fcnebakan \u00e7i\u00e7ekleriyle u\u011furlanarak Dat\u00e7a’ya g\u00f6m\u00fcld\u00fc.<\/p>\n

1988′ de kendisiyle yap\u0131lan bir s\u00f6yle\u015fide bu ifadeyi kullanan Can Y\u00fccel, m\u00fczi\u011fe ge\u00e7i\u015fini \u015f\u00f6yle anlat\u0131r : ”\u0130lk \u015fiirimi on ya\u015f\u0131nda yazd\u0131m. Babam\u0131n metresi olan han\u0131m\u0131n yuvas\u0131ndayken. Yuvada bir \u00e7ocuk \u00f6ld\u00fc. \u00c7ok \u00fcz\u00fcld\u00fcm, arkas\u0131ndan bir \u015fiir yazd\u0131m. \u015eiirime babam\u0131n yard\u0131m\u0131 \u00e7ok oldu. \u015eiire elveri\u015fli bir d\u00fcnya yaratm\u0131\u015ft\u0131 babam bana… Hep \u015fiir \u00e7evresindeydim. Dili iyi biliyorsan, \u015fiirin ne oldu\u011funu biliyorsan yazmadan duramazs\u0131n.”
\u015eairin \u015fiire bak\u0131\u015f a\u00e7\u0131s\u0131n\u0131 d\u00fc\u015f\u00fcnd\u00fc\u011f\u00fcm\u00fczde, Octavia Paz’la ili\u015fkilendirmekte zorlanmay\u0131z. Bu ili\u015fkiyi kuran ortakl\u0131k, ”Tek bir \u015fiirin, kendini b\u00fct\u00fcn \u015fairlere yazd\u0131rmas\u0131” d\u00fc\u015f\u00fcncesidir. Octavia Paz, ”\u015eairler asl\u0131nda bir tek \u015fiiri yazar” derken, Can Y\u00fccel \u015funlar\u0131 s\u00f6yler : ”Ben \u015fiiri ciddiye alm\u0131yorum ki zaten, yeter ki \u015fiir beni ciddiye als\u0131n! Davetsiz misafirdir…Pat diye gelir O, ya bir afrika menek\u015fesini ya \u00f6len bir delikanl\u0131y\u0131 bahane eder, oturur kar\u015f\u0131ma, kald\u0131rabilirsen kald\u0131r art\u0131k.”<\/p>\n

\u015eiiri ya\u015fam\u0131 \u00e7epe\u00e7evre saran bir b\u00fct\u00fcnsellik olarak de\u011ferlendiren \u015fairin \u015fiirindeki temel \u00f6\u011feler, bu b\u00fct\u00fcnsellik anlay\u0131\u015f\u0131yla ba\u011fda\u015f\u0131r : Mizah, alay, yergi, \u00f6fke, sevecenlik, lirizm, ele\u015ftirel bir d\u00fcnya g\u00f6r\u00fc\u015f\u00fc, siyasal bilin\u00e7…
Can Y\u00fccel’de mizah ve yergi ba\u015fkas\u0131n\u0131 k\u00fc\u00e7\u00fck d\u00fc\u015f\u00fcren, g\u00fcl\u00fcn\u00e7le\u015ftiren bir mizah de\u011fildir. Yalan\u0131, aldatmacay\u0131, haks\u0131zl\u0131\u011f\u0131 toplumsal d\u00fczenin \u00fcr\u00fcn\u00fc olmas\u0131 a\u00e7\u0131s\u0131ndan ele al\u0131r ve zaman zaman bunlar\u0131n fark\u0131nda de\u011filmi\u015f gibi kendisiyle de dalga ge\u00e7er. O’nun \u015fiirlerinde aldatan\u0131n da aldat\u0131lan\u0131n da g\u00fcl\u00fcn\u00e7l\u00fc\u011f\u00fcn\u00fc buluruz.<\/p>\n

Can Y\u00fccel \u015fiirlerinde var olan ironi i\u00e7in \u015funlar\u0131 s\u00f6yler :<\/p>\n

”Harika odur ki, insanlar kendi adlar\u0131na de\u011fil, kainat ad\u0131na yazarlar. B\u00fct\u00fcnselli\u011fin d\u0131\u015f\u0131nda bir \u015fiir yoktur. Hayat ve \u00f6l\u00fcm de bir b\u00fct\u00fcnd\u00fcr. \u015eiir bu b\u00fct\u00fcnden \u00e7\u0131kan \u00e7\u0131lg\u0131nl\u0131kt\u0131r. \u00c7ok a\u011f\u0131r ge\u00e7en hayat\u0131m\u0131z\u0131n i\u00e7inde ironi, b\u00fct\u00fcnselli\u011fi bozmayacak ana \u00e7aredir. Bir diren\u00e7 kahkahas\u0131d\u0131r.”Kendisiyle yap\u0131lan bir s\u00f6yle\u015fide, \u015fiir ve dil hakk\u0131ndak\u0131 g\u00f6r\u00fc\u015flerini \u015f\u00f6yle aktarmaktad\u0131r : ”Goethe der ya : dil orman gibidir. A\u011fa\u00e7lar \u00e7\u00fcr\u00fcr orman kal\u0131r. Bizde a\u011fa\u00e7lar\u0131 kesmeye kalkt\u0131lar.Bizde kat\u0131ld\u0131k buna.Hala kahroluyorum.Yanl\u0131\u015ft\u0131. Sadele\u015ftirme meselesi o b\u00fct\u00fcnl\u00fc\u011f\u00fcn i\u00e7inde s\u00f6zc\u00fckleri, t\u00fcmceleri nereye oturttu\u011funun hesab\u0131n\u0131 vermek meselesidir. Kelimeler b\u00fct\u00fcnselli\u011fin par\u00e7alar\u0131d\u0131rlar. \u015eiir kelimeleri bu galaksiye hediye etmektir.” Can Y\u00fccel \u015fiirine bu s\u00f6zler \u0131\u015f\u0131\u011f\u0131nda bakt\u0131\u011f\u0131m\u0131zda, t\u00f6resel dil anlay\u0131\u015f\u0131na kar\u015f\u0131 \u00e7\u0131k\u0131\u015f\u0131 g\u00f6r\u00fcr\u00fcz. Bu kar\u015f\u0131 \u00e7\u0131k\u0131\u015f \u015fiirse s\u00f6zc\u00fck da\u011farc\u0131\u011f\u0131n\u0131n geni\u015fletilmesi ile beslenir. K\u00fcf\u00fcrler ve kaba s\u00f6zc\u00fckler bu kar\u015f\u0131 \u00e7\u0131k\u0131\u015fla, \u015fiirin i\u00e7ine girmi\u015ftir<\/p>\n

Can Y\u00fccel’in \u015fiirsel imgesini kuru\u015fundaki kaynaklar\u0131; do\u011fa, insanlar, olaylar,kavramlar, heyecanlar duyumlar ve duygulard\u0131r. \u015eiirlerinin \u00e7o\u011funda sevdi\u011fi insanlar\u0131 buluruz. ”Maaile” \u015fairin kitaplar\u0131ndan birine koydu\u011fu bir ad. \u015eair i\u00e7in ailesi \u00e7ok \u00f6nemlidir, e\u015fi, \u00e7ocuklar\u0131 torunlar\u0131, babas\u0131… Bu insanlarla olan sevgi dolu ya\u015fam\u0131 \u015fiirlerine yans\u0131maktad\u0131r. ”K\u00fc\u00e7\u00fck K\u0131z\u0131m Su’ya”, ”G\u00fczel’e”, ”Yeni Hasan’a Yolluk”, ”Hayatta Ben En \u00e7ok Babam\u0131 Sevdim” bu sevgi \u015fiirlerinden baz\u0131lar\u0131d\u0131r.
\u015eairdeki imgeyi d\u00f6n\u00fc\u015ft\u00fcrme i\u015flemi, ger\u00e7ek\u00fcst\u00fcc\u00fclerin \u00fczerinde durmu\u015f olduklar\u0131 bilin\u00e7d\u0131\u015f\u0131n\u0131 \u00f6zg\u00fcrle\u015ftirme \u00e7abas\u0131yla ba\u011fda\u015f\u0131r.<\/p>\n

\u015eair Can Y\u00fccel’in Vikipedi’ye yans\u0131yan hayat\u0131<\/strong><\/p>\n

<\/span> <\/span><\/h2>\n

Can Y\u00fccel, 1926’da \u0130stanbul<\/span>‘da do\u011fdu.Milli E\u011fitim Bakanl\u0131\u011f\u0131 yapm\u0131\u015f ve k\u00f6y enstit\u00fclerinin kurucusu Hasan Ali Y\u00fccel<\/span>\u2019in o\u011fludur.Ankara ve Cambridge \u00fcniversitelerinde Latince ve Yunanca okudu. \u00c7e\u015fitli el\u00e7iliklerde \u00e7evirmenlik, Londra\u2019da BBC\u2019nin T\u00fcrk\u00e7e b\u00f6l\u00fcm\u00fcnde spikerlik yapt\u0131.<\/p>\n

Askerli\u011fini Kore\u2019de yapt\u0131. 1958\u2019de T\u00fcrkiye\u2019ye d\u00f6nd\u00fckten sonra bir s\u00fcre Bodrum<\/span>\u2019da turist rehberi olarak \u00e7al\u0131\u015ft\u0131. Ard\u0131ndan ba\u011f\u0131ms\u0131z \u00e7evirmen ve \u015fair olarak ya\u015fam\u0131n\u0131 \u0130stanbul<\/span>\u2019da s\u00fcrd\u00fcrd\u00fc. 1956 y\u0131l\u0131nda G\u00fcler Y\u00fccel ile evlendi. Bu evlilikten iki k\u0131z\u0131 (G\u00fczel ve Su) ve bir o\u011flu (Hasan) oldu.<\/p>\n

Son y\u0131llar\u0131nda Dat\u00e7a<\/span>\u2019ya yerle\u015fti ve her hafta Leman<\/span>, her ay \u00d6k\u00fcz<\/span> dergilerinde yaz\u0131lar\u0131 ve \u015fiirleri yay\u0131mland\u0131. Cumhurba\u015fkan\u0131 S\u00fcleyman Demirel`e hakaretten yarg\u0131lanan Y\u00fccel, 18 Nisan se\u00e7imlerinde \u00d6DP`nin \u0130zmir 1. s\u0131ra milletvekili aday\u0131 oldu. 12 A\u011fustos 1999 gecesi \u00f6len \u015fair, \u00e7ok sevdi\u011fi g\u00fcnebakan \u00e7i\u00e7ekleriyle u\u011furlanarak Dat\u00e7a<\/span>‘ya g\u00f6m\u00fcld\u00fc.<\/p>\n

Can Y\u00fccel, 1945-1965 y\u0131llar\u0131 aras\u0131nda `Yenilikler`, `Beraber`, `Se\u00e7ilmi\u015f Hikayeler`, `Dost`, `Sosyal Adalet`, `\u015eiir Sanat\u0131`, `D\u00f6nem`,`Ant`, `\u0130mece` ve `Papir\u00fcs` adl\u0131 dergilerde yazd\u0131. Daha sonralar\u0131 `Yeni Dergi`, \u2018Birikim`, `Sanat Eme\u011fi`, `Yazko Edebiyat` ve `Yeni D\u00fc\u015f\u00fcn` dergilerinde yay\u0131mlad\u0131\u011f\u0131 \u015fiir, yaz\u0131 ve \u00e7eviri \u015fiirleri ile tan\u0131nan Y\u00fccel<\/span>, 1965`ten sonra siyasal konularda da \u00fcr\u00fcn verdi. 12 Mart 1971 d\u00f6neminde Che Guevara ve Mao<\/span>‘dan \u00e7eviriler yapt\u0131\u011f\u0131 gerek\u00e7esiyle 15 y\u0131l hapse mahkum oldu. 1974\u2019de \u00e7\u0131kar\u0131lan genel afla d\u0131\u015far\u0131 \u00e7\u0131kt\u0131. D\u0131\u015far\u0131 \u00e7\u0131k\u0131\u015f\u0131n\u0131n ard\u0131ndan hapiste yazd\u0131\u011f\u0131 Bir Siyasinin \u015eiirleri<\/em> adl\u0131 kitab\u0131n\u0131 yay\u0131mlad\u0131. 12 Eyl\u00fcl 1980 sonras\u0131nda m\u00fcstehcen oldu\u011fu iddias\u0131yla “Rengahenk” adl\u0131 kitab\u0131 toplat\u0131ld\u0131.<\/p>\n

1962’de \u0130ngiltere’deyken, 1709 y\u0131l\u0131ndan kalma, Latin harfleriyle ta\u015f bask\u0131s\u0131 olarak bas\u0131lm\u0131\u015f bir T\u00fcrk\u00e7e dilbilgisi kitab\u0131 bulmas\u0131 geni\u015f yank\u0131 uyand\u0131rd\u0131.<\/p>\n

\u015eiirlerinde argo ve m\u00fcstehcen s\u00f6zlere \u00e7ok s\u0131k yer veren, bu nedenle zaman zaman dikkatleri \u00fczerine \u00e7ekip ko\u011fu\u015fturmaya u\u011frayan Y\u00fccel, ilk \u015fiirlerini 1950 y\u0131l\u0131nda `Yazma` adl\u0131 kitapta toplam\u0131\u015ft\u0131r.<\/p>\n

Can Y\u00fccel, ta\u015flama ve toplumsal duyarl\u0131l\u0131\u011f\u0131n a\u011f\u0131r bast\u0131\u011f\u0131 \u015fiirlerinde, yal\u0131n dili ve bulu\u015flar\u0131 ile dikkati \u00e7ekti. Can Y\u00fccel’in ilham kaynaklar\u0131 ve \u015fiirlerinin konular\u0131; do\u011fa, insanlar, olaylar, kavramlar, heyecanlar, duyumlar ve duygulard\u0131r. \u015eiirlerinin \u00e7o\u011funda sevdi\u011fi insanlar vard\u0131r. ‘Maaile’ \u015fairin kitaplar\u0131ndan birine koydu\u011fu bir ad. Can Y\u00fccel<\/strong> i\u00e7in ailesi \u00e7ok \u00f6nemlidir: e\u015fi, \u00e7ocuklar\u0131 torunlar\u0131, babas\u0131.. Bu insanlarla olan sevgi dolu ya\u015fam\u0131 \u015fiirlerine yans\u0131m\u0131\u015ft\u0131r. ‘K\u00fc\u00e7\u00fck K\u0131z\u0131m Su’ya’, ‘G\u00fczel’e’, ‘Yeni Hasan’a Yolluk’, ‘Hayatta Ben En \u00e7ok Babam\u0131 Sevdim’ bu sevgi \u015fiirlerinden baz\u0131lar\u0131d\u0131r.<\/p>\n

Can Y\u00fccel ayr\u0131ca Lorca, Shakespeare<\/span>, Brecht<\/span> gibi \u00fcnl\u00fc yazarlar\u0131n oyunlar\u0131ndan \u00e7eviriler yapt\u0131. Shakespeare<\/span> \u00e7evirileri (Hamlet, F\u0131rt\u0131na, Bir Yaz Gecesi R\u00fcyas\u0131) asl\u0131na tam olarak ba\u011fl\u0131 kalmasa da son derece ba\u015far\u0131l\u0131d\u0131r. Shakespeare<\/span>‘in \u00fcnl\u00fc ‘to be or not to be’ s\u00f6z\u00fcn\u00fc ‘bir ihtimal daha var, o da \u00f6lmek mi dersin’ \u015feklinde T\u00fcrk\u00e7ele\u015ftirmi\u015ftir. 1959’da ilk bask\u0131s\u0131 yay\u0131mlanan ‘Her Boydan’ adl\u0131 kitab\u0131nda d\u00fcnya \u015fairlerinin \u015fiirlerini serbest ama \u00e7ok ba\u015far\u0131l\u0131 bir bi\u00e7imde T\u00fcrk\u00e7eye \u00e7evirmi\u015ftir.<\/p>\n

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Can Y\u00fccel’in Dat\u00e7a’daki evinin bah\u00e7esinde, \u00fczerinde imzas\u0131n\u0131n bulundu\u011fu ta\u015f.<\/p><\/div>\n<\/div>\n<\/div>\n

Eserleri<\/p>\n

* Yazma (1950)
* Her Boydan (1959, \u00c7eviri \u015eiirler)
* Sevgi Duvar\u0131 (1973)
* Bir Siyasinin \u015eiirleri (1974)
* \u00d6l\u00fcm ve O\u011flum (1976)
* \u015eiir Alay\u0131 (1981, ilk d\u00f6rt \u015fiir kitab\u0131)
* Reng\u00e2henk (1982)
* G\u00f6kyoku\u015f (1984)
* Be\u015fibiyerde (1985, ilk be\u015f \u015fiir kitab\u0131)
* Canfeda (1985)
* \u00c7ok Bi \u00c7ocuk (1988)
* K\u0131sa Devre (1990)
* Kuzgunun Yavrusu (1990)
* Gece Vardiyas\u0131 (1991)
* G\u00fcle G\u00fcle-Seslerin Sessizli\u011fi (1993)
* Gezintiler (1994)
* Maaile (1995)
* Seke Seke (1997)
* Alavara (1999)
* Mek\u00e2n\u0131m Dat\u00e7a Olsun (1999)
* En Uzak Mesafe
* Benim ad\u0131m firuzansa ne olay\u0131m
* Cazc\u0131 firuzan (1997)
* hotuhlar\u0131n dram\u0131<\/p>\n

\u00c7evirileri<\/p>\n

* Hamlet (Shakespeare)1992. \u0130stanbul: Papir\u00fcs Yay\u0131nlar\u0131, 1996.
* Bahar Noktas\u0131 (Bir Yaz Gecesi R\u00fcyas\u0131’n\u0131n \u00e7evirisi) (Shakespeare) 1981. \u0130stanbul: Papir\u00fcs Yay\u0131nlar\u0131, 1996.<\/p>\n

Can Y\u00fccel’in \u015fiirlerini sitemizden okuyabilirsiniz…<\/p>\n","protected":false},"excerpt":{"rendered":"

Can Y\u00fccel (1926 – 12 A\u011fustos 1999) \u015eair, yazar, felsefe hocas\u0131, milletvekili, konservatuar ve k\u00f6y enstit\u00fclerinin kurucusu Hasan Ali Y\u00fccel’in o\u011flu Can Y\u00fccel, 1926’da \u0130stanbul’da d\u00fcnyaya geldi. 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