{"id":6872,"date":"2011-11-27T12:55:50","date_gmt":"2011-11-27T09:55:50","guid":{"rendered":"http:\/\/localhost\/wordpress\/2011\/11\/27\/dunyanin-sacmaligi-nerede-bu-pariltida-mi-yoksa-onun-yoklugunu-dusunmemde-mi-albert-camus\/"},"modified":"2011-11-27T12:55:50","modified_gmt":"2011-11-27T09:55:50","slug":"dunyanin-sacmaligi-nerede-bu-pariltida-mi-yoksa-onun-yoklugunu-dusunmemde-mi-albert-camus","status":"publish","type":"post","link":"https:\/\/narteks.net\/index.php\/2011\/11\/27\/dunyanin-sacmaligi-nerede-bu-pariltida-mi-yoksa-onun-yoklugunu-dusunmemde-mi-albert-camus\/","title":{"rendered":"D\u00fcnyan\u0131n sa\u00e7mal\u0131\u011f\u0131 nerede? Bu par\u0131lt\u0131da m\u0131, yoksa onun yoklu\u011funu d\u00fc\u015f\u00fcnmemde mi? | Albert Camus"},"content":{"rendered":"![](\"images\/stories\/camus.jpg\")
G\u00f6\u011f\u00fcn tepesinden d\u00fc\u015fen g\u00fcne\u015f dalgalar\u0131, \u00e7evremizdeki k\u0131rda s\u0131\u00e7ray\u0131p duruyor k\u0131ras\u0131ya.g\u00fcr\u00fclt\u00fc pat\u0131rt\u0131 kar\u015f\u0131s\u0131nda susuyor her \u015fey. Kar\u015f\u0131da Luberon Da\u011f\u0131 soluk almadan dinledi\u011fim bir donmu\u015f sessizlik y\u0131\u011f\u0131n\u0131 sanki. Kulak kabart\u0131yorum: Uzaktan gelenler var bana do\u011fru;g\u00f6zle g\u00f6remedi\u011fim dostlar \u00e7a\u011f\u0131r\u0131yor beni; sevincim b\u00fcy\u00fcyor, eskisi gibi. \u0130\u015fte, yeni bir mutlu bilmece her \u015feyin gizini a\u00e7\u0131yor bana.<\/p>\n
D\u00fcnyan\u0131n sa\u00e7mal\u0131\u011f\u0131 nerede? Bu par\u0131lt\u0131da m\u0131, yoksa onun yoklu\u011funu d\u00fc\u015f\u00fcnmemde mi? Kafamdaki bunca g\u00fcne\u015flere kar\u015f\u0131n, neden sa\u00e7madan,karanl\u0131ktan yana gittim? \u00c7evremde herkes \u015fa\u015f\u0131yor.Bu s\u00f6zc\u00fc\u011f\u00fc abs\u00fcrde kar\u015f\u0131l\u0131\u011f\u0131 kullan\u0131yoruz.Abs\u00fcrde,akla s\u0131\u011fmayan, mant\u0131\u011fa ayk\u0131r\u0131 anlam\u0131na gelir ve bat\u0131 dillerinde bir felsefe terimi olarak kullan\u0131l\u0131r. Matematikte bir d\u00fc\u015f\u00fcnce y\u00f6ntemi olarak da kullan\u0131l\u0131r.<\/p>\n
\u015e\u00f6yle diyebilirim onlara ve kendime :G\u00fcne\u015fin kendisi g\u00f6t\u00fcrd\u00fc beni karanl\u0131\u011fa; \u00f6ylesine kal\u0131nd\u0131 ki ayd\u0131nl\u0131\u011f\u0131,evreni b\u00fct\u00fcn bi\u00e7imleriyle p\u0131ht\u0131la\u015ft\u0131r\u0131yor, bir karanl\u0131k par\u0131lt\u0131ya bo\u011fuyordu.Ama, bu ba\u015fka t\u00fcrl\u00fc de s\u00f6ylenebilir. \u0130sterdim ki, bu alacakaranl\u0131k \u2014 ki benim i\u00e7in, her zaman ger\u00e7e\u011fin ta kendisidir \u2014 kar\u015f\u0131s\u0131nda, kendimi rahat\u00e7a anlatay\u0131m. Bu alacakaranl\u0131\u011f\u0131, d\u00fcnyan\u0131n bu sa\u00e7mal\u0131\u011f\u0131n\u0131 \u00f6ylesine biliyorum ki, ondan kabaca konu\u015fulmas\u0131na dayanam\u0131yorum.<\/p>\n
Asl\u0131nda, alacakaranl\u0131ktan konu\u015fmak bizi g\u00fcne\u015fin ta kendisine g\u00f6t\u00fcrecektir.Kimse ne oldu\u011funu s\u00f6yleyemez.Ama, ne olmad\u0131\u011f\u0131m s\u00f6yledi\u011fi olur.\u0130stiyorlar ki,arayan adam, neyi buldu\u011funu s\u00f6ylesin.Bin a\u011f\u0131zdan ona neyi buldu\u011funu s\u00f6ylerler. Ama,kendisi,daha bulamad\u0131\u011f\u0131n\u0131 bilir. Diyeceksiniz ki, sen ara ve b\u0131rak onlar konu\u015fsun. Do\u011fru. Ama uzaktan uza\u011fa insan\u0131n kendini savunmas\u0131 da gerek. Ben neyi arad\u0131\u011f\u0131m: biliyorum, onu \u00fcrke \u00fcrke adland\u0131r\u0131yorum, o de\u011fil diyorum,odur diyorum,ileri var\u0131yorum,geriliyorum. Ama, zorluyorlar beni, bulduklar\u0131n\u0131n ad\u0131n\u0131 ver, ad\u0131n\u0131 ver, kestir at, diyorlar bana. \u015eahlan\u0131yorum o zaman. Bir \u015fey, ad\u0131 kondu\u011fu anda yitirilmi\u015f de\u011fil midir? \u0130\u015fte, hi\u00e7 olmazsa bunu s\u00f6yleyebiliyorum.<\/p>\n
Bir dostumun dedi\u011fine bak\u0131l\u0131rsa, bir adam\u0131n iki ki\u015fili\u011fi vard\u0131r : Biri kendininki, biri de kar\u0131s\u0131n\u0131n onda g\u00f6rd\u00fc\u011f\u00fc. Kar\u0131s\u0131na toplum diyelim, o zaman anlar\u0131z bir yazar\u0131n b\u00fct\u00fcn bir duyu\u015fa verdi\u011fi ad\u0131n,bir yorumla nas\u0131l ondan ayr\u0131ld\u0131\u011f\u0131m ve yazar bir ba\u015fka \u015feyden konu\u015fmak istedik\u00e7e y\u00fcz\u00fcne vuruldu\u011funu. Bir \u015fey s\u00f6ylemek, onu yapmak gibidir : \u00abBu \u00e7ocuk sizden mi d\u00fcnyaya geldi?\u00bb \u00abEvet\u00bb,\u00ab\u00f6yleyse sizin o\u011flunuz bu \u00e7ocuk.\u00bb \u00abO kadar kolay de\u011fil bu i\u015f!\u00bb Nitekim, Nerval, berbat bir gecede iki kez ast\u0131 kendini;bir kez kendi dertlerine son vermek i\u00e7in,bir de ba\u015fkalar\u0131na para kazand\u0131racak bir s\u00f6ylence yaratmak i\u00e7in.Kimse ne ger\u00e7ek mutsuzluk \u00fczerine yaz\u0131 yazabilir,ne de kimi mutluluklar \u00fczerine.Ben de bunu deneyecek de\u011filim.Ama s\u00f6ylenceye gelince,onu anlatabilir insan, ve bir an i\u00e7in olsun, onu s\u00f6ylencelikten \u00e7\u0131kard\u0131\u011f\u0131n\u0131 sanabilir.<\/p>\n
Bir yazar, \u00e7okluk, okunmak i\u00e7in yazar. Bunun tersini s\u00f6yleyenleri alk\u0131\u015flayal\u0131m, ama inanmayal\u0131m onlara. Bununla birlikte, bizde yazar, gittik\u00e7e okunmama onurunu kazanmak i\u00e7in yaz\u0131yor. Yazar, bizim \u00e7ok sat\u0131lan gazetelerimizde g\u00f6z al\u0131c\u0131 bir yaz\u0131 konusu olabildi mi, bir\u00e7ok insanca tan\u0131nabilir. Ama, bu insanlar onu hi\u00e7bir zaman okumayacaklar, ad\u0131n\u0131 ve onun \u00fcst\u00fcne yaz\u0131lanlar\u0131 bilmekle yetinecekler. O andan sonra bu yazar oldu\u011fu gibi de\u011fil, aceleci bir gazetecinin onu tan\u0131tt\u0131\u011f\u0131 gibi bilinmi\u015f (daha do\u011frusu, unutulmu\u015f) olacak. Demek ki, edebiyat d\u00fcnyas\u0131nda ad yapmak i\u00e7in art\u0131k kitap yazmak gerekli de\u011fil. Ak\u015fam gazetelerinin ondan bir kitap yazm\u0131\u015f gibi s\u00f6z etmeleri elverir ve kimse de art\u0131k bu haberden \u00f6teye gitmez.<\/p>\n
Ku\u015fkusuz, bu \u00fcn b\u00fcy\u00fck k\u00fc\u00e7\u00fck, \u00e7al\u0131nma bir \u00fcnd\u00fcr. Ama, ne yapabiliriz? Bundan bir hay\u0131r gelmesini beklemekten ba\u015fka \u00e7are yok. Hekimlere g\u00f6re, kimi hastal\u0131klar hay\u0131rl\u0131d\u0131r. \u00c7\u00fcnk\u00fc, onlar daha b\u00fcy\u00fck birtak\u0131m g\u00fc\u00e7l\u00fckleri \u00f6nlemi\u015f olurlar.B\u00f6ylece, mutlu kab\u0131zlar,insana H\u0131z\u0131r gibi yeti\u015fen damar hastal\u0131klar\u0131 vard\u0131r. Her yapt\u0131\u011f\u0131m\u0131z i\u015fin bir s\u00fcr\u00fc lafa ve \u00e7abuk yarg\u0131lara bo\u011fulmas\u0131 Frans\u0131z yazar\u0131na hi\u00e7 de\u011filse bir al\u00e7ak g\u00f6n\u00fcll\u00fcl\u00fck dersi verebilir. O yazar ki, mesle\u011fine gittik\u00e7e \u00f6l\u00e7\u00fcs\u00fcz bir \u00f6nem veren bir toplum i\u00e7inde bu al\u00e7ak g\u00f6n\u00fcll\u00fcl\u00fc\u011fe son derece gereksinimi vard\u0131r.<\/p>\n
Bildi\u011fimiz birka\u00e7 gazetede ad\u0131n\u0131 g\u00f6rmek insan i\u00e7in yararl\u0131 bir s\u0131nav oluyor. Ne mutlu bize ki, her g\u00fcn bedavadan \u00f6v\u00fclerek \u015fan\u0131n \u015ferefin bo\u015f \u015feyler oldu\u011funu \u00f6\u011frenmi\u015f oluyoruz. Kopar\u0131lan g\u00fcr\u00fclt\u00fc ne kadar g\u00fc\u00e7l\u00fc olursa, o kadar \u00e7abuk s\u00f6n\u00fcyor. Alt\u0131nc\u0131 Alexandre’\u0131n bu d\u00fcnyadaki \u015fan\u0131n \u015ferefin bir duman gibi gelip ge\u00e7ti\u011fini unutmamak i\u00e7in \u00f6n\u00fcnde yakt\u0131rd\u0131\u011f\u0131 pamu\u011fun alevi gibi.<\/p>\n
Ama ac\u0131 \u015fakay\u0131 b\u0131rakal\u0131m. Bizim konumuz i\u00e7in \u015fu kadar\u0131m s\u00f6ylemek yeter : Sanat\u00e7\u0131, ister istemez,di\u015f\u00e7i ve berber salonlar\u0131nda hi\u00e7 hak etmedi\u011fini bildi\u011fi bir \u00fcn\u00fcn kendi \u00fcst\u00fcnde bir kimlik b\u0131rakaca\u011f\u0131n\u0131 bilmek ve bunu ho\u015f g\u00f6rmek zorundad\u0131r. Zaman\u0131m\u0131zda be\u011fenilen bir yazar tan\u0131d\u0131m. Ad\u0131 hovardaya \u00e7\u0131km\u0131\u015ft\u0131 : Her gece, i\u00e7kili kad\u0131nl\u0131 c\u00fcmb\u00fc\u015flerde, \u00e7\u0131plak kad\u0131nlar, kirli pasakl\u0131 \u00e7apk\u0131nlar aras\u0131nda ya\u015f\u0131yormu\u015f. Peki ama, nas\u0131l oluyor da bu adam, kitapl\u0131klar dolusu yap\u0131t vermi\u015f, buna nerden vakit bulmu\u015f, diye d\u00fc\u015f\u00fcnmemi\u015f kimse. Asl\u0131nda bu yazar, daha bir\u00e7oklar\u0131 gibi, geceleri uyur, g\u00fcnd\u00fczleri de saatlerce masas\u0131 ba\u015f\u0131nda \u00e7al\u0131\u015f\u0131r, karaci\u011ferini korumak i\u00e7in de madensuyu i\u00e7er. Ama, orta Frans\u0131z dinler mi? Kendisi sanki \u00e7\u00f6l insanlar\u0131 gibi a\u011fz\u0131na i\u00e7ki koymaz,sabah ak\u015fam y\u0131kan\u0131rm\u0131\u015f gibi,yazarlar\u0131m\u0131zdan birinin i\u00e7ki i\u00e7meyi, y\u0131kanmamay\u0131 \u00f6\u011f\u00fctlemesine ifrit olur. Buna bol bol \u00f6rnekler verilebilir.Ben kendim, bir insan\u0131n ne kadar ucuza sofuluk \u00fcn\u00fc kazanabilece\u011fine \u00f6rnek olabilirim.(Ger\u00e7ekten ben b\u00f6yle bir \u00fcn\u00fcn bask\u0131s\u0131 alt\u0131nday\u0131m, ama dostlar\u0131m g\u00fcl\u00fcyor buna. Hi\u00e7 hak etmedi\u011fim ve bile bile katland\u0131\u011f\u0131m bu \u00fcn y\u00fcz\u00fcm\u00fc k\u0131zart\u0131yor benim). De\u011fer vermedi\u011finiz bir gazete sahibinin \u00e7ekti\u011fi \u015f\u00f6lene gitmek onurunu teptiniz mi tamamd\u0131r. En basit d\u00fcr\u00fcstl\u00fckte, herkes, gizli kapakl\u0131 birtak\u0131m ruh sakatl\u0131klar\u0131 bulmaya \u00e7al\u0131\u015f\u0131r. Kimse d\u00fc\u015f\u00fcnmez ki, bu gazete sahibinin \u015f\u00f6lenine gitmemeniz, ona de\u011fer vermedi\u011finiz ya da s\u0131k\u0131lmaktan korktu\u011funuz i\u00e7indir. Az m\u0131 s\u0131k\u0131nt\u0131l\u0131d\u0131r Paris’in o \u00fcnl\u00fc \u015f\u00f6lenleri!…<\/p>\n
K\u0131sacas\u0131,katlanmak gerekiyor buna.Ama s\u0131ras\u0131 gelince,insan yanl\u0131\u015f\u0131 d\u00fczeltmeye \u00e7al\u0131\u015fabilir,diyebilir ki, insan her zaman sa\u00e7ma \u00fcst\u00fcnde durmaz ya, kimse de umutsuz bir edebiyata inanmaz.Sa\u00e7ma kavram\u0131 \u00fczerinde bir deneme yazmak ya da yazm\u0131\u015f olmak, ola\u011fan bir \u015feydir. Ama insan, hi\u00e7 de zavall\u0131 k\u0131z karde\u015fine sald\u0131rmadan da korkun\u00e7 g\u00fcnahlar \u00fcst\u00fcne yazabilir, \u00f6rne\u011fin, ben hi\u00e7bir yerde Sophokles’in babas\u0131n\u0131 \u00f6ld\u00fcrd\u00fc\u011f\u00fcn\u00fc ve annesiyle g\u00fcnaha girdi\u011fini okumad\u0131m.Her yazar\u0131n,ister istemez, kendini anlatt\u0131\u011f\u0131 ve kitaplar\u0131nda yaln\u0131z kendisi oldu\u011fu d\u00fc\u015f\u00fcncesi bize romantizmin b\u0131rakt\u0131\u011f\u0131 \u00e7ocuk\u00e7a inan\u00e7lardan biridir.Tam tersine,bir sanat\u00e7\u0131n\u0131n ilkin ba\u015fkalar\u0131yla, ya\u015fad\u0131\u011f\u0131 \u00e7a\u011fla ve \u00e7evresindeki insanlarla ilgilenmesi hi\u00e7 de olmayacak bir \u015fey de\u011fildir. Hatta, kendini ortaya koydu\u011fu olsa bile, ger\u00e7ekten ne oldu\u011funu s\u00f6ylemesi binde bir g\u00f6r\u00fclecek \u015feylerdendir.Bir insan\u0131n yap\u0131tlar\u0131,\u00e7o\u011fu kez, onun \u00f6zledi\u011fi, heveslendi\u011fi \u015feylerin \u00f6yk\u00fcs\u00fcd\u00fcr. Yap\u0131t\u0131n\u0131z hi\u00e7bir zaman kendi \u00f6yk\u00fcn\u00fcz de\u011fildir, hele ya\u015fam\u00f6yk\u00fcm\u00fcz olmak sav\u0131ndaki yap\u0131tlarda.Hi\u00e7bir insan, hi\u00e7bir zaman, kendini oldu\u011fu gibi anlatmay\u0131 g\u00f6ze alamaz.<\/p>\n
Ben, tam tersine, olabildi\u011fim \u00f6l\u00e7\u00fcde nesnel bir yazar olmay\u0131 isterdim. Benim nesnel dedi\u011fim yazar,konular\u0131n\u0131 hi\u00e7 kendini hesaba katmadan se\u00e7en yazard\u0131r.Ama, \u00e7a\u011f\u0131m\u0131z\u0131n, yazan konusuyla kar\u0131\u015ft\u0131rma tutkusu, bu kadarc\u0131k \u00f6zg\u00fcrl\u00fc\u011f\u00fc bile \u00e7ok g\u00f6r\u00fcr yazara. Ve i\u015fte b\u00f6ylece insan, sa\u00e7mal\u0131\u011f\u0131n peygamberi oluverir.Oysa ben,zaman\u0131mda,sokaklarda buldu\u011fum bir d\u00fc\u015f\u00fcnce \u00fczerinde kafa yormaktan ba\u015fka ne yapt\u0131m ki?B\u00f6yle bir d\u00fc\u015f\u00fcnceyi beslemedim mi, h\u00e2l\u00e2 da bir yan\u0131mla beslemiyor muyum b\u00fct\u00fcn benim ya\u015f\u0131mdakilerle birlikte? Hay\u0131r,diyemem buna. \u015eu var ki, ben konuyu incelemek, mant\u0131\u011f\u0131na varabilmek i\u00e7in gerekti\u011fi kadar uza\u011f\u0131nda durdum. Daha sonra yazd\u0131klar\u0131m bunu yeterince g\u00f6sterir.Ama,bir kal\u0131p-d\u00fc\u015f\u00fcnceyi i\u015flemek, bir incelik \u00fczerinde durmaktan \u00e7ok daha kolayd\u0131r. Benim i\u00e7in kal\u0131p-d\u00fc\u015f\u00fcnceyi se\u00e7tiler : Ben de sa\u00e7ma oldum kald\u0131m.<\/p>\n
Beni ilgilendiren ve bir ara \u00fcst\u00fcnde yaz\u0131 yazd\u0131\u011f\u0131m ya\u015fant\u0131 i\u00e7inde sa\u00e7ma,yaln\u0131zca bir \u00e7\u0131k\u0131\u015f noktas\u0131 say\u0131labilir.Onu an\u0131msamak,co\u015fkusunu duymak, sonraki davran\u0131\u015flar\u0131ma kar\u0131\u015fm\u0131\u015f olsa bile. Ama, neye yarar bunu s\u00f6ylemek? Haddimi a\u015fmayay\u0131m ama, Descartes’in y\u00f6ntem olarak ele ald\u0131\u011f\u0131 ku\u015fku da onun bir ku\u015fkucu..olmas\u0131n\u0131 gerektirmez. Ne olursa olsun, her \u015feyin anlams\u0131z oldu\u011fu, her \u015feyden umudu kesmek gerekti\u011fi d\u00fc\u015f\u00fcncesiyle nas\u0131l kal\u0131r insan? \u0130\u015fi pek derinle\u015ftirmeden \u015fu kadar\u0131n\u0131 olsun s\u00f6yleyebiliriz: Salt maddecilik diye bir \u015fey olamaz, \u00e7\u00fcnk\u00fc bu kavram\u0131 kurabilmek i\u00e7in d\u00fcnyada maddeden ba\u015fka bir \u015fey daha oldu\u011funu kabul etmek gerekir.Her \u015feyin anlams\u0131z oldu\u011funu s\u00f6yledi\u011fimiz anda bile anlaml\u0131 bir \u015fey s\u00f6ylemi\u015f oluyoruz. D\u00fcnyan\u0131n hi\u00e7bir anlam\u0131 yoktur, demek,her \u00e7e\u015fit de\u011fer yarg\u0131s\u0131n\u0131 ortadan kald\u0131rmak olur. Ama,ya\u015famak ve \u00f6rne\u011fin,yiyip i\u00e7mek kendili\u011finden bir de\u011fer yarg\u0131s\u0131d\u0131r. \u00d6lmeye yana\u015fmad\u0131\u011f\u0131 s\u00fcrece, insan ya\u015famay\u0131 se\u00e7iyor demektir. O zaman da, g\u00f6rece de olsa, ya\u015famaya bir de\u011fer veriyoruz demektir. Umutsuz bir edebiyat ne demek olabilir? Umutsuzluk susar. Kald\u0131 ki susmak bile, e\u011fer g\u00f6zler konu\u015fuyorsa, bir anlam ta\u015f\u0131r. Ger\u00e7ek umutsuzluk can \u00e7eki\u015fme,mezar ya da u\u00e7urumdur.Umutsuzluk konu\u015ftu mu, d\u00fc\u015f\u00fcnd\u00fc m\u00fc, hele yazd\u0131 m\u0131,hemen bir karde\u015f el uzan\u0131r sana,a\u011fa\u00e7 anlam kazan\u0131r, sevgi do\u011far. Umutsuz edebiyat s\u00f6z\u00fc birbirini tutmayan iki s\u00f6zd\u00fcr. \u00c7\u00fcnk\u00fc, edebiyat olan her yerde umut vard\u0131r.<\/p>\n
Elbette bir \u00e7e\u015fit iyimserlik var ki, ben onda yokum. B\u00fct\u00fcn benim ya\u015f\u0131mdakiler gibi ben de, Birinci D\u00fcnya Sava\u015f\u0131n\u0131n trampet sesleri aras\u0131nda b\u00fcy\u00fcd\u00fcm. O g\u00fcn bug\u00fcnd\u00fcr de bizim tarihimiz hep kanla,haks\u0131zl\u0131kla, zorbal\u0131kla dolu.Ama,bug\u00fcn insanlar k\u00f6t\u00fcmserlik dedikleri bunca canavarl\u0131klar\u0131 ve a\u015fa\u011f\u0131l\u0131klar\u0131 b\u00fcy\u00fctmekle kal\u0131yorlar. Ben kendi hesab\u0131ma insanl\u0131\u011f\u0131n y\u00fczkaras\u0131yla sava\u015fmaktan hi\u00e7 geri kalmad\u0131m, kat\u0131 y\u00fcrekli insanlardan tiksindi\u011fim kadar hi\u00e7bir \u015feyden tiksinmedim. \u015eu var ki, en koyu umutsuzlu\u011fumuz i\u00e7inde, bu umutsuzlu\u011fu (bu yads\u0131mac\u0131l\u0131\u011f\u0131) a\u015fman\u0131n yollar\u0131n\u0131 arad\u0131m. Bunu da iyili\u011fimden, herkesten daha \u00fcst\u00fcn ruhlu oldu\u011fumdan yapm\u0131\u015f de\u011filim. Ama, ben do\u011fu\u015ftan i\u00e7imde ta\u015f\u0131d\u0131\u011f\u0131m bir sezgi \u0131\u015f\u0131\u011f\u0131na ba\u011fl\u0131y\u0131m. Bu sezgi ile insanlar binlerce y\u0131ld\u0131r ya\u015fam\u0131 en b\u00fcy\u00fck ac\u0131lar i\u00e7inde bile sevmesini bilmi\u015flerdir.<\/p>\n
Aiskhylos umutsuzdur \u00e7ok kez, ama yine de \u0131\u015f\u0131k sa\u00e7ar d\u00f6rt bir yana, \u0131s\u0131t\u0131r insan\u0131. Onun d\u00fcnyas\u0131n\u0131n ortas\u0131nda buldu\u011fumuz c\u0131l\u0131z bir anlams\u0131zl\u0131k, sa\u00e7mal\u0131k de\u011fil, bir bilmecedir. Yani,insan\u0131n g\u00f6z\u00fcn\u00fc kama\u015ft\u0131rd\u0131\u011f\u0131 i\u00e7in pek \u00e7\u00f6zemedi\u011fi bir bilmece.Bunun gibi,eski Yunana lay\u0131k olmayan ama, ona canla ba\u015fla ba\u011fl\u0131 kalan bir s\u00fcr\u00fc insan oldu\u011fu gibi,tarihimizin yak\u0131c\u0131l\u0131\u011f\u0131 da bize ac\u0131 gelebilir. Ama, yine de bu tarihi tutuyorlar, \u00e7\u00fcnk\u00fc onu anlamak istiyorlar.<\/p>\n
Kara da olsa, yap\u0131t\u0131m\u0131z\u0131n g\u00f6be\u011finde t\u00fckenmez bir g\u00fcne\u015f par\u0131ld\u0131yor ki, o da bug\u00fcn ovada, tepelerde ba\u011f\u0131ran g\u00fcne\u015ftir.Bu b\u00f6yle olduktan sonra sinsi pamuk ate\u015fi yanabilir ; bizi \u015f\u00f6yle g\u00f6r\u00fcyorlarm\u0131\u015f, b\u00f6yle g\u00f6r\u00fcyorlarm\u0131\u015f, lay\u0131k olmad\u0131\u011f\u0131m\u0131z r\u00fctbeleri al\u0131yormu\u015fuz, ne \u00e7\u0131kar bundan? Biz neysek, ne olacaksak, bu, ya\u015fam\u0131m\u0131z\u0131, \u00e7abam\u0131z\u0131 doldurmaya yeter. Paris g\u00f6r\u00fclmedik bir ma\u011farad\u0131r, i\u00e7inde ya\u015fayanlar, dipteki kayada k\u0131m\u0131ldanan kendi g\u00f6lgelerini ger\u00e7e\u011fin ta kendisi san\u0131yorlar.Bu kentin insana kazand\u0131rd\u0131\u011f\u0131 garip ve u\u00e7ucu \u00fcnler de b\u00f6yle bir \u015feydir. Ama, biz Paris’ten uzakta \u00f6\u011frendik s\u0131rt\u0131m\u0131zda bir ba\u015fka ayd\u0131nl\u0131k oldu\u011funu, onunla y\u00fcz y\u00fcze gelmek i\u00e7in zincirlerimizi kopar\u0131p arkaya d\u00f6nmemiz gerekti\u011fini,\u00f6lmezden \u00f6nce \u00f6devimizin her s\u00f6z\u00fcm\u00fczde onu dile getirmek oldu\u011funu. Her sanat\u00e7\u0131 ku\u015fkusuz kendi do\u011frusunun pe\u015findedir. B\u00fcy\u00fck bir sanat\u00e7\u0131 ise, her yap\u0131t onu bu do\u011frudan yana yakla\u015ft\u0131r\u0131r ya da, hi\u00e7 de\u011filse, o kayna\u011fa do\u011fru \u00e7eker. O kaynak ki, g\u00fcn\u00fcn birinde her \u015feyin i\u00e7ine d\u00f6k\u00fcl\u00fcp yanaca\u011f\u0131 uzak g\u00fcne\u015ftir. E\u011fer \u015f\u00f6yle b\u00f6yle bir sanat\u00e7\u0131ysa, her yap\u0131t\u0131 onu g\u00fcne\u015ften uzakla\u015ft\u0131r\u0131r ve o zaman kaynak her yandad\u0131r, ayd\u0131nl\u0131k d\u00f6rt bir yana da\u011f\u0131l\u0131r, eriyip gider.Sanat\u00e7\u0131y\u0131 inat\u00e7\u0131 ara\u015ft\u0131rmas\u0131nda yaln\u0131z onu sevenler destekler, bir de,sevdikleri ya da kendilerini yaratt\u0131klar\u0131 i\u00e7in, kendi tutkular\u0131nda her tutkunun \u00f6l\u00e7\u00fcs\u00fcn\u00fc bulan ve giderek yarg\u0131lamas\u0131n\u0131 bilen insanlar.Evet, nedir b\u00fct\u00fcn bu g\u00fcr\u00fclt\u00fc… sessizce sevmek ve yaratmak varken! Ama beklemesini bilmeli. Ha biraz daha, g\u00fcne\u015f nerdeyse t\u0131kayacak a\u011fz\u0131m\u0131z\u0131.<\/p>\n
Bilmece | Albert Camus<\/p>\n","protected":false},"excerpt":{"rendered":"
G\u00f6\u011f\u00fcn tepesinden d\u00fc\u015fen g\u00fcne\u015f dalgalar\u0131, \u00e7evremizdeki k\u0131rda s\u0131\u00e7ray\u0131p duruyor k\u0131ras\u0131ya.g\u00fcr\u00fclt\u00fc pat\u0131rt\u0131 kar\u015f\u0131s\u0131nda susuyor her \u015fey. Kar\u015f\u0131da Luberon Da\u011f\u0131 soluk almadan dinledi\u011fim bir donmu\u015f sessizlik y\u0131\u011f\u0131n\u0131 sanki. Kulak kabart\u0131yorum: Uzaktan gelenler var bana do\u011fru;g\u00f6zle g\u00f6remedi\u011fim dostlar \u00e7a\u011f\u0131r\u0131yor beni; sevincim b\u00fcy\u00fcyor, eskisi gibi. \u0130\u015fte, yeni bir mutlu bilmece her \u015feyin gizini a\u00e7\u0131yor bana. D\u00fcnyan\u0131n sa\u00e7mal\u0131\u011f\u0131 nerede? Bu […]<\/p>\n","protected":false},"author":1,"featured_media":0,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[138],"tags":[],"class_list":{"0":"post-6872","1":"post","2":"type-post","3":"status-publish","4":"format-standard","6":"category-edebiyat-dunya"},"yoast_head":"\n
D\u00fcnyan\u0131n sa\u00e7mal\u0131\u011f\u0131 nerede? Bu par\u0131lt\u0131da m\u0131, yoksa onun yoklu\u011funu d\u00fc\u015f\u00fcnmemde mi? | Albert Camus - narteks.net<\/title>\n<meta name=\"robots\" content=\"index, follow, max-snippet:-1, max-image-preview:large, max-video-preview:-1\" \/>\n<link rel=\"canonical\" href=\"https:\/\/narteks.net\/index.php\/2011\/11\/27\/dunyanin-sacmaligi-nerede-bu-pariltida-mi-yoksa-onun-yoklugunu-dusunmemde-mi-albert-camus\/\" \/>\n<meta property=\"og:locale\" content=\"tr_TR\" \/>\n<meta property=\"og:type\" content=\"article\" \/>\n<meta property=\"og:title\" content=\"D\u00fcnyan\u0131n sa\u00e7mal\u0131\u011f\u0131 nerede? Bu par\u0131lt\u0131da m\u0131, yoksa onun yoklu\u011funu d\u00fc\u015f\u00fcnmemde mi? | Albert Camus\" \/>\n<meta property=\"og:description\" content=\"G\u00f6\u011f\u00fcn tepesinden d\u00fc\u015fen g\u00fcne\u015f dalgalar\u0131, \u00e7evremizdeki k\u0131rda s\u0131\u00e7ray\u0131p duruyor k\u0131ras\u0131ya.g\u00fcr\u00fclt\u00fc pat\u0131rt\u0131 kar\u015f\u0131s\u0131nda susuyor her \u015fey. Kar\u015f\u0131da Luberon Da\u011f\u0131 soluk almadan dinledi\u011fim bir donmu\u015f sessizlik y\u0131\u011f\u0131n\u0131 sanki. Kulak kabart\u0131yorum: Uzaktan gelenler var bana do\u011fru;g\u00f6zle g\u00f6remedi\u011fim dostlar \u00e7a\u011f\u0131r\u0131yor beni; sevincim b\u00fcy\u00fcyor, eskisi gibi. \u0130\u015fte, yeni bir mutlu bilmece her \u015feyin gizini a\u00e7\u0131yor bana. D\u00fcnyan\u0131n sa\u00e7mal\u0131\u011f\u0131 nerede? 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