{"id":6876,"date":"2012-01-03T23:45:00","date_gmt":"2012-01-03T20:45:00","guid":{"rendered":"http:\/\/localhost\/wordpress\/2012\/01\/03\/bir-hikayenin-kesin-olarak-basladigi-an-nasil-saptanabilir-italo-calvino\/"},"modified":"2012-01-03T23:45:00","modified_gmt":"2012-01-03T20:45:00","slug":"bir-hikayenin-kesin-olarak-basladigi-an-nasil-saptanabilir-italo-calvino","status":"publish","type":"post","link":"https:\/\/narteks.net\/index.php\/2012\/01\/03\/bir-hikayenin-kesin-olarak-basladigi-an-nasil-saptanabilir-italo-calvino\/","title":{"rendered":"Bir hikayenin kesin olarak ba\u015flad\u0131\u011f\u0131 an nas\u0131l saptanabilir? | \u0130talo Calvino"},"content":{"rendered":"

Ba\u015flamak. bunu s\u00f6yleyen sensin, ludmilla. ama bir hik\u00e2yenin kesin olarak ba\u015flad\u0131\u011f\u0131 an nas\u0131l saptanabilir? her \u015fey zaten daha \u00f6nce ba\u015flam\u0131\u015ft\u0131, her roman\u0131n ilk sayfas\u0131n\u0131n ilk sat\u0131r\u0131 daha \u00f6nceden kitab\u0131n d\u0131\u015f\u0131nda zaten olmu\u015f bir \u015feyden s\u00f6z eder. ya da ger\u00e7ek hik\u00e2ye on ya da y\u00fcz sayfa sonra ba\u015flayan hik\u00e2yedir, ondan \u00f6nceki her \u015fey yaln\u0131zca bir \u00f6ndeyi\u015ftir. insan bireylerinin hayatlar\u0131 tek, kesintisiz bir \u00f6yk\u00fc \u00f6rg\u00fcs\u00fc olu\u015fturur, bu \u00f6rg\u00fc i\u00e7indeki her \u015feyden ba\u011f\u0131ms\u0131z olarak bir anlam\u0131 bulunan bir ya\u015fama par\u00e7as\u0131n\u0131 \u2013\u00f6rne\u011fin, iki insan\u0131n, her ikisinin de yazg\u0131lar\u0131n\u0131 etkileyecek kar\u015f\u0131la\u015fmas\u0131n\u0131\u2013 yal\u0131tma konusunda at\u0131lacak her ad\u0131mda, her iki insan\u0131n da kendisiyle birlikte birtak\u0131m olaylar, \u00e7evreler, ba\u015fka insanlarla dokunmu\u015f bir \u00f6rg\u00fc getirdi\u011fi ve bu kar\u015f\u0131la\u015fma sonucunda onlar\u0131n ortak hik\u00e2yesinden kopup ayr\u0131lacak ba\u015fka hik\u00e2yeler \u00e7\u0131kaca\u011f\u0131 unutulmamal\u0131.<\/p>\n

*<\/p>\n

\u0130kiniz, siz iki okur birlikte yataktas\u0131n\u0131z. b\u00f6ylece size ikinci \u00e7o\u011ful \u015fah\u0131s olarak seslenmenin zaman\u0131 geldi, \u00e7ok ciddi bir i\u015flem \u00e7\u00fcnk\u00fc bu, ikinizi tek bir \u00f6zne saymakla e\u015fit bir i\u015f. buru\u015fuk \u00e7ar\u015faf\u0131n alt\u0131nda olduk\u00e7a tan\u0131nmaz bir d\u00fc\u011f\u00fcm olu\u015fturmu\u015f olan siz, ikinize sesleniyorum. belki de biraz sonra her ikiniz de kendi yolunuza gideceksiniz ve \u00f6yk\u00fc gene erkek sen ile kad\u0131n sen aras\u0131nda gidip gelmek i\u00e7in zahmete girip vites de\u011fi\u015ftirmek zorunda kalacak; ama \u015fimdi g\u00f6vdeleriniz, deri deriye, daha c\u00f6mert daha duyarl\u0131 bir ili\u015fki bulmaya, titre\u015fimler, dalgalar al\u0131p vermeye, bo\u015fluklar\u0131 doluluklar\u0131n aras\u0131na sokmaya \u00e7al\u0131\u015ft\u0131\u011f\u0131na g\u00f6re, zihinsel etkinlik bak\u0131m\u0131ndan en y\u00fcksek d\u00fczeyli anla\u015fma \u00fczerinde anla\u015ft\u0131\u011f\u0131n\u0131za g\u00f6re, ikinizi, iki ba\u015fl\u0131 tek bir insan kabul eden a\u00e7\u0131k bir s\u00f6ylem kullan\u0131labilir. her \u015feyden \u00f6nce ikinizin olu\u015fturdu\u011fu bu \u00e7ift varl\u0131\u011f\u0131n eylem ya da varl\u0131k alan\u0131 saptanmal\u0131. kar\u015f\u0131l\u0131kl\u0131 \u00f6zde\u015fle\u015fmeyle nereye kadar g\u00f6t\u00fcreceksiniz i\u015fi? sizin \u00e7e\u015fitlemelerinizde yinelenen temel izlek hangisi olacak? kendi gizilg\u00fcc\u00fcn\u00fczden hi\u00e7bir \u015fey yitirmemek, tepkisellik durumunu uzatmak, kendi elektrik y\u00fck\u00fcn\u00fc artt\u0131rmak i\u00e7in \u00f6tekinin istek birikimini kullanmaya dayanan bir gerilim mi? yoksa kendini b\u0131rak\u0131\u015f\u0131n en yumu\u015fakba\u015fl\u0131s\u0131 m\u0131, ok\u015fanabilir, bunun kar\u015f\u0131l\u0131\u011f\u0131nda da ok\u015fayan uzamlar\u0131n s\u0131n\u0131rs\u0131z boyutlar\u0131n\u0131 ara\u015ft\u0131r\u0131\u015f m\u0131, y\u00fczeyi sonsuz dokunsal bir g\u00f6lde kendi varl\u0131\u011f\u0131n\u0131 eriti\u015f mi? her iki durumda da ku\u015fkusuz birbirinizle ili\u015fkiniz d\u0131\u015f\u0131nda var olmuyorsunuz ama bu durumlar\u0131 olas\u0131 k\u0131labilmek i\u00e7in kar\u015f\u0131l\u0131kl\u0131 benlerinizin kendilerini silmek yerine zihinsel uzam\u0131n b\u00fct\u00fcn bo\u015fluklar\u0131n\u0131 hi\u00e7 duraksamadan kaplamas\u0131, kendine en y\u00fcksek faizle para yat\u0131rmas\u0131 ya da son kuru\u015funa kadar kendini harcamas\u0131 gerekiyor. k\u0131sacas\u0131 yapt\u0131\u011f\u0131n\u0131z i\u015f \u00e7ok g\u00fczel ama dilbilgisi a\u00e7\u0131s\u0131ndan hi\u00e7bir \u015feyi de\u011fi\u015ftirmez. en \u00e7ok birle\u015fmi\u015f bir siz, bir ikinci \u00e7o\u011ful \u015fah\u0131s olarak g\u00f6r\u00fcnd\u00fc\u011f\u00fcn\u00fcz \u015fu anda bile siz daha \u00f6ncesine g\u00f6re daha ayr\u0131, daha kapal\u0131 birer sen\u2019siniz.<\/p>\n

\u015eu anda her biriniz yaln\u0131zca \u00f6tekinin i\u015fgali alt\u0131ndayken bu zaten do\u011fru. al\u0131\u015fkanl\u0131k s\u0131nav\u0131ndan ge\u00e7en g\u00f6vdelerinizin bulu\u015fmas\u0131na e\u015flik eden, birbirleriyle rastla\u015fmayan hayaletler biraz sonra kafan\u0131za dolu\u015funca ne olaca\u011f\u0131n\u0131 d\u00fc\u015f\u00fcn\u00fcn siz.<\/p>\n

*<\/p>\n

Ludmilla \u015fimdi sen okunuyorsun. g\u00f6vden, dokunsal, g\u00f6rsel, kokusal, biraz da tatsal tomurlar\u0131n i\u015fe kar\u0131\u015fmas\u0131yla edinilen bilgilerin a\u00e7t\u0131\u011f\u0131 kanallar arac\u0131l\u0131\u011f\u0131yla dizgeli bir okuma alt\u0131nda. i\u015fitmenin de rol\u00fc var, senin soluksuz kal\u0131\u015flar\u0131na, ku\u015f gibi \u00f6t\u00fc\u015flerine kar\u015f\u0131 o da tetikte. senin i\u00e7inde okuma nesnesi olan yaln\u0131zca g\u00f6vde de\u011fil: g\u00f6vde ancak, hepsi g\u00f6r\u00fcn\u00fcr, hepsi \u015fu anda var olmayan ama g\u00f6r\u00fcn\u00fcr ve \u015fu anki somut olaylarda ortaya \u00e7\u0131kan karma\u015f\u0131k \u00f6geler toplulu\u011funun bir par\u00e7as\u0131 oldu\u011fu s\u00fcrece \u00f6nemlidir: g\u00f6zlerinin bulutlan\u0131\u015f\u0131, g\u00fcl\u00fc\u015f\u00fcn, s\u00f6yledi\u011fin s\u00f6zc\u00fckler, sa\u00e7lar\u0131n\u0131 toplay\u0131\u015f yay\u0131\u015f bi\u00e7imin, giri\u015fkenliklerin, suskunluklar\u0131n; kullan\u0131m, al\u0131\u015fkanl\u0131k, bellek, tarih\u00f6ncesi ve moda ile arandaki s\u0131n\u0131rda duran b\u00fct\u00fcn i\u015faretler, b\u00fct\u00fcn d\u00fczg\u00fcler, bir insan\u0131n belli anlarda bir ba\u015fka insan\u0131 okumak i\u00e7in kulland\u0131\u011f\u0131na inand\u0131\u011f\u0131 b\u00fct\u00fcn o zavall\u0131 abeceler toplam\u0131.<\/p>\n

Bu arada sen de, ey Okur, bir okuma nesnesisin: \u00d6teki Okur \u015fu anda fihriste g\u00f6z atar gibi senin g\u00f6vdeni g\u00f6zden ge\u00e7iriyor, kimi anlar sanki birden bir \u015fey merak etmi\u015f gibi g\u00f6vdene ba\u015fvuruyor, bir karara varamay\u0131p sorguluyor, kendisine sessiz bir yan\u0131t ula\u015f\u0131ncaya kadar bekliyor, sanki her s\u0131n\u0131rl\u0131 denetleme ancak \u00e7ok daha geni\u015f bir uzam\u0131 tan\u0131mak a\u00e7\u0131s\u0131ndan kendisini ilgilendiriyormu\u015f gibi. \u015fimdi \u00e7ok k\u00fc\u00e7\u00fck ayr\u0131nt\u0131lar \u00fczerinde duruyor, belki de k\u00fc\u00e7\u00fcc\u00fck bi\u00e7emsel kusurlar \u00fczerinde, \u00f6rne\u011fin g\u0131rtlak \u00e7\u0131k\u0131nt\u0131s\u0131na ya da ba\u015f\u0131n\u0131 onun omuz bo\u015flu\u011funa g\u00f6m\u00fc\u015f\u00fcne, \u015fimdi onlar\u0131 araya bir marj, bir uzakl\u0131k, ele\u015ftirel bir \u00e7ekince ya da \u015fakal\u0131 bir yak\u0131nl\u0131k koymak i\u00e7in kullan\u0131yor; bazan, tam tersine, rastgele bulunuveren bir ayr\u0131nt\u0131 \u00e7ok de\u011ferli oluyor \u2013\u00f6rne\u011fin, \u00e7enenin bi\u00e7imi ya da onun omuzunu kendine \u00f6zg\u00fc bir bi\u00e7imde \u0131s\u0131r\u0131\u015f\u0131n\u2013 o bundan h\u0131z al\u0131p, a\u2019s\u0131ndan z\u2019sine, tek virg\u00fcl\u00fcn\u00fc bile atlamadan ardarda sayfalar deviriyor (ikiniz birlikte deviriyorsunuz). bu arada onun seni okuyu\u015f tarz\u0131ndan, fiziksel nesnelli\u011finden yapt\u0131\u011f\u0131 metinsel al\u0131nt\u0131lardan duydu\u011fun doygunlu\u011fun i\u00e7ine bir ku\u015fku s\u0131zmaya ba\u015fl\u0131yor: onun okudu\u011fu \u015fey, ger\u00e7ekte oldu\u011fun gibi tek ve b\u00fct\u00fcn olarak sen de\u011filsin, o seni, senin ba\u011flam\u0131ndan kopar\u0131lm\u0131\u015f par\u00e7alar\u0131n\u0131 kullanarak, yar\u0131bilincinin yar\u0131 karanl\u0131\u011f\u0131ndan yaln\u0131zca kendisinin tan\u0131d\u0131\u011f\u0131 hayalet bir yatak arkada\u015f\u0131 yarat\u0131yor kendisine, \u015fifresini \u00e7\u00f6zd\u00fc\u011f\u00fc \u015fey de bu uydurma konuk, sen de\u011filsin.<\/p>\n

A\u015f\u0131klar\u0131n birbirlerinin g\u00f6vdelerini (birlikte yata\u011fa girmek i\u00e7in kulland\u0131klar\u0131 o g\u00f6vde ve ruh yo\u011funla\u015fmas\u0131n\u0131) okumalar\u0131, \u00e7izgisel olmas\u0131 a\u00e7\u0131s\u0131ndan, yaz\u0131l\u0131 sayfalar\u0131n okunmas\u0131ndan ayr\u0131l\u0131r. herhangi bir yerden ba\u015flar, atlamalar yapar, kendi kendini yineler, geri d\u00f6ner, bir \u015feyin \u00fczerinde durur, e\u015fzamanl\u0131 ya da farkl\u0131 iletilere ayr\u0131l\u0131r, dallar yeniden birle\u015fir, huzursuzluk anlar\u0131 olur, sayfay\u0131 \u00e7evirir, yerini bulur, kaybeder. bu i\u015fte bir y\u00f6n\u00fcn bulundu\u011fu s\u00f6ylenebilir, bir amaca, bir doru\u011fa do\u011fru gidi\u015f ve bu sona ula\u015fmak i\u00e7in programlanan ritimli evreler, kesimlemeler, motif tekrarlar\u0131. ama doruk ger\u00e7ekten bir son mudur? yoksa bu sona do\u011fru yap\u0131lan yar\u0131\u015fa, ters y\u00f6ne i\u015fleyen, anlar\u0131n ak\u0131\u015f\u0131na kar\u015f\u0131 y\u00fczen, zaman\u0131 geri d\u00f6nd\u00fcren ba\u015fka bir ak\u0131m kar\u015f\u0131 m\u0131 durur?<\/p>\n

\u0130nsan hepsini bir \u00e7izelge ile betimlemek isteseydi, doru\u011fuyla birlikte her \u00f6yk\u00fcc\u00fc\u011f\u00fcn \u00fc\u00e7 boyutlu, belki de d\u00f6rt boyutlu bir model olu\u015fturmas\u0131 gerekirdi, ya da hi\u00e7 model istemez \u00e7\u00fcnk\u00fc her deneyim yinelenmesi olanaks\u0131z bir \u015feydir. sevi\u015fmek ile okuman\u0131n birbirlerine en \u00e7ok benzedikleri nokta ikisinde de, \u00f6l\u00e7\u00fclebilir zaman ve uzamdan farkl\u0131 zamanlar\u0131n ve uzamlar\u0131n a\u00e7\u0131lmas\u0131d\u0131r.<\/p>\n

*<\/p>\n

\u0130lk bulu\u015fman\u0131n bu \u015fa\u015fk\u0131n do\u011fa\u00e7lamas\u0131nda olas\u0131 bir ortak ya\u015fam\u0131n gelece\u011fi \u015fimdiden okunuyor. bug\u00fcn her biriniz \u00f6tekinin okuma nesnesisiniz, her biriniz \u00f6tekinde yaz\u0131lmam\u0131\u015f olan \u00f6yk\u00fcy\u00fc okuyor. yar\u0131n ikiniz, Okur ile \u00d6teki Okur, birlikte olursan\u0131z, evli barkl\u0131 bir \u00e7ift gibi ayn\u0131 yata\u011fa girerseniz, her biriniz yata\u011f\u0131n ba\u015fucundaki lambay\u0131 yak\u0131p kendi kitab\u0131n\u0131za g\u00f6m\u00fcleceksiniz; iki ko\u015fut okuma yakla\u015fan uykuya yol arkada\u015fl\u0131\u011f\u0131 edecek; ilkin sen, sonra da sen \u0131\u015f\u0131\u011f\u0131 s\u00f6nd\u00fcreceksin; birbirinden ayr\u0131lm\u0131\u015f evrenlerden geri d\u00f6n\u00fcp, farkl\u0131 d\u00fc\u015fler birinizi bir yana birinizi \u00f6teki yana \u00e7ekmeden \u00f6nce, b\u00fct\u00fcn ayr\u0131l\u0131klar\u0131n silindi\u011fi karanl\u0131kta k\u0131sa bir an birbirinizi bulacaks\u0131n\u0131z. ama bu evlilik uyumu g\u00f6r\u00fcnt\u00fcs\u00fcne g\u00fclme: bundan daha mutlu bir \u00e7ift imgesi d\u00fc\u015f\u00fcnebiliyor musun?(s.155-159-178-182)<\/p>\n

*<\/p>\n

“Sen insan\u0131n i\u00e7ine girece\u011fi en iyi beklentinin, en k\u00f6t\u00fcden sak\u0131nmak oldu\u011funu biliyorsun. Genel, hatta b\u00fct\u00fcn d\u00fcnyaya ili\u015fkin konularda oldu\u011fu gibi ki\u015fisel ya\u015fant\u0131nda da vard\u0131\u011f\u0131n sonu\u00e7 budur. Ya s\u00f6z konusu kitaplar olunca? \u0130\u015fte, b\u00fct\u00fcn alanlarda beklentisizli\u011fi se\u00e7ti\u011fin halde, kitap gibi \u00e7er\u00e7evesi iyice belirlenmi\u015f bir konuda bu gen\u00e7lik hazz\u0131na hala ayr\u0131cal\u0131k tan\u0131yabilece\u011fini d\u00fc\u015f\u00fcn\u00fcyorsun; evet bu alanda \u015fans\u0131n yaver gitmeyebilir, ama ya\u015fayabilece\u011fin hayal k\u0131r\u0131kl\u0131\u011f\u0131 \u00e7ok da b\u00fcy\u00fck olmayacakt\u0131r.” (s.20)<\/p>\n

“Seni en \u00e7ok \u00e7\u0131ld\u0131rtan \u015fey, nesnelere ili\u015fkin durumlarda ya da insan eylemlerinde rastlant\u0131sal\u0131n, yazg\u0131sal\u0131n, olas\u0131n\u0131n insaf\u0131na kalm\u0131\u015f olmak, senin ya da ba\u015fkalar\u0131n\u0131n umursamazl\u0131\u011f\u0131n\u0131n, \u00fcst\u00fcnk\u00f6r\u00fcl\u00fc\u011f\u00fcn\u00fcn, \u00f6zensizli\u011finin kurban\u0131 olmak. Bu gibi durumlarda sana egemen olan tutku o dalg\u0131nl\u0131\u011f\u0131n ya da umursamazl\u0131\u011f\u0131n huzursuz edici etkilerini silmek; olaylar\u0131 ola\u011fan ak\u0131\u015f\u0131na d\u00f6nd\u00fcrmek sab\u0131rs\u0131zl\u0131\u011f\u0131d\u0131r.” (s.41)<\/p>\n

“Okudu\u011fum \u015feylerin \u00f6yle ayan beyan ortada olmas\u0131ndan ho\u015flanmam, kimbilir neyin i\u015fareti olan, \u015fimdilik ne oldu\u011fu bilinmeyen \u015feylerin varl\u0131\u011f\u0131n\u0131n belli belirsiz hissedildi\u011fi konular\u0131 ye\u011flerim.” (s.57)<\/p>\n

“Hayalinin ve hayat\u0131n\u0131n yaratt\u0131\u011f\u0131 b\u00fcy\u00fcn bu g\u00f6lgelerin pe\u015fine d\u00fc\u015fm\u00fc\u015f durumdas\u0131n.” (s.62)<\/p>\n

“G\u00fcn i\u00e7inde kar\u015f\u0131ma \u00e7\u0131kan olaylar\u0131n birbirlerini izleyi\u015finde d\u00fcnyan\u0131n benden yana niyetlerini \u00e7\u00f6zmeye \u00e7al\u0131\u015f\u0131yorum ve nesnelerde gizlenen karanl\u0131k imalar\u0131n a\u011f\u0131rl\u0131\u011f\u0131n\u0131 s\u00f6zc\u00fcklere d\u00f6kecek bir s\u00f6zl\u00fck olmad\u0131\u011f\u0131n\u0131 bilerek el yordam\u0131yla ilerliyorum.” (s.71)<\/p>\n

“Yazar, kitaplar\u0131n geldi\u011fi g\u00f6r\u00fcnmez noktayd\u0131, hayaletlerin dola\u015ft\u0131\u011f\u0131 bir bo\u015fluk, \u00e7ocuklu\u011fumun k\u00fcmesiyle \u00f6teki d\u00fcnyalar\u0131 birbirine ba\u011flayan yeralt\u0131 dehlizleriydi…” (s.107)<\/p>\n

“Bunlar senin d\u0131\u015f d\u00fcnyay\u0131 kendinden uzak tutmak i\u00e7in kulland\u0131\u011f\u0131n bir kalkan m\u0131, uyu\u015fturucu misali i\u00e7ibe batt\u0131\u011f\u0131n bir hayal mi, yoksa d\u0131\u015far\u0131ya, kitaplar arac\u0131l\u0131\u011f\u0131yla boyutlar\u0131n\u0131 geni\u015fletmek ve \u00e7o\u011faltmak istedi\u011fin d\u0131\u015f d\u00fcnyaya uzatt\u0131\u011f\u0131n bir k\u00f6pr\u00fc m\u00fc?” (s.144)<\/p>\n

“Her \u015fey daima daha \u00f6nceden ba\u015flam\u0131\u015ft\u0131r, her roman\u0131n ilk sayfas\u0131n\u0131n ilk sat\u0131r\u0131, kitab\u0131n d\u0131\u015f\u0131nda olm\u0131\u015f bir \u015feye g\u00f6ndermedir.” (s.153)<\/p>\n

*<\/p>\n

“okumak,” diyor, “hep budur: elinin alt\u0131nda olan bir \u015fey vard\u0131r, yaz\u0131dan olu\u015fan somut, maddesel, de\u011fi\u015ftirilmesi olanaks\u0131z bir \u015fey, bu \u015fey arac\u0131l\u0131\u011f\u0131yla yaln\u0131zca d\u00fc\u015f\u00fcn\u00fclebilip d\u00fc\u015flenebildi\u011fi i\u00e7in ya da bir zamanlar var olup da \u015fimdi olmad\u0131\u011f\u0131 ge\u00e7mi\u015fte kald\u0131\u011f\u0131, yitti\u011fi, eri\u015filmezle\u015fti\u011fi, \u00f6l\u00fcler \u00fclkesinin mal\u0131 oldu\u011fu i\u00e7in varl\u0131\u011f\u0131, maddesi olmayan bir d\u00fcnyaya \u00f6zg\u00fc ba\u015fka bir \u015feyle ili\u015fki kurabiliriz…” (s. 80)<\/p>\n

“bir \u00e7izgi var: \u00e7izginin bir yan\u0131nda kitab\u0131 olu\u015fturanlar, \u00f6teki yan\u0131nda okuyanlar. ben okuyanlar taraf\u0131nda kalmak istiyorum, bu y\u00fczden de \u00e7izginin kendime ait olan yan\u0131nda kalmaya \u00f6zen g\u00f6steririm.” (s. 101)<\/p>\n

“kitab\u0131n sen, okur’u unuttu\u011funu sanma. \u00f6teki okura kaym\u0131\u015f olan sen sesleni\u015fi herhangi bir c\u00fcmlede gene sana d\u00f6nebilir. sen her zaman olabilecek bir sensin. kim seni sen’i yitirmeye mahkum etmeyi g\u00f6ze alabilir, ben’in yitmesi kadar korkun\u00e7 bir felakettir bu. ikinci \u015fah\u0131s i\u00e7in bir s\u00f6ylemin bir roman olabilmesi iki sen’in varl\u0131\u011f\u0131n\u0131 gerektirir, di\u015fi ve erkek o’lar, onlar kalabal\u0131\u011f\u0131n\u0131n i\u00e7inden s\u0131yr\u0131l\u0131p sivrilen, ayr\u0131 ayr\u0131 ve birlikte var olan iki sen.” (s. 155)<\/p>\n

“ba\u015flamak. bunu s\u00f6yleyen sensin, ludmilla. ama bir hikayenin kesin olarak ba\u015flad\u0131\u011f\u0131 an nas\u0131l saptanabilir? her \u015fey zaten daha \u00f6nce ba\u015flam\u0131\u015ft\u0131, her roman\u0131n ilk sayfas\u0131n\u0131n ilk sat\u0131r\u0131 daha \u00f6nceden kitab\u0131n d\u0131\u015f\u0131nda zaten olmu\u015f bir \u015feyden s\u00f6z eder.” (s. 161)<\/p>\n

“bana kuramlar\u0131n\u0131 a\u00e7\u0131klamay\u0131 s\u00fcrd\u00fcrd\u00fc, bu kuramlara g\u00f6re her kitab\u0131n yazar\u0131 uydurma bir ki\u015fiymi\u015f, var olan yazar onu d\u00fc\u015fsel yap\u0131tlar\u0131n\u0131n yazar\u0131 olarak uydururmu\u015f.” (s. 188)<\/p>\n

“okurlar\u0131n kitaplar\u0131mda benim bilmedi\u011fim bir \u015fey bulmalar\u0131n\u0131 beklerim ama bunu ancak, daha \u00f6nce bilmedikleri bir \u015fey okuma beklentisi i\u00e7inde olan okurlardan bekleyebilirim.” (s. 193)<\/p>\n

“… b\u00f6yle diyerek sheila-alfonsina-gertrude kendisini senin \u00fczerine att\u0131, mahpusane pantolonunu \u00e7ekip \u00e7\u0131kard\u0131; \u00e7\u0131plak kol ve bacaklar\u0131n\u0131z elektronik bellek dolaplar\u0131n\u0131n alt\u0131nda birbirine dolan\u0131yor.<\/p>\n

n’ap\u0131yorsun, okur? direnmeyecek misin? kurtulmaya \u00e7al\u0131\u015fmayacak m\u0131s\u0131n? ah, kat\u0131l\u0131yorsun demek… sen de kendini at\u0131yorsun i\u00e7ine… bu kitab\u0131n ba\u015fki\u015fisi kesinlikle sensin, iyi ho\u015f da bu sana romandaki b\u00fct\u00fcn kad\u0131nlarla cinsel ili\u015fki kurma hakk\u0131n\u0131 verir mi?”* (s. 227)<\/p>\n

“her \u015feyi yads\u0131mak insanlar\u0131n sand\u0131\u011f\u0131ndan daha da az zor bir \u015fey: b\u00fct\u00fcn sorun bir kez ba\u015flamakta. gerekli oldu\u011funu d\u00fc\u015f\u00fcnd\u00fc\u011f\u00fcn\u00fcz bir \u015feyden bir kez vazge\u00e7tiniz mi, bir ba\u015fka \u015feyden de, ba\u015fka pek \u00e7ok \u015feyden de vazge\u00e7ebilece\u011finizi anlars\u0131n\u0131z. i\u015fte b\u00f6ylece burada, d\u00fcnya denen bu bo\u015f y\u00fczeyde y\u00fcr\u00fcyorum.” (s. 257)<\/p>\n

Bir K\u0131\u015f Gecesi E\u011fer Bir Yolcu | Italo Calvino<\/em><\/p>\n","protected":false},"excerpt":{"rendered":"

Ba\u015flamak. bunu s\u00f6yleyen sensin, ludmilla. ama bir hik\u00e2yenin kesin olarak ba\u015flad\u0131\u011f\u0131 an nas\u0131l saptanabilir? her \u015fey zaten daha \u00f6nce ba\u015flam\u0131\u015ft\u0131, her roman\u0131n ilk sayfas\u0131n\u0131n ilk sat\u0131r\u0131 daha \u00f6nceden kitab\u0131n d\u0131\u015f\u0131nda zaten olmu\u015f bir \u015feyden s\u00f6z eder. ya da ger\u00e7ek hik\u00e2ye on ya da y\u00fcz sayfa sonra ba\u015flayan hik\u00e2yedir, ondan \u00f6nceki her \u015fey yaln\u0131zca bir \u00f6ndeyi\u015ftir. […]<\/p>\n","protected":false},"author":1,"featured_media":0,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[138],"tags":[],"class_list":{"0":"post-6876","1":"post","2":"type-post","3":"status-publish","4":"format-standard","6":"category-edebiyat-dunya"},"yoast_head":"\nBir hikayenin kesin olarak ba\u015flad\u0131\u011f\u0131 an nas\u0131l saptanabilir? | \u0130talo Calvino - narteks.net<\/title>\n<meta name=\"robots\" content=\"index, follow, max-snippet:-1, max-image-preview:large, max-video-preview:-1\" \/>\n<link rel=\"canonical\" href=\"https:\/\/narteks.net\/index.php\/2012\/01\/03\/bir-hikayenin-kesin-olarak-basladigi-an-nasil-saptanabilir-italo-calvino\/\" \/>\n<meta property=\"og:locale\" content=\"tr_TR\" \/>\n<meta property=\"og:type\" content=\"article\" \/>\n<meta property=\"og:title\" content=\"Bir hikayenin kesin olarak ba\u015flad\u0131\u011f\u0131 an nas\u0131l saptanabilir? | \u0130talo Calvino\" \/>\n<meta property=\"og:description\" content=\"Ba\u015flamak. bunu s\u00f6yleyen sensin, ludmilla. ama bir hik\u00e2yenin kesin olarak ba\u015flad\u0131\u011f\u0131 an nas\u0131l saptanabilir? her \u015fey zaten daha \u00f6nce ba\u015flam\u0131\u015ft\u0131, her roman\u0131n ilk sayfas\u0131n\u0131n ilk sat\u0131r\u0131 daha \u00f6nceden kitab\u0131n d\u0131\u015f\u0131nda zaten olmu\u015f bir \u015feyden s\u00f6z eder. ya da ger\u00e7ek hik\u00e2ye on ya da y\u00fcz sayfa sonra ba\u015flayan hik\u00e2yedir, ondan \u00f6nceki her \u015fey yaln\u0131zca bir \u00f6ndeyi\u015ftir. 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