{"id":691,"date":"2010-03-12T01:00:00","date_gmt":"2010-03-11T22:00:00","guid":{"rendered":"http:\/\/localhost\/wordpress\/2010\/03\/12\/edebiyatin-koca-cinari-buyuk-usta-rifat-ilgaz-biyografisi\/"},"modified":"2010-03-12T01:00:00","modified_gmt":"2010-03-11T22:00:00","slug":"edebiyatin-koca-cinari-buyuk-usta-rifat-ilgaz-biyografisi","status":"publish","type":"post","link":"https:\/\/narteks.net\/index.php\/2010\/03\/12\/edebiyatin-koca-cinari-buyuk-usta-rifat-ilgaz-biyografisi\/","title":{"rendered":"Edebiyat\u0131n koca \u00e7\u0131nar\u0131 b\u00fcy\u00fck usta | R\u0131fat Ilgaz Biyografisi"},"content":{"rendered":"

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Mehmet R\u0131fat Ilgaz (d. 1911 – \u00f6. 1993), Kastamonu – \u00f6. 7 Temmuz 1993, \u0130stanbul), \u00d6zellikle Hababam S\u0131n\u0131f\u0131 roman\u0131yla tan\u0131nd\u0131. Hem yaz\u0131lar\u0131nda hem de ki\u015fisel hayat\u0131nda toplumcu bir \u00e7izgi devam ettirdi. T\u00fcrkiye’nin en \u00e7alkant\u0131l\u0131 siyasi d\u00f6nemlerinde devam etti\u011fi dergicili\u011fi, ayn\u0131 d\u00f6nemdeki bir \u00e7ok yazar gibi, onun da adliye koridorlar\u0131nda ve hapishanede zaman ge\u00e7irmesine neden oldu. Olduk\u00e7a \u00fcretken olan yaz\u0131n hayat\u0131na \u015fiirden mizah \u00f6yk\u00fclerine, romandan \u00e7ocuk kitaplar\u0131na bir \u00e7ok farkl\u0131 alanda eser s\u0131\u011fd\u0131rd\u0131. Bir zamanlar toplat\u0131lan Karartma Geceleri eseri ge\u00e7ti\u011fimiz y\u0131l 100 Temel Eser listesine girdi. Yazar\u0131n eserleri g\u00fcn\u00fcm\u00fczde, o\u011flu Ayd\u0131n Ilgaz ile birlikte kurdu\u011fu, \u00c7\u0131nar Yay\u0131nlar\u0131’ndan \u00e7\u0131kmaktad\u0131r. Yazara edebiyat d\u00fcnyas\u0131nda Koca \u00c7\u0131nar, ya da Edebiyat\u0131n Koca \u00c7\u0131nar\u0131 denmektedir.<\/p>\n

AYDIN MISIN ?<\/p>\n

Kilim gibi dokumada mutsuzlu\u011fu
Gidip gelen kara ku\u015flar havada
Saflar tutulmu\u015f top sesleri gerilerden
Taban\u0131nda depremi kara g\u00fcllelerin
Duymuyor musun<\/p>\n

Kald\u0131r ba\u015f\u0131n\u0131 kan uykulardan
B\u00f6yle y\u00fcrek b\u00f6yle atardamar
Atmaz olsun
Ses ol \u0131\u015f\u0131k ol yumruk ol
Karayeller ba\u015f\u0131na indirmeden \u00e7at\u0131n\u0131
Sel sular\u0131 bast\u0131\u011f\u0131n topra\u011f\u0131 d\u00f6n\u00fcm d\u00f6n\u00fcm
Al\u0131p g\u00f6t\u00fcrmeden b\u00fcy\u00fck denizlere
\u00c7abuk ol<\/p>\n

Tam \u00e7a\u011f\u0131 ise ba\u015flaman\u0131n do\u011fan g\u00fcnle
Bul i\u00e7ine t\u00fck\u00fcrd\u00fc\u011f\u00fcn kitaplar\u0131 yeniden
Her sat\u0131r\u0131nda buram buram al\u0131n teri
Her sayfas\u0131 g\u00fcnl\u00fck g\u00fcne\u015flik
Utanma su\u00e7un t\u00fcm\u00fc senin de\u011fil
Y\u0131rt otuzunda ald\u0131\u011f\u0131n diplomay\u0131
Alfabelik \u00e7ocuk ol
Yollar kesilmi\u015f alanlar sar\u0131lm\u0131\u015f
Tel \u00f6rg\u00fcler \u00e7evirmi\u015f y\u00f6reni
F\u0131r\u0131l f\u0131r\u0131l al\u0131c\u0131 ku\u015flar tepende
Benden ge\u00e7ti mi demek istiyorsun
A\u00e7 iki kolunu iki yan\u0131na
Korkuluk ol<\/p>\n

1911 y\u0131l\u0131nda Kastamonu’nun Cide il\u00e7esinde do\u011fdu. Yedi karde\u015fin sonuncusu olan Ilgaz’\u0131n do\u011fum tarihi kesin olarak belli de\u011fildi. N\u00fcfusa g\u00f6re 7 May\u0131s 1911 olan do\u011fum tarihi, annesinin s\u00f6ylemesiyle “derin kar”dad\u0131r. Bu da, Ilgaz’\u0131n demesiyle, 1910’un \u015eubat’\u0131na rastlamaktad\u0131r.Ortaokuldayken liseye devam edip \u00fcniversite okumak istemesine ve \u00f6\u011fretmenlerinin bu konuda onu desteklemesine ra\u011fmen babas\u0131n\u0131n vefat\u0131 nedeniyle Kastamonu Muallim Mektebi’ne (\u00f6\u011fretmen okulu) girdi. Mezun olduktan sonra Gerede ve Ak\u00e7akoca’da ilkokul \u00f6\u011fretmenli\u011fi yapt\u0131. Bolu’daki \u00f6\u011fretmenli\u011fi s\u0131ras\u0131nda ilk e\u015fi Nuriye Han\u0131m’la tan\u0131\u015f\u0131p evlendi (1931). 1932’de k\u0131z\u0131 G\u00f6n\u00fcl do\u011fdu. Daha sonra G\u00fcm\u00fc\u015fova’ya ba\u015f\u00f6\u011fretmen olarak atand\u0131. 1933 y\u0131l\u0131nda askere al\u0131nd\u0131ktan sonra ilk e\u015finden bo\u015fand\u0131. 1936’da Ankara Gazi E\u011fitim Enstit\u00fcs\u00fc Edebiyat b\u00f6l\u00fcm\u00fcne girdi ve 1938’de mezun oldu. \u0130kinci e\u015fi Rikkat Han\u0131mla enstit\u00fcde tan\u0131\u015ft\u0131 ve 1939’da evlendi. Bu evlilikten o\u011flu Ayd\u0131n ve k\u0131z\u0131 Y\u0131ld\u0131z do\u011fdu. Mezuniyetinden sonra Adapazar\u0131’na atanan Ilgaz, vereme yakaland\u0131\u011f\u0131 i\u00e7in \u00f6\u011fretmenlik yapamadan buradan ayr\u0131ld\u0131 ve \u0130stanbul Yakac\u0131k Sanatoryumuna yatt\u0131.<\/p>\n

Kendi tayininden bir s\u00fcre sonra e\u015fi de \u0130stanbul’a atand\u0131. \u0130stanbul’dayken hem Karag\u00fcmr\u00fckOrtaokulu’nda T\u00fcrk\u00e7e \u00f6\u011fretmenli\u011fi yap\u0131yor hem de fak\u00fclte de felsefe okuyordu. II. D\u00fcnya Sava\u015f\u0131’na denk gelen bu d\u00f6nemler daha sonra edebiyat\u0131nda da olduk\u00e7a etkili oldu. \u00d6rne\u011fin sava\u015f Karartma Geceleri roman\u0131n\u0131n arka plan\u0131nda yo\u011fun olarak hissedilmektedir. 1943 y\u0131l\u0131nda Karag\u00fcmr\u00fck Ortaokulunda bir \u00f6\u011fretmenle kavga etti\u011fi i\u00e7in Ni\u015fanta\u015f\u0131’na s\u00fcr\u00fcld\u00fc. Ayn\u0131 y\u0131l a\u011fabeyinin de bulundu\u011fu Tosya’da deprem olunca oraya gitti ve daha sonra izlenimlerini gazete de yazd\u0131. Ayr\u0131ca bir de bu deneyimi yans\u0131tan Tosya Zelzelesi \u015fiirini yazd\u0131.<\/p>\n

1944’\u00fcn Ocak ay\u0131nda yay\u0131nlad\u0131\u011f\u0131 S\u0131n\u0131f kitab\u0131yla adliyeler ve hapishaneyle tan\u0131\u015fm\u0131\u015f oldu. Bir s\u00fcre saklanan Ilgaz, 24 May\u0131s 1944’te Birinci \u015eubeye teslim oldu. 6 aya \u00e7arpt\u0131r\u0131lan yazar, hapishaneden \u00e7\u0131kt\u0131\u011f\u0131nda hem \u00f6\u011frencili\u011fini hem de \u00f6\u011fretmenli\u011fini kaybetmi\u015fti. Sa\u011fl\u0131\u011f\u0131 da olduk\u00e7a bozulan Ilgaz, Heybeliada Sanatoryumuna yatt\u0131. 1946 y\u0131l\u0131nda \u00f6\u011fretmenli\u011fe k\u0131sa bir s\u00fcreli\u011fine d\u00f6nse de, sonunda 1947’de temelli olarak bu \u015fans\u0131 kaybetti. Bununla birlikte sanatoryuma yatabilme hakk\u0131n\u0131 da kaybetmi\u015f oluyordu. E\u015fi Rikkat Han\u0131m’dan 1949 y\u0131l\u0131nda ayr\u0131ld\u0131. Bu ayr\u0131l\u0131\u011f\u0131 yazar \u015fu \u015fekilde a\u00e7\u0131kl\u0131yordu
\u201c \u00a0\u00a0\u00a0 …Rikkat Han\u0131m’dan 1949 y\u0131l\u0131nda ayr\u0131ld\u0131m. Benim y\u00fcz\u00fcmden i\u015finden olmamas\u0131 ve \u00e7ocuklar\u0131m\u0131z\u0131n zarar g\u00f6rmemesi i\u00e7in anla\u015farak ayr\u0131ld\u0131k. \u00d6\u011fretmenlikten \u00e7\u0131kar\u0131lm\u0131\u015ft\u0131m, iki de bir kovu\u015fturmaya u\u011fruyordum. Ad\u0131m kom\u00fcniste \u00e7\u0131km\u0131\u015ft\u0131. \u0130zleniyordum. Yerim yurdum, ne olaca\u011f\u0131m belli de\u011fildi. \u00dcstelik, verem gibi bula\u015f\u0131c\u0131 bir hastal\u0131\u011f\u0131m vard\u0131. B\u00fct\u00fcn bunlar\u0131n e\u015fime de zarar verece\u011fini, bir g\u00fcn onun da i\u015finden at\u0131labilece\u011fini d\u00fc\u015f\u00fcn\u00fcyor, \u00e7ocuklar\u0131m i\u00e7in de kayg\u0131lan\u0131yordum. Ayr\u0131lmam\u0131z bundan oldu. \u00a0\u00a0\u00a0 \u201d<\/p>\n

Bu yan\u0131t bir bak\u0131ma d\u00f6nemin hayat \u015fartlar\u0131n\u0131n y\u0131prat\u0131c\u0131l\u0131\u011f\u0131n\u0131n da alt\u0131n\u0131 \u00e7izmektedir. Bu s\u00fcre\u00e7te hayat\u0131 dergi ve gazetecilik ile \u015fiir yazarak ge\u00e7iyordu. 1953 y\u0131l\u0131nda Devam kitab\u0131 da toplat\u0131ld\u0131 ve yazar hakk\u0131nda soru\u015fturma a\u00e7\u0131ld\u0131. 27 May\u0131s’tan hemen \u00f6nce g\u00f6nderilmesi planlanan s\u00fcrg\u00fcnden 27 May\u0131s 1960 askeri m\u00fcdahelesiyle kurtuldu. 1966’da Ilgaz’\u0131n oyunla\u015ft\u0131rd\u0131\u011f\u0131 Habam S\u0131n\u0131f\u0131 roman\u0131 Ulvi Uraz Tiyatro Toplulu\u011fu taraf\u0131ndan sahnelendi. Ayn\u0131 oyun 1969 y\u0131l\u0131nda \u0130stanbul Tiyatrosu’nda sahneye kondu. Ayn\u0131 y\u0131l \u00c7atal Matal oyunu da Ankara Sanat Tiyatrosu’nda sahnelendi.<\/p>\n

1970 y\u0131l\u0131nda yazar Afet Han\u0131m’la evlendi ve 1971’de k\u0131zlar\u0131 Defne do\u011fdu. Ayn\u0131 y\u0131l Bas\u0131n \u015eeref Kart\u0131 ald\u0131. Bu y\u0131l ayr\u0131ca S\u0131n\u0131f Yay\u0131nlar\u0131’n\u0131 kuran yazar kendi kitaplar\u0131n\u0131 yay\u0131nlamaya ba\u015flad\u0131. \u0130lk denendi\u011finde sans\u00fcre tak\u0131lan Hababam S\u0131n\u0131f\u0131, Umar Bugay’\u0131n senaryosuyla sans\u00fcrden ge\u00e7ti ve Ertem E\u011filmez’in y\u00f6netmenli\u011finde \u00e7ekildi. Fakat yazar bu durumdan ho\u015fnut de\u011fildi, \u00e7\u00fcnk\u00fc sans\u00fcrden ge\u00e7meyi ba\u015faran senaryo eserin b\u00fct\u00fcn toplumsal ele\u015ftirilerinden ar\u0131t\u0131lm\u0131\u015f ve sadece e\u011flencelik bir komedi haline getirilmi\u015fti.
\u201c \u00a0\u00a0\u00a0 Onlar, Hababam S\u0131n\u0131f\u0131’n\u0131n \u00f6z\u00fcne sayg\u0131 g\u00f6sterilerek \u00e7evrilmi\u015f filmler de\u011fildi. \u0130\u00e7eri\u011fi bak\u0131m\u0131ndan, tezi bak\u0131m\u0131ndan ayk\u0131r\u0131. Ben e\u011fitimi ele\u015ftiririm. Kopyac\u0131l\u0131\u011f\u0131, ezbercili\u011fi… Senaryoyu yazanlar \u00f6\u011frenci velilerine ba\u015fl\u0131yorlar \u00e7\u0131k\u0131\u015fmaya. […] Hemen dava a\u00e7t\u0131m. \u00a0\u00a0\u00a0 \u201d<\/p>\n

Semih Poroy’un \u00e7izgisiyle tutuklan\u0131\u015f\u0131
Belgeselden al\u0131nan ekran g\u00f6r\u00fcnt\u00fcs\u00fc<\/p>\n

Filmin ba\u015far\u0131s\u0131ndan sonra 6 film daha yap\u0131ld\u0131. 1974’te emekli olan Ilgaz, Cide’ye yerle\u015fti. Zaten bir s\u00fcredir e\u015finden ayr\u0131 ya\u015famaktayd\u0131.12 Eyl\u00fcl (1980) d\u00f6neminde Cide’de bulunan R\u0131fat Ilgaz s\u00fcrekli tehdit ya da rahats\u0131z ediliyordu. \u00d6rne\u011fin, bir g\u00fcn oturdu\u011fu evin kar\u015f\u0131s\u0131ndaki binaya R\u0131fat Ilgaz evden at\u0131lmad\u0131\u011f\u0131 takdirde evin taranaca\u011f\u0131na dair not as\u0131l\u0131r.<\/p>\n

28 May\u0131s 1981 gecesi R\u0131fat Ilgaz Y\u0131ld\u0131z Karayel roman\u0131n\u0131 yazmaktayken g\u00f6zalt\u0131na al\u0131nd\u0131. G\u00f6zleri ba\u011flanarak ve zincirlenerek merkeze kadar y\u00fcr\u00fct\u00fclen yazar, Kastamonu, Et Bal\u0131k Kurumu mezbahas\u0131ndan bozma hapishaneye kondu. Doktor muayenesi isteyerek hastal\u0131\u011f\u0131n\u0131 kan\u0131tlay\u0131nca jandarma taraf\u0131ndan Ball\u0131da\u011f Sanatoryumuna yat\u0131r\u0131ld\u0131. G\u00f6zalt\u0131na al\u0131nmas\u0131n\u0131n belirli bir nedeni zaten bulunmamaktayd\u0131 ve genel sorgudan sonra serbest b\u0131rak\u0131ld\u0131. O\u011flu Ayd\u0131n Ilgaz ile ya\u015famak \u00fczere \u0130stanbul’a d\u00f6nd\u00fc.<\/p>\n

\u00d6ncelikli olarak \u015fiir ve \u00f6yk\u00fc olmak \u00fczere yazmaya devam etti. Ad\u0131na etkinlikler ve festivaller d\u00fczenlendi. Fikri Sa\u011flar’\u0131n K\u00fclt\u00fcr Bakanl\u0131\u011f\u0131 d\u00f6neminde devlet taraf\u0131ndan bir \u00e7e\u015fit itibar iadesi olacak \u015fekilde K\u00fclt\u00fcr Bakanl\u0131\u011f\u0131 plaketi verildi.<\/p>\n

2 Temmuz Sivas Mad\u0131mak Olay\u0131’nda ba\u015fta yak\u0131n dostu As\u0131m Bezirci olmak \u00fczere bir\u00e7ok ki\u015finin katledildi\u011fi haberine olduk\u00e7a \u00fcz\u00fclen Ilgaz, bundan 5 g\u00fcn sonra, 7 Temmuz 1993’te evinde vefat etti ve Zincirlikuyu Mezarl\u0131\u011f\u0131’na, As\u0131m Bezirci’nin yan\u0131na defnedildi.<\/p>\n

Edebiyat\u0131<\/p>\n

R\u0131fat Ilgaz, edebiyat hayat\u0131na 1926 y\u0131l\u0131nda Kastamonu Nazikter gazetesinde yay\u0131nlanan “Sevgilimin Mezar\u0131nda” \u015fiiriyle ba\u015flad\u0131. Bu \u015fiiri yazd\u0131\u011f\u0131nda hen\u00fcz on be\u015f ya\u015f\u0131nda olan \u015fair, o d\u00f6nemlerde Mehmet R\u0131fat imzas\u0131 ile yaz\u0131yordu. Hatta Kastamonu’dan ge\u00e7mekte olan Faruk Nafiz’in ilgisini \u00e7ekmeyi ba\u015fard\u0131. Bir s\u00fcre tarz olarak ki\u015fisel \u015fiirler yazsa da, ki bunlar Varl\u0131k, Olu\u015f gibi dergilerde yay\u0131nland\u0131, daha sonra hi\u00e7birini kitaplar\u0131na almad\u0131. Ona g\u00f6re bu \u015fiirler g\u00f6z\u00fc kapal\u0131 ya\u015fad\u0131\u011f\u0131 y\u0131llar\u0131n ifadesiydi. Bir s\u00fcre \u015fiir tekni\u011fine yeni bir soluk getirdi\u011fine inand\u0131\u011f\u0131 Naz\u0131m Hikmet ile \u00e7al\u0131\u015ft\u0131. Onun Bursa Hapishanesinden g\u00f6nderdi\u011fi \u015fiirleri \u0130brahim Sabri mahlas\u0131yla yay\u0131nl\u0131yordu. Naz\u0131m da Ilgaz’dan umutla s\u00f6z ediyordu:
\u201c \u00a0\u00a0\u00a0 Gen\u00e7lerin i\u00e7inde \u00e7ok be\u011fendi\u011fim \u015fairler var, hepsinin ismini akl\u0131mda tutam\u0131yorum, isimleri hen\u00fcz yer etmedi, ama \u015fiirlerini pek be\u011feniyorum. \u015e\u00f6yle akl\u0131mda kalanlar\u0131, s\u0131ra tefriki yapmadan sayay\u0131m: Dinamo, Suat Ta\u015fer, R\u0131fat Ilgaz, A. Kadir, Orhan Kemal, Saffet Irgat vesaire.. \u00a0\u00a0\u00a0 \u201d<\/p>\n

Ayr\u0131ca Naz\u0131m, ba\u015fka bir zamanda “kendi sesini bulmas\u0131” i\u00e7in Orhan Kemal’e Ilgaz’\u0131 \u00f6rnek g\u00f6stermi\u015ftir. R\u0131fat Ilgaz, II. D\u00fcnya Sava\u015f\u0131 d\u00f6neminde \u00f6\u011fretmenlik yaparken hayat\u0131nda ve \u00e7evresinde g\u00f6rd\u00fckleriyle toplumcu bir anlay\u0131\u015fa y\u00f6neldi. Halktan biri olmas\u0131 ve halk\u0131n \u00e7ektiklerini kendisinin de \u00e7ekiyor olmas\u0131 bunu ifade etme iste\u011fi ve ihtiyac\u0131 yaratt\u0131. Bu ama\u00e7la \u00e7\u0131kard\u0131\u011f\u0131 ilk \u015fiir kitab\u0131 Yarenlik’te (1943) \u00e7evresindeki insan hayat\u0131n\u0131 anlatt\u0131. Mesela bu eserindeki “Ali\u015fim” \u015fiirinde onun edebiyatta durdu\u011fu noktan\u0131n izleri olduk\u00e7a g\u00fc\u00e7l\u00fcd\u00fcr.
\u201c \u00a0\u00a0\u00a0 <\/p>\n

Kasna\u011f\u0131ndan f\u0131rlayan kay\u0131\u015fa
kapt\u0131rd\u0131n m\u0131 kolunu Ali\u015fim!
…
Gidenler gitti Ali\u015fim,
Bo\u015f kald\u0131 ceketin sa\u011f kolu…
…
Vars\u0131n duvarda as\u0131l\u0131 kals\u0131n ba\u011flaman
beklesin m\u0131zrab\u0131n\u0131.
\u201d<\/p>\n

Bu \u015fiirde toplumu bir\u00e7ok a\u00e7\u0131dan anlatmaktad\u0131r \u015fair. K\u00f6yden kente g\u00f6\u00e7ten, i\u015f\u00e7inin durumuna kadar toplumsal ger\u00e7ekleri irdelerken bir yandan da bu toplumsal ger\u00e7eklik i\u00e7inde s\u0131k\u0131\u015f\u0131p kalan bireyin durumunu da verir. Ne de olsa, K\u0131zlar da emektar saz gibi iki kol ister saracak! \u015eiirin de kulland\u0131\u011f\u0131 dil ise anlatt\u0131\u011f\u0131 konular\u0131n tarz\u0131na uygun bir \u015fekilde sadedir.<\/p>\n

Benzer bir anlay\u0131\u015fla yazd\u0131\u011f\u0131 ve \u015fiirlerin bir k\u0131sm\u0131 okuldaki \u00f6\u011frencileriyle ilgili olan ikinci kitab\u0131 S\u0131n\u0131f (1944) toplat\u0131ld\u0131 ve Ilgaz hakk\u0131nda soru\u015fturma ba\u015flat\u0131ld\u0131. O d\u00f6nemde sa\u011fl\u0131k nedeniyle okuldan izinli olan \u015fair bir s\u00fcre sakland\u0131ktan sonra teslim oldu ve 6 ay hapiste yatt\u0131. Bu d\u00f6nemde ya\u015fad\u0131klar\u0131n\u0131 bir \u00e7e\u015fit an\u0131-roman olan Karartma Geceleri’nde, karakteri Mustafa Ural arac\u0131l\u0131\u011f\u0131yla anlatt\u0131.<\/p>\n

Ilgaz, 1940’l\u0131 ve 50’li y\u0131llarda yo\u011fun bir \u015fekilde dergicilikle u\u011fra\u015ft\u0131. Zaten zaman\u0131n ekonomik -ve biraz da siyasi- \u015fartlar\u0131 daha hacimli eserlere (kitaplara) pek izin vermiyordu. Bu d\u00f6nemde h\u00fck\u00fcmete ve \u0130ran \u015eah’\u0131na hakaretten tekrar hapise girdi. 1950 Af Kanunuyla \u00e7\u0131kt\u0131. Daha sonradan Fedailer Mangas\u0131 ad\u0131n\u0131 alacak bir grup ayd\u0131n, bir \u00e7\u0131kan bir kapanan dergilerde yazmaya devam etmeye \u00e7al\u0131\u015f\u0131yorlard\u0131. \u00d6zellikle R\u0131fat Ilgaz’\u0131n takdir etti\u011fi Naz\u0131m Hikmet’in anahatlar\u0131n\u0131 ortaya koydu\u011fu toplumcu bir edebiyat anlay\u0131\u015f\u0131 geli\u015fmi\u015fti. Sabahattin Ali, Aziz Nesin, \u00d6mer Faruk Toprak, Hasan \u0130zzettin Dinamo gibi yazarlar\u0131n ba\u015f\u0131 \u00e7ekti\u011fi bir ak\u0131md\u0131 bu.<\/p>\n

Bu d\u00f6nemde \u00f6zellikle Sabahattin Ali ve Aziz Nesin’le birlikte \u00e7\u0131kard\u0131klar\u0131 Markopa\u015fa, T\u00fcrk siyasi edebiyat tarihinde \u00e7ok \u00f6nemli bir yere sahiptir. Mizah yoluyla \u00fclkedeki gidi\u015fat\u0131 ele\u015ftiren yaz\u0131lara yer veren yay\u0131n k\u0131sa s\u00fcrede b\u00fcy\u00fck ilgi toplad\u0131 ve iyi bir sat\u0131\u015f seviyesine ula\u015ft\u0131. Kapat\u0131ld\u0131k\u00e7a H\u00fcr MarkoPa\u015fa, Yedi-Sekiz Pa\u015fa gibi ba\u015fka isimlerle tekrar \u00e7\u0131kan derginin benzer isimlerle sahteleri dahi t\u00fcredi. Bu d\u00f6nem T\u00fcrk yaz\u0131n\u0131nda dergicilik d\u00f6nemiydi ve benzer kadrolar s\u00fcrekli olarak farkl\u0131 dergilerde yaz\u0131yorlard\u0131.<\/p>\n

1956 y\u0131l\u0131nda \u0130lhan Sel\u00e7uk’un \u00e7\u0131kard\u0131\u011f\u0131 Dolmu\u015f dergisinde bir hik\u00e2ye serisi yay\u0131nlamaya ba\u015flad\u0131. Daha sonra bu yaz\u0131lar Hababam S\u0131n\u0131f\u0131 roman\u0131 oldu. \u00c7izimlerini Turhan Sel\u00e7uk’un yapt\u0131\u011f\u0131 bu dizi \u00e7ok tuttu. Yazar Stepne takma ad\u0131yla yazd\u0131\u011f\u0131 i\u00e7in bu hik\u00e2yelerin kime ait oldu\u011fu da ilgin\u00e7 tart\u0131\u015fmalar yarat\u0131yordu. Bir s\u00fcre sonra kendi ad\u0131yla bu yaz\u0131lar\u0131 toplad\u0131\u011f\u0131nda bir \u00e7ok insan ona inanmad\u0131. Daha sonra Ilgaz, di\u011fer Hababam S\u0131n\u0131f\u0131 oyunlar\u0131n\u0131 da yay\u0131nlad\u0131.<\/p>\n

R\u0131fat Ilgaz romanlar\u0131n\u0131n \u00e7o\u011funu 1970’li y\u0131llarda yazd\u0131. Zaten bu y\u0131llar T\u00fcrk roman\u0131nda, \u00f6zellikle politik i\u00e7erikli eserlerde, olduk\u00e7a \u00fcretken bir d\u00f6nemdi. Sevgi Soysal ve Adalet A\u011fao\u011flu gibi yazarlar 12 Mart roman\u0131 diye tabir edilen t\u00fcrde eserler yazarken Ilgaz daha \u00f6nceki d\u00f6nemleri de kapsayan eserlere imza att\u0131. \u00d6zellikle Kastamonu hayat\u0131n\u0131 kaleme ald\u0131\u011f\u0131 romanlar\u0131nda “yerel” edebiyata e\u011filim g\u00f6steriyor gibi g\u00f6r\u00fcnse de, bu eserlerinde anlatt\u0131\u011f\u0131 hayatlarla halk\u0131n tarihsel s\u00fcre\u00e7 i\u00e7erisindeki durumunu i\u015fledi\u011fi i\u00e7in halk\u00e7\u0131 edebiyat \u00e7izgisini s\u00fcrd\u00fcrd\u00fc\u011f\u00fcn\u00fc s\u00f6ylemek m\u00fcmk\u00fcnd\u00fcr. Tarz olarak da yine bu d\u00f6nemde, Adalet A\u011fao\u011flu, F\u00fcruzan ve O\u011fuz Atay gibi yazarlarda g\u00f6r\u00fcld\u00fc\u011f\u00fc \u00fczere, modernist edebiyat\u0131n ortaya \u00e7\u0131kmaya ba\u015flamas\u0131na ra\u011fmen, o Toplumcu Ger\u00e7ek\u00e7i anlay\u0131\u015f\u0131n\u0131 devam ettirdi.<\/p>\n

Yazar\u0131n \u00f6yk\u00fcc\u00fcl\u00fc\u011f\u00fc \u00f6zellikle mizah alan\u0131nda geli\u015fti. \u00d6yk\u00fcleri Markopa\u015fa d\u00f6nemlerine gitmektedir. \u0130lk \u00f6yk\u00fc kitaplar\u0131 olan Radar\u0131n Anahtar\u0131 ve Don Ki\u015fot \u0130stanbul’da 1957 y\u0131l\u0131nda yay\u0131nlanm\u0131\u015flard\u0131r. Toplumsal de\u011fi\u015fimleri ve \u00e7arp\u0131kl\u0131klar\u0131 hicveden bu mizah \u00f6yk\u00fclerine \u00f6rnek olarak Sosyal Kad\u0131nlar Partisi’ndeki kentle\u015fme ve toplumda kad\u0131n\u0131n yeri \u00fczerine ele\u015ftiriler verilebilir. Biraz da bu nedenle Ilgaz, Hababam S\u0131n\u0131f\u0131 eserlerinin film uyarlamalar\u0131ndan \u00e7ok da memnun olmad\u0131. Bu uyarlamalar eserlerinin toplumsal hiciv k\u0131s\u0131mlar\u0131n\u0131 eleyip yerine basit bir g\u00fclmece anlay\u0131\u015f\u0131 getirdiler.<\/p>\n

Ya\u015fam\u0131n\u0131 son d\u00f6nemlerinde yazar \u00f6zellikle an\u0131 ile \u00e7ocuk edebiyat\u0131 t\u00fcr\u00fcne a\u011f\u0131rl\u0131k verdi. \u00d6\u011fretmenlik y\u0131llar\u0131ndan kalma bir idealizmle \u00f6zellikle yeni nesile y\u00f6nelik \u00e7al\u0131\u015fmalar\u0131 tercih etti. An\u0131lar\u0131 uzun bir tarihsel ge\u00e7mi\u015fe \u0131\u015f\u0131k tutarken (1910’lardan bu yana yazar T\u00fcrkiye’nin tarihsel ge\u00e7mi\u015fini bizzat ya\u015fam\u0131\u015ft\u0131r) \u00e7ocuk romanlar\u0131 yeni bir s\u00fcre\u00e7 i\u00e7in haz\u0131rl\u0131k g\u00f6revi g\u00f6r\u00fcyordu. Zaten Okutmak \u00dczerine \u015fiirinde \u015f\u00f6yle der:
\u201c \u00a0\u00a0\u00a0 S\u0131n\u0131f\u0131n ozan\u0131y\u0131m mimli<\/p>\n

Hababam S\u0131n\u0131f\u0131’n\u0131n yazar\u0131y\u0131m \u00fcnl\u00fc
Kim ne derse desin, \u00e7ocuklar i\u00e7in yazd\u0131m hep.
…
\u0130ki i\u015f tuttum \u00f6m\u00fcr boyu k\u00f6kl\u00fc.
\u00c7ocuklar\u0131 okutmakt\u0131 ilk i\u015fim.
\u0130kincisi,
Yazd\u0131klar\u0131m\u0131 \u00e7ocuklara okutmak.
\u201d<\/p>\n

1980’li y\u0131llar\u0131n\u0131n \u00e7o\u011funu panellerde ve imza g\u00fcnlerinde ge\u00e7iren Ilgaz i\u00e7in 1990’li y\u0131llarda “plaketler” d\u00f6nemi oldu. Son \u015fiirini 19 Kas\u0131m 1991’de yazd\u0131:
\u201c \u00a0\u00a0\u00a0 Son \u015eiirim<\/p>\n

Elim birine de\u011fsin
Is\u0131tay\u0131m \u00fc\u015f\u00fcd\u00fcyse
Bo\u015fa gitmesin son s\u0131cakl\u0131\u011f\u0131m.
\u201d<\/p>\n

U\u011fur Mumcu’nun \u00f6ld\u00fcr\u00fclmesini takiben Sivas Mad\u0131mak Olay\u0131’n\u0131n olmas\u0131 yazar\u0131 duygusal a\u00e7\u0131dan olduk\u00e7a yordu. \u00d6zellikle bu son d\u00f6nemlerini Mehmet Saydur olduk\u00e7a detayl\u0131 anlatmaktad\u0131r. Bu olaylardan k\u0131sa bir s\u00fcre sonra da Ilgaz vefat etti, 7 Temmuz 1993.<\/p>\n

Kastamonu ve R\u0131fat Ilgaz<\/p>\n

Do\u011fdu\u011fu ve yeti\u015fti\u011fi kent olan Kastamonu’ya ba\u011fl\u0131l\u0131\u011f\u0131n\u0131 her f\u0131rsatta dile getirmi\u015f olan Ilgaz, zaten soyad\u0131 devrimiyle kendine bu kentin en b\u00fcy\u00fck simgesi olan Ilgaz Da\u011flar\u0131n\u0131n ismini soyad\u0131 olarak se\u00e7ti (1934). \u00d6zellikle do\u011fdu\u011fu Cide ve k\u00fclt\u00fcr\u00fcne ve insan\u0131na yap\u0131tlar\u0131nda yer verdi. Sar\u0131 Yazma, Y\u0131ld\u0131z Karayel, Halime Kaptan ve Karadenizin K\u0131y\u0131c\u0131\u011f\u0131nda gibi romanlar\u0131nda bu y\u00f6reyi tema olarak ald\u0131. Kastamonu ve Cide’de ad\u0131na etkinlikler d\u00fczenlenmektedir.<\/p>\n

R\u0131fat Ilgaz’\u0131n Kastamonu ile ilgili y\u00f6nlerini en iyi veren kaynaklardan biri, onunla tan\u0131\u015f\u0131p birlikte \u00e7al\u0131\u015fmalar yapm\u0131\u015f olan Mehmet Saydur’dur. Ilgaz \u00fczerine bir\u00e7ok ara\u015ft\u0131rmas\u0131 olan yazar, onunla an\u0131lar\u0131n\u0131 R\u0131fat Ilgaz’l\u0131 Y\u0131llar adl\u0131 eserinde yazm\u0131\u015ft\u0131r.<\/p>\n

Her y\u0131l memleketi olan Cide il\u00e7esinde 7-8-9 Temmuz tarihleri aras\u0131nda Cide R\u0131fat Ilgaz Sar\u0131 Yazma ve K\u00fclt\u00fcr Sanat Festivali yap\u0131l\u0131r. Sanat\u00e7\u0131 her y\u0131l orada konserler, paneller , dinletiler e\u015fli\u011finde an\u0131l\u0131r.<\/p>\n

Yap\u0131tlar\u0131<\/p>\n

\u015eiir kitaplar\u0131<\/p>\n

* Yarenlik (1943): 1946’da ikinci bas\u0131m\u0131 yap\u0131ld\u0131.
* S\u0131n\u0131f (1944): Kovu\u015fturmaya u\u011frad\u0131. 6 ay hapis yatt\u0131.
* Ya\u015fad\u0131k\u00e7a (1947): Toplat\u0131ld\u0131.
* Devam (1953): Toplat\u0131ld\u0131.
* \u00dcsk\u00fcdarda Sabah Oldu (1954)
* Soluk Solu\u011fa (1962): Yeni \u015fiir \u00e7ok azd\u0131r, genellikle derleme.
* Karak\u0131l\u00e7\u0131k (1969)
* Uzak De\u011fil (1971)
* G\u00fcvercinim Uyur mu (1974)
* Kula\u011f\u0131m\u0131z Kiri\u015fte (1983)
* Ocak Kat\u0131r\u0131 Alag\u00f6z (1987)
* \u00c7ocuk Bah\u00e7esi (1995): \u00c7ocuklar i\u00e7in \u015fiirler
* B\u00fct\u00fcn \u015eiirleri (1983): 9 cilt olarak
* B\u00fct\u00fcn \u015eiirleri: 1927-1991 (2004)<\/p>\n

Romanlar\u0131<\/p>\n

* Hababam S\u0131n\u0131f\u0131 (1957): \u00d6nce dizi hik\u00e2ye olarak Dolmu\u015f dergisinde yay\u0131nland\u0131. Sonradan roman olarak topland\u0131. Film uyarlamalar\u0131na esin kayna\u011f\u0131 oldu. Ayr\u0131ca tiyatroda da sahnelendi.
* Pijamal\u0131lar (Bizim Ko\u011fu\u015f) (1959): \u00d6nce Bizim Ko\u011fu\u015f ad\u0131yla yay\u0131nland\u0131. Daha sonra 1973’te Pijamal\u0131lar olarak \u00e7\u0131kt\u0131.
* Karadenizin K\u0131y\u0131c\u0131\u011f\u0131nda (1969)
* Halime Kaptan (1972)
* Me\u015frutiyet K\u0131rathanesi(1974)
* Karartma Geceleri (1974): Yusuf Kur\u00e7enli taraf\u0131ndan filmi \u00e7ekildi. Ba\u015frol\u00fcn\u00fc Tar\u0131k Akan oynad\u0131.<\/p>\n

Ana madde: Karartma Geceleri (film)<\/p>\n

* Sar\u0131 Yazma (1976)
* Y\u0131ld\u0131z Karayel (1981)
* Apart\u0131man \u00c7ocuklar\u0131 (1984)
* Hoca Nasrettin ve \u00c7\u00f6mezleri (1984)
* Hababam S\u0131n\u0131f\u0131 \u0130craat\u0131n \u0130\u00e7inde (1987)<\/p>\n

An\u0131 kitaplar\u0131<\/p>\n

* Yoku\u015f Yukar\u0131 (1982)
* K\u0131rk Y\u0131l \u00d6nce K\u0131rk Y\u0131l Sonra (1986)
* D\u00f6rd\u00fcnc\u00fc B\u00f6l\u00fck (1992): Damian Croft taraf\u0131ndan \u0130ngilizce’ye \u00e7evrildi, Milet Publishing taraf\u0131ndan yay\u0131nland\u0131.<\/p>\n

K\u00f6\u015fe Yazarl\u0131\u011f\u0131<\/p>\n

* Nerde Kalm\u0131\u015ft\u0131k
* Cart Curt<\/p>\n

\u00d6yk\u00fc kitaplar\u0131<\/p>\n

* Radar\u0131n Anahtar\u0131 (1957)
* Don Ki\u015fot \u0130stanbul’da (1957)
* Kesmeli Bunlar\u0131 (1962)
* Nerde O Eski Usturalar (1962)
* Saksa\u011fan\u0131n Kuyru\u011fu (1962)
* \u015eevket Ustan\u0131n Kedisi (1965)
* Garibin Horozu (1969)
* Alt\u0131n Ekicisi (1972)
* Palavra (1972): \u00d6nceden Don Ki\u015fot \u0130stanbul’da ad\u0131yla yay\u0131nland\u0131.
* Tuh Sana (1972)
* \u00c7atal Matal Ka\u00e7 \u00c7atal (1972)
* Bunad\u0131 Bu Adam (1972)
* Ke\u015f (1972)
* Al At\u0131n\u0131 (1972)
* Hababam S\u0131n\u0131f\u0131 Uyan\u0131yor (1972)
* Hababam S\u0131n\u0131f\u0131 Bask\u0131nda (1972)
* Hababam S\u0131n\u0131f\u0131 S\u0131n\u0131fta Kald\u0131 (1972)
* R\u00fc\u015fvetin Alamancas\u0131 (1982)
* Sosyal Kad\u0131nlar Partisi (1983)
* \u00c7al\u0131\u015f Osman \u00c7iftlik Senin (1983)
* \u015eeker Kutusu (1990)<\/p>\n

\u00c7ocuk edebiyat\u0131<\/p>\n

* Bacaks\u0131z Kamyon S\u00fcr\u00fcc\u00fcs\u00fc
* Bacaks\u0131z Okulda
* Bacaks\u0131z Paral\u0131 Atlet
* Bacaks\u0131z Tatil K\u00f6y\u00fcnde
* Bacaks\u0131z Sigara Ka\u00e7akc\u0131s\u0131
* \u00d6ks\u00fcz Civciv
* K\u00fc\u00e7\u00fck Cekmece Okyanusu
* Cankurtaran Y\u0131lmaz
* Kumdan Betona
* \u00c7ocuk Bah\u00e7esi(\u015eiir)<\/p>\n

Tiyatro Oyunlar\u0131<\/p>\n

* Hababam S\u0131n\u0131f\u0131 Ulvi Uraz Tiyatrosu taraf\u0131ndan sahnelendi1965
* Hababam S\u0131n\u0131f\u0131 Uyan\u0131yor: Filme \u00e7ekildi.<\/p>\n

Ana madde: Hababam S\u0131n\u0131f\u0131 Uyan\u0131yor (film)<\/p>\n

* Hababam S\u0131n\u0131f\u0131 Bask\u0131nda
* Hababam S\u0131n\u0131f\u0131 S\u0131n\u0131fta kald\u0131: Filme \u00e7ekildi.<\/p>\n

Ana madde: Hababam S\u0131n\u0131f\u0131 S\u0131n\u0131fta Kald\u0131 (film)<\/p>\n

* T\u00fcrk \u00c7ocuklar\u0131 T\u00fcrk \u00c7ocuklar\u0131: \u00c7atalzeytin Festivalinde \u00f6\u011frenciler taraf\u0131dan sahnelendi.
* \u00c7atal Matal Ka\u00e7 \u00c7atal (1972): Daha sonra Uzun E\u015fek Oyunu olarak yeniden yaz\u0131ld\u0131. \u00c7atal Matal 1972’de Ordu Belediyesi Karadeniz Tiyatrosu taraf\u0131ndan, Uzun E\u015fek ise Cide’de sahnelendi.
* Abbas Yola Giden: 1993’de Kartal R\u0131fat Ilgaz Sahnesi Oyuncular\u0131 taraf\u0131ndan sahnelendi.<\/p>\n

\u00d6d\u00fclleri<\/p>\n

* 1982 Y\u0131ld\u0131z Karayel ile Madaral\u0131 Roman \u00d6d\u00fcl\u00fc
* 1982 Y\u0131ld\u0131z Karayel ile Orhan Kemal Roman Arma\u011fan\u0131
* 1987 Ocak Kat\u0131r\u0131 Alag\u00f6z ile \u00d6mer Faruk Toprak \u015eiir \u00d6d\u00fcl\u00fc
* 1993 Edebiyat\u00e7\u0131lar Derne\u011fi Onur \u00d6d\u00fcl\u00fc.<\/p>\n

T\u00fcrkiye’de R\u0131fat Ilgaz<\/p>\n

* Her y\u0131l vefat etti\u011fi g\u00fcn olan 7 Temmuz’da, Cide, Kastamonu’da ad\u0131na Sar\u0131 Yazma Festivali d\u00fczenlenmektedir.
* Ad\u0131na \u015fiir \u00f6d\u00fcl\u00fc verilmektedir.
* 6 Aral\u0131k 1982’de \u0130stanbul \u015ean M\u00fczikhol\u00fc’nde 55. sanat ve 70. ya\u015f g\u00fcn\u00fc kutland\u0131.
* 1984’te Cide Postas\u0131 gazetesi ve \u00c7\u0131nar Yay\u0131nlar\u0131 taraf\u0131ndan ortak olarak, R\u0131fat Ilgaz-Cide Edebiyat \u00f6d\u00fcl\u00fc verildi. Kazanan “Sekizinci Renk” \u015fiiriyle, Seval Esasl\u0131’d\u0131r.
* 1986’da ayn\u0131 \u00f6d\u00fcl mizah hik\u00e2yesi dal\u0131nda Muzeffer Abayhan’a verildi.
* 28 Nisan 1986’da Harbiye Konak Sinemas\u0131’nda 75. ya\u015f g\u00fcn\u00fc kutland\u0131.
* 12 Mart 1990’da T\u00fcrkiye Yazarlar Sendikas\u0131, \u0130stanbul Karaca Tiyatro’da Ilgaz’\u0131n da kat\u0131ld\u0131\u011f\u0131 Ustalarla Birlikte gecesi d\u00fczenledi.
* Karartma Geceleri roman\u0131 Yusuf Kur\u00e7enli taraf\u0131ndan filme \u00e7ekildi. Mustafa Ural rol\u00fcn\u00fc, Tar\u0131k Akan oynad\u0131. Film bir\u00e7ok \u00f6d\u00fcl ald\u0131.<\/p>\n

Ana madde: Karartma Geceleri (film) <\/p>\n

* Kastamonu’da, 2 May\u0131s 1991’de eskiden oturdu\u011fu soka\u011fa ad\u0131 verildi. Ayr\u0131ca ad\u0131na bir s\u00fcre oturdu\u011fu (Atak\u00f6y, \u0130stanbul)’da bir bulvar ve \u0130ncirli Bak\u0131rk\u00f6y’de bir k\u00fct\u00fcphane bulunmaktad\u0131r. Cide’deki bir cadde R\u0131fat Ilgaz caddesi, belediye park\u0131 da Hababam S\u0131n\u0131f\u0131 Park\u0131 yap\u0131ld\u0131.
* 11-19 Aral\u0131k 1991 tarihleri aras\u0131nda T\u00fcrk Yazarlar Sendikas\u0131 ve PEN Yazarlar Derne\u011fi taraf\u0131ndan \u0130stanbul, \u0130zmir, Ankara ve Kastamonu’da 80. ya\u015f g\u00fcn\u00fc etkinlikleri d\u00fczenlendi.
* Bak\u0131rk\u00f6y Belediyesi’nce ad\u0131 verilen k\u00fclt\u00fcr merkezi, Bah\u00e7elievler Belediyesi’nin ayr\u0131lmas\u0131yla ba\u015f\u0131na ge\u00e7en Refah Partisi taraf\u0131ndan Necip Faz\u0131l K\u0131sak\u00fcrek olarak yeniden adland\u0131r\u0131ld\u0131. Siyasi oldu\u011fu a\u00e7\u0131k olan bu eylem bas\u0131nda tepki toplad\u0131.
* 10-12 May\u0131s 2006’da Ankara \u00dcniversitesi, Kastamonu Meslek Y\u00fcksek Okulu’nda R\u0131fat Ilgaz Sempozyumu d\u00fczenlendi.
* 12.Cide R\u0131fat Ilgaz Sar\u0131yazma K\u00fclt\u00fcr ve Sanat Festivalin’de do\u011fdu\u011fu ev R\u0131fat Ilgaz K\u00fclt\u00fcr ve Sanatevi olarak a\u00e7\u0131d\u0131 (6 Temmuz 2007)
* T.C.Kastamonu \u00dcniversitesi Cide R\u0131fat Ilgaz Meslek Y\u00fcksekokulu a\u00e7\u0131ld\u0131.(21 Ekim 2008)<\/p>\n

D\u00fcnya’da R\u0131fat Ilgaz<\/p>\n

Fourth Company kitap kapa\u011f\u0131<\/p>\n

* Yak\u0131n zamanda Bacaks\u0131z serisi Almanya’da \u00e7evrilip yay\u0131nlanmaya ba\u015fland\u0131.
* D\u00f6rd\u00fcnc\u00fc B\u00f6l\u00fck kitab\u0131 Damian Croft taraf\u0131ndan \u0130ngilizce’ye \u00e7evrildi ve Milet Publishing taraf\u0131ndan Fourth Company ba\u015fl\u0131\u011f\u0131yla yay\u0131mland\u0131 (ISBN 978-1840592986).
* \u015eiirleri bir\u00e7ok akademik dergide \u00e7eviri olarak yay\u0131nland\u0131.
* Baz\u0131 eserleri b\u00f6l\u00fcmler halinde yurtd\u0131\u015f\u0131nda haz\u0131rlanan T\u00fcrk edebiyat\u0131 antolojilerinde ve ara\u015ft\u0131rmalar\u0131nda yer ald\u0131.<\/p>\n

R\u0131fat Ilgaz’\u0131n \u015fiirlerini sitemizde bulabilirsiniz…<\/p>\n","protected":false},"excerpt":{"rendered":"

\u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 Mehmet R\u0131fat Ilgaz (d. 1911 – \u00f6. 1993), Kastamonu – \u00f6. 7 Temmuz 1993, \u0130stanbul), \u00d6zellikle Hababam S\u0131n\u0131f\u0131 roman\u0131yla tan\u0131nd\u0131. Hem yaz\u0131lar\u0131nda hem de ki\u015fisel hayat\u0131nda toplumcu bir \u00e7izgi devam ettirdi. T\u00fcrkiye’nin en \u00e7alkant\u0131l\u0131 siyasi d\u00f6nemlerinde devam etti\u011fi dergicili\u011fi, ayn\u0131 d\u00f6nemdeki bir \u00e7ok yazar gibi, […]<\/p>\n","protected":false},"author":1,"featured_media":0,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[30],"tags":[],"class_list":{"0":"post-691","1":"post","2":"type-post","3":"status-publish","4":"format-standard","6":"category-rifat-ilgaz"},"yoast_head":"\nEdebiyat\u0131n koca \u00e7\u0131nar\u0131 b\u00fcy\u00fck usta | R\u0131fat Ilgaz Biyografisi - narteks.net<\/title>\n<meta name=\"robots\" content=\"index, follow, max-snippet:-1, max-image-preview:large, max-video-preview:-1\" \/>\n<link rel=\"canonical\" href=\"https:\/\/narteks.net\/index.php\/2010\/03\/12\/edebiyatin-koca-cinari-buyuk-usta-rifat-ilgaz-biyografisi\/\" \/>\n<meta property=\"og:locale\" content=\"tr_TR\" \/>\n<meta property=\"og:type\" content=\"article\" \/>\n<meta property=\"og:title\" content=\"Edebiyat\u0131n koca \u00e7\u0131nar\u0131 b\u00fcy\u00fck usta | R\u0131fat Ilgaz Biyografisi\" \/>\n<meta property=\"og:description\" content=\"\u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 Mehmet R\u0131fat Ilgaz (d. 1911 – \u00f6. 1993), Kastamonu – \u00f6. 7 Temmuz 1993, \u0130stanbul), \u00d6zellikle Hababam S\u0131n\u0131f\u0131 roman\u0131yla tan\u0131nd\u0131. 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