{"id":6922,"date":"2018-07-17T13:24:45","date_gmt":"2018-07-17T10:24:45","guid":{"rendered":"http:\/\/localhost\/wordpress\/2018\/07\/17\/tanri-cogunlukla-kocasinin-kalibinda-gorunur-kadina-simone-de-beauvoir\/"},"modified":"2018-07-17T13:24:45","modified_gmt":"2018-07-17T10:24:45","slug":"tanri-cogunlukla-kocasinin-kalibinda-gorunur-kadina-simone-de-beauvoir","status":"publish","type":"post","link":"https:\/\/narteks.net\/index.php\/2018\/07\/17\/tanri-cogunlukla-kocasinin-kalibinda-gorunur-kadina-simone-de-beauvoir\/","title":{"rendered":"Tanr\u0131, \u00e7o\u011funlukla kocas\u0131n\u0131n kal\u0131b\u0131nda g\u00f6r\u00fcn\u00fcr kad\u0131na | Simone de Beauvoir"},"content":{"rendered":"

A\u015fk do\u011fu\u015ftan gelen en y\u00fcce e\u011filim olarak ayr\u0131lm\u0131\u015ft\u0131r kad\u0131na, o bu e\u011filimi erke\u011fe y\u00f6neltti\u011finde, sevgilide Tanr\u0131’y\u0131 aramaktad\u0131r, durum ve ko\u015fullar kendisini insan\u00ee sevgiden yoksun b\u0131rak\u0131rsa, hayal k\u0131r\u0131kl\u0131\u011f\u0131na u\u011fram\u0131\u015fsa, ya da a\u015fktan \u00e7ok \u015fey bekleyen bir insansa, o zaman, kutsall\u0131\u011f\u0131 yine Tanr\u0131’da arayacakt\u0131r. G\u00f6n\u00fcllerinde b\u00f6yle bir alev yanan erkekler de \u00e7\u0131km\u0131\u015ft\u0131r elbet; ama b\u00f6yleleri hem enderdir, hem de y\u00fcreklerindeki ate\u015fli inan\u00e7ta alabildi\u011fine temizlenip ar\u0131nm\u0131\u015f ak\u0131lsal bir yan vard\u0131r. Kendisini g\u00f6kteki tanr\u0131yla evlenmenin eri\u015filmez zevklerine terkeden kad\u0131n say\u0131s\u0131ysa pek \u00e7oktur: ve onlar, bu zevkleri, ger\u00e7ekten duygulu bir bi\u00e7imde ya\u015farlar. Kad\u0131n, diz\u00fcst\u00fc ya\u015famaya al\u0131\u015f\u0131kt\u0131r; genel olarak, kurtulu\u015funu, erkeklerin egemen oldu\u011fu g\u00f6ky\u00fcz\u00fcnden bekler; erkekler de bulutlar i\u00e7indedir: y\u00fccelikleri, bedensel varl\u0131klar\u0131n\u0131n t\u00fclleri ard\u0131nda kendini belli etmektedir. Sevilen Erkek, hemen her zaman, sevenden az \u00e7ok uzakt\u0131r; kendisine tapan kad\u0131nla, iki anlama gelebilen i\u015faretlerle anla\u015f\u0131r; kad\u0131n onun kalbini ancak inan\u00e7la tan\u0131r ve erkek y\u00fcceldik\u00e7e, davran\u0131\u015flar\u0131 anla\u015f\u0131lmaz\u0131n \u015eehvet d\u00fc\u015fk\u00fcnl\u00fc\u011f\u00fcnde, bu inanc\u0131n, b\u00fct\u00fcn yalanlamalara meydan okudu\u011funu g\u00f6rm\u00fc\u015ft\u00fck. Y\u00fcce Varl\u0131\u011f\u0131 yan\u0131nda hissedebilmek i\u00e7in, kad\u0131n\u0131n ne g\u00f6rmeye, ne de dokunmaya ihtiyac\u0131 vard\u0131r. Tapt\u0131\u011f\u0131 ister bir hekim, ister bir papaz ya da Tanr\u0131 olsun, o, ayn\u0131 a\u00e7\u0131k ger\u00e7ekleri g\u00f6recek, kalbini ta yukar\u0131lardan gelen bir sevginin dalgalar\u0131na a\u00e7acakt\u0131r, insan\u00ee a\u015fkla, tanr\u0131sal a\u015fk birbirine kar\u0131\u015fmaktad\u0131r; bunun nedeni ikincinin birincinin y\u00fcceltilmi\u015f bi\u00e7imi olu\u015fu de\u011fildir: insan\u00ee a\u015fk da a\u015fk\u0131n bir varl\u0131\u011fa, mutlak’a d\u00f6n\u00fck bir harekettir. Her iki durumda da, sevdal\u0131 kad\u0131n, y\u00fcce bir Varl\u0131k’\u0131n canland\u0131rd\u0131\u011f\u0131 B\u00fct\u00fcn’e katarak kendi olumsal varl\u0131\u011f\u0131n\u0131 kurtarmak istemektedir.<\/p>\n

Sevgilinin Tanr\u0131la\u015fmas\u0131, Tanr\u0131’n\u0131n da insanla\u015fmas\u0131 bi\u00e7iminde d\u0131\u015fa vuran bir ikircilik (sa\u011fl\u0131kl\u0131 ya da hastal\u0131kl\u0131) pek \u00e7ok durumda a\u00e7\u0131k\u00e7a kendini g\u00f6stermektedir. Ben burada, Ferdiere’in \u015fehvet d\u00fc\u015fk\u00fcnl\u00fc\u011f\u00fcn\u00fc inceleyen yap\u0131t\u0131ndan bir \u00f6rnek almakla yetinece\u011fim. Konu\u015fan, hastan\u0131n kendisidir.<\/p>\n

“1923’te, Bas\u0131n’dan takip etti\u011fim bir gazetecinin; her g\u00fcn, ahl\u00e2k konusundaki yaz\u0131lar\u0131n\u0131 okuyor, sat\u0131rlar aras\u0131nda gizlenen anlamlar\u0131 bile bulup \u00e7\u0131kar\u0131yordum; yaz\u0131lar\u0131yla bana cevap verdi\u011fini, birtak\u0131m \u00f6\u011f\u00fctlerde bulundu\u011funu san\u0131yordum: a\u015fk mektuplar\u0131 d\u00fcz\u00fcyordum ona; s\u0131k s\u0131k yaz\u0131yordum… 1924’te, birden bu i\u015f geldi ba\u015f\u0131ma: Tanr\u0131’n\u0131n bir kad\u0131n arad\u0131\u011f\u0131n\u0131, pek yak\u0131nda gelip benimle konu\u015faca\u011f\u0131n\u0131 san\u0131yordum; bana \u00f6ze! bir g\u00f6rev verdi\u011fi, kendisine bir tap\u0131nak kurmak \u00fczere beni se\u00e7ti\u011fi kan\u0131s\u0131 vard\u0131 i\u00e7imde; kad\u0131nlar\u0131n doktorlara bakaca\u011f\u0131 \u00e7ok b\u00fcy\u00fck bir hastanenin, bir insan toplulu\u011funun merkezi gibi g\u00f6r\u00fcyordum kendimi… i\u015fte tam o s\u0131rada… evet, tam o s\u0131rada, Clermont ak\u0131lhastanesine aktar\u0131ld\u0131m… Burada, d\u00fcnyay\u0131 d\u00fczeltmeye \u00e7al\u0131\u015fan gen\u00e7 doktorlar vard\u0131: h\u00fccremde, dudaklar\u0131n\u0131 parmak u\u00e7lar\u0131mda, cinsel organlar\u0131n\u0131 avu\u00e7lar\u0131mda hissediyordum; bir keresinde: “Sen duygulu de\u011fil \u015fehvet d\u00fc\u015fk\u00fcn\u00fc bir kad\u0131ns\u0131n; d\u00f6n arkan\u0131 bakal\u0131m” dediler; d\u00f6nd\u00fcm ve i\u00e7ime girdiklerini hissettim: doyulmaz bir \u015feydi bu… B\u00f6l\u00fcm ba\u015fkan\u0131, Doktor D…, tanr\u0131 gibi bir adamd\u0131; yata\u011f\u0131ma yakla\u015ft\u0131\u011f\u0131 zaman onda bir \u015feyler oldu\u011funu seziyordum; “b\u00fct\u00fcn varl\u0131\u011f\u0131mla seninim” der gibi bak\u0131yordu bana. Ger\u00e7ekten seviyordu beni: bir g\u00fcn, garip bir tav\u0131rla, \u0131srarl\u0131 \u0131srarl\u0131 bakt\u0131 y\u00fcz\u00fcme… ye\u015fil g\u00f6zleri, g\u00f6k mavisine d\u00f6n\u00fc\u015fm\u00fc\u015ft\u00fc; harika bir bi\u00e7imde b\u00fcy\u00fcy\u00fcp kocaman kocaman olmu\u015flard\u0131… ba\u015fka bir kad\u0131nla u\u011fra\u015f\u0131rken, bir yandan da, bende yaratt\u0131\u011f\u0131 etkiye bak\u0131p g\u00fcl\u00fcms\u00fcyordu… b\u00f6ylece, bu noktada, Doktor D… \u00fczerinde \u00e7ak\u0131l\u0131p kald\u0131m… \u00e7ivi \u00e7iviyi s\u00f6ker derler ya, asl\u0131 yok, daha sonraki \u00e2\u015f\u0131klar\u0131ma ra\u011fmen (15-16 \u00e2\u015f\u0131\u011f\u0131m oldu), ondan ayr\u0131lamad\u0131m bir t\u00fcrl\u00fc; i\u015fte bu y\u00fczden su\u00e7lu zaten… ben unutmak istedik\u00e7e geri geliyor… kimi zaman alayc\u0131 bir tav\u0131r tak\u0131n\u0131yor… “G\u00f6r\u00fcyorsun ya, diyor, korkutuyorum seni, ba\u015fkalar\u0131n\u0131 sevsen de, sonunda yine bana d\u00f6neceksin…” Ona mektuplar yaz\u0131yor, bulu\u015fmak \u00fczere yer ve zaman bildiriyor, sonra kalk\u0131p oraya gidiyorum. Ge\u00e7en y\u0131l onu g\u00f6rmeye gittim; so\u011fuk bir tav\u0131r tak\u0131nd\u0131; hi\u00e7bir yak\u0131nl\u0131k g\u00f6stermedi bana; m\u00fcthi\u015f aptall\u0131k etti\u011fimi anlad\u0131m, hemen ayr\u0131ld\u0131m yan\u0131ndan… S\u00f6ylediklerine g\u00f6re ba\u015fka bir kad\u0131nla evlenmi\u015f, olsun, yine de \u00f6mr\u00fcn\u00fcn sonuna dek beni sevecek… kocam o benim, bununla birlikte, bizi birbirimize kayna\u015ft\u0131racak edim hi\u00e7bir zaman ger\u00e7ekle\u015femedi… Kimi zaman: “Her \u015feyi b\u0131rak benimle gel, benim yan\u0131mda hi\u00e7 durmadan y\u00fckselecek, y\u00fckselecek, d\u00fcnyal\u0131 bir varl\u0131k olmaktan kurtulacaks\u0131n” diyor bana. G\u00f6r\u00fcyorsunuz ya, ne zaman Tanr\u0131’y\u0131 aramaya kalksam, bir erkekle kar\u015f\u0131la\u015f\u0131yorum; hangi dine y\u00f6nelece\u011fimi \u015fa\u015f\u0131rd\u0131m.”<\/p>\n

Kar\u015f\u0131m\u0131zdaki hasta bir kad\u0131n. Ancak, bir\u00e7ok sofu kad\u0131nda rastlar\u0131z Tanr\u0131 ile erke\u011fin ayr\u0131lmamacas\u0131na birbirine giri\u015fine. Hele g\u00fcnah \u00e7\u0131kartan papaz, g\u00f6kle yery\u00fcz\u00fc aras\u0131nda b\u00f6yle ikili bir yer tutmaktad\u0131r. Ruhunu ortaya d\u00f6ken g\u00fcnahk\u00e2r kad\u0131n\u0131 etten kemikten yap\u0131lm\u0131\u015f kulaklarla dinlemekte, ama ayn\u0131 kad\u0131n\u0131 ku\u015fat\u0131p kucaklayan bak\u0131\u015flar\u0131nda do\u011fa-\u00fcst\u00fc bir \u0131\u015f\u0131k par\u0131ldamaktad\u0131r; tanr\u0131sal bir insand\u0131r o, insan bi\u00e7imine girmi\u015f Tanr\u0131’d\u0131r. Madam Guyon, Peder La Combe’la kar\u015f\u0131la\u015fmas\u0131n\u0131 \u015f\u00f6yle anlat\u0131r. “Bir an i\u00e7in. ondan \u00e7\u0131kan tanr\u0131sal bir etki ruhumun en derin k\u00f6\u015fesine iniyor, sonra benden \u00e7\u0131k\u0131p ona d\u00f6n\u00fcyor ve bunu o da duyuyormu\u015f gibi oldum.” Dinsel \u00f6\u011fenin araya giri\u015fi, onu, y\u0131llard\u0131r i\u00e7ine g\u00f6m\u00fcld\u00fc\u011f\u00fc kupkuru evrenden \u00e7ekip \u00e7\u0131karm\u0131\u015f, g\u00f6nl\u00fcne yeni bir a\u015fk ate\u015fi d\u00fc\u015f\u00fcrm\u00fc\u015ft\u00fc. Sofuluk d\u00f6neminin b\u00fcy\u00fck bir b\u00f6l\u00fcm\u00fcn\u00fc onun yan\u0131nda ya\u015fad\u0131. Ve bu konudaki itiraf\u0131 son derece ilgin\u00e7tir: “Tam bir birlik i\u00e7indeydik art\u0131k, \u00f6yle ki. onu Tanr\u0131’dan ay\u0131ram\u0131yordum.” Asl\u0131nda bir erke\u011fe \u00e2\u015f\u0131k oldu\u011funu ve Tanr\u0131’y\u0131 seviyormu\u015f gibi yaparak kendini aldatt\u0131\u011f\u0131n\u0131 s\u00f6ylemek pek yuvarlak bir l\u00e2f olur: o bu adam\u0131, kendisine oranla bir ba\u015fkas\u0131 oldu\u011fu i\u00e7in de seviyordu. T\u0131pk\u0131 Ferdiere’in hastas\u0131 gibi, o da, fark\u0131nda olmadan, b\u00fct\u00fcn de\u011ferlerin y\u00fcce kayna\u011f\u0131n\u0131 aramaktayd\u0131. B\u00fct\u00fcn sofu kad\u0131nlar\u0131n arad\u0131\u011f\u0131 budur. Arac\u0131 erkek, kimi zaman, \u0131ss\u0131z g\u00f6\u011fe do\u011fru ilk at\u0131l\u0131m\u0131 yapabilmesine yarar; ama ille de gerekli de\u011fildir. Oyunun ger\u00e7ekli\u011fini, b\u00fcy\u00fcl\u00fc davran\u0131\u015f\u0131n edimini, ger\u00e7ek nesne ile hayal\u00ee olan\u0131 pek iyi ay\u0131rdedemeyen kad\u0131n, yoklu\u011fu kendi v\u00fccudunda varl\u0131k haline getirebilme konusunda son derece ustad\u0131r, i\u015fin daha az \u015faka g\u00f6t\u00fcren yan\u0131 zaman zaman rastlad\u0131\u011f\u0131m\u0131z gibi, sofulukla \u015fehvetd\u00fc\u015fk\u00fcnl\u00fc\u011f\u00fcn\u00fc birbirine kar\u0131\u015ft\u0131rmakt\u0131r: \u015fehvetd\u00fc\u015fk\u00fcn\u00fc kad\u0131n, y\u00fcce bir varl\u0131\u011f\u0131n sevgisiyle de\u011fer kazand\u0131\u011f\u0131n\u0131 san\u0131n sevgi ili\u015fkisini ba\u015flatan i\u015fte-bu y\u00fcce varl\u0131kt\u0131r, ve sevildi\u011finden daha \u00e7ok sevmektedir; duygular\u0131n\u0131, anlam\u0131 a\u00e7\u0131k, kendisi gizli i\u015faretlerle belli eder: m\u00fcthi\u015f k\u0131skan\u00e7t\u0131r, se\u00e7ti\u011fi erke\u011fin ate\u015finin azl\u0131\u011f\u0131na sinirlenir: o zaman, hemen cezaland\u0131r\u0131r ve bu erkek, hemen hi\u00e7bir zaman, etten kemikten yap\u0131lm\u0131\u015f, somut bir insan de\u011fildir. Bu \u00f6zelliklerin hepsi sofu kad\u0131nda da vard\u0131r: yaln\u0131z. Tanr\u0131, a\u015fk\u0131n\u0131n ate\u015fiyle yakt\u0131\u011f\u0131 ruhu sonsuza dek sever, kan\u0131n\u0131 onun u\u011fruna ak\u0131tm\u0131\u015ft\u0131r (bu H\u0131ristiyan kad\u0131nlar i\u00e7in tabi\u00ee), g\u00f6\u011f\u00fcn ta yedinci- kat\u0131nda yerler haz\u0131rlanmaktad\u0131r ona: kad\u0131n\u0131n b\u00fct\u00fcn yapaca\u011f\u0131, hi\u00e7 kar\u015f\u0131 koymadan kendini bu sevginin ate\u015fine atmakt\u0131r.<\/p>\n

Bug\u00fcn, \u015fehvet d\u00fc\u015fk\u00fcnl\u00fc\u011f\u00fcn\u00fcn kimi zaman d\u00fc\u015f\u00fcnsel, kimi zaman da cinsel bir nitelik ta\u015f\u0131yabilece\u011fi kabul edilmekte. Ayn\u0131 \u015fekilde, sofu kad\u0131n\u0131n Tanr\u0131’ya besledi\u011fi duygularda da bedenin az \u00e7ok pay\u0131 vard\u0131r. Sofu kad\u0131n\u0131n i\u00e7ini d\u00f6k\u00fc\u015f\u00fcyle d\u00fcnyal\u0131 \u00e2\u015f\u0131klar\u0131nki ayn\u0131 temele dayanmaktad\u0131r. Angele de Foligno, kuca\u011f\u0131nda Saint-Fra\u0131\u0131\u00e7ois, isa’n\u0131n bir resmine bakarken \u015f\u00f6yle diyordu: “i\u015fte b\u00f6yle s\u0131ms\u0131k\u0131 sar\u0131laca\u011f\u0131m sana, \u00f6l\u00fcml\u00fc g\u00f6zlerimizin g\u00f6remeyece\u011fi kadar s\u0131k\u0131… ve beni sevdik\u00e7e b\u0131rakmayaca\u011f\u0131m seni.” Madam Guyon da \u015funlar\u0131 yaz\u0131yor: “A\u015fk, bir an bile yakam\u0131 b\u0131rakm\u0131yordu. Dayanamay\u0131p: Be hey sevgim, yeter b\u0131rak art\u0131k beni! diye ba\u011f\u0131r\u0131yordum.” “insan\u0131n ruhuna anlat\u0131lmaz titre\u015fimler salan, beni kendimden ge\u00e7iren bir sevgi isterim…” “Ey ulu Tanr\u0131m! \u015eehvet d\u00fc\u015fk\u00fcn\u00fc kad\u0131nlara \u015fu benim duyduklar\u0131m\u0131 hissettirseydiniz, o yalanc\u0131 zevklerini hemencecik b\u0131rak\u0131r, bu ger\u00e7ek hazz\u0131n tad\u0131n\u0131 \u00e7\u0131karmaya ko\u015farlard\u0131.” Sainte Therese’in g\u00f6rd\u00fc\u011f\u00fc d\u00fc\u015f\u00fc hemen herkes bilir:<\/p>\n

Mele\u011fin elinde, uzun, alt\u0131n kapl\u0131 bir karg\u0131 vard\u0131. Karg\u0131y\u0131 zaman zaman kalbime bat\u0131r\u0131yor ve ta karn\u0131ma dek itiyordu. Karg\u0131y\u0131 \u00e7ekti\u011finde, barsaklar\u0131m d\u0131\u015far\u0131 d\u00f6k\u00fcl\u00fcyormu\u015f gibi oluyor, tanr\u0131sal bir a\u015fk sar\u0131yordu her yan\u0131m\u0131… \u015euna eminim: karg\u0131n\u0131n ac\u0131s\u0131n\u0131 ta kas\u0131klar\u0131mda duyuyordum ve tinsel e\u015fim karg\u0131y\u0131 geri \u00e7ekti\u011fi zaman, ucuna dizdi\u011fi i\u00e7 organlar\u0131n\u0131 birbiri ard\u0131ndan paralan\u0131yordu.<\/p>\n

Kimi zaman, dilin yoksullu\u011fu, sofu kad\u0131n\u0131 i\u015fte b\u00f6yle cinsel s\u00f6zl\u00fc\u011fe ba\u015fvurmaya zorlamaktad\u0131r deniyor: oysa, sofu kad\u0131n\u0131n elinde, v\u00fccudundan ba\u015fka dayanak yoktur ve d\u00fcnyasal a\u015fk\u0131n yaln\u0131z s\u00f6zc\u00fcklerini de\u011fil, davran\u0131\u015flar\u0131n\u0131 da kullanmaktad\u0131r; kendini Tanr\u0131’ya sunarken, bir erke\u011fe teslim olan kad\u0131n\u0131n yapt\u0131klar\u0131m yapmak zorundad\u0131r. Ayr\u0131ca bu, duygular\u0131n\u0131n de\u011ferini de d\u00fc\u015f\u00fcrmemektedir. Angele de Foligno, i\u00e7inde bulundu\u011fu ruh durumuna g\u00f6re “Kupkuru ve solgun” ya da “alyanakl\u0131 ve tombul” oldu\u011fu, g\u00f6zya\u015flar\u0131na bo\u011fuldu\u011fu,1 ta yukar-lardan d\u00fc\u015ft\u00fc\u011f\u00fc zaman b\u00fct\u00fcn bu g\u00f6r\u00fcng\u00fcleri salt “tinsel” sayamay\u0131z: ancak, bunlar\u0131 yaln\u0131zca onun a\u015f\u0131r\u0131 “heyecanlanma e\u011filimi”ne ba\u011flamak da, ha\u015fha\u015f\u0131n “uyutucu etkisi”nden medet ummak olur; v\u00fccut, nesnel g\u00f6r\u00fcn\u00fc\u015f\u00fc alt\u0131nda \u00f6znenin ta kendisi oldu\u011funa g\u00f6re, kendi \u00f6zel ya\u015fant\u0131lar\u0131n\u0131n nedeni de\u011fildir elbet: \u00f6zne, b\u00fct\u00fcn davran\u0131\u015flar\u0131n\u0131, varl\u0131\u011f\u0131n\u0131n birli\u011fi i\u00e7inde ya\u015famaktad\u0131r. Sofu kad\u0131n\u0131n hayranlar\u0131 ya da d\u00fc\u015fmanlar\u0131, Sainte Therese’in co\u015fkunluklar\u0131na cinsel bir i\u00e7erik verilirse, bunun onu isterik kad\u0131n haline getirece\u011fini sanmaktad\u0131rlar. Oysa isterik \u00f6znenin de\u011ferini d\u00fc\u015f\u00fcren \u015fey, v\u00fccudunun zihindeki tak\u0131naklar\u0131 etkin bir bi\u00e7imde dile getirmesi de\u011fildir: akl\u0131n\u0131 tek bir fikre saplam\u0131\u015f olmas\u0131, \u00f6zg\u00fcrl\u00fc\u011f\u00fcn\u00fcn b\u00fcy\u00fcye \u00e7arpt\u0131r\u0131lm\u0131\u015f, yokedilmi\u015f bulunmas\u0131d\u0131r; bir Hint fakirinin organizmas\u0131 \u00fcst\u00fcnde kurdu\u011fu egemenlik onu k\u00f6le haline getirmez: bedensel davran\u0131\u015f, \u00f6zg\u00fcr bir at\u0131l\u0131mla \u00e7er\u00e7evelenmi\u015f olabilir. Sainte Therese’in an\u0131lar\u0131 iki anlama yer b\u0131rakmayacak kadar a\u00e7\u0131k se\u00e7iktir ve bu yaz\u0131lar, onu, yak\u0131p y\u0131k\u0131c\u0131 bir hazz\u0131n doru\u011funda g\u00f6steren Bernin’in heykelini do\u011frulamaktad\u0131rlar; duydu\u011fu heyecanlan basit bir “cinsel y\u00fcceltme” diye yorumlamak da ayn\u0131 derecede yanl\u0131\u015ft\u0131r; bir kere, daha ba\u015f\u0131nda, sonradan kutsal bir sevgiye d\u00f6n\u00fc\u015fen cinsel bir arzu yoktur: seven kad\u0131n\u0131n kendisi de i\u015fin ba\u015f\u0131nda, sonradan belli bir bireye y\u00f6neltece\u011fi belirsiz bir arzunun kurban\u0131 de\u011fildir: sevilen varl\u0131\u011f\u0131n kar\u015f\u0131s\u0131nda heyecanlanmakta ve bu heyecan, hemen o anda, sevgili \u00fczerinde toplanmaktad\u0131r; b\u00f6ylece, Sainte Therese tek bir hareketle, hem Tanr\u0131’yla birle\u015fmek istemekte, hem de bu birli\u011fi v\u00fccudunda ya\u015famaktad\u0131r; sinirlerinin ve hormonlar\u0131n\u0131n tutsa\u011f\u0131 de\u011fildir: k\u0131namaktan \u00e7ok, etine kemi\u011fine i\u015fleyen bu inan\u00e7tan \u00f6t\u00fcr\u00fc hayran olmak gerekir kendisine. Ger\u00e7ekte, Sainte Therese’in de \u00e7ok iyi anlad\u0131\u011f\u0131 gibi, sofuca bir ya\u015fant\u0131n\u0131n de\u011feri, \u00f6znel a\u00e7\u0131dan nas\u0131l ya\u015fand\u0131\u011f\u0131na de\u011fil, nesnel a\u00e7\u0131dan ula\u015ft\u0131\u011f\u0131 noktaya bak\u0131larak \u00f6l\u00e7\u00fcl\u00fcr. Co\u015fkunun d\u0131\u015fa vuru\u015fu, Sainte Therese’le Marie Alacoque’ta hemen hemen ayn\u0131d\u0131r: ama getirdikleri bildirinin de\u011feri ba\u015fka ba\u015fkad\u0131r.2 Sainte Therese, salt zihinsel a\u00e7\u0131dan, bireyle a\u015fk\u0131n Varl\u0131k aras\u0131ndaki dramatik ili\u015fkiyi ortaya koymaktad\u0131r; her t\u00fcrl\u00fc cinsel yorumun d\u0131\u015f\u0131nda kalan bir deneyi kad\u0131n olarak ya\u015fam\u0131\u015ft\u0131r; onu Suso’nun, Saint Jean de la Croix’n\u0131n3 yan\u0131na koymak gerekir. Ama o, g\u00f6z kama\u015ft\u0131r\u0131c\u0131 bir istisnad\u0131r. K\u00fc\u00e7\u00fck k\u0131zkarde\u015fleriyle, tam tersine, d\u00fcnya ve kurtulu\u015f konusunda \u00f6zellikle kad\u0131nsal bir g\u00f6r\u00fc\u015f ortaya koymu\u015flard\u0131r, onlar\u0131n arad\u0131klar\u0131 a\u015fk\u0131n, y\u00fcce bir varl\u0131k de\u011fil, kad\u0131nl\u0131klar\u0131n\u0131n kurtar\u0131lmas\u0131d\u0131r.4 Kad\u0131n, tanr\u0131sal a\u015fkta, sevdal\u0131 kad\u0131n\u0131n sevgilisinde arad\u0131\u011f\u0131n\u0131 arar: kendine hayranl\u0131\u011f\u0131n\u0131n kam\u00e7\u0131lanmas\u0131; b\u00fcy\u00fck bir dikkatle, sevgiyle \u00fcst\u00fcne \u00e7evrilen o ulu bak\u0131\u015f, kendisi i\u00e7in, mucize dolu bir kazan\u00e7t\u0131r. Madam Guyon, gerek gen\u00e7 k\u0131zl\u0131k, gerek kad\u0131nl\u0131k d\u00f6neminde, hep sevilme, hayran olunma arzusuyla yan\u0131p tutu\u015fmu\u015ftur. \u00c7a\u011fda\u015f sofulardan biri olan Protestan Matmazel Vee \u015funlar\u0131 yaz\u0131yor: “Hi\u00e7bir \u015fey beni bende olup bitenlerle \u00f6zel bir bi\u00e7imde ilgilenmeyen, bana sevgiyle bakmayan birinden yoksun kalmak kadar mutsuz k\u0131lamaz.” Madam Kr\u00fcdener, Tanr\u0131’n\u0131n her an kendisiyle ilgilendi\u011fi san\u0131s\u0131ndaym\u0131\u015f, Sain-te-Beuve, bu konuda bak\u0131n ne diyor: “Sevgilisinin kollar\u0131ndayken, en \u00f6nemli anlarda: Ah ulu Tanr\u0131m, bilsen ne mutluyum! diye inlerdi.<\/p>\n

Mutlulu\u011fumun a\u015f\u0131r\u0131l\u0131\u011f\u0131n\u0131 ba\u011f\u0131\u015fla n’olur!” B\u00fct\u00fcn g\u00f6ky\u00fcz\u00fc kendini seyredece\u011fi bir ayna haline geldi\u011fi zaman kendine hayran kad\u0131n\u0131n duyabilece\u011fi sarho\u015flu\u011fu kolayca anl\u0131yor insan; tanr\u0131salla\u015fan imgesi, Tanr\u0131’ n\u0131n kendisi gibi u\u00e7suz, bucaks\u0131zd\u0131r art\u0131k, bir daha da hi\u00e7 silinmeyecektir; o, ayn\u0131 anda, cay\u0131r cay\u0131r yanan, k\u00fct k\u00fct atan, sevgiye bo\u011fulan y\u00fcre\u011finde, tap\u0131las\u0131 Tanr\u0131 Baba taraf\u0131ndan ruhunun yeniden yarat\u0131ld\u0131\u011f\u0131n\u0131, sevilip \u015f\u0131mart\u0131ld\u0131\u011f\u0131n\u0131, g\u00fcnahlar\u0131n\u0131n ba\u011f\u0131\u015fland\u0131\u011f\u0131n\u0131 hissetmektedir; kollar\u0131na ald\u0131\u011f\u0131, sar\u0131ld\u0131\u011f\u0131 sevgili, Tanr\u0131’n\u0131n araya girmesiyle alabildi\u011fine y\u00fcceltilmi\u015f ikiz karde\u015fidir, kendisidir. Angelo de Foligno’nun a\u015fa\u011f\u0131daki sat\u0131rlar\u0131 son derece anlaml\u0131d\u0131r. Isa bak\u0131n nas\u0131l sesleniyor ona:<\/p>\n

Tatl\u0131 k\u0131z\u0131m, yavrum, sevgilim, tap\u0131na\u011f\u0131m benim. K\u0131z\u0131m, sevgili yavrum, sev beni, \u00e7\u00fcnk\u00fc ben de seni seviyorum, hem de, senin beni sevebilece\u011finden \u00e7ok, ama \u00e7ok daha fazla. B\u00fct\u00fcn yasan\u0131m: yiyip i\u00e7isin, uyuyu\u015fun, k\u0131sacas\u0131 her \u015feyin ho\u015fuma gidiyor. Sende, b\u00fct\u00fcn uluslar\u0131n . g\u00f6zlerini kama\u015ft\u0131racak \u015feyler yapaca\u011f\u0131m; herkes beni sende tan\u0131yacak, bir\u00e7ok halk sende y\u00fcceltecek ad\u0131m\u0131. K\u0131z\u0131m, benim tatl\u0131 e\u015fim, \u00e7ok, pek \u00e7ok seviyorum seni.<\/p>\n

Bir ba\u015fka yerde de \u015f\u00f6yle der:<\/p>\n

Tatl\u0131lar\u0131n tatl\u0131s\u0131, can\u0131m k\u0131z\u0131m, Y\u00fcce Tanr\u0131’n\u0131n kalbi \u015fimdi senin kalbinin \u00fcst\u00fcndedir… Y\u00fcce tanr\u0131, senin i\u00e7ine sevgilerin en b\u00fcy\u00fc\u011f\u00fcn\u00fc, bu kentte ya\u015fayan kad\u0131nlardan hi\u00e7birinin tadamayaca\u011f\u0131 sevgiyi yerle\u015ftirdi; can\u0131n\u0131n i\u00e7i yapt\u0131 seni.<\/p>\n

Ba\u015fka bir seferinde de \u015funlar\u0131 yazar:<\/p>\n

Sana \u00f6yle bir sevgim var ki, art\u0131k kusurlar\u0131na falan ald\u0131rm\u0131yor, hatt\u00e2 onlar\u0131 g\u00f6rm\u00fcyorum bile. M\u00fcthi\u015f bir hazine yerle\u015ftirdim senin i\u00e7ine.<\/p>\n

Tanr\u0131’n\u0131n se\u00e7ti\u011fi kad\u0131n, ta y\u00fccelerden gelen bu ate\u015fli sevgi g\u00f6sterilerine kar\u015f\u0131l\u0131k vermeden edemez elbet. Sevdal\u0131 kad\u0131nda rastlad\u0131\u011f\u0131m\u0131z geleneksel teknikle sevgiliye kavu\u015fmak ister: yani kendisini hi\u00e7le\u015ftirerek. “Tek bir i\u015fim var yery\u00fcz\u00fcnde: sevmek, kendimi unutmak, hi\u00e7le\u015ftirmek” diye yazar Marie Alacoque. Co\u015fku, ben’i\u0131\u0131 bu l\u0131i\u00e7le\u015ftirili\u015fini bedensel olarak dile getirmektedir; \u00f6zne art\u0131k ne bir \u015fey g\u00f6rmekte, ne de duymaktad\u0131r, bedenini unutmakta, yads\u0131maktad\u0131r. Tanr\u0131’n\u0131n y\u00fcce ve g\u00f6z kama\u015ft\u0131ran imgesi i\u015fte bu teslimiyetle, edilgin-li\u011fin eksiksiz kabul\u00fcyle, derinli\u011fine ger\u00e7ekle\u015fmektedir. Madam Guyo’ nun sekincili\u011fi (quietisme’i), yani hi\u00e7bir \u015fey yapmadan, kendi ben’ini hi\u00e7le\u015ftirerek, bir k\u00f6\u015feden d\u00fcnyay\u0131 seyretme y\u00f6ntemi, bu edilginli\u011fi bir dizge haline getirmi\u015fti: nitekim, kendisi, vaktinin \u00e7o\u011funu hi\u00e7 k\u0131p\u0131rdamadan oturarak ge\u00e7irmekteydi: ayakta uyuyordu.<\/p>\n

Sofu kad\u0131nlar\u0131n \u00e7o\u011fu, kendini edilgin bir bi\u00e7imde Tanr\u0131’ya teslim etmekle yetinmez: benlerini hi\u00e7le\u015ftirme i\u015fine, bedenlerini h\u0131rpalay\u0131p y\u0131karak, etkin olarak giri\u015firler. \u00c7ilecilik, ke\u015fi\u015fler ve papazlar taraf\u0131ndan da uygulanm\u0131\u015ft\u0131r elbet. Ancak, kad\u0131n\u0131n etini hi\u00e7e saymas\u0131, zaman zaman \u00e7ok garip bi\u00e7imlere b\u00fcr\u00fcn\u00fcr. Kad\u0131n\u0131n v\u00fccudu kar\u015f\u0131s\u0131ndaki tutumunun nas\u0131l iki yanl\u0131 oldu\u011funu g\u00f6rm\u00fc\u015ft\u00fck: kad\u0131n ac\u0131 \u00e7ektirme ve a\u015fa\u011f\u0131lama arac\u0131l\u0131\u011f\u0131yla y\u00fcceltir onu. Bir sevgilinin \u00f6n\u00fcne zevk arac\u0131 olarak b\u0131rak\u0131ld\u0131\u011f\u0131 an, bu v\u00fccut bir tap\u0131nak, bir put haline gelmektedir; do\u011fum sanc\u0131lar\u0131ndan sonra yery\u00fcz\u00fcne yeni kahramanlar getirmektedir. Sofu kad\u0131n, sonradan ona sahip olmay\u0131 hak edebilmek i\u00e7in, k\u0131yas\u0131ya eziyet edecektir v\u00fccuduna: onu i\u011fren\u00e7 duruma d\u00fc\u015f\u00fcrmekle, asl\u0131nda, ruhunun kurtulu\u015funu sa\u011flayacak ara\u00e7 haline getirip y\u00fcceltmektedir. Baz\u0131 ermi\u015f kad\u0131nlar\u0131n giri\u015ftikleri a\u015f\u0131r\u0131l\u0131klar\u0131 da ancak b\u00f6yle a\u00e7\u0131klayabiliriz. Sainte Angele de Foligno az \u00f6nce c\u00fczzaml\u0131lar\u0131n ellerini ayaklan\u0131n y\u0131kad\u0131\u011f\u0131 suyu ne b\u00fcy\u00fck bir zevkle i\u00e7ti\u011fini anlat\u0131r:<\/p>\n

Bu iksir i\u00e7imizde \u00f6yle tatl\u0131 bir duygu uyand\u0131rd\u0131 ki, sevin\u00e7 ard\u0131m\u0131za tak\u0131l\u0131p ta eve dek bizimle birlikte geldi. O g\u00fcne dek, b\u00f6yle tatl\u0131 bir su i\u00e7memi\u015ftim. C\u00fczzaml\u0131lar\u0131n yaralar\u0131ndan \u00e7\u0131kan bir par\u00e7a tak\u0131lm\u0131\u015ft\u0131 bo\u011faz\u0131ma. \u00c7\u0131kar\u0131p atacak yerde, yutabilmek i\u00e7in b\u00fcy\u00fck bir \u00e7aba harcad\u0131m, ve sonunda ba\u015fard\u0131m. Tanr\u0131’n\u0131n varl\u0131\u011f\u0131na kat\u0131lm\u0131\u015f gibi hissettim kendimi, i\u00e7imi dolduran tatl\u0131 .duygular\u0131 anlatabilmem olanaks\u0131z.<\/p>\n

Marie Alacoque’un, diliyle, hasta bir kad\u0131n\u0131n kusmuklar\u0131n\u0131 yalad\u0131\u011f\u0131n\u0131 biliyoruz: kendi ya\u015fam \u00f6yk\u00fcs\u00fcnde, ishale tutulmu\u015f bir erke\u011fin pisli\u011fini yerken duydu\u011fu mutlulu\u011fu anlat\u0131r: Isa sonradan, dudaklar\u0131n\u0131 Kutsal-Kalbinin \u00fcst\u00fcne yaslayarak \u00f6d\u00fcllendirmi\u015f kendisini, italya, ispanya gibi cinsel duygulan g\u00fc\u00e7l\u00fc \u00fclkelerde, kendini tanr\u0131ya aday\u0131\u015f, iyice bedensel nitelikler kazanmaktad\u0131r: Apeninler’in orta kesimindeki k\u00f6ylerde, kad\u0131nlar, bug\u00fcn bile, kutsal bir yeri ziyarete giderken yerden ald\u0131klar\u0131 ta\u015flar\u0131 emerek dillerini parampar\u00e7a etmektedirler. Bu i\u015fleri yaparken, bedenini a\u015fa\u011f\u0131layarak insan bedenini kurtaran isa’n\u0131n yolundan gitmektedirler: kad\u0131nlar, bu b\u00fcy\u00fck gize, erkeklerden \u00e7ok daha somut bi\u00e7imde yak\u0131nd\u0131r.<\/p>\n

Tanr\u0131, \u00e7o\u011funlukla, kocas\u0131n\u0131n kal\u0131b\u0131nda g\u00f6r\u00fcn\u00fcr kad\u0131na: kimi zaman, olanca \u015fan ve \u015ferefiyle, beyazlar i\u00e7inde, g\u00f6z kama\u015ft\u0131ran, egemen bu’ varl\u0131k halinde ortaya \u00e7\u0131kar; kad\u0131na bir gelinlik giydirir, ba\u015f\u0131na bir ta\u00e7 oturtur, elinden tutar, kendisini g\u00f6\u011f\u00fcn ta yedinci kat\u0131na \u00e7\u0131karmaya s\u00f6z verir. Ama \u00e7o\u011fu kez, bizler gibi etten kemikten yap\u0131lm\u0131\u015f bir varl\u0131kt\u0131r: isa’n\u0131n Sainte Catherine’e verdi\u011fi, onun da parma\u011f\u0131nda ta\u015f\u0131d\u0131\u011f\u0131 g\u00f6r\u00fcnmeyen y\u00fcz\u00fck, asl\u0131nda, isa’n\u0131n S\u00fcnneti’nden kalma bir “yara izi’nden ba\u015fka bir \u015fey de\u011fildi. Ve Tanr\u0131, sofu kad\u0131n i\u00e7in, her \u015feyden \u00f6nce, eziyete u\u011fram\u0131\u015f, kanlar i\u00e7inde y\u00fczen bir v\u00fccuttur: o, en b\u00fcy\u00fck co\u015fkunlu\u011fu, \u00e7arm\u0131ha gerilmi\u015f Isa kar\u015f\u0131s\u0131nda duyar; kendini, O\u011flu’nun cesedine sar\u0131lm\u0131\u015f olan Meryem Ana’ya, ya da, \u00e7arm\u0131h\u0131n dibinde duran ve y\u00fcz\u00fc g\u00f6z\u00fc Sevgili’nin kan\u0131yla y\u0131kanan Madeleine’e benzetir. B\u00f6ylece, hem eziyet\u00e7i, hem de eziyet d\u00fc\u015fk\u00fcn\u00fc yan\u0131m doyurur, isa’n\u0131n, yani Tanr\u0131’n\u0131n a\u015fa\u011f\u0131lan\u0131\u015f\u0131nda, insan\u0131n g\u00f6zden d\u00fc\u015f\u00fc\u015f\u00fcne hayran olur: \u00e7arm\u0131ha gerilmi\u015f olan adam, o k\u0131p\u0131rt\u0131s\u0131z, yara bere i\u00e7indeki v\u00fccuduyla, k\u00fc\u00e7\u00fck k\u0131z\u0131n \u00f6teden beri kendisine benzetti\u011fi, y\u0131rt\u0131c\u0131 hayvanlar\u0131n, han\u00e7erlerin, erkeklerin \u00f6n\u00fcne at\u0131lm\u0131\u015f pembe-beyaz di\u015fi kurban\u0131 canland\u0131rmaktad\u0131r: sofu kad\u0131n. Erke\u011fin, Tanr\u0131-Erke\u011fin, kendi rol\u00fcn\u00fc benimsedi\u011fini g\u00f6r\u00fcnce allak bullak olmu\u015ftur. Tahta sedye \u00fczerine yat\u0131r\u0131lan, g\u00fcn\u00fcn birinde g\u00f6z kama\u015ft\u0131r\u0131c\u0131 bir bi\u00e7imde Yeniden Dirilecek olan kendisidir. Evet, kendisidir: kan\u0131tlar bunu; dikenlerden \u00f6r\u00fclm\u00fc\u015f ta\u00e7 alt\u0131nda aln\u0131 kanar, g\u00f6r\u00fcnmeyen bir \u00e7ivi ellerini, ayaklar\u0131n\u0131, ba\u011fr\u0131n\u0131 delik de\u015fik eder. Katolik Kilisesi’nin tan\u0131d\u0131\u011f\u0131, dikenli ta\u00e7la da\u011flanm\u0131\u015f 321 ki\u015fiden yaln\u0131z 47’si erkektir; \u00f6b\u00fcrleri (Macaristan’l\u0131 Helene, Jeanne de la Croix, G. d’Osten, Osane de Mantoue, Clai-re de Montfalcon vb.)<\/p>\n

, ortalama olarak, ya\u015fd\u00f6n\u00fcm\u00fc ge\u00e7mi\u015f kad\u0131nlard\u0131r. En \u00fcnl\u00fcleri olan Catherine Emmerich, \u00e7ok gen\u00e7 ya\u015fta damgaland\u0131. Dikenli tac\u0131n ac\u0131s\u0131n\u0131 tatmak istedi\u011finden, 24 ya\u015f\u0131nda, g\u00f6z kama\u015ft\u0131racak kadar yak\u0131\u015f\u0131kl\u0131 bir delikanl\u0131n\u0131n kendisine yakla\u015ft\u0131\u011f\u0131n\u0131, ba\u015f\u0131na \u00f6zlenen tac\u0131 oturttu\u011funu g\u00f6rd\u00fc. Ertesi g\u00fcn \u015fakaklar\u0131 ve aln\u0131 \u015fi\u015fti, kan akmaya ba\u015flam\u0131\u015ft\u0131. D\u00f6rt y\u0131l sonra, bir co\u015fkunluk s\u0131ras\u0131nda, isa’y\u0131 g\u00f6rd\u00fc; yaralar\u0131ndan, incecik b\u0131\u00e7aklara benzeyen \u0131\u015f\u0131nlar \u00e7\u0131k\u0131yor, bizim azizenin ellerinden, ayaklar\u0131ndan, ba\u011fr\u0131ndan kanlar f\u0131\u015fk\u0131r\u0131yordu. Teri bile kanl\u0131yd\u0131, kan t\u00fck\u00fcr\u00fcyordu. G\u00fcn\u00fcm\u00fczde de, Therese Neu-mann her kutsal cuma g\u00fcn\u00fc imanl\u0131 ki\u015filere isa’n\u0131n kan\u0131yla y\u0131kanm\u0131\u015f y\u00fcz\u00fcn\u00fc g\u00f6stermektedir. Kan f\u0131\u015fk\u0131ran bu delikler, asl\u0131nda, insan\u0131n bedenini \u015fana \u015ferefe kavu\u015fturan anla\u015f\u0131lmaz simyan\u0131n belirtisidirler, \u00e7\u00fcnk\u00fc, bu kanl\u0131 ac\u0131n\u0131n alt\u0131nda tanr\u0131sal sevginin ta kendisi yatmaktad\u0131r. Kad\u0131nlar\u0131n akan bu k\u0131z\u0131l kan\u0131n kat\u0131ks\u0131z, sapsar\u0131 bir \u0131\u015f\u0131k haline d\u00f6n\u00fc\u015fmesine verdikleri \u00f6nemi anlamak da kolay. Erkeklerin kral\u0131 olan adam\u0131n (isa’n\u0131n) ba\u011fr\u0131ndan akan kan ak\u0131llar\u0131ndan \u00e7\u0131kmaz bir t\u00fcrl\u00fc. Sa-inte Catherine de Sienne, hemen her mektubunda bundan s\u00f6z eder. Angele de Foligno, isa’n\u0131n kalbini ve ba\u011fnndaki derin yaray\u0131 g\u00f6rd\u00fck\u00e7e kendinden ge\u00e7iyordu. Catherine Emmerich, “kana bulanm\u0131\u015f bembeyaz bir kefene sar\u0131lm\u0131\u015f” isa’ya benzeyebilmek i\u00e7in, k\u0131pk\u0131rm\u0131z\u0131 bir g\u00f6mlek giyiyordu; her \u015feyi, “isa’n\u0131n k\u0131z\u0131l kan\u0131na bula\u015fm\u0131\u015f olarak” g\u00f6r\u00fcyordu. Marie Alacoque, yukar\u0131da da s\u00f6yledi\u011fimiz gibi, a\u011fz\u0131n\u0131 isa’n\u0131n Kutsal-Kalbi’ne dayam\u0131\u015f, tam \u00fc\u00e7 saat kana kana onun kan\u0131n\u0131 i\u00e7mi\u015fti, imanl\u0131 ki\u015filerin hayran bak\u0131\u015flar\u0131 \u00f6n\u00fcne, sevginin alevli oklar\u0131n\u0131n a\u00e7t\u0131\u011f\u0131 yaralardan \u00e7\u0131kan kan\u0131n p\u0131ht\u0131s\u0131n\u0131 getiren o’dur. Kad\u0131nlar\u0131n en b\u00fcy\u00fck d\u00fc\u015f\u00fcn\u00fcn simgesidir bu: sevginin a\u00e7t\u0131\u011f\u0131 yaralardan akan \u015fanl\u0131, \u015ferefli kan.<\/p>\n

Co\u015fku, g\u00f6r\u00fclen hayaller, Tanr\u0131’yla konu\u015fmalar, yani i\u00e7 d\u00fcnyayla ilgili bu ya\u015fam, baz\u0131 kad\u0131nlara yetmektedir. Baz\u0131lar\u0131ysa bunu, edimler halinde b\u00fct\u00fcn d\u00fcnyaya yaymak istemektedirler. Eylemin hayran hayran seyredi\u015fle birle\u015fmesi iki de\u011fi\u015fik bi\u00e7imde ortaya \u00e7\u0131kar. Sainte Catherine, Sainte Therese, Jeanne d’Arc gibi, hangi ere\u011fe y\u00f6neldiklerini \u00e7ok iyi bilen ve bunlara varabilmek i\u00e7in, b\u00fcy\u00fck bir a\u00e7\u0131kg\u00f6r\u00fc\u015fl\u00fcl\u00fckle, en iyi yolu tutan eylem kad\u0131nlar\u0131 vard\u0131r: b\u00f6ylelerinin Tanr\u0131’dan gelen esinleri, olsa olsa, a\u00e7\u0131k se\u00e7ik ger\u00e7eklerine nesnel bir g\u00f6r\u00fcn\u00fc\u015f kazand\u0131rmaya yaramaktad\u0131r; bu esinler, onlar\u0131n, kesinlikle \u00e7izdikleri yollar\u0131 izlemesine yard\u0131m etmektedir. Madam Guyon, Madam Kr\u00fcdener gibi kendine hayran kad\u0131nlarsa, suskun bir co\u015fkunlu\u011fun sonunda, yine Madam Guyon’un deyimiyle, ans\u0131z\u0131n “bir havari havas\u0131na” girdiklerini hissetmektedirler. Yerine getirecekleri g\u00f6rev konusunda kendilerinin de a\u00e7\u0131k se\u00e7ik bir g\u00f6r\u00fc\u015f\u00fc yoktur; ve (t\u0131pk\u0131 sa\u011fa sola ko\u015fu\u015fma hastal\u0131\u011f\u0131na tutulmu\u015f evkad\u0131nlar\u0131 gibi) yapacaklar\u0131 \u015feye hi\u00e7 ald\u0131rmazlar, yeter ki bir \u015fey olsun. Madam Kr\u00fcdener, b\u00fcy\u00fckel\u00e7i ve romanc\u0131 olarak kendini g\u00f6sterdikten sonra, niteliklerinin de\u011feri konusundaki fikrini kendine saklad\u0131: birtak\u0131m kesin fikirleri savunup ba\u015far\u0131ya ula\u015ft\u0131rmak i\u00e7in de\u011fil, Tanr\u0131 taraf\u0131ndan g\u00f6revlendirilmi\u015f bir insan oldu\u011funu g\u00f6stermek i\u00e7in el att\u0131 I. Alexandre’in kaderine. Kad\u0131n\u0131n az\u0131c\u0131k g\u00fczel ve ak\u0131ll\u0131 olmas\u0131 bile kutsal bir ki\u015fili\u011fe sahip bulundu\u011funa inanmas\u0131na yeterken, Tanr\u0131’n\u0131n se\u00e7kin kulu oldu\u011funu d\u00fc\u015f\u00fcnd\u00fc\u011f\u00fc zaman \u00e7\u0131kaca\u011f\u0131 yeri art\u0131k var\u0131n siz hesap edin: o vakit, \u00f6zel bir g\u00f6revle yery\u00fcz\u00fcne geldi\u011fine inan\u0131r, birtak\u0131m belirsiz \u00f6\u011fretiler \u00f6ne s\u00fcrer, hemen bir tarikat kurar; b\u00f6ylece, \u00e7evresinde toplad\u0131\u011f\u0131 insanlar\u0131n her birinde, ki\u015fili\u011finin ba\u015fd\u00f6nd\u00fcr\u00fcc\u00fc bi\u00e7imde \u00e7o\u011fald\u0131\u011f\u0131n\u0131 g\u00f6r\u00fcr.<\/p>\n

Sofu inanc\u0131n ate\u015fi de, t\u0131pk\u0131 a\u015fk ya da kendine hayranl\u0131k gibi, etkin ve ba\u011f\u0131ms\u0131z bir ya\u015fam\u0131n temeli olabilir. Ancak, tek ba\u015f\u0131na ele al\u0131n\u0131rsa, b\u00fct\u00fcn bu ruhunu kurtarma \u00e7abalan insan\u0131 olsa olsa ba\u015far\u0131s\u0131zl\u0131\u011fa g\u00f6t\u00fcr\u00fcr; kad\u0131n, ya ger\u00e7ekd\u0131\u015f\u0131 ile ili\u015fki kurar: yani kendi hayali ya da Tanr\u0131 ile; ya da, ger\u00e7ek bir varl\u0131kla ger\u00e7ekd\u0131\u015f\u0131 ili\u015fkilere girer; her iki durumda da, d\u00fcnya \u00fczerinde etkili olamaz; \u00f6znelli\u011finden kurtulamaz; \u00f6zg\u00fcrl\u00fc\u011f\u00fc bir kand\u0131rmaca, bir efsane olarak kal\u0131r; bu \u00f6zg\u00fcrl\u00fc\u011f\u00fc ger\u00e7ekten ya\u015faman\u0131n tek yolu vard\u0131r: onu, olumlu bir eylemle insan toplumuna yans\u0131tmak.<\/p>\n

Tanr\u0131, \u00e7o\u011funlukla kocas\u0131n\u0131n kal\u0131b\u0131nda g\u00f6r\u00fcn\u00fcr kad\u0131na | Simone de Beauvoir<\/strong><\/p>\n","protected":false},"excerpt":{"rendered":"

A\u015fk do\u011fu\u015ftan gelen en y\u00fcce e\u011filim olarak ayr\u0131lm\u0131\u015ft\u0131r kad\u0131na, o bu e\u011filimi erke\u011fe y\u00f6neltti\u011finde, sevgilide Tanr\u0131’y\u0131 aramaktad\u0131r, durum ve ko\u015fullar kendisini insan\u00ee sevgiden yoksun b\u0131rak\u0131rsa, hayal k\u0131r\u0131kl\u0131\u011f\u0131na u\u011fram\u0131\u015fsa, ya da a\u015fktan \u00e7ok \u015fey bekleyen bir insansa, o zaman, kutsall\u0131\u011f\u0131 yine Tanr\u0131’da arayacakt\u0131r. G\u00f6n\u00fcllerinde b\u00f6yle bir alev yanan erkekler de \u00e7\u0131km\u0131\u015ft\u0131r elbet; ama b\u00f6yleleri hem enderdir, […]<\/p>\n","protected":false},"author":1,"featured_media":0,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[176],"tags":[],"class_list":["post-6922","post","type-post","status-publish","format-standard","category-kadin-a-dair"],"yoast_head":"\nTanr\u0131, \u00e7o\u011funlukla kocas\u0131n\u0131n kal\u0131b\u0131nda g\u00f6r\u00fcn\u00fcr kad\u0131na | Simone de Beauvoir - narteks.net<\/title>\n<meta name=\"robots\" content=\"index, follow, max-snippet:-1, max-image-preview:large, max-video-preview:-1\" \/>\n<link rel=\"canonical\" href=\"https:\/\/narteks.net\/index.php\/2018\/07\/17\/tanri-cogunlukla-kocasinin-kalibinda-gorunur-kadina-simone-de-beauvoir\/\" \/>\n<meta property=\"og:locale\" content=\"tr_TR\" \/>\n<meta property=\"og:type\" content=\"article\" \/>\n<meta property=\"og:title\" content=\"Tanr\u0131, \u00e7o\u011funlukla kocas\u0131n\u0131n kal\u0131b\u0131nda g\u00f6r\u00fcn\u00fcr kad\u0131na | Simone de Beauvoir\" \/>\n<meta property=\"og:description\" content=\"A\u015fk do\u011fu\u015ftan gelen en y\u00fcce e\u011filim olarak ayr\u0131lm\u0131\u015ft\u0131r kad\u0131na, o bu e\u011filimi erke\u011fe y\u00f6neltti\u011finde, sevgilide Tanr\u0131’y\u0131 aramaktad\u0131r, durum ve ko\u015fullar kendisini insan\u00ee sevgiden yoksun b\u0131rak\u0131rsa, hayal k\u0131r\u0131kl\u0131\u011f\u0131na u\u011fram\u0131\u015fsa, ya da a\u015fktan \u00e7ok \u015fey bekleyen bir insansa, o zaman, kutsall\u0131\u011f\u0131 yine Tanr\u0131’da arayacakt\u0131r. 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