{"id":7158,"date":"2018-09-06T17:48:04","date_gmt":"2018-09-06T14:48:04","guid":{"rendered":"http:\/\/localhost\/wordpress\/2018\/09\/06\/hicbir-sey-den-nasil-bir-sey-cikar-slavoj-zizek\/"},"modified":"2024-04-26T22:52:19","modified_gmt":"2024-04-26T19:52:19","slug":"hicbir-sey-den-nasil-bir-sey-cikar-slavoj-zizek","status":"publish","type":"post","link":"https:\/\/narteks.net\/index.php\/2018\/09\/06\/hicbir-sey-den-nasil-bir-sey-cikar-slavoj-zizek\/","title":{"rendered":"Hi\u00e7bir \u015eey\u2018den Nas\u0131l Bir \u015eey \u00c7\u0131kar? | Slavoj Zizek"},"content":{"rendered":"

\"\"Patricia Highsmith’in \u201cKaranl\u0131k Ev\u201d adl\u0131 hik\u00e2yesi, fantezi mek\u00e2n\u0131n\u0131n bo\u015f bir y\u00fczey olarak, arzular\u0131n yans\u0131t\u0131laca\u011f\u0131 bir t\u00fcr perde olarak i\u015fleyi\u015fini kusursuz bi\u00e7imde g\u00f6sterir: Arzunun pozitif i\u00e7eri\u011finin b\u00fcy\u00fcleyici varl\u0131\u011f\u0131 belli bir bo\u015flu\u011fu doldurmaktan ba\u015fka bir \u015fey yapmaz. Olay, erkeklerin ak\u015famlar\u0131 barda toplan\u0131p her zaman bir \u015fekilde kasaba yak\u0131nlar\u0131ndaki bir tepede bulunan \u0131ss\u0131z, eski bir binayla ba\u011flant\u0131l\u0131 olan nostaljik an\u0131lar\u0131, yerel efsaneleri -genellikle gen\u00e7lik maceralar\u0131n\u0131- yad ettikleri k\u00fc\u00e7\u00fck bir Amerikan kasabas\u0131nda ge\u00e7er. Bu esrarengiz \u201ckaranl\u0131k ev\u201din \u00fczerinde bir lanet, erkekler aras\u0131nda da oraya yakla\u015fman\u0131n yasak oldu\u011fu konusunda \u00fcst\u00fc kapal\u0131 bir fikir birli\u011fi vard\u0131r. Eve girmenin \u00f6l\u00fcmc\u00fcl tehlike getirdi\u011fi varsay\u0131l\u0131r (evin perili oldu\u011fu, evde yaln\u0131z ya\u015fayan ve b\u00fct\u00fcn davetsiz misafirleri \u00f6ld\u00fcren bir delinin oturdu\u011fu gibi s\u00f6ylentiler vard\u0131r), ama \u201ckaranl\u0131k ev\u201d ayn\u0131 zamanda, hepsinin ergenlik an\u0131lar\u0131n\u0131 birbirine ba\u011flayan bir yer, kurallar\u0131, \u00f6zellikle de cinsellikle ilgili kurallar\u0131 ilk kez \u201cihlal\u201d ettikleri yerdir de (adamlar, y\u0131llar \u00f6nce, ilk cinsel deneyimlerini kasaban\u0131n en g\u00fczel k\u0131z\u0131yla orada ya\u015fad\u0131klar\u0131na, ilk sigaralar\u0131n\u0131 orada i\u00e7tiklerine dair hik\u00e2yeler anlat\u0131p dururlar). Hik\u00e2yenin kahraman\u0131 kasabaya yeni ta\u015f\u0131nan gen\u00e7 bir m\u00fchendistir.<\/p>\n

\u201cKaranl\u0131k ev\u201dle ilgili b\u00fct\u00fcn efsaneleri dinledikten sonra, meclistekilere bu esrarengiz evi ertesi ak\u015fam ara\u015ft\u0131rmak niyetinde oldu\u011funu s\u00f6yler. Adamlar bu s\u00f6zlere sessiz ama yo\u011fun bir ho\u015fnutsuzlukla tepki verirler. Ertesi ak\u015fam gen\u00e7 m\u00fchendis evi ziyaret eder, ba\u015f\u0131na korkun\u00e7, en az\u0131ndan beklenmedik bir \u015fey gelmesini beklemektedir. Bu yo\u011fun beklenti i\u00e7inde karanl\u0131k, eski harabeye yakla\u015f\u0131r, g\u0131c\u0131rdayan merdivenleri t\u0131rman\u0131r, b\u00fct\u00fcn odalar\u0131 inceler, ama zemindeki \u00e7\u00fcr\u00fcyen birka\u00e7 kilim d\u0131\u015f\u0131nda hi\u00e7bir \u015fey bulamaz. Hemen bara d\u00f6ner ve meclisteki adamlara zafer kazanm\u0131\u015f\u00e7as\u0131na bir edayla \u201ckaranl\u0131k ev\u201d dedikleri yerin eski, boktan bir harabe oldu\u011funu, esrarengiz ya da b\u00fcy\u00fcleyici hi\u00e7bir yan\u0131 olmad\u0131\u011f\u0131n\u0131 s\u00f6yler. Adamlar deh\u015fete kap\u0131l\u0131r; m\u00fchendis tam oradan ayr\u0131laca\u011f\u0131 s\u0131rada adamlardan biri hiddetle \u00fczerine sald\u0131r\u0131r. M\u00fchendis k\u00f6t\u00fc d\u00fc\u015fer yere ve az sonra da \u00f6l\u00fcr. Adamlar yeni gelmi\u015f bu m\u00fchendisin yapt\u0131klar\u0131 kar\u015f\u0131s\u0131nda niye bu kadar deh\u015fete kap\u0131l\u0131rlar? Duyduklar\u0131 h\u0131nc\u0131, ger\u00e7eklik ile fantezi mek\u00e2n\u0131n\u0131n \u201c\u00f6teki sahnesi\u201d aras\u0131ndaki farka dikkat \u00e7ekerek anlayabiliriz: \u201cKaranl\u0131k ev\u201d erkeklere yasakt\u0131, \u00e7\u00fcnk\u00fc nostaljik arzular\u0131n\u0131, \u00e7arp\u0131k an\u0131lar\u0131n\u0131 yans\u0131tabilecekleri bo\u015f bir mek\u00e2n i\u015flevini g\u00f6r\u00fcyordu; gen\u00e7 m\u00fchendis \u201ckaranl\u0131k ev\u201din eski bir harabeden ba\u015fka bir \u015fey olmad\u0131\u011f\u0131n\u0131 alenen s\u00f6yleyerek, onlar\u0131n fantezi mek\u00e2n\u0131n\u0131 g\u00fcnl\u00fck, s\u0131radan ger\u00e7ekli\u011fe indirgemi\u015f oluyordu. Ger\u00e7eklik ile fantezi mek\u00e2n\u0131 aras\u0131ndaki fark\u0131 h\u00fck\u00fcms\u00fczle\u015ftirmi\u015f, adamlar\u0131 arzular\u0131n\u0131 dile getirebilecekleri bir yerden yoksun b\u0131rakm\u0131\u015f oluyordu.<\/p>\n

Bardaki adamlar\u0131n, normal bir bak\u0131\u015f\u0131n s\u0131radan g\u00fcndelik bir nesneden ba\u015fka bir \u015fey g\u00f6rmedi\u011fi yerde arzu nesnesinin b\u00fcy\u00fcleyici hatlar\u0131n\u0131 se\u00e7ebilen bak\u0131\u015flar\u0131, d\u00fcped\u00fcz, hi\u00e7li\u011fi g\u00f6rebilen, yani Shakespeare\u2019in en ilgin\u00e7 oyunlar\u0131ndan biri olan II. Richard\u2019daki k\u0131sa bir sahnede form\u00fcle etti\u011fi gibi \u201chi\u00e7ten \u00e7\u0131kan\u201d bir nesneyi g\u00f6rebilen bir bak\u0131\u015ft\u0131r. II. Richard, Shakespeare\u2019in Lacan\u2019\u0131 okumu\u015f oldu\u011funu hi\u00e7bir ku\u015fkuya yer b\u0131rakmayacak bi\u00e7imde kan\u0131tlar, \u00e7\u00fcnk\u00fc oyunun temel sorunu bir kral\u0131n histerikle\u015fmesidir; yani kral\u0131n onu kral yapan ikinci, y\u00fcce bedeni yitirerek simgesel \u201ckral\u201d unvan\u0131 d\u0131\u015f\u0131nda kendi \u00f6znelli\u011finin bo\u015flu\u011fuyla kar\u015f\u0131 kar\u015f\u0131ya kald\u0131\u011f\u0131 ve bu y\u00fczden de kendine ac\u0131maktan alayc\u0131, soytar\u0131lara yara\u015f\u0131r bir delili\u011fe, \u00e7e\u015fitli teatral, histerik feveranlarda bulunmaya mecbur kald\u0131\u011f\u0131 s\u00fcre\u00e7tir.*81 Ama biz burada II. Perde, II. Sahne\u2019nin ba\u015flar\u0131nda Krali\u00e7e ile Kral\u0131n u\u015fa\u011f\u0131 Bushy aras\u0131nda ge\u00e7en k\u0131sa bir diyalogu ele almakla yetinece\u011fiz. Kral bir sefere \u00e7\u0131km\u0131\u015ft\u0131r ve Krali\u00e7e k\u00f6t\u00fc \u00f6nsezilerle, nedenini anlayamad\u0131\u011f\u0131 bir \u00fcz\u00fcnt\u00fcyle doludur. Bushy onu kederinin yan\u0131lsamaya dayal\u0131, hayaleti and\u0131ran yap\u0131s\u0131na dikkat \u00e7ekerek teselli etmeye \u00e7al\u0131\u015f\u0131r:<\/p>\n

Bushy: Elemin her cevherinin yir\u00f6i g\u00f6lgesi vard\u0131r Elemin kendisi de\u011fildir hi\u00e7biri, ama \u00f6yle san\u0131l\u0131r.<\/em>
\nK\u00f6r eden g\u00f6zya\u015flar\u0131yla bu\u011fulan\u0131nca h\u00fczn\u00fcn g\u00f6z\u00fc Bir s\u00fcr\u00fc nesneye b\u00f6ler b\u00fct\u00fcn olan\u0131 D\u00fczg\u00fcn bak\u0131nca karma\u015fadan ba\u015fka bir \u015fey G\u00f6r\u00fcnmeyen; ama yamuk bak\u0131nca bi\u00e7imi Ayr\u0131\u015ft\u0131r\u0131labilen perspektifler gibi: O y\u00fczden Ha\u015fmetmeap<\/em>
\nLordunuzun kayb\u0131na yamuk bakmak<\/em>
\nA\u011flanacak \u00f6yle elem \u015fekilleri bulur ki kendisinden fazlad\u0131r Ama oldu\u011fu gibi bakarsan\u0131z, olmayan bir \u015feyin G\u00f6lgelerinden ibarettir. \u00d6yleyse \u00fc\u00e7 kez kutsanm\u0131\u015f Krali\u00e7em Lordunuzun kayb\u0131ndan fazlas\u0131na a\u011flamay\u0131n; g\u00f6r\u00fclmez daha fazlas\u0131 G\u00f6r\u00fclse bile h\u00fczn\u00fcn sahte g\u00f6z\u00fcyledir,<\/em>
\nKi hakiki olan yerine, hayallerin ard\u0131ndan a\u011f\u0131t yakar.<\/em>
\nKrali\u00e7e: \u00d6yledir belki, ama ruhumun derinleri Aksine inand\u0131r\u0131yor beni; nas\u0131l olursa olsun \u00dcz\u00fclmemek elimde de\u011fil, \u00fcz\u00fcnt\u00fc \u00e7\u00f6ker \u00fcst\u00fcme T\u0131pk\u0131 d\u00fc\u015f\u00fcnd\u00fc\u011f\u00fcm hi\u00e7bir \u015feyi d\u00fc\u015f\u00fcnmesem bile Hi\u00e7bir \u015feyin \u00fcst\u00fcme \u00e7\u00f6k\u00fcp k\u00fc\u00e7\u00fck, zay\u0131f d\u00fc\u015f\u00fcrd\u00fc\u011f\u00fc gibi.<\/em>
\nBushy: Kendinizi aldatmak bu Leydim, ba\u015fka bir \u015fey de\u011fil<\/em>
\nKrali\u00e7e: Tabii \u00f6yle, aldan\u0131\u015f da elemin Atalar\u0131ndan gelir; benimki \u00f6yle de\u011fil,<\/em>
\n\u00c7\u00fcnk\u00fc benim elemim hi\u00e7bir \u015feyden \u00e7\u0131kmad\u0131 Ne de yas\u0131n\u0131 tuttu\u011fum hi\u00e7bir \u015feyden, bir \u015fey Elimde olan tek \u015fey geride kaland\u0131r,<\/em>
\nAma nedir, daha bilinmez; adland\u0131ramad\u0131\u011f\u0131m<\/em>
\nBu isimsiz yeistir bildi\u011fim \u015fey.<\/em><\/p>\n

Bushy, Krali\u00e7e’yi kederinin hi\u00e7bir temeli olmad\u0131\u011f\u0131na, sundu\u011fu nedenlerin h\u00fck\u00fcms\u00fcz oldu\u011funa, anamorfoz metaforuyla ikna etmeye \u00e7al\u0131\u015f\u0131r. Ama can al\u0131c\u0131 nokta, kulland\u0131\u011f\u0131 metaforun yar\u0131lmas\u0131, kendi kendini \u00e7o\u011faltmas\u0131, yani Bushy’nin kendi kendini \u00e7eli\u015fkiye d\u00fc\u015f\u00fcnmesidir. \u00d6nce \u201ckendi i\u00e7indeki\u201d, ger\u00e7eklikteki haliyle bir \u015fey ile onun \u201cg\u00f6lgeleri\u201d, g\u00f6zlerimizdeki yans\u0131lar\u0131, endi\u015felerimiz ve \u00fcz\u00fcnt\u00fclerimizin \u00e7o\u011faltt\u0131\u011f\u0131 \u00f6znel izlenimleri aras\u0131ndaki basit, sa\u011fduyuya uygun kar\u015f\u0131tl\u0131ktan medet umar (\u201cK\u00f6r eden g\u00f6zya\u015flar\u0131yla bu\u011fulan\u0131nca h\u00fczn\u00fcn g\u00f6z\u00fc \/ Bir s\u00fcr\u00fc nesneye b\u00f6ler b\u00fct\u00fcn olan\u0131\u201d). Endi\u015felendi\u011fimiz zaman, k\u00fc\u00e7\u00fck bir g\u00fc\u00e7l\u00fck dev boyutlara ula\u015f\u0131r, mesele bize ger\u00e7ekte oldu\u011fundan \u00e7ok daha beter g\u00f6r\u00fcn\u00fcr. Burada i\u015fba\u015f\u0131nda olan metafor, bir\u00e7ok g\u00f6r\u00fcnt\u00fc yaymas\u0131na neden olacak \u015fekilde kesilmi\u015f cam y\u00fczey metaforudur. K\u00fc\u00e7\u00fcc\u00fck t\u00f6z yerine, onun \u201cyirmi g\u00f6lgesi\u201dni g\u00f6r\u00fcr\u00fcz. Gelgelelim, hemen ard\u0131ndan gelen sat\u0131rlarda i\u015fler kar\u0131\u015f\u0131r. \u0130lk bak\u0131\u015fta, Shakespeare sadece \u201ch\u00fczn\u00fcn g\u00f6z\u00fcn\u00fcn … b\u00fct\u00fcn olan\u0131 bir s\u00fcr\u00fc nesneye b\u00f6ld\u00fc\u011f\u00fcn\u00fc\u201d resim alan\u0131ndan ald\u0131\u011f\u0131 bir metaforla (\u201cD\u00fczg\u00fcn bak\u0131nca karma\u015fadan ba\u015fka bir \u015fey \/ G\u00f6r\u00fcnmeyen; ama yamuk bak\u0131nca bi\u00e7imi \/ Ayr\u0131\u015ft\u0131r\u0131labilen perspektifler gibi\u201d) \u00f6rnekliyormu\u015f gibi g\u00f6r\u00fcn\u00fcr, ama asl\u0131nda radikal bir alan de\u011fi\u015fikli\u011fi yapmaktad\u0131r; kesilmi\u015f bir cam y\u00fczeyi metaforundan, \u00e7ok farkl\u0131 bir mant\u0131\u011f\u0131 olan anamorfoz mant\u0131\u011f\u0131na ge\u00e7mektedir: Bir resmin, dosdo\u011fru bak\u0131ld\u0131\u011f\u0131nda bulan\u0131k bir nokta gibi g\u00f6r\u00fcnen bir ayr\u0131nt\u0131s\u0131, ona \u201cyamuk\u201d, yani belli bir a\u00e7\u0131dan bakt\u0131\u011f\u0131m\u0131zda a\u00e7\u0131k se\u00e7ik, net bir bi\u00e7im kazan\u0131r.<\/p>\n

Nitekim Krali\u00e7e\u2019nin endi\u015fe ve \u00fcz\u00fcnt\u00fcs\u00fcne bu metaforu uygulayan sat\u0131rlar fena halde m\u00fcphemdir: \u201cO y\u00fczden Ha\u015fmetmeap \/ Lordunuzun kayb\u0131na yamuk bakmak \/ A\u011flanacak \u00f6yle elem \u015fekilleri bulur ki kendisinden fazlad\u0131r \/ Ama oldu\u011fu gibi bakarsan\u0131z, olmayan bir \u015feyin \/ G\u00f6lgelerinden ibarettir.\u201d Yani, e\u011fer Krali\u00e7e\u2019nin bak\u0131\u015f\u0131 ile anamorfotik bak\u0131\u015f aras\u0131nda yap\u0131lan k\u0131yaslamay\u0131 d\u00fcz anlam\u0131yla kabul edersek, Krali\u00e7enin tam da \u201cyamuk bakarak\u201d, yani belli bir a\u00e7\u0131dan bakarak, sadece karmakar\u0131\u015f\u0131k bir \u015feyler g\u00f6ren \u201cdosdo\u011fru\u201d bak\u0131\u015f\u0131n tersine, meseleyi a\u00e7\u0131k se\u00e7ik olarak g\u00f6rd\u00fc\u011f\u00fcn\u00fc s\u00f6ylemek zorunda kal\u0131r\u0131z (bu arada, oyunun ileriki b\u00f6l\u00fcmlerinde olanlar Krali\u00e7e\u2019nin en karanl\u0131k \u00f6nsezilerini bile b\u00fct\u00fcn\u00fcyle hakl\u0131 \u00e7\u0131karacakt\u0131r). Ama Bushy tabii ki bunu \u201cs\u00f6ylemek istemez\u201d, niyeti tam tersini s\u00f6ylemektir: \u00c7akt\u0131rmadan ilk metafora (kesilmi\u015f cam metaforuna) d\u00f6ner ve \u201cs\u00f6ylemeye niyet etti\u011fi \u015feyi s\u00f6yler\u201d: \u00dcz\u00fcnt\u00fc ve endi\u015fe bak\u0131\u015f\u0131n\u0131 \u00e7arp\u0131tt\u0131\u011f\u0131 i\u00e7in, Krali\u00e7e pani\u011fe kap\u0131lmas\u0131na yol a\u00e7an \u015feyler g\u00f6r\u00fcr, halbuki meseleye daha yak\u0131ndan, nesnel bakan bir g\u00f6z ortada korkmas\u0131n\u0131 gerektirecek bir \u015fey olmad\u0131\u011f\u0131n\u0131 anlar.<\/p>\n

Demek ki burada iki ger\u00e7eklikle, iki \u201ct\u00f6z\u2019le kar\u015f\u0131 kar\u015f\u0131yay\u0131z. Birinci metafor d\u00fczeyinde, \u201cyirmi g\u00f6lgesi olan bir t\u00f6z\u201d, \u00f6znel bak\u0131\u015f\u0131m\u0131z y\u00fcz\u00fcnden yirmi yans\u0131ya b\u00f6l\u00fcnm\u00fc\u015f bir \u015fey olarak, k\u0131sacas\u0131, \u00f6znel perspektifimizin \u00e7arp\u0131tt\u0131\u011f\u0131 t\u00f6zel bir \u201cger\u00e7eklik\u201d olarak sa\u011fduyu alan\u0131na ait ger\u00e7eklikle kar\u015f\u0131la\u015f\u0131yoruz. Bir \u015feye dosdo\u011fru bakarsak, onu \u201cger\u00e7ekte oldu\u011fu gibi\u201d g\u00f6r\u00fcr\u00fcz, halbuki arzu ve endi\u015felerimizin kar\u0131\u015ft\u0131rd\u0131\u011f\u0131 bak\u0131\u015f (\u201cyamuk bak\u0131\u015f\u201d) bize \u00e7arp\u0131k, bulan\u0131k bir g\u00f6r\u00fcnt\u00fc verir. Gelgelelim, ikinci metafor d\u00fczeyinde tam tersi bir ili\u015fki s\u00f6z konusudur: Bir \u015feye dosdo\u011fru, yani gayri \u015fahsi, nesnel bir bi\u00e7imde bakarsak, \u015fekilsiz bir noktadan ba\u015fka bir \u015fey g\u00f6remeyiz, nesne, ona ancak \u201cbelli bir a\u00e7\u0131dan\u201d, yani arzunun destekledi\u011fi, n\u00fcfuz etti\u011fi ve \u201c\u00e7arp\u0131tt\u0131\u011f\u0131\u201d, \u201c\u015fahsi\u201d bir bak\u0131\u015fla bakt\u0131\u011f\u0131m\u0131z takdirde a\u00e7\u0131k se\u00e7ik \u00f6zellikler kazan\u0131r. Bu da objet petit a’n\u0131n, arzunun nesne-nedeninin kusursuz bir tarifidir: Bir bak\u0131ma, bizatihi arzu taraf\u0131ndan koyutlanan bir nesne. Arzunun paradoksu, kendi nedenini geri d\u00f6n\u00fc\u015fl\u00fc olarak koyutlamas\u0131d\u0131r, yani a nesnesi, sadece arzu taraf\u0131ndan \u201c\u00e7arp\u0131t\u0131lm\u0131\u015f\u201d bir bak\u0131\u015fla alg\u0131lanabilen bir nesne, \u201cnesnel\u201d bir bak\u0131\u015f i\u00e7in var olmayan bir nesnedir.<\/p>\n

Ba\u015fka bir deyi\u015fle, a nesnesi her zaman, tan\u0131m\u0131 gere\u011fi, \u00e7arp\u0131t\u0131lm\u0131\u015f bir bi\u00e7imde alg\u0131lan\u0131r, \u00e7\u00fcnk\u00fc bu \u00e7arp\u0131tman\u0131n d\u0131\u015f\u0131nda, \u201ckendi i\u00e7inde\u201d varl\u0131\u011f\u0131 yoktur, zira tam da bu \u00e7arp\u0131tman\u0131n, arzunun \u201cnesnel ger\u00e7eklik\u201d denen \u015feye soktu\u011fu bu karga\u015fa ve kar\u0131\u015f\u0131kl\u0131k fazlas\u0131n\u0131n cisimle\u015fmesinden, maddile\u015fmesinden ba\u015fka bir \u015fey de\u011fildir. Objet petit a, \u201cnesnel a\u00e7\u0131dan\u201d hi\u00e7bir \u015fey de\u011fildir, ama belli bir perspektiften bak\u0131ld\u0131\u011f\u0131nda, \u201cbir \u015fey\u201d bi\u00e7imine b\u00fcr\u00fcn\u00fcr. Krali\u00e7e’nin Bushy’ye cevap verirken son derece \u00f6zl\u00fc bir bi\u00e7imde ifade etti\u011fi gibi, \u201chi\u00e7bir \u015fey\u201dden \u201cbir \u015fey olan yeisi\u201d \u00e7\u0131km\u0131\u015ft\u0131r. Arzu, \u201cbir \u015fey\u201d (arzunun nesne-nedeni) onun \u201chi\u00e7li\u011fi\u201dni, bo\u015flu\u011funu cisimle\u015ftirdi\u011fi, ona pozitif varolu\u015f kazand\u0131rd\u0131\u011f\u0131 zaman \u201ckanatlan\u0131r\u201d. Bu \u201cbir \u015fey\u201d de, ancak \u201cyamuk bakarak\u201d a\u00e7\u0131k se\u00e7ik alg\u0131layabilece\u011fimiz anamorfotik nesnedir, saf bir surettir. Me\u015fhur \u201chi\u00e7ten hi\u00e7 \u00e7\u0131kar,\u201d d\u00fcsturunu yalanlayan \u015feydir tam da arzunun mant\u0131\u011f\u0131 (\u00fcstelik bunu yapan tek \u015feydir): Arzunun hareketi i\u00e7inde, \u201chi\u00e7ten bir \u015fey \u00e7\u0131kar\u201d. Arzunun nesne-nedeninin saf bir suret oldu\u011fu do\u011fruysa da, bu onun \u201cmaddi\u201d, \u201cfiili\u201d hayat\u0131m\u0131z\u0131 ve eylemlerimizi d\u00fczenleyen bir sonu\u00e7lar zinciri ba\u015flatmas\u0131n\u0131 \u00f6nlemez.<\/p>\n

Hi\u00e7bir \u015eey\u2018den Nas\u0131l Bir \u015eey \u00c7\u0131kar? – Yamuk Bakmak | Slavoj Zizek<\/strong><\/p>\n","protected":false},"excerpt":{"rendered":"

Patricia Highsmith’in \u201cKaranl\u0131k Ev\u201d adl\u0131 hik\u00e2yesi, fantezi mek\u00e2n\u0131n\u0131n bo\u015f bir y\u00fczey olarak, arzular\u0131n yans\u0131t\u0131laca\u011f\u0131 bir t\u00fcr perde olarak i\u015fleyi\u015fini kusursuz bi\u00e7imde g\u00f6sterir: Arzunun pozitif i\u00e7eri\u011finin b\u00fcy\u00fcleyici varl\u0131\u011f\u0131 belli bir bo\u015flu\u011fu doldurmaktan ba\u015fka bir \u015fey yapmaz. Olay, erkeklerin ak\u015famlar\u0131 barda toplan\u0131p her zaman bir \u015fekilde kasaba yak\u0131nlar\u0131ndaki bir tepede bulunan \u0131ss\u0131z, eski bir binayla ba\u011flant\u0131l\u0131 olan […]<\/p>\n","protected":false},"author":1,"featured_media":0,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[103],"tags":[],"class_list":["post-7158","post","type-post","status-publish","format-standard","category-felsefe-genel"],"yoast_head":"\nHi\u00e7bir \u015eey\u2018den Nas\u0131l Bir \u015eey \u00c7\u0131kar? | Slavoj Zizek - narteks.net<\/title>\n<meta name=\"robots\" content=\"index, follow, max-snippet:-1, max-image-preview:large, max-video-preview:-1\" \/>\n<link rel=\"canonical\" href=\"https:\/\/narteks.net\/index.php\/2018\/09\/06\/hicbir-sey-den-nasil-bir-sey-cikar-slavoj-zizek\/\" \/>\n<meta property=\"og:locale\" content=\"tr_TR\" \/>\n<meta property=\"og:type\" content=\"article\" \/>\n<meta property=\"og:title\" content=\"Hi\u00e7bir \u015eey\u2018den Nas\u0131l Bir \u015eey \u00c7\u0131kar? | Slavoj Zizek\" \/>\n<meta property=\"og:description\" content=\"Patricia Highsmith’in \u201cKaranl\u0131k Ev\u201d adl\u0131 hik\u00e2yesi, fantezi mek\u00e2n\u0131n\u0131n bo\u015f bir y\u00fczey olarak, arzular\u0131n yans\u0131t\u0131laca\u011f\u0131 bir t\u00fcr perde olarak i\u015fleyi\u015fini kusursuz bi\u00e7imde g\u00f6sterir: Arzunun pozitif i\u00e7eri\u011finin b\u00fcy\u00fcleyici varl\u0131\u011f\u0131 belli bir bo\u015flu\u011fu doldurmaktan ba\u015fka bir \u015fey yapmaz. Olay, erkeklerin ak\u015famlar\u0131 barda toplan\u0131p her zaman bir \u015fekilde kasaba yak\u0131nlar\u0131ndaki bir tepede bulunan \u0131ss\u0131z, eski bir binayla ba\u011flant\u0131l\u0131 olan […]\" \/>\n<meta property=\"og:url\" content=\"https:\/\/narteks.net\/index.php\/2018\/09\/06\/hicbir-sey-den-nasil-bir-sey-cikar-slavoj-zizek\/\" \/>\n<meta property=\"og:site_name\" content=\"narteks.net\" \/>\n<meta property=\"article:published_time\" content=\"2018-09-06T14:48:04+00:00\" \/>\n<meta property=\"article:modified_time\" content=\"2024-04-26T19:52:19+00:00\" \/>\n<meta property=\"og:image\" content=\"http:\/\/narteks.net\/wp-content\/uploads\/slavojzizek-150x150.jpg\" \/>\n<meta name=\"author\" content=\"Tar\u0131k\" \/>\n<meta name=\"twitter:card\" content=\"summary_large_image\" \/>\n<meta name=\"twitter:creator\" content=\"@narteks\" \/>\n<meta name=\"twitter:site\" content=\"@narteks\" \/>\n<meta name=\"twitter:label1\" content=\"Yazan:\" \/>\n\t<meta name=\"twitter:data1\" content=\"Tar\u0131k\" \/>\n\t<meta name=\"twitter:label2\" content=\"Tahmini okuma s\u00fcresi\" \/>\n\t<meta name=\"twitter:data2\" content=\"10 dakika\" \/>\n<script type=\"application\/ld+json\" class=\"yoast-schema-graph\">{\"@context\":\"https:\/\/schema.org\",\"@graph\":[{\"@type\":\"Article\",\"@id\":\"https:\/\/narteks.net\/index.php\/2018\/09\/06\/hicbir-sey-den-nasil-bir-sey-cikar-slavoj-zizek\/#article\",\"isPartOf\":{\"@id\":\"https:\/\/narteks.net\/index.php\/2018\/09\/06\/hicbir-sey-den-nasil-bir-sey-cikar-slavoj-zizek\/\"},\"author\":{\"name\":\"Tar\u0131k\",\"@id\":\"https:\/\/narteks.net\/#\/schema\/person\/61f37d9834294b72d31d274e7ed79bca\"},\"headline\":\"Hi\u00e7bir \u015eey\u2018den Nas\u0131l Bir \u015eey \u00c7\u0131kar? 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Olay, erkeklerin ak\u015famlar\u0131 barda toplan\u0131p her zaman bir \u015fekilde kasaba yak\u0131nlar\u0131ndaki bir tepede bulunan \u0131ss\u0131z, eski bir binayla ba\u011flant\u0131l\u0131 olan […]","og_url":"https:\/\/narteks.net\/index.php\/2018\/09\/06\/hicbir-sey-den-nasil-bir-sey-cikar-slavoj-zizek\/","og_site_name":"narteks.net","article_published_time":"2018-09-06T14:48:04+00:00","article_modified_time":"2024-04-26T19:52:19+00:00","og_image":[{"url":"http:\/\/narteks.net\/wp-content\/uploads\/slavojzizek-150x150.jpg","type":"","width":"","height":""}],"author":"Tar\u0131k","twitter_card":"summary_large_image","twitter_creator":"@narteks","twitter_site":"@narteks","twitter_misc":{"Yazan:":"Tar\u0131k","Tahmini okuma s\u00fcresi":"10 dakika"},"schema":{"@context":"https:\/\/schema.org","@graph":[{"@type":"Article","@id":"https:\/\/narteks.net\/index.php\/2018\/09\/06\/hicbir-sey-den-nasil-bir-sey-cikar-slavoj-zizek\/#article","isPartOf":{"@id":"https:\/\/narteks.net\/index.php\/2018\/09\/06\/hicbir-sey-den-nasil-bir-sey-cikar-slavoj-zizek\/"},"author":{"name":"Tar\u0131k","@id":"https:\/\/narteks.net\/#\/schema\/person\/61f37d9834294b72d31d274e7ed79bca"},"headline":"Hi\u00e7bir \u015eey\u2018den Nas\u0131l Bir \u015eey \u00c7\u0131kar? 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