{"id":7166,"date":"2018-09-17T18:15:13","date_gmt":"2018-09-17T15:15:13","guid":{"rendered":"http:\/\/localhost\/wordpress\/2018\/09\/17\/iyi-olma-halleri-yurumenin-felsefesi-frederic-gros\/"},"modified":"2025-04-28T14:35:57","modified_gmt":"2025-04-28T11:35:57","slug":"iyi-olma-halleri-yurumenin-felsefesi-frederic-gros","status":"publish","type":"post","link":"https:\/\/narteks.net\/index.php\/2018\/09\/17\/iyi-olma-halleri-yurumenin-felsefesi-frederic-gros\/","title":{"rendered":"\u0130yi Olma Halleri – Y\u00fcr\u00fcmenin Felsefesi | Frederic Gros"},"content":{"rendered":"![\"\"](\"http:\/\/narteks.net\/wp-content\/uploads\/frederic_gros-150x150.jpg\")
NE\u015eE, HAZ, HUZUR, MUTLULUK… G\u00fcn\u00fcm\u00fczde hepsi ayn\u0131 kefeye konuyor. Antik Yunan bilgeleri bu iyi olma h\u00e2llerini birbirinden ay\u0131rmaya b\u00fcy\u00fck \u00f6zen g\u00f6sterirdi, \u00e7\u00fcnk\u00fc felsefe okullar\u0131 da birbirinden ona g\u00f6re ayr\u0131l\u0131yordu. Bir s\u00fcreli\u011fine, b\u00fct\u00fcn felsefe okullar\u0131 bilgeli\u011fin herkese kendi varl\u0131\u011f\u0131n\u0131n \u0131\u015f\u0131\u011f\u0131n\u0131 bulma olana\u011f\u0131 vermesi gerekti\u011fi y\u00f6n\u00fcnde hemfikir olsa da, hayat\u0131n anlam\u0131 olarak g\u00f6r\u00fclen ve \u00fcst\u00fcne \u00e7ok\u00e7a d\u00fc\u015f\u00fcn\u00fclm\u00fc\u015f bu h\u00e2lin tan\u0131m\u0131 \u00fczerinde fikir ayr\u0131l\u0131klar\u0131na d\u00fc\u015fm\u00fc\u015flerdir. Kireneliler, Epik\u00fcrc\u00fc-ler, \u015e\u00fcpheciler, Platoncular, hepsi de bu iyi olma h\u00e2lini ne\u015fe, mutluluk ya da huzura dayal\u0131 olarak birbirinden tamamen farkl\u0131 \u015fekillerde tan\u0131mlam\u0131\u015flard\u0131r.<\/p>\n
Fakat y\u00fcr\u00fcme deneyiminin bu farkl\u0131l\u0131klarla alakas\u0131 yoktur. Y\u00fcr\u00fcmek iyi olma h\u00e2llerini farkl\u0131 durumlara g\u00f6re farkl\u0131 derecelerde hissetme \u015fans\u0131 vermek suretiyle b\u00fct\u00fcn olas\u0131l\u0131klara a\u00e7\u0131kt\u0131r. Y\u00fcr\u00fcmek, b\u00fct\u00fcn b\u00fcy\u00fck kadim bilgeliklere iyi bir girizgaht\u0131r.
\n\u00d6ncelikle hazz\u0131 ele alal\u0131m. Haz bir kar\u015f\u0131la\u015fma meselesidir. Bir bedenle, bir do\u011fa g\u00fcc\u00fcyle, bir maddeyle kar\u015f\u0131la\u015f\u0131nca ortaya \u00e7\u0131kmas\u0131 muhtemel bir histir. Haz sadece ho\u015fa giden, tatl\u0131, e\u015fsiz, olumlu anlamda ani, vah\u015fi duygularla ilgilidir. Her zaman duyularla alakal\u0131d\u0131r ve her zaman co\u015fmak i\u00e7in tetikte bekleyen, bedenlerimize kay\u0131tl\u0131 \u015feylerle a\u00e7\u0131\u011fa \u00e7\u0131kar. Haz, bedenlerimizde tetikte bekleyen hisleri ate\u015fleyecek \u015feye kavu\u015fmakt\u0131r. Hazz\u0131n s\u0131k\u00e7a irdelenen k\u00f6t\u00fc yan\u0131, tekrar\u0131n onun yo\u011funlu\u011funu azaltmas\u0131d\u0131r. Beni tatmin eden o \u015feye ikinci seferde daha b\u00fcy\u00fck co\u015fkuyla at\u0131l\u0131r\u0131m \u00e7\u00fcnk\u00fc kendimi gelecek hazza \u00f6nceden haz\u0131rlam\u0131\u015f\u0131md\u0131r.<\/p>\n
Onun her boyutunu ke\u015ffetmeye, tek bir detay\u0131m ka\u00e7\u0131rmadan tad\u0131na varmaya \u00e7al\u0131\u015f\u0131r\u0131m. Bunu \u00fc\u00e7\u00fcnc\u00fc, d\u00f6rd\u00fcnc\u00fc sefer izler, b\u00f6ylece o da bilindik, al\u0131\u015f\u0131lm\u0131\u015f \u015fey olur. Ayn\u0131 meyve, ayn\u0131 \u015farap, ayn\u0131 temast\u0131r belki ama izleri belli belirsiz bedenimdedir; art\u0131k bedenimde g\u00fc\u00e7l\u00fc bir etki b\u0131rakmadan ge\u00e7er gider. Hazda aranan bu yo\u011funluktur i\u015fte; hissetme melekelerinin \u015fa\u015fk\u0131na d\u00f6nd\u00fc\u011f\u00fc, uyand\u0131\u011f\u0131, \u00e7alkaland\u0131\u011f\u0131, uyar\u0131ld\u0131\u011f\u0131 o an. Tekrarla birlikte yavanla\u015f\u0131r, tazeli\u011fini kaybeder, me\u015fakkatli g\u00f6r\u00fcn\u00fcr, baya\u011f\u0131la\u015f\u0131r. Bu noktada \u015fu iki stratejiden birini se\u00e7ersiniz: \u00e7e\u015fitlilik ya da nicelik. Ya t\u00fcrleri de\u011fi\u015ftirip farkl\u0131 \u00e7e\u015fitlilikler bulur, ya ba\u015fka tarzlara ge\u00e7er ya da dozu art\u0131r\u0131rs\u0131n\u0131z. Bu stratejiler ilk uyguland\u0131\u011f\u0131nda biraz i\u015fe yarar. Azalm\u0131\u015f yo\u011funlu\u011fun bir k\u0131sm\u0131 yeniden kazan\u0131l\u0131r. Fakat bu etkiler i\u00e7in fazla beklentiye girilir ki, bu beklenti hazz\u0131 \u00f6ld\u00fcr\u00fcr.<\/p>\n
Y\u00fcr\u00fcrken de bu hazz\u0131 kar\u015f\u0131la\u015ft\u0131\u011f\u0131m\u0131z \u015feylerden al\u0131r\u0131z. Ka-radut ve yaban mersinlerinin kokusundan, yaz g\u00fcne\u015finin tatl\u0131l\u0131\u011f\u0131ndan, akarsular\u0131n ferahl\u0131\u011f\u0131ndan. Daha \u00f6nce kar\u015f\u0131la\u015fmad\u0131\u011f\u0131m\u0131z her \u015feyden. Y\u00fcr\u00fcmek, bizi hissizle\u015ftiren hastal\u0131\u011f\u0131 yol boyunca kar\u015f\u0131la\u015ft\u0131\u011f\u0131m\u0131z bu gibi \u015feylerle iyile\u015ftirir, t\u0131pk\u0131 azar azar ila\u00e7 zerk eder gibi.<\/p>\n
Ne\u015fe ayr\u0131 bir h\u00e2ldir; pasifli\u011fi az ve talepkarl\u0131\u011f\u0131 fazlad\u0131r, yo\u011funlu\u011fu az ve b\u00fct\u00fcnl\u00fc\u011f\u00fc fazlad\u0131r, kapsam\u0131 daha dar olsa da zenginli\u011fi fazlad\u0131r. Y\u00fcr\u00fcrken, bir faaliyete duyulan ba\u011fla tecr\u00fcbe edilir ne\u015fe. Aristoteles ve Spinoza’da da ayn\u0131 temel d\u00fc\u015f\u00fcnce vard\u0131r: Ne\u015fe bir olumlamaya e\u015flik eder.<\/p>\n
\u00dcz\u00fcnt\u00fcyse pasifliktir; ben yapamad\u0131\u011f\u0131mda belirir. Kendimi zorlar\u0131m, elim kolum ba\u011fl\u0131d\u0131r, her \u015fey bana kar\u015f\u0131d\u0131r. Sebat ederim, zorlar\u0131m. Yeniden ba\u015flar\u0131m ama \u00fcst\u00fcmde yine ayn\u0131 \u00f6l\u00fc topra\u011f\u0131 vard\u0131r: yapamama hissiyat\u0131. Daha bo\u015f bir sayfaya bakarken t\u00fckenirim, \u00e7ok zordur. Kelimeler akl\u0131ma gelmez, t\u0131pk\u0131 sarsak ve grotesk kal\u0131n derili hayvanlar gibi ayak s\u00fcr\u00fcy\u00fcp bir-birleriyle \u00e7arp\u0131\u015farak, d\u00fczensiz bir s\u0131rayla bozuk c\u00fcmleler olu\u015ftururlar. Spor m\u00fcsabakalar\u0131nda bir \u015feyi yapamamak da bunun bir \u00f6rne\u011fidir; insan kendini zorlar, bacaklar birer direk ve beden de \u00f6rst\u00fcr sanki. Ona s\u00f6ylenen hi\u00e7bir \u015feyi yapmay\u0131p karaya oturur, bi\u00e7imsiz bir k\u00fctleye d\u00f6n\u00fc\u015f\u00fcr. Keza bir m\u00fczik aletiyle cebelle\u015fe cebelle\u015fe hevesin k\u0131r\u0131lmas\u0131 da b\u00f6yledir; parmaklar yan\u0131t vermez, tokmak gibi a\u011f\u0131rla\u015fm\u0131\u015flard\u0131r. \u015eark\u0131c\u0131n\u0131n sesi kayar, detone olur. Ses \u00e7atlar. Ya da a\u015f\u0131r\u0131 \u00e7al\u0131\u015fmadan b\u0131kmak da \u00f6yledir; \u00e7ok fazla tekrar ister, \u00e7ok katmanl\u0131d\u0131r. Makineyi can s\u0131k\u0131nt\u0131s\u0131na ve yorgunlu\u011fa kar\u015f\u0131 durmadan iteklemek gerekir. Hi\u00e7bir \u015fey fayda etmedi\u011finde, \u00fcz\u00fcnt\u00fc peyda olur. Engellenmi\u015f, k\u00f6steklenmi\u015f, kar\u015f\u0131 \u00e7\u0131k\u0131lm\u0131\u015f, ray\u0131ndan \u00e7\u0131km\u0131\u015f bir olumlamad\u0131r \u00fcz\u00fcnt\u00fc.<\/p>\n
Zor bir eylemi ger\u00e7ekle\u015ftirmek zorunda oldu\u011fumda yeniden ba\u015flar\u0131m, inat ederim ve nihayetinde eylem ger\u00e7ekle\u015fir. Bundan sonra ayn\u0131 \u015fey bana gitgide daha kolay gelir. Her \u015fey daha \u00e7abuk ve ray\u0131nda gider. \u0130dman yaparken bedenin ba\u015flang\u0131\u00e7taki haml\u0131\u011f\u0131n\u0131 atmaya benzer bu. Zamanla beden hafifler, bir yan\u0131t verir. Ne\u015fe bir \u015feyi sonucuna erdirmenin verdi\u011fi haz, bir zafer duygusu veya ba\u015far\u0131ya ula\u015fman\u0131n tatmini de\u011fildir. Ustal\u0131kla harcanan bir enerjinin g\u00f6stergesi, ba\u011f\u0131ms\u0131z bir olumlamad\u0131r: Bu h\u00e2lin i\u00e7inde her \u015fey m\u00fcmk\u00fcn g\u00f6r\u00fcn\u00fcr. Ne\u015fe bir faaliyettir; zor olan ve zaman alan \u015feyi kolayl\u0131kla icra etmek, zihnin ve bedenin melekelerini olumlamakt\u0131r. Buldu\u011funda ve ke\u015ffetti\u011finde d\u00fc\u015f\u00fcnceye dolan ne\u015fe, bir i\u015fi \u00e7aba sarf etmeden yapt\u0131\u011f\u0131nda bedene dolan ne\u015fe. \u0130\u015fte bu y\u00fczden hazz\u0131n aksine ne\u015fe tekrarlarla artar ve zenginle\u015fir.<\/p>\n
Y\u00fcr\u00fcrken, s\u00fcrekli duyulan g\u00fcmb\u00fcrt\u00fcd\u00fcr ne\u015fe. Elbette yer yer \u00e7aba sarf etmek zorunda kalabilir, g\u00fc\u00e7l\u00fcklerle kar\u015f\u0131la\u015fabilirsiniz yine. Ayr\u0131ca g\u00f6n\u00fcl rahatl\u0131\u011f\u0131yla dolu anlar\u0131n\u0131z da olacakt\u0131r, inip ard\u0131n\u0131zda b\u0131rakt\u0131\u011f\u0131n\u0131z dik yamaca gururla bakmak mesela. Fakat bu tatminler \u00e7o\u011funlukla yeniden nicelikler, puanlamalar, say\u0131lar d\u00fcnyas\u0131na girilmesine sebep olur (Hangi yol? Ne kadar uzun? Hangi y\u00fckseklikte?). \u0130\u015fte o zaman y\u00fcr\u00fcmek yar\u0131\u015fa d\u00f6n\u00fc\u015f\u00fcr. Da\u011flarda yap\u0131lan uzun y\u00fcr\u00fcy\u00fc\u015fler (her biri ayr\u0131 bir m\u00fccadele olan doruklar\u0131 fethetmek) bu y\u00fczden her zaman hafiften kirlidir, \u00e7\u00fcnk\u00fc narsistik tatminlere yol a\u00e7ar. Caka satmayla alakas\u0131 olmayan y\u00fcr\u00fcy\u00fc\u015fe, bedeni en eski do\u011fal eylem i\u00e7inde hissetmenin getirdi\u011fi basit ne\u015fe h\u00e2kimdir, ilk ad\u0131mlar\u0131n\u0131 atan bir \u00e7ocu\u011fun bir aya\u011f\u0131n\u0131 di\u011ferinin \u00f6n\u00fcne koyarken \u0131\u015f\u0131ldayan y\u00fcz\u00fcne bak\u0131n. Siz y\u00fcr\u00fcrken s\u00fcrekli g\u00fcmb\u00fcrdeyen ne\u015fe, bedenin bu hareket i\u00e7in nas\u0131l da bi\u00e7ilmi\u015f kaftan oldu\u011funu, her ad\u0131mda bir sonrakinin enerjisini nas\u0131l da yakalay\u0131verdi\u011fini hissetmekten ileri gelir.<\/p>\n
Hatta y\u00fcr\u00fcme eyleminin \u00f6tesinde ama yine onunla uyumlu olan, doygunluk \u015feklinde tecr\u00fcbe edilen ya\u015fama ne\u015fesi vard\u0131r bir de. B\u00fct\u00fcn g\u00fcn y\u00fcr\u00fcd\u00fckten sonra bacaklar\u0131 uzat\u0131p dinlenmek, sade bir yemekle karn\u0131 doyurmak, hafif bir \u015feyler i\u00e7mek ve biten g\u00fcn\u00fc, tatl\u0131 tatl\u0131 \u00e7\u00f6ken ak\u015fam\u0131 seyretmek…3 Karn\u0131 doymu\u015f, susuzlu\u011fu dinmi\u015f, a\u011fr\u0131lar\u0131 saymazsak huzura ermi\u015f bir beden, ya\u015fad\u0131\u011f\u0131n\u0131 hissediyor olmak, duru bir yo\u011funlu\u011fa ve sahici bir al\u00e7akg\u00f6n\u00fcll\u00fcl\u00fc\u011fe sahip ne\u015fenin en b\u00fcy\u00fck kayna\u011f\u0131d\u0131r: ya\u015faman\u0131n, burada oldu\u011funu hissetmenin, kendi varl\u0131\u011f\u0131yla bu d\u00fcnyan\u0131n varl\u0131\u011f\u0131n\u0131n uyumunu tatman\u0131n verdi\u011fi ne\u015fe. Ne yaz\u0131k ki, uzun zamand\u0131r pek \u00e7o\u011fumuz, doygunlu\u011fa ula\u015fman\u0131n nesnelere sahip olmaya ve toplumsal itibara dayand\u0131\u011f\u0131 inanc\u0131n\u0131 a\u015f\u0131layan k\u00f6t\u00fc imajlar\u0131n tuza\u011f\u0131na d\u00fc\u015fm\u00fc\u015f durumday\u0131z. Asl\u0131nda \u00e7ok yak\u0131n\u0131m\u0131zda ve \u00e7ok basit olan -ve belki de bu y\u00fczden zor g\u00f6r\u00fcnen- ne\u015feyi aramaya \u00e7ok uzaklardan ba\u015flar\u0131z. Halbuki biz \u00e7oktand\u0131r bunun \u00f6tesindeyiz, hep \u00f6tesindeydik. Y\u00fcr\u00fcme deneyimi bu durumun yeniden fethedilmesini sa\u011flar, \u00e7\u00fcnk\u00fc bedeni, ne\u015fenin yan\u0131 s\u0131ra can s\u0131k\u0131nt\u0131s\u0131 ve yorgunluk da veren uzun s\u00fcreli bir faaliyete maruz b\u0131rakmak, sonras\u0131nda beden dinlenirken, doygunlukla ve bu defa daha derinden gelen ve daha gizli bir olumlamayla (beden sakince soluk al\u0131p vermeye devam etmektedir, hayatta ve buradas\u0131n\u0131zd\u0131r) ili\u015fkili ikincil bir ne\u015fenin daha belirmesine yol a\u00e7ar.<\/p>\n
Y\u00fcr\u00fcrken belki de ad\u0131na \u201cmutluluk\u201d diyebilece\u011fimiz bir \u015feyi yakalar\u0131z. Yazarlar ve \u015fairler onu b\u00fcy\u00fck d\u00fc\u015f\u00fcn\u00fcrlerden daha iyi anlatm\u0131\u015flard\u0131r, \u00e7\u00fcnk\u00fc mutluluk bir kar\u015f\u0131la\u015fma meselesidir ve duruma ba\u011fl\u0131 olarak yo\u011funlu\u011fu de\u011fi\u015fir. Yaban meyvelerini tad\u0131n\u0131 \u00e7\u0131kara \u00e7\u0131kara yemekten ya da bir esintinin yanaklar\u0131 ok\u015famas\u0131ndan alman haz. Y\u00fcr\u00fcmenin, \u201cbir ba\u015f\u0131na\u201d ilerledi\u011fini hissetmenin verdi\u011fi ne\u015fe. Ya\u015faman\u0131n tatt\u0131rd\u0131\u011f\u0131 doygunluk. G\u00fcnbat\u0131m\u0131nda mora \u00e7alan vadinin manzaras\u0131, b\u00fct\u00fcn g\u00fcn keskin g\u00fcne\u015fin alt\u0131nda ezilmi\u015f renklerin nihayet birka\u00e7 dakikal\u0131\u011f\u0131na da olsa alt\u0131n rengi \u0131\u015f\u0131kla ortaya \u00e7\u0131k\u0131p nefes ald\u0131\u011f\u0131 o mucizevi yaz ak\u015famlar\u0131n\u0131n ya\u015fatt\u0131\u011f\u0131 mutluluk. Ard\u0131ndan, y\u00fcr\u00fcy\u00fc\u015flerde kar\u015f\u0131la\u015fan ve bir \u00e7at\u0131 alt\u0131na hep beraber s\u0131\u011f\u0131nabildikleri i\u00e7in sevinen insanlar\u0131n ak\u015fam\u0131na e\u015flik eder mutluluk. Fakat bunlar\u0131n hepsinde almaya, kabul etmeye ili\u015fkin bir \u015fey vard\u0131r. Mutluluk kendini bir manzaran\u0131n, bir an\u0131n, bir ortam\u0131n al\u0131c\u0131s\u0131 olarak bulmay\u0131 ve an\u0131n l\u00fctf\u00fcn\u00fc almay\u0131, kabul etmeyi, yakalamay\u0131 gerektirir. Bunun ne yolu yordam\u0131 vard\u0131r ne de haz\u0131rl\u0131\u011f\u0131; sadece an geldi\u011finde orada olmal\u0131d\u0131r insan. \u00d6b\u00fcr t\u00fcrl\u00fc ba\u015fka bir \u015feye, bir \u015feyi ba\u015farm\u0131\u015f olman\u0131n tatminine, zaten bildi\u011finiz \u015feyi yapm\u0131\u015f olman\u0131n ne\u015fesine d\u00f6n\u00fc\u015f\u00fcr. Mutluluk tekrarlanamaz oldu\u011fu i\u00e7in hayli k\u0131r\u0131lgand\u0131r; mutluluk anlar\u0131 nadirdir, bu anlar d\u00fcnyan\u0131n kuma\u015f\u0131ndaki alt\u0131n iplere benzer, onlar\u0131 yakalamak gerekir.<\/p>\n
Son iyi olma h\u00e2li huzurdur. Bu da farkl\u0131 bir mevzudur; kay\u0131ts\u0131zl\u0131kla merak, reddetmeyle olumlama aras\u0131ndaki dengedir. Ruhun her y\u00f6n\u00fcyle dengede bulunmas\u0131 h\u00e2lidir. Y\u00fcr\u00fcy\u00fc\u015f, birbirini izleyen dinlenme ve hareket anlar\u0131nda gizliden gizliye, a\u011f\u0131r a\u011f\u0131r huzurun kap\u0131s\u0131na \u00e7\u0131kar. Huzur belli ki y\u00fcr\u00fcy\u00fc\u015f\u00fcn yava\u015fl\u0131\u011f\u0131na, b\u00fct\u00fcn\u00fcyle tekrarlardan m\u00fcte\u015fekkil olmas\u0131na ba\u011fl\u0131d\u0131r; kendinizi ona teslim etmeniz gerekir.<\/p>\n
Korku ve umudun yaratt\u0131\u011f\u0131 tedirgin dalgalanmalardan kurtulmu\u015f olmak ve hatta kendini b\u00fct\u00fcn kesinliklerin \u00f6tesine konumland\u0131rmakt\u0131r huzur (\u00e7\u00fcnk\u00fc kesinlikler savunulur, tart\u0131\u015f\u0131l\u0131r ve in\u015fa edilir). G\u00fcn\u00fcbirlik bir yola \u00e7\u0131kt\u0131\u011f\u0131n\u0131zda ve bir sonraki a\u015famaya varman\u0131n ka\u00e7 saat alaca\u011f\u0131n\u0131 bildi\u011finizde y\u00fcr\u00fcmekten ve yolu takip etmekten ba\u015fka bir \u015fey yapmazs\u0131n\u0131z. Yapacak ba\u015fka hi\u00e7bir \u015fey yoktur. Her h\u00e2l\u00fckarda bu vakit alacakt\u0131r; her ad\u0131m saniyelerin \u00fczerinden atlayacak ama saatleri k\u0131saltmayacakt\u0131r. Her h\u00e2l\u00fckarda ak\u015fam gelecek ve bacaklar a\u015f\u0131lmas\u0131 imkans\u0131z mesafeyi azar azar yiyip bitirmi\u015f olacakt\u0131r. Ka\u00e7\u0131n\u0131lmaz etkileri olan bir ka\u00e7\u0131n\u0131lmazl\u0131kt\u0131r bu. Karar vermeye, d\u00fc\u015f\u00fcnmeye, hesap etmeye gerek yoktur. Tek yap\u0131lacak \u015fey y\u00fcr\u00fcmektir. Belki ileriyi d\u00fc\u015f\u00fcnebilirsiniz, ama y\u00fcr\u00fcrken her \u015fey yava\u015flar; tahminler, beklentiler cesaretinizi k\u0131rar. O h\u00e2lde yolculu\u011fun bu aya\u011f\u0131m bitirmek i\u00e7in kendi temponuzda yola devam etmeniz gerekir sadece. Huzur yaln\u0131zca yolu takip etmekten gelir. S\u0131k\u0131nt\u0131 ve trajediler, ya\u015famlar\u0131n\u0131z ve bedenlerinizdeki bo\u015f tarlalar\u0131 e\u015feleyen \u015feylerdir. Siz uzaklarda y\u00fcr\u00fcrken b\u00fct\u00fcn bunlar, durumunuzla alakas\u0131z ve m\u00fcphem olduklar\u0131 i\u00e7in rafa kalkar, bu y\u00fczden huzur sizi y\u00fcr\u00fcrken yakalar. B\u00fcy\u00fck tutkular\u0131n yaratt\u0131\u011f\u0131 yorgunlu\u011fun, stres alt\u0131nda ezilen harala g\u00fcrele ya\u015famlar\u0131n tat-s\u0131zl\u0131\u011f\u0131nmm yerini sadece ama sadece y\u00fcr\u00fcy\u00fc\u015f\u00fcn amans\u0131z bitkinli\u011fi al\u0131r. Huzur art\u0131k hi\u00e7bir \u015fey beklemiyor olman\u0131n, yaln\u0131zca y\u00fcr\u00fcmenin, yaln\u0131zca ilerlemenin hissettirdi\u011fi tazeliktir.<\/p>\n
\u0130yi Olma Halleri – Y\u00fcr\u00fcmenin Felsefesi | Frederic Gros<\/p>\n","protected":false},"excerpt":{"rendered":"
NE\u015eE, HAZ, HUZUR, MUTLULUK… G\u00fcn\u00fcm\u00fczde hepsi ayn\u0131 kefeye konuyor. Antik Yunan bilgeleri bu iyi olma h\u00e2llerini birbirinden ay\u0131rmaya b\u00fcy\u00fck \u00f6zen g\u00f6sterirdi, \u00e7\u00fcnk\u00fc felsefe okullar\u0131 da birbirinden ona g\u00f6re ayr\u0131l\u0131yordu. Bir s\u00fcreli\u011fine, b\u00fct\u00fcn felsefe okullar\u0131 bilgeli\u011fin herkese kendi varl\u0131\u011f\u0131n\u0131n \u0131\u015f\u0131\u011f\u0131n\u0131 bulma olana\u011f\u0131 vermesi gerekti\u011fi y\u00f6n\u00fcnde hemfikir olsa da, hayat\u0131n anlam\u0131 olarak g\u00f6r\u00fclen ve \u00fcst\u00fcne \u00e7ok\u00e7a d\u00fc\u015f\u00fcn\u00fclm\u00fc\u015f […]<\/p>\n","protected":false},"author":1,"featured_media":0,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[103],"tags":[],"class_list":{"0":"post-7166","1":"post","2":"type-post","3":"status-publish","4":"format-standard","6":"category-felsefe-genel"},"yoast_head":"\n
\u0130yi Olma Halleri - Y\u00fcr\u00fcmenin Felsefesi | Frederic Gros - narteks.net<\/title>\n<meta name=\"robots\" content=\"index, follow, max-snippet:-1, max-image-preview:large, max-video-preview:-1\" \/>\n<link rel=\"canonical\" href=\"https:\/\/narteks.net\/index.php\/2018\/09\/17\/iyi-olma-halleri-yurumenin-felsefesi-frederic-gros\/\" \/>\n<meta property=\"og:locale\" content=\"tr_TR\" \/>\n<meta property=\"og:type\" content=\"article\" \/>\n<meta property=\"og:title\" content=\"\u0130yi Olma Halleri - Y\u00fcr\u00fcmenin Felsefesi | Frederic Gros\" \/>\n<meta property=\"og:description\" content=\"NE\u015eE, HAZ, HUZUR, MUTLULUK… G\u00fcn\u00fcm\u00fczde hepsi ayn\u0131 kefeye konuyor. Antik Yunan bilgeleri bu iyi olma h\u00e2llerini birbirinden ay\u0131rmaya b\u00fcy\u00fck \u00f6zen g\u00f6sterirdi, \u00e7\u00fcnk\u00fc felsefe okullar\u0131 da birbirinden ona g\u00f6re ayr\u0131l\u0131yordu. 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